Wally Wright

Controversial Theories of Noah’s Ark and the Flood

Was the story of Noah’s Ark a real global flood, borrowed myth or moral allegory? Explore the debates and meaning behind this ancient tale of God’s wrath and human survival.

Noah stands by his ark during the Flood

Strip away the storybook elements of passive animals and hopeful rainbows, and what you have in the story of Noah’s Ark is a tale of despair, destruction and desperation. It’s the ultimate doomsday scenario: a world gone so wrong that the only solution is to drown it all and start over. It all started with the Fall of Man and expulsion from the Garden of Eden, followed by Cain killing Abel — and it was all downhill from there.

The ark was a lifeboat in a sea of death, carrying the last shreds of a lost world. Maybe that’s why this story has stuck around — it forces us to confront the uncomfortable truth that sometimes there’s no easy way out.

Is the story of Noah’s Ark a memory of a cataclysmic event, a borrowed myth retooled to fit a single-god narrative or a timeless warning wrapped in allegory?

Maybe it’s all of these at once. 

Scholars have wrestled with this tale for ages, debating whether it’s factual history, a symbolic myth, or an ancient legend borrowed and tweaked to fit a monotheistic agenda. Let’s look at some of the more controversial theories about Noah and his ark. 

A tidal wave prepares to flood the world as told in the story in Genesis

The Flood Narrative: History or Allegory?

One of the biggest debates is whether this flood was truly global, drowning every mountain and valley — or simply a catastrophic local event blown out of proportion by time and retelling. 

The flood account likely reflects a significant regional event — a deluge so devastating it took on mythic status, argues Kenneth Kitchen in On the Reliability of the Old Testament

But not everyone’s buying the history angle. John Walton, in The Lost World of the Flood, sees the tale as an allegory dripping with symbolism rather than being drenched in reality. The story is best understood as an archetypal narrative, one that uses the motif of a flood to explore the relationship between God, humanity and the world. In other words, it’s less about the logistics of animal storage and more about delivering a moral gut punch.

A walled city is started to get inundated with water during the biblical Flood

Was There Really a Global Flood?

Essentially, it comes down to the million-dollar question: Did a flood cover every inch of the planet? Modern geology says probably not. Despite fervent searches for Noah’s Ark (we’re looking at you, Mount Ararat), the evidence just isn’t there. Geologists William Ryan and Walter Pitman suggest the story likely originates from a massive but localized deluge, such as the flooding of the Black Sea around 5600 BCE. In Noah’s Flood: The New Scientific Discoveries About the Event That Changed History, they propose that this event was so catastrophic it burned itself into cultural memory, inspiring flood myths across multiple civilizations.

A god stands by a boat loaded with people and animals during a great Flood, as told in the Epic of Gilgamesh

Borrowed Mythology: Gilgamesh and the Biblical Flood

Much like the Garden of Eden, the Genesis flood story has a striking resemblance to the Epic of Gilgamesh, which hit Mesopotamian bestseller lists centuries before Noah ever built his ark. In both, a divine figure warns a righteous man about an impending flood, instructing him to build a boat and save the animals. 

Essentially, the evidence shows the biblical authors took an old tale, stripped it down and rebuilt it with a monotheistic engine under the hood. No need for a pantheon of bickering gods — just one all-powerful deity making a divine point.

Noah's Ark floats by mountains during the Great Flood

Why Did God Cause the Flood? A Divine Temper Tantrum?

The story of Noah’s Ark is often presented as a tale of divine judgment, where the wickedness of humanity becomes so unbearable that God decides to hit the cosmic reset button. But let’s pause and consider this for a moment: Wiping out nearly every living being on Earth seems, well, a bit extreme, doesn’t it? Surely there must have been a less apocalyptic solution. So, why did God do it? 

One could argue that the Flood was a manifestation of divine frustration — a sort of celestial temper tantrum. The ancient world was full of tales where God acted out of anger, jealousy or spite (often enlisting the monsters of the Bible to do his dirty work), and perhaps the Flood is another contribution to this tradition. 

In God: A Biography, Jack Miles suggests that the God of the Old Testament is still figuring things out, developing his character, so to speak. This was early in his divine career, and perhaps he hadn’t yet learned the art of conflict resolution without resorting to mass destruction.

