Wally Wright

An Enchanted Evening at Alfonsina Restaurant in Oaxaca

World-class dishes meet home cooking at chef Jorge León’s destination restaurant in San Juan Bautista la Raya, one of the best dining experiences in Mexico.

Sunlit table at Alfonsina restaurant in Oaxaca with woman in background

The tranquil setting in a pueblo half an hour outside of Oaxaca Centro puts the spotlight on the meal. You can see Elvia, the chef’s mother, in the background, making tortillas.

The taxi had been driving for about half an hour. As we rumbled along a dirt road in a small village outside of Oaxaca de Juárez, Wally and I wondered where the heck we were going.

Located in San Juan Bautista la Raya, Alfonsina is the culinary masterpiece of chef Jorge León. A coworker who had visited Oaxaca last year tipped me off to the restaurant and insisted we go. For those of you reading this who like to skip to the end, Wally and I were not disappointed. To me, the prospect of having a meal in the backyard of a local chef sounded magical — and, indeed, it was. 

Like a beautifully choreographed dance, guests were served simultaneously.
Two men at Alfonsina restaurant

There was time before dinner for Wally and Duke to wander the grounds, chat with other guests and have their picture taken.

Our experience began the minute we were dropped off outside, passed through a doorway and entered the yard. We were ushered in and seated at a rustic two-top wooden table. Surrounded by foliage and cool brick walls, it felt more like a secret garden than a restaurant. It’s an inviting outdoor space that encourages you to stay a while, to hang out in the courtyard and take pictures. 

Outdoor incense burner with large smoke cloud

An incense burner in the yard

Nopale cactus

Nopale cactus, a popular ingredient

León grew up in San Juan Bautista la Raya. He began his career at Casa Oaxaca and honed his skills under chef Enrique Olivera in Mexico City, who hired him to work at the legendary Pujol. Returning home with a clear vision and the money he had saved over the last decade, León created Alfonsina. He purchased a plot of land next to his mother Elvia’s house and built the space from scratch with help from his relatives. 

It’s a family affair in the truest sense. Elvia runs breakfast and lunch, and León’s brothers and cousins assist with service and food preparation. We noticed a couple bussers wearing black T-shirts that had “Familia” printed on them.

Traditional outdoor brick oven at Alfonsina

A traditional outdoor brick oven used at Alfonsina

The evening we dined at the restaurant, it was filled with a mix of locals and travelers, who made the pilgrimage like us. There were four tables total when we were there, and the prix-fixe service starts at the same time, 7 p.m., with every course coming out simultaneously for the entire restaurant.

While taking photos before our meal, we struck up a conversation with a couple who were also visiting from Chicago and a gay couple from San Francisco. They were all dining with their family at a nearby table. 

A small patio by the men’s room. The location is part of the home where chef Jorge León grew up.

A Meal Worth Traveling For

Alfonsina is León’s tribute to traditional Oaxacan cuisine. Our inventive meal consisted of five courses and featured seasonal local produce. Although the menu is predominantly plant-based, ours included seafood. 

Our server asked what we would like to drink other than water and suggested an artisanal IPA made in Oaxaca by a women’s collective. I never thought I’d find myself saying yes to — and actually enjoying — an IPA, as the ones I’ve tried in the U.S. are aggressively hops-forward and bitter. However, the ones I’ve had in Mexico City and Oaxaca taste more like a lager. 

Camarones al chepil with a salad of quintonil and cuatomate at Alfonsina restaurant

The prix-fixe meal started off with a delicious salad and shrimp dish.

First Course

To start, we were served camarones al chepil, a salad of quintonil (leaves of the amaranth plant) and cuatomate (small tomatoes), with a dressing made with capulin (a seasonal fruit about the size of a cherry with a mellow sweetness). Chepil, also known as chipilín, is an edible leaf with a subtle flavor somewhere between spinach and watercress. The smooth texture of the dressing alongside the gently poached shrimp melded beautifully with the acidity of the tiny tomatoes. 

In between courses, we were served small clay cups of pulque. The pre-Hispanic fermented beverage is made from aguamiel, the sap of the agave, the same plant that’s used to make tequila and mezcal. It has a tang not unlike kombucha. We also were offered shots of mezcal espadín, which was earthy, vegetal and not overly smoky. 

Second Course

Next up: tacos de pulpo, or octopus tacos, in a sweet and sour chipotle marinade with avocado criollo (a variety whose skin you can eat) and purslane (an herbaceous edible succulent). The Creole corn used for their tortillas is sourced from the village, milled onsite and cooked on a comal, a large flat circular griddle made from clay. I found myself savoring the surprise of how its flavor evolved atop slightly smoky seared octopus. 

Below the squash blossoms and crispy tortilla was chileate, a parsley soup.

Third Course 

Chileate, a thickened parsley soup, came next. It was a simple but hearty soup made of parsley, roasted tamala squash and mahi-mahi, topped with squash blossoms. It came served with a crisp tortilla that was fun to break and dip into the velvety broth. 

Fourth Course

The main course was perfectly prepared mahi-mahi served atop an ochre-colored mole made with hoja santa (leaves that are popular in the region), estrella de nopal (an edible cactus) and green beans. I was sold from the first bite, which yielded moist, lightly flaky mahi-mahi. 

Nieve de garrafa de coco at Alfonsina restaurant

A bright, palette-cleansing dessert: nieve de garrafa de coco

Dessert

The meal ended with nieve de garrafa de coco, accompanied by a steaming mug of café de olla (a traditional cinnamon-flavored coffee). Nieve, a water-based frozen dessert, is a kind of sorbet native to Mexico. Its texture is lighter than traditional ice cream and has a creamy consistency, even though there’s no dairy in it. This nieve was studded with shaved coconut and sections of charred sweet pineapple, topped with walnut pieces. 

Man leans on table under trellis at Alfonsina restaurant

The idyllic setting at Alfonsina in the quiet pueblo of San Juan Bautista la Raya made Wally smile.

Man in the setting sun at Alfonsina restaurant

The setting sun lights up Duke’s face (or was it the experience of dining at Alfonsina?).

A Special Evening

One of the best parts of our experience was the staff. Like a beautifully choreographed dance, guests were served simultaneously. No one was left waiting to eat. The servers were eager to explain each dish in detail, and at the end of the meal, one of them came around with a plate loaded with the ingredients used in the meal, pointing out each and informing us what course it was included in. It was a charming tradition, and one we wish more restaurants would take up.

Plate of local fresh ingredients including peppers, tomatoes and herbs used at Alfonsina

After dinner, our server brought out a plate of the local, seasonal ingredients used in the evening’s meal, explaining what each was.

Alfonsina reveals the magic that prevails when tradition is honored amidst experimentation; León has created a culinary environment that reflects both his skill and experience in leading global restaurants as well as his mother’s home cooking that has served the local community for many years before the restaurant was formally established.

Cacti, flowers and other plants in the yard at Alfonsina restaurant

Cacti, flowers and other plants in the yard at the restaurant

It was an unforgettable evening that felt like an intimate gathering of friends coming together to enjoy a world-class meal. Each dish brought a wonderful surprise and we were happy to have dined here. This hidden gem is not about one individual thing — it’s the entire experience, centered on the food that reflects the ever-changing nature of the best seasonal ingredients and the chef who cooks from his heart. –Duke

To book a reservation at Alfonsina, click here

Covered outdoor eating space at Alfonsina restaurant in San Juan Bautista la Raya

The space is simple, relaxing — like eating in a friend’s yard.

Alfonsina

Calle García Vigil 183
San Juan Bautista la Raya
Oaxaca
México

 

Traditional Temazcal Ceremony and Massage in Oaxaca

The herb-infused indigenous steam ritual at Temazcal Oaxaca opens your mind as well as your pores. Plus, you won’t believe how they cleanse you of negative energy.

Duke takes a seat in front of the temazcal, a sort of steam lodge that has been used by the Aztecs, Mixtecs and other indigenous people of Mexico.

I’ve always dreamed of embarking upon a spirit quest. Throw in a massage afterward, and it’s a no-brainer. I’m in. 

When I first read about temazcales in Viva Oaxaca: An Insider’s Guide to Oaxaca’s Charms by Robert Adler and Jo Ann Wexler, I knew Duke and I had to experience one. 

When researching which temazcal to try out, Duke was drawn to Temazcal Oaxaca, thanks to its Insta page

She walked behind me and began to lightly beat me with a bundle of herbs. 

The temazcalera does this to cleanse you of negativity. This transfers the bad energy to the herbs, which are then burned. 
Man with sunglasses in front of hammock and painted wall

Wally is ready to embark upon his temazcal spirit quest — part of an ancient tradition of the indigenous peoples of Mexico.

We had just wrapped up a folk art tour with the wonderful Linda Hanna, and when the time came, we found a car waiting outside our hotel, Casa Antonieta, ready to drive us to the village of Santa María Coyotepec for our temazcal experience. The driver turned out to be Nathan Dawson, the young man who designed, built and runs Temazcal Oaxaca with his girlfriend, Orosei Acevedo. 

The courtyard at Temazcal Oaxaca with the cold plunge tub off to the right

What Is a Temazcal?

The name translates to “house of hot rocks.” These brick structures — imagine a Native American sweat lodge shaped like an igloo — are a tradition used for various purposes by many of the ancient indigenous peoples of Mexico. Sure, Nathan told us, they were part of spiritual rituals, but the Aztecs used them to prepare soldiers for battle, the Mixtecs of the mountains used them to induce labor, and more recently, they’re used for general bathing — villagers can save on precious water and emerge smelling like fresh herbs. 

Traditionally, a woman known as a temazcalera will guide you through the process. This role is sometimes referred to as a shaman or curandera (folk healer). Every pueblo has a midwife, and she’s who acts as temazcalera, Nathan informed us. 

White table and chairs near painted wall in Temazcal Oaxaca courtyard

The peaceful area where you relax before and after your temazcal experience

Temazcal Oaxaca: “By Far the Best”

When we arrived, an expat couple from St. Louis had just finished their experience. They moved to Oaxaca a few years ago, and like every American we’ve met living here, they have no plans of going back to the States. 

The man encouraged us to take a shot of mezcal to loosen us up for the temazcal, so I squeezed orange slices into our thimble-sized goblets and we threw them back. It’s also recommended you drink a couple of glasses of water to hydrate before the steam bath. 

As we sat at the table, a spray of liquid hit my forearm. No one else saw or felt anything. I began to believe I was marked by an invisible spirit animal in preparation for my temazcal. 

When I asked Nathan later what it might have been, he said it was most likely one of the giant cicadas that live in the tree — which certainly wasn’t as glamorous a spirit animal as I was hoping for. 

As the couple left, the man told us, “I’ve been to temazcals all over, and this is by far the best. It’s not touristy; it’s the real deal.”

Temzcal outside of Oaxaca, Mexico

The temazcal is purposefully shaped like a womb.

Inside the Temazcal: Return to the Womb

We ducked our heads and entered the dark brick structure, sitting upon wooden stools in front of a fire that heats rocks. Our temazcalera, Narcedalia, knelt next to me, taking bundles of herbs, dipping them into a bucket of water and then placing them atop the hot rocks. An aroma filled the space, with many of the herbs working to open the lungs. We took deep breaths and entered a meditative state. My mind journeyed to a troubled relationship I have with a family member, suggesting that I should make the effort to repair it. 

Our lovely temazcalera, Narcedalia, guided us through the ritual.

Stools and hot stones inside temazcal with circular brick pattern on roof

A glimpse inside the temazcal — before the door shuts and you embark upon a dark, steamy spirit journey

Now and then, Narcedalia rattled off something in Spanish, and we mostly caught the gist. She explained that temazcales are good for the head, the heart, the stomach, her hand moving to each part of the body as she spoke them. 

When sweat poured down our faces, Narcedalia took our washcloths, wet them and refreshingly dabbed our faces. Every once in a while, she sang a quiet song from her home, Atzompa, a nearby pueblo known for its pottery. It was lovely to hear her soft, soothing voice, filling the chamber like a lullaby.  

As I sat there in the dark, imagining I was part of an ancient Mixtec group undergoing a ritual experience, Narcedalia walked behind me and began to lightly beat me with one of the bundles of herbs. The temazcalera does this to cleanse you of negativity. This transfers the bad energy to the herbs, which are then burned. 

As Nathan later explained, modern-day grandmothers carry on this tradition. If something bad happens or a child is scared, the abuela will rub an egg on the person, declaring that the evil is now in the egg, which she will then bury. Alternatively, she might lightly whip you with herbs to get rid of your fear — like they do in a temazcal.

“You’re transferring the negativity to the herb,” Nathan said. “Then you’re symbolically letting go of it, burning it on the rock.”

Bundles of herbs used to cleanse negativity in temazcal ritual

You’ll get lightly beaten by bundles of herbs to cleanse you of negativity during the temazcal ceremony.

After about 20 minutes or so (it’s impossible to know for sure, as the experience seems to take place out of time), we took Nathan’s advice and moved to sit on the floor to cool off slightly. Then, after another passage of time, the temazcalera placed pillows on the ground, and we laid there, relaxed and refreshed. 

At one point, Narcedalia said something that sounded like she wanted us to open our towels. So, we made our privates public, hoping that’s what she was saying. 

And when she poured water over us in a baño, or bath, I sighed in contentment, and was relieved that we had correctly understood her. She was so gentle, like a mother bathing a baby. And indeed, the shape of the temazcal is round, to mimic a pregnant belly. 

“You’re going into Mother Earth’s womb and back out again,” Nathan told us. 

Massage beds seen through gauze

The massage beds as seen through gauze

Rubbed Down and Relaxed 

Don’t be surprised if your experience is a bit different. Nathan and Orosei are always seeking to enhance the experience, adding a sensory element here, a spa treatment there. (They’ve got plans to have patrons do a natural mud mask after the temazcal, once the pores are good and open.) 

After our temazcal, we skipped the cold plunge and went into the nearby building, where we had changed out of our clothes. Now we got ready for our massages. There are so many nice touches, including a blindfold and aromatic herbs placed by our noses — both of which connected back to the temazcal experience. 

Nathan hired Narcedalia and her two sisters to act as temazcaleras and put them through massage school. I don’t know that I’ve ever been more relaxed after a rub-down. We had turned into puddles of goop. After a cup of tea, Duke and I got up slowly, put our clothes back on and literally oozed outside. 

Man sitting by bamboo wall with plants

Wally, blissed out after the temazcal and massage

We sat in the courtyard and chatted with Nathan, who grew up splitting his time between this village and Texas. He walked us around, showing us the various herbs used in the temazcal. It’s a variety that might include: boldo (the most common), basil, rosemary, rue, fennel, aloe vera, vicks plant, hierba maestra and hierba buena. 

Wild herbs used for temazcal

Nathan and Orosei grow most of their own herbs to open your lungs, your pores and perhaps even your soul.