Another controversial take comes from the notion that the Flood wasn’t merely about punishing sin but rather about purification, a sort of cosmic detox. Humanity (and perhaps that mysterious race of Nephilim), in its moral decay, had become so corrupt that a full cleanse was deemed necessary. 

Some scholars, like Jonathan Kirsch in The Harlot by the Side of the Road, suggest that the Flood story serves as a dramatic metaphor for the removal of moral pollution. The message here might be that extreme problems sometimes require extreme solutions — even if that means wiping the slate clean in the most literal sense.

And, of course, there’s the view that the Flood reflects the idea of collective punishment — a controversial concept to say the least. The innocent perish along with the guilty, a notion that seems at odds with modern ideas of justice. Yet, in the ancient world, where the actions of one could bring consequences upon many, this might have seemed entirely reasonable. Perhaps this is less a story about a wrathful God and more a reflection of the harsh realities of ancient life, where survival often came at the cost of others.

Noah supervises the construction of the Ark

The Ark: Feasible Ship or Impossible Fantasy?

OK, let’s talk logistics. Could Noah’s Ark — roughly 450 feet long, 75 feet wide and 45 feet high — really house two of every species, plus food and water? Some engineers argue the boat’s dimensions are surprisingly seaworthy. In The Genesis Flood, Robert Briscoe claims the ark’s proportions would hold up even by today’s standards. 

But others are quick to point out the obvious: A literal interpretation runs aground when you consider how many species you’d have to accommodate. 

Some scholars argue that the Genesis story refers to broader categories rather than every specific species. Carol Hill explains in A Worldview Approach to Science and Scripture, that the word “kind” in the Hebrew Bible isn’t a technical term for species, but rather a more general grouping, perhaps closer to what we might consider families or genera. 

This might reduce the total number of animals to a manageable few thousand. Some literalists have suggested that young animals were chosen to save space and resources, as juveniles require less food and produce less waste.

Animals are loaded onto Noah's Ark in rows

Of Poop and Predators

Speaking of, the Ark was no small undertaking. Housing and sustaining thousands of animals for an extended period would challenge even modern engineering. Yet literalists argue it was feasible — with some creative problem-solving and, perhaps, divine intervention.

As for feeding this floating zoo, Henry Morris in The Genesis Record suggests that Noah and his family could have stored compact, long-lasting food like grains and dried meat. Carnivores could have been sustained on preserved foods, while herbivores would have been fed hay or something similar. This doesn’t eliminate all logistical challenges, but it helps the story hold together.

Sanitation is another frequently raised issue. Literalists propose that Noah’s Ark may have included simple yet effective waste management systems, like sloped floors to channel waste into designated areas. 

Noah's Ark plies the floodwaters, loaded with animals

Some even suggest that God put the animals in a state of torpor (similar to hibernation), which would have reduced their movement, food intake and waste production. Lack of evidence aside, it could also explain how the animals all seemed to get along, and Noah’s Ark didn’t turn into a bloodbath. 

But the challenges extend beyond the Ark itself. Critics like William Stansfield in Science of Evolution cite the absence of evidence for the migration of species like kangaroos from the Middle East to Australia. Geneticists, including Francisco Ayala, have also pointed out that the severe bottleneck caused by such a small animal population would have led to genetic collapse in most species.

A rainbow stretches above Noah's Ark after the Flood

A Covenant of Survival: Rainbow or Repentance?

After the flood subsides, the skies clear, and a rainbow splashes across the heavens. It’s a warm and fuzzy moment — but there’s more going on here than just a colorful weather phenomenon. Claus Westermann, author of Genesis 1-11: A Continental Commentary, sees the rainbow as a divine apology of sorts: The rainbow represents not just a promise, but a shift in the divine-human relationship — a move from destruction to preservation. 

But hold the applause. Terence Fretheim argues the real takeaway isn’t just that God put away the smite button; it’s that humans are now on notice. The covenant is conditional, based on humanity’s moral conduct, shifting the focus from divine mercy to ethical living — with the threat of annihilation held over our heads if we don’t behave.

Noah's Ark sails along during the Flood

Flooded With Interpretations

The story of Noah’s Ark is like the Flood itself — overflowing with meaning, historical puzzles and theological depths. Is it a memory of a cataclysmic event, a borrowed myth retooled to fit a single-god narrative or a timeless warning