Hand holding wild herbs

Nathan, the owner of Temazcal Oaxaca, showed us the various herbs grown in the courtyard and used in the temazcal.

Vicks plant, on the left, is Mexico’s natural version of Vicks VapoRub.

While his family has operated a temazcal for decades, this site opened in October 2021. Nathan is an astute entrepreneur — he’s got a vision, and the experience he has created is one of a kind. 

We highly recommend adding Temazcal Oaxaca to your itinerary. It’d be best to do so toward the end of your trip — a wonderful way to refresh after days walking in the heat and driving to the charming villages on the outskirts of town. –Wally

Two men leaning on brick wall with Mixtec heart symbol

Wally and Duke stand on either side of the Mixtec symbol for a heart.

Blue painting of god of temazcales on brick wall

When you’re done, say a prayer of thanks to the god of temazcales.

 

Temazcal Oaxaca

Allende Santa María Coyotepec
71254 Oaxaca
México

The Marvelous (and Controversial) Murals at the Palacio de Bellas Artes in Mexico City

Make the rounds at the Palace of Fine Arts in CDMX’s Centro to see works from some of Mexico’s most famous muralists, including Diego Rivera, José Clemente Orozco and David Alfaro Siqueiros.

This provocative mural was being renovated when we visited the Palacio de Bellas Artes and could only be viewed from across the way.

On our first trip to Mexico City, we only admired the Palacio de Bellas Artes from afar — namely, from the Sears across the street, which affords the best view of that gorgeous Art Nouveau dome, glowing in an ombre that starts with bright saffron and fades to pale yellow. 

Instead, we followed a scavenger hunt of sorts, rambling around Centro in a search for its most Instagrammable spots

The Palacio de Bellas Artes is more than just a pretty façade — there’s a gallery of famous murals inside.

This time, we planned to actually enter the Palacio de Bellas Artes, though we had no idea what lay within. Duke and I were pleasantly surprised to discover that the top floor was devoted to a gallery of murals from some of Mexico’s most famous artists. 

Interior of Palacio de Bellas Artes

The inside of the Palace of Fine Arts in Mexico City isn’t too shabby, either. Be sure to get tickets for the mural museum when you visit.

We purchased our tickets on the ground floor, then climbed the grand staircases up two flights. The murals form a ring around the space, with the center open, letting you look down at the palace’s lobby or admire the murals from afar. When we visited, one of the murals was being restored and we could only see it from across the way.

Sit and admire Diego Rivera’s kooky mural — which Rockefeller rejected.

El Hombre en el Cruce de Caminos o El Hombre Controlador del Universo

Translation: Man at the Crossroads, or Man, Controller of the Universe

Date: Date: 1934

Artist: Diego Rivera

It’s a battle between capitalism, as represented by figures including Charles Darwin (the fellow with a white beard surrounded by animals)…

Detail from Diego's El Hombre en el Cruce de Caminos o El Hombre Controlador del Universo

…and Communism, depicted on the righthand side, with Leon Trotsky, Karl Marx and Friedrich Engels all making appearances.

Fascinating fact: The original Man at the Crossroads was commissioned for the Rockefeller Center in New York City. But when Nelson Rockefeller got wind that it included a depiction of Vladimir Lenin and a Soviet May Day parade, he ordered it destroyed — before it was even completed.


González Camarena’s mural moves from slavery to spiritual liberation.

Liberación o La Humanidad Se Libera de la Miseria

Translation: Liberation, or Humanity Frees Itself From Misery

Date: 1963

Artist: Jorge González Camarena

Fascinating facts: This is a re-creation of a no-longer-existing mural that had been painted on the Edificio Guardiola, where the Bank of Mexico placed its vaults. The first part shows a man tied up in a coffin and a nude tattooed woman to protest agrarian policies after the Mexican Revolution and slavery. The last section to the far right depicts a mestizo woman (someone of indigenous and European blood) — a radiant symbol of spiritual liberation.


Knight in Apoteosis de Cuauhtémoc mural

Siqueiros’ mural presents revisionist history, where an Aztec ruler isn’t conquered by the conquistadors.

Apoteosis de Cuauhtémoc o Cuauhtémoc Redivivo and Tormento de Cuauhtémoc
(Díptico Monumento a Cuauhtémoc)

Translation: Apotheosis of Cuauhtémoc, or Cuauhtémoc Resurrected and Torment of Cuauhtémoc (Monumental Diptych to Cuauhtémoc)

Date: 1951

Artist: David Alfaro Siqueiros

The Aztec ruler Cuauhtémoc had his feet burned until he caved and told the Spanish where to find a treasure trove.

Fascinating facts: One panel shows a revisionist history, what the artist wishes had happened — that the Aztec emperor Cuauhtémoc had defeated the Spanish conquistadors. The other shows what really happened: The ruler was tortured by the Spanish, who burned his feet until he revealed the location of Montezuma’s treasure.


Alegoría del Viento mural at Bellas Artes

Note the personifications of the wind blowing in this Art Deco mural fragment.

Alegoría del Viento o El Ángel de la Paz o La Aviación

Translation: Allegory of the Wind, or The Angel of Peace, or Aviation 

Date: 1928

Artist: Roberto Montenegro

Fascinating facts: This is the only portion of the original Art Deco work at the former Colegio Máximo de San Pedro y San Pablo that survived the humidity. It’s the oldest mural in the collection.  


Man vs. machinery battle it out in Orozco’s bizarre and disturbing mural.

Katharsis o La Eterna Lucha de la Humanidad por un Mundo Mejor

Translation: Catharsis, or Humanity’s Eternal Struggle for a Better World

Date: 1935

Artist: José Clemente Orozco

Detail of La Chata in Katharsis by Orozco

A detail of La Chata, the infamous pug-nosed prostitute in Orozco’s mural

Fascinating facts: Orozco, like his contemporary Diego, was no stranger to controversy, as evidenced by this horrific vision of dystopia. The naked woman, wearing a massive pearl necklace, grins outward and opens her legs to a piece of machinery. She’s known as La Chata (Pug Nose) and has the dubious honor of being considered one of the most repulsive images in art. 


México Folclórico y Turístico by Diego

Rivera’s mural panels poked fun at White tourists and played upon circus themes.

México Folclórico y Turístico and Dictadura
(Políptico Carnaval de la Vida Mexicana)

Translation: Folkloric and Touristic Mexico and Dictatorship (Carnival of Mexican Life Polyptych)

Date: 1936

Artist: Diego Rivera

Section of México Folclórico y Turístico by Diego

There’s a lot to find offensive in these murals, from an officer depicted as a pig to a flag that sports a swastika.

Fascinating facts: Alberto Pani commissioned the series for his Hotel Reforma. But Diego, ever the shit-stirrer, inserted political motifs and unflattering representations of tourists. Pani “touched up” the offensive bits; Diego sued and won, and was allowed to restore his work. But the hotelier put the work into storage, where it remained hidden away until it was sold to the government in 1963 and installed at Bellas Artes. 

Murals are, by their nature, public works of art. If you’re in CDMX’s Centro neighborhood, take a quick spin through the murals of the Palacio de Bellas Artes — and see if you can spot all the controversial sections. –Wally

Exterior of the Palace of Fine Arts in CDMX

Palacio de Bellas Artes
Avenida Juárez s/n
Centro
Cuauhtémoc
06050 Ciudad de México
Mexico

 

Haunting the Panteón 5 de Diciembre

This Puerto Vallarta cemetery is home to a heartbroken ghost. 

Panteon 5 de Diciembre graves with hills in background

The Panteón 5 de Diciembre: Puerto Vallarta’s main cemetery

Official records for the cemetery date back to 1916, when some bodies discovered in Hidalgo Park were interred in the Pantheon 5th of December — named for the PV neighborhood it’s located in. 

What’s so special about that date? Locals honor December 5, as it was on that day in 1929 that the Puerto Vallarta Ejido was formed. This collective offered land for local farmers to lease — the government appropriated 2,808 hectares from the Union en Cuale silver mining company in a show of egalitarianism after the Mexican Revolution.

On dark nights, the ghost of a woman can be seen making the trek from Hidalgo Park to the Panteón 5 de Diciembre.
Back of stone cherub at cemetery

Look homeward, angel: A woman’s ghost visits her husband’s grave after their remains were separated.

The Ghost of Hidalgo Park

As you can imagine, the transfer of the remains wasn’t foolproof. Some of the bones are said to remain at the old site. 

On dark nights, Vallartenses (as locals are called) say that a woman can be seen making the trek from the old burial site to the Panteón 5 de Diciembre. She must get tired, for cab drivers have reported her requesting a ride — with the dead giveaway that she’s actually levitating above the ground! 

One taxi driver, during a storm in the early 1960s, picked up the woman, noting that she smelled of roses. She wore a black dress with white circles that made him think of eyes watching him. 

The cabbie kept asking if the young woman was married, and she eventually acknowledged that she was. What the driver didn’t know at the time was that the couple were dead and had once been buried together. But while the husband’s remains had been relocated to Panteón 5 de Diciembre, the wife’s were left behind at Hidalgo Park. 

“I’ve come to comfort him,” the passenger said. A flash of lightning illuminated the sky — and when the taxi driver looked into his rearview mirror, the backseat was empty. 

But then the woman spoke again, talking of the painful separation from her husband. The cabbie saw her floating over the sidewalk and through the closed gate to the cemetery. 

Inside the taxi, the smell of roses turned to the stench of decay. 

Tombstone with writing and marigold petals

Dried marigold petals on a tombstone

A Visit for Día de los Muertos 

Duke and I visited on November 1. We hoped to see families placing bright orange marigolds, candles, photos, food items and cigarettes on the graves to lead their loved ones back from the afterlife. Instead, we only saw a couple of cans of beer left out, and a few families cleaning some of the gravesites. 

Perhaps the lack of activity was due to the fact that Day of the Dead really kicks into gear the next day. Plus, even though it was fall, the midday sun blazed down upon us scorchingly, and we tried to keep to the shade as much as possible. 

Flower stall in front of the Panteon 5 de Diciembre

A vendor sells marigolds outside the cemetery — the flower is especially popular around the Day of the Dead.

La Muerte Está Viva Parade

I was bummed to discover that we were one stinking day early on our visit. On November 2, a parade called La Muerte Está Viva (Death Is Alive) progresses from the cemetery to the Plaza Lázaro Cárdena, where a folk art festival is held. 

Elaborate stone grave with marigolds at Pantheon 5th of December

The Pantheon 5th of December has everything from gorgeous gravesites like this one to simple crosses with hand-painted Jesus heads.

If you find cemeteries as intriguing as Duke and I do, the Pantheon 5th of December is worth a visit. Just keep an eye out for a woman in a black dress whose feet don’t quite touch the ground. –Wally

Panteón 5 de Diciembre
Brasilia 715
5 de Diciembre
48350 Puerto Vallarta
Jalisco
Mexico

 

A Tour of the Malecón Sculptures in Puerto Vallarta

You might recognize Caballero del Mar (The Boy on the Seahorse), but here’s a cheat sheet for the other statues along the PV boardwalk.

Man on chair of La Rotunda del Mar in Puerto Vallarta

Wally has a seat and imitates his favorite sculpture on the Malecón, the creepy, cool La Rotunda del Mar (The Roundabout of the Sea).

If you spend any time in Puerto Vallarta, you’ll inevitably find yourself strolling along the Malecón, the boardwalk that lines the Bahía de Banderas. It’s not an old-fashioned wooden boardwalk as you might see in the States; it’s a wide concrete promenade lined with tourist shops, massive restaurants and clubs blaring music. It’s where everyone in PV goes to congregate, acting as a town square for tourists and locals alike.

You’ll have to get used to being constantly called out to (“hassled” is perhaps too harsh a word, but one you might be using after a few days). 

“Malecón” is simply the Spanish word for a waterfront promenade.

The Malecón stretches for about a mile, from the edge of the Zona Romántica, over the Cuale River, and on into Centro, the center of town, up to the Hotel Rosita on Calle Treinta y Uno de Octubre. Its first incarnation was as a breakwater built in 1936 and named the Paseo de la Revolución. It later became the Paseo Díaz Ordaz before getting enlarged and becoming the Malecón as we now can experience it. (In fact, “malecón” is simply the Spanish word for this type of waterfront promenade.)

The iconic Los Archos (The Arches) that are now there are a replica, as the originals were damaged in 2002 by Hurricane Kenna. The first were built during the colonial period and brought from a hacienda in Guadalajara.

Los Archos on the Puerto Vallarta Malecon

Los Archos frame Bahía de Banderas and the spit of land called Nuevo Vallarta, where many of the big resorts and hotels are located.

When you want to get some exercise, perhaps in the late afternoon, when the sun isn’t blazing down so fiercely, take a tour of the public sculptures that line the Malecón. 

Bailarines de Vallarta sculpture on the Malecon in Puerto Vallarta

Bailarines de Vallarta (Dancers of Vallarta) by Jim Demetro, 2006

Fun fact: The couple is performing the jarabe tapatio, the Mexican hat dance, which originated as a courtship ritual. 

San Pascual Bailón sculpture on the Malecon in Puerto Vallarta

San Pascual Bailón by Ramiz Barquet, 2008

Fun fact: The 16th century Spanish Franciscan friar, aka Paschal Baylón, became the patron saint of cooks.

La Fuente de la Amistad sculpture on the Malecon in Puerto Vallarta

La Fuente de la Amistad (The Friendship Fountain) by James “Bud” Bottoms and Octavio González Gutiérrez, 1987

Fun fact: The sculpture was a gift from Puerto Vallarta’s sister city, Santa Barbara, California. The dolphins symbolize peace, protection and brotherhood between the two cities.

The artists were inspired by a myth of the Chumash, a native people from what’s now Southern California. The Earth goddess, Hutash, created a rainbow bridge to connect the Chumash from their island to the mainland. And even though she warned those crossing not to look down, some did, losing their balance and falling. But as they plummeted into the ocean, the goddess transformed them into dolphins so they would not die.

Caballero del Mar (sculpture at sunset on the Malecon in Puerto Vallarta

Caballero del Mar (The Boy on the Seahorse) by Rafael Zamarripa, 1976

Fun fact: The first statue to be erected on the Malecón, it has become a symbol of the city. 

Triton and the Nereid sculpture on the Malecon in Puerto Vallarta

Triton and the Nereid by Carlos Espino, 1990

Fun fact: In Greek mythology, Triton was the son of Poseidon, the god of the sea, and nereids were sea nymphs who would help sailors during storms.

Lluvia sculpture on the Malecon in Puerto Vallarta

Lluvia (Rain) by Jovian, 2020

Fun fact: The artist says, “I tried to present a man with open arms as a symbol of openness, positively receiving what the world offers him with a gesture of happiness and fulfillment, eyes looking up into the rain without that affecting his peace but rather enjoying the water that falls on his body and making him feel free and alive.

That is what Vallarta is for me: a city with great openness, which welcomes locals and strangers with open arms. I have never known another city where people who come from other places feel so at home.” 

Man climbing ladder on En Búsqueda de la Razón sculpture on the Malecon in Puerto Vallarta

En Búsqueda de la Razón (In Search of Reason) by Sergio Bustamante, 2000

Fun fact: Another of our faves, this statue divides its audience — some think the mother is pleading with her children to come down, while others think she’s encouraging them to explore new heights.

Metal chairs from La Rotunda del Mar sculpture on the Malecon in Puerto Vallarta

La Rotunda del Mar (The Roundabout of the Sea) by Alejandro Colunga, 1996

Fun fact: These strange steampunk creatures, a fantastical mélange of humans, animals and tech tools, are inspired by the folk tales the artist heard as a child. Incidentally (and perhaps not surprisingly?), this is Duke and my favorite sculpture along the Malecón.

Naturaleza Como Madre sculpture on the Malecon in Puerto Vallarta

Naturaleza Como Madre (Nature as Mother) by Tapatio Adrián Reynoso, 1997

Fun fact: If the shape confuses you a bit, it’s a wave that’s becoming a woman…while balancing on a snail shell. 

Unicornio de la Buena Fortuna sculpture on the Malecon in Puerto Vallarta

Unicornio de la Buena Fortuna (Unicorn of Good Fortune) by Aníbal Riebeling, 2011

Fun fact: No surprise, given its name, but it’s said to be good luck to touch it. In fact, the city had to raise the base to help deter people from climbing on top of it for pictures.

El Sutil Comepiedras sculpture on Malecon in Puerto Vallarta with voladores in background

El Sutil Comepiedras (The Subtle Rock-Eater) by Jonás Gutiérrez, 2006

Fun fact: No one knows why exactly this man wants to eat rocks (as if there’s anything subtle about that), aside from the fact that he’s supposed to be a magician.

The statue is a great spot to watch the Voladores de Papantla spin around a pole on ropes attached to their feet. These “Flying Men” are part of an ancient ritual.

La Nostalgia sculpture on the Malecon in Puerto Vallarta

La Nostalgia by José Ramiz Barquet, 1976

Fun fact: One of the oldest on the Malecón, placed there in 1984, the sculpture is inspired by the love story between the sculptor and his wife, Nelly Galván-Duque Tamborrel. The couple met but then lost touch for 27 years before meeting again and getting married.

Detail of The Millennia sculpture on the Malecon in Puerto Vallarta

The Millennia by Mathís Lídice, 2001

Fun fact: There’s a double-helix DNA strand at the bottom to show that humans evolved from the sea alongside octopi, fish, frogs and lizards. This is followed by the French Charlemagne, the king of the Francs, bearing a sword, then the pre-Columbian poet-king Nezahualcoyotl. And the future is represented by a woman releasing a dove of peace.


So take a break from sunbathing, get a little culture and take some fun photos — it’ll give you an excuse to avoid the incessant hawkers trying to lure you into a sale. –Wally

Puerto Vallarta Botanic Garden: Mexico’s Eden

Our budding romance with this lush nature preserve, which gets our vote for the best thing to do in PV. 

Hacienda de Oro at the Puerto Vallarta Botanical Gardens

The orange-hued Hacienda de Oro houses a restaurant and gift shop, with the Cactus House to the right.

At first, we didn’t embrace the laidback, beach-oriented vibe of Puerto Vallarta. Duke and I are used to filling our itineraries with things to do — and the most culture PV has to offer are drag shows like Mama Tits’ Confessions of a Ho! (you couldn’t make this shit up).

Needless to say, we were excited to learn about the Puerto Vallarta Botanic Garden. And, not surprisingly, our trip there was our favorite part of our vacation.

The most culture PV has to offer are drag shows like Mama Tits’ Confessions of a Ho!

So we were excited to learn about the Puerto Vallarta Botanic Garden. And, not surprisingly, our trip there was our favorite part of our vacation.

We didn’t come fully prepared — no bug spray, Duke wearing sandals and me in suede Vans — but kudos to you for reading this to prepare for your visit. 

Man with sign at Puerto Vallarta Botanical Gardens

Look how happy exploring the botanic garden made Wally.

Take a Hike

If you’re into hiking, there are numerous trails through the surrounding jungle. We started along one behind the Cactus House and found ourselves down by the river. I squatted down to wet my hair and neck. I’m not sure if we would have gone swimming in the brown water even if we had swimsuits, but it might be a good idea to wear yours just in case you really need to cool off. 

Cactus house at Puerto Vallarta Botanic Garden

The Cactus House is filled with succulents and, yes, cacti.

Fountain with eagle sculpture at Puerto Vallarta Botanic Garden

The fountain in front of the Hacienda de Oro features an eagle, a symbol of Mexico.

Wally cools off in the river.

Teens wading in river at Puerto Vallarta Botanical Gardens

A group of teens go swimming.

We continued over some slippery rocks and passed a group of local teens wading in the river before continuing along the Jaguar Trial. A sign informed us that its rating level was “difficult.”

“Would’ve been nice to have that marked on the map,” I muttered. 

But Jaguar turned out not to be too difficult; it’s just uphill for much of the time. I was kind of hoping we’d run across the eponymous feline, but no such luck. 

Pink chapel at Puerto Vallarta Botanical Gardens

The adorable pink chapel on the grounds, Our Lady of the Gardens

Goin’ to the Chapel

After the hike, we wandered a few of the areas near the restaurant and gift shop, including the octagonal conservatory of native plants, before crossing the Bridge of Dreams and stumbling upon the adorable pink church, Our Lady of the Gardens.

Octagonal conservatory at Puerto Vallarta Botanic Garden

You can’t tell from this angle, but this conservatory is octagonal-shaped.

Bust of priest in jaguar suit at Puerto Vallarta Botanic Garden

A priest in a jaguar pelt

Masks and plants on wall at Puerto Vallarta Botanic Garden

Masks cover the back wall.

Statue of maize god at Puerto Vallarta Botanic Garden

A statue of a man holding maize, one of the most important crops to the Mesoamericans who lived here

Replica of Aztec pyramid at Puerto Vallarta Botanic Garden

This pyramid is a replica of the one at La Casa Azul, Frida Kahlo’s home museum in Mexico City.

Column with head-shaped planters at Puerto Vallarta Botanic Garden

“If they had planters like this at the gift shop, I would have bought some,” Duke says.

Man at the Bridge of Dreams in Puerto Vallarta Botanical Gardens

Duke on the Bridge of Dreams

Bridge of Dreams at Puerto Vallarta Botanical Gardens

El Puente de los Sueños leads to the chapel.

We couldn’t go inside the small chapel because they were putting up new wallpaper — a  bright yellow background filled with plants, birds and butterflies. It’s going to give the space a modern feel and make it oh-so-Instagrammable. 

Man on pink steps at Puerto Vallarta Botanical Gardens

Wally on the pink stairs in front of the chapel

The man in charge of the project came over to chat with us, giving us advice (buy some insect repellent and carry it everywhere in defense of the no-see-ums; take a day trip to San Sebastián). 

Grave with statue of child king at Puerto Vallarta Botanical Gardens

The Infant of Prague in the graveyard

Statue of the Virgin Mary at the graveyard in Puerto Vallarta Botanical Gardens

The Virgin Mary watches over some tombs.

Grave in shape of white church with Virgin at Puerto Vallarta Botanical Gardens

Graves, some with elaborate statuary like this small church with the Virgin Mary within, line the hills on either side of the chapel.

There are graves scattered on either side of the hill leading up to the church — with those of pets to one side. If I happen to die while I’m in the area, I couldn’t hope for a better eternal resting place. 

Tropical birds eating fruit at Puerto Vallarta Botanical Gardens

When the staff put out this tray of fruit, one colorful species of bird after another stopped by to dine.

Birdwatching at the Hacienda

By this time, we were hungry and in need of refreshment, so we went back to the Hacienda de Oro and had a great lunch — guacamole, grilled fish tacos, chicken quesadillas Xochimilco and two Cadillac margaritas, por su puesto. (Incidentally, the margs were quite strong and left us un poco barrato). 

Hand holding margarita at Puerto Vallarta Botanical Gardens restaurant

You can’t take a break on the Hacienda de Oro balcony without getting a margarita. Just be careful: They’re strong!

The food was tasty — whipped up in this open-air kitchen.

A violist stood by the tables playing songs, including “Dust in the Wind.” At first I was a bit annoyed we’d be pressured into tipping him, but it ended up being nice having the strains of music waft around us, and when I looked up at him, his eyes crinkled with a grin — and I didn’t mind slipping him some pesos in appreciation.

He was a nice guy and during one of his breaks, he told us to look over the balcony, pointing down to a spot where the staff had left out tropical fruits to attract a variety of birds in a rainbow array of bright colors. 

Hummingbird at feeder at Puerto Vallarta Botanical Gardens

A hummingbird at the feeder on the balcony

Woodpecker at feeder at Puerto Vallarta Botanical Gardens

Next to stop by was a woodpecker.

He saw how excited we were — I could take up birdwatching if they were all this colorful and amazing — and kept pointing out new birds to us. 

After lunch we did some shopping. I can tell you that the handicrafts here are among the best you’ll find in the PV area. (The ubiquitous markets along the waterfront, which peddle tourist-oriented fare, get dismissively dubbed “mercados de basura,” or “trash markets,” by Duke.)

And the prices aren’t bad. I bought a blue wool dinosaur stuffed animal, a cloth Frida ornament and a ceramic skull rattle. 

Plants for sale at Puerto Vallarta Botanical Gardens

Plants and pots for sale

A skeleton and marigold for Día de los Muertos

Small statue of saint with skull amid plants at Puerto Vallarta Botanic Garden

St. Francis holding a skull to contemplate death

Objects for sale at gift shop at Puerto Vallarta Botanic Garden

We found the items on sale at the gift shop to be of high quality at a fair price.

To wrap up our visit, we went back to the main road and found the offshoot that leads to the Gazebo Bridge and then crossed the Swinging Bridge to the Vanilla Plantation. 

Man on Swinging Bridge at Puerto Vallarta Botanic Garden

Duke wasn’t afraid to cross the Swinging Bridge.

Wally in the ironwork gazebo

Plant-covered fountain in greenhouse at Puerto Vallarta Botanic Garden

A plant-filled fountain we passed en route to the Vanilla Plantation

Ready to call it a day, we headed back up the road to the entrance, where there’s an open-air hut. The staff there can call you a taxi with a fixed price. The Zona Románitca is just under 40 minutes north.

Lotuses and lilypads in pond at Puerto Vallarta Botanic Garden

Lily pads and lotuses in one of the ponds in the gardens

All in all, we spent the better part of the day at the botanic garden, getting in a hike, eating a great meal, seeing exotic birds, doing some shopping and exploring the lush grounds. Tickets are well worth the 200 peso (about $9.50 when we visited) admission charge. By the way, kids under 4 get in free.

The beach has its perks. And drag shows are fun once in a while. But we wouldn’t visit PV without a trip here. It’s anything but your garden variety attraction. –Wally

 

Jardín Botánico Vallarta (Puerto Vallarta Botanical Gardens)

Carretera Puerto Vallarta
Carretera Costera a Barra de Navidad Kilómetro 24
48425 Jalisco
México


Secret Gardens: Read More

Nuestra Señora del Carmen in San Ángel, Mexico City

A tour of this Colonial Baroque Catholic church built for the Discalced Carmelites in one of CDMX’s most charming neighborhoods.

Man in front of Nuestra Señora del Carmen in San Ángel, Mexico City

Wally’s a bit obsessed with the domes of Nuestra Señora del Carmen in San Ángel in Mexico City.

Those domes! Those wondrous brightly tiled domes! I didn’t want to stop looking at them. There was something captivating about their faded glory. 

We spotted them in our Uber en route to el Bazaar Sábado, the Saturday Market in the charming CDMX colonia (neighborhood) of San Ángel. 

Nuestra Señora del Carmen was built for the strangely named order of Discalced Carmelites (known colloquially as Barefoot Carmelites for their tendency to forgo footwear). 
Saint in niche at Nuestra Señora del Carmen in San Ángel, Mexico City
Saint with child in niche at Nuestra Señora del Carmen in San Ángel, Mexico City
Interior of Nuestra Señora del Carmen in San Ángel, Mexico City

The church was founded for the order of Discalced Carmelites (aka the Barefoot Carmelites).

So, after we finished shopping at the market (and being told we couldn’t drink our beers while walking through the square outside), Duke and I knew we had to explore the church at the base of the hill. And thankfully, unlike in the States, we’ve found churches in Mexico to be unlocked any time we’ve wanted to go in. 

Exterior of Nuestra Señora del Carmen in San Ángel, Mexico City

The church is designed in the Baroque Colonial style — with a plain façade and an ornate gilded altarpiece.

The Discalced Carmelites: Barefoot but Not Pregnant 

Design and construction of Nuestra Señora del Carmen was overseen by Fray Andrés de San Miguel between 1615 and 1626 for the strangely named order of Discalced Carmelites (known colloquially as Barefoot Carmelites for their tendency to forgo footwear). The order was established in 1562 by Saint Teresa of Avila, an epileptic Roman Catholic nun. 

The Barefoot Carmelite nuns stayed in their cloisters, “above all to lead a life of unceasing prayer in silence and solitude,” according to their official website

Gate of Nuestra Señora del Carmen in San Ángel, Mexico City

There’s more to the Carmen Complex than the church — including mummies!

El Carmen Complex

We weren’t able to wander the entire grounds, which includes a former convent and monastery that’s now a museum (complete with mummies!). 

The property extended quite far, and the scenic orchards are part of what attracted the aristocracy to make the neighborhood its home — giving birth to the colonia of San Ángel. 

The complex was taken over by the government after the War of Reform, which was fought between the Liberals and Conservatives from 1857 and 1860. The lefties won and subsequently greatly diminished the power of the Catholic Church, stripping it of most of its property. The local school was shut down and was used by the town council. Parts of the Carmelite grounds became a prison and barracks. 

The church, also known as the Templo del Carmen de San Ángel, is in the Colonial Baroque style — somehow austere in parts, such as the façade, and yet over-the-top ornate in others (that altarpiece!). 

Altarpiece at Nuestra Señora del Carmen in San Ángel, Mexico City

The Baroque movement was all about drama — rounded edges and shimmering gold create a dizzying effect.

We spent some time exploring the church and all of its offshoot chapels, trying to be respectful of those praying within. Heavens knows we’ll be back to admire those beautiful domes — and to see the creepy mummies, of course. –Wally

Cherub at altar in Nuestra Señora del Carmen in San Ángel, Mexico City
Cherub in Nuestra Señora del Carmen in San Ángel, Mexico City
Interior of Nuestra Señora del Carmen in San Ángel, Mexico City
Ceiling at Nuestra Señora del Carmen in San Ángel, Mexico City
Ceiling at Nuestra Señora del Carmen in San Ángel, Mexico City
Ceiling at Nuestra Señora del Carmen in San Ángel, Mexico City
Angel statue at Nuestra Señora del Carmen in San Ángel, Mexico City
Infant of Prague
Statue of Jesus carrying the cross at Nuestra Señora del Carmen in San Ángel, Mexico City
Chapel with San Clemente Flavio in Nuestra Señora del Carmen in San Ángel, Mexico City
Side chapel at Nuestra Señora del Carmen in San Ángel, Mexico City
Painting of saint in Nuestra Señora del Carmen in San Ángel, Mexico City
Painting of Christ on the cross in Nuestra Señora del Carmen in San Ángel, Mexico City
Side chapel at Nuestra Señora del Carmen in San Ángel, Mexico City
Crucifix and pews in Nuestra Señora del Carmen in San Ángel, Mexico City
Exterior archway at Nuestra Señora del Carmen in San Ángel, Mexico City
Man on tiled staircase at el Carmen Complex in CDMX

Nuestra Señora del Carmen (Templo del Carmen de San Ángel)

Avenida Revolución s/n
San Ángel
Álvaro Obregón
01000 Ciudad de México
CDMX
México

 

Death Cults of Ancient Mexico

The post-death rituals of the pre-Hispanic peoples of Mexico involved human sacrifices, dog sacrifices — lots of sacrifices.

The pre-Hispanic people of Mexico often left a token in a corpse’s mouth to help the spirit on its journey through the underworld.

Our current death rituals are typically one of two extremes: We either pump a corpse full of chemicals in an effort to preserve it — or we burn it to a crisp. 

The pre-Hispanic peoples of Mexico went to their own extremes when it came to the cult of death, often involving sacrifice of some sort. 

Death goddess at the Museo Nacional de Anthropología in Mexico City

Known as the Lady of the Dead, Mictecacihuatl was the Aztec goddess of death, who ruled the underworld.

Here are some interesting facts about their death rites, which we learned while exploring the amazing Museo Nacional de Anthropología in Mexico City — currently my favorite museum in the world. 

A xoloitzcuintli Mexican hairless dog was sacrificed when someone died in the belief that it would serve as a spirit guide.

The death rites of pre-Hispanic peoples involved an elaborate spiritual journey that began with the killing of a dog.

When someone died in pre-Hispanic Mexico, a 40-day death ritual kicked off with the sacrifice of a xoloitzcuintli dog. The corpse was dressed in fine clothes, if their family could afford it. Otherwise, simple mats would do. A jade bead (or blue-painted pebble) was placed in the body’s mouth.

The person’s soul began a journey through the darkness of the nine planes beneath the earth. The skin was shed and dangers faced, including savage beasts that could only be appeased by being given the bead or pebble, which represented the person’s heart. 

As the spirit traversed this sinister landscape, family members would help them on their way by abstaining from sex and certain foods.

Eventually, the soul reached the Chignahuapan, the river at the border of the ninth plane. Waiting patiently, and probably wagging its tail, was the little doggie, who would lead the way across the water, into Mictlan, the dark and cold place of no return. 

Pyramid of the Feathered Serpent at the Museo Nacional de Anthropología in Mexico City

A reconstruction of the Pyramid of the Feathered Serpent at the Museo Nacional de Anthropología in Mexico City. The original was the site of mass human sacrifices.

Excavations at a major temple in Teotihuacán revealed human sacrifices.

In Teotihuacán, within the confines of its religious and political centerpiece, the Pyramid of the Feathered Serpent (Pirámide de la Serpiente Enplumada), evidence of mass human sacrifice has been unearthed. Built from 150 to 200 BCE, the temple houses the remains of numerous sacrificial victims dressed as warriors. The symmetrical pattern of the bodies reveals that they were connected to the culture’s cosmology and calendar.

Stone carving of skull at the Museo Nacional de Anthropología in Mexico City

This disc from the Temple of the Sun in Teotihuacán represents the death of the sun.

It was an honor to be sacrificed to the god of war and darkness.

Tezcatlipoca (“the Obsidian Mirror”) helped create the universe and, as the Mexica god of war and darkness, held dominion over those activities that often took place at night, including theft and adultery. Not surprisingly, the color black was associated with him. Tezcatlipoca was also the god of masculinity and procreation. 

Every year, an unmarried man under the age of 20 was chosen to represent him as a living god. He was dressed up like the deity and lived large — until, that is, the fifth month of the year, when he was sacrificed.

Statue of goddess at Museo Nacional de Anthropología in Mexico City

Coatilcue, the goddess of the earth, had a head made of two serpents and liked to wear a necklace of severed human hands and hearts.

People were shot to death with arrows in a fertility rite.

Ancient peoples did many unusual things to ensure the fertility of their crops, and the residents of Mexico were no different. Tlazolteotl, the Aztec goddess of purification, lust and vice, liked people to be shot full of arrows in the fields. The sacrificial person’s blood fell to the earth to ensure fertilization and to thank the goddess for her bounty. –Wally

Mercado de Artesanías La Ciudadela: One-Stop Shopping in CDMX

The best market in Mexico City is filled with folk art and handicrafts from all around Mexico.  

brightly colored alebrije fantasy animals

A selection of fantastical alebrijes on sale at La Ciudadela

Mexico City has no shortage of markets. There’s the Saturday art market along the adorable cobblestone streets on the hills of San Ángel. There’s La Lagunilla, the Sunday antiques market. There’s also the Mercado Sonora, with a witch market tucked into a back corner, and the vibrant, two-story Mercado Coyoacán. And market stalls pop up all over the city, including in the Plaza de la Republica at the entrance to the Monumento de la Revolución

Papier-mache devils at Mercado de Artesanías La Ciudadela

Papier-mâché devils hanging around the mercado

¡Mucha lucha! A luchadore-themed shop at the Mercado de Artesanías La Ciudadela

Religious artifacts at Mercado de Artesanías La Ciudadela

Religious artifacts on sale at the Mercado de Artesanías La Ciudadela

But if you’re into folk art, handicrafts and arte popular, as Duke and I are, the Mercado de Artesanías La Ciudadela is a dream come true. It’s so massive you couldn’t even hope to cover it all on one visit. We’ve been there on both visits to CDMX — and will make it a stop every time we go back. 

If I’m being perfectly honest, Duke and I have a problem. We just love traditional handicrafts so much we can’t help but bring home half a suitcase full of goodies. As you can imagine, our home is practically overflowing with these souvenirs of our world travels. 

Nuns shopping at Mercado de Artesanías La Ciudadela

A nun is amazed at the selection of folk art on sale at the Mercado de Artesanías La Ciudadela.

Pre-Columbian style clay statues at Mercado de Artesanías La Ciudadela

We bought a few things at this stall with clay artworks in the pre-Columbian style.

Puppets and other handicrafts at Mercado de Artesanías La Ciudadela

Puppets and other arte popular fill every stall at the Mercado de Artesanías La Ciudadela.

Mexican Trees of Life at Mercado de Artesanías La Ciudadela

Mexican Trees of Life at the Mercado de Artesanías La Ciudadela

Folk art for sale at a shop in Mercado de Artesanías La Ciudadela

A typical shop at La Ciudadela

Fonda Carmelita at Mercado de Artesanías La Ciudadela

Break up your shopping — and grab a margarita — at the cantina in the market.

Tips for Shopping at Mercado de Artesanías La Ciudadela

When you enter, the main part of the market is to your right — but don’t miss the smaller section off to the left as well. 

The stalls offer handicrafts from various regions all over Mexico: alebrijes, brightly painted wooden fantastical creatures from Oaxaca; colorful Otomi textiles, including hand-embroidered pillow covers and tablecloths depicting animals, flowers and plants; clay sculptures that surpass those sold at the Museo Nacional de Antropología gift shop with many in the pre-Columbian style. 

Market stall at Mercado de Artesanías La Ciudadela

There are handicrafts for sale from all over Mexico at the Mercado de Artesanías La Ciudadela.

At La Ciudadela, prices are set — but it doesn’t hurt to ask for a bit of a discount if you’re buying multiple items from one vendor. 

People dining at Fonda Carmelita

We always eat lunch at Fonda Carmelita, the cantina in the middle of the market.

There’s a cantina in the middle of the market called Fonda Carmelita, where we always stop to get a bite of traditional Mexican fare — and a couple of margaritas, por supuesto. The first time we were here, Duke went to the back to use the baño and returned to the table, reporting that our frozen margs were being whipped up in a blender by an 8-year-old boy. 

The cantina will always be a welcome resting spot for us to recharge and discuss the stalls we want to revisit after lunch. Apparently, the loud-talking German-speaking tourist at a neighboring table didn’t get the memo that smoking indoors has been banned in CDMX since 2008. He lit up a cigar after his meal, which was our cue that it was time to ask for la cuenta and get back to shopping. 

Food stall in front of Mercado de Artesanías La Ciudadela

Right out front of the market, a couple of women whip up tacos with homemade blue corn tortillas.

Exploring the Neighborhood

On the sidewalk outside the market, small vendors set up. The first time we came, we stopped to buy veggie tacos — and were obsessed with watching one of the women make homemade blue corn tortillas on a large metal drum right before our eyes. 

And on our most recent visit, a quirky used record stand had popped up. 

One of the best traditions of Mexico City: open-air dancing in the parks

After a half-day of shopping, the tote bags we had brought with us stuffed full of amazing finds (some for gifts, most for us), we explored the park across the street, Parque de la Ciudadela. We’re familiar enough with CDMX traditions now not to be surprised to see couples dancing in the open air. These people are doing life right. –Wally

Wall reading, "Artesanias Ciudadela"

Our fave spot to shop in CDMX

A mural on the wall in front of the mercado

Mercado de Artesanías La Ciudadela

When you see this, you know you’re in for a shopping extravaganza!

Mercado de Artesanías La Ciudadela

Balderas S/N
Colonia Centro
Cuauhtémoc
06040 Cuauhtémoc
CDMX
Mexico

 

Paseo de los Gigantes and the Plaza del Bebedero

Parque Los Bebederos once hosted fashionable events, which the modern architect Luis Barragán would use as a sales pitch to entice homebuyers to the Mexico City suburb of Las Arboledas. 

Two men among trees at Parque Los Bebederos

Our guide, Martín, with Duke, got us to appreciate even this park, showcasing works by Barragán that have fallen into disrepair.

Paseo de los Gigantes. Promenade of the Giants. An evocative name — but when you visit, you might wonder where these mythical monstrosities can be found. 

Stop and look around this green space outside of Mexico City. The answer is right in front of your eyes. See the tunnel of majestic, gnarled bark eucalyptus trees? Those are the giants for which the park is named.  

Eucalyptus tree at Los Gigantes

A massive, gnarled eucalyptus tree — one of the namesake “giants” of this linear park

It was our last stop on our half-day tour of Luis Barragán’s suburban designs: Torres de Satélite, Fuente de los Amantes and the amazing Cuadra San Cristóbal

Barragán was fond of designing paseos. These long, thin green spaces now act as medians dividing grand boulevards, but they were once country paths used for horseback riding.  

For this is horse country, a suburban enclave for equestrian aficionados northwest of CDMX. In fact, the main purpose of this particular linear park was to generate interest in the local community of Las Arboledas. Los Gigantes was a social hotspot, offering stands to view races at the horse track that once stood here. (Nothing remains, sadly — all you can see now are homes. It would have been cool if they had incorporated the track to shape the neighborhood like they did in La Condesa with Avenida Amsterdam.)

These narrow parks, set along medians, followed old country roads once used for horse riding.

Old viewing stands at Los Gigantes

The faded red viewing stands were used for social events to watch horses gallop around a no-longer-existent racetrack.

Barragán held events in Los Gigantes, though little evidence of its fashionable past remains. The park is but a shadow of its former glory. 

As with Frank Lloyd Wright, some of Barragán’s designs might have looked impressive but just don’t stand the test of time. A fountain here with a bright tangerine-colored backdrop lacked a proper foundation (not to mention was a colossal waste of city water), and the basin has been drained. 

While we gazed upon it, a guy on a BMX bike kept riding through the empty fountain, treating it as a ramp to practice his tricks and jumps. 

Orange drained fountain at Los Gigantes

Barragán’s orange fountain at Los Gigantes is now drained. Its foundation was sinking — and it used quite a bit of city water.

The red concrete viewing stands look outward, away from the park, once facing the horse track. Tucked behind a wall, there used to be a bar where people would get refreshments to enjoy the show, our guide, Martín, told us.

“I wish it was still a bar,” I muttered. 

Large tree and red concrete stands at Los Gigantes

The red structure in the background once housed a bar for fancy cocktail parties Barragán would host to lure rich horse enthusiasts to buy land in the local development.

All this spectacle was designed to attract the CDMX élite. “Barragán was clever,” Martín continued. “In essence, he was saying, ‘This prestigious life could be yours. You can raise your kids here. Why don’t you buy a piece of land?’”

Barragán grew up with horses and was passionate about the equestrian lifestyle — but he was also, one imagines, well paid to promote the area. 

White and blue walls at Parque Los Bebederos

The blue wall marks the end of the park.

Plaza del Bebedero

Continuing along in the park, we came to the Plaza y Fuente del Bebedero (Plaza and Fountain of the Trough. The long, thin rectangular horse trough, like the other fountain, is now empty. 

The trough is considered the centerpiece of the green space — in fact, the area is sometimes called Parque Los Bebederos (although there’s only one).

Fuente del Bebedero

The Fuente del Bebedero (Fountain of the Trough) used to be a watering hole for horses but is now empty.

A white wall nearby acts as one of the canvases for the play of shadows that’s a Barragán trademark.

White wall by Barragán at Parque Los Bebederos

A white wall in Parque Los Bebederos was one of Barragán’s famous screens for the play of shadows.

And closing off the space is an indigo wall. “It’s the perfect device to separate the park from the city,” Martín said. He’s a huge fan of Barragán — and now we are, too. 

blue wall in Plaza del Bebedero

The blue wall in Plaza del Bebedero seen from another angle

Old orange storage building at Los Bebederos

The orange building is administrative and was where Barragán stored the supplies for the parties held in Parque Los Bebederos.

Wandering through Los Bebederos, which has changed so drastically since its heyday, I couldn’t help but wish we had been able to experience the Promenade of the Giants when it was a big deal — sipping a cocktail while cheering on the horses racing around the track. –Wally

 

Parque Los Bebederos (Los Bebederos Park)

Avenida Paseo de los Gigantes
Las Arboledas
52950 Cuidad López Mateos
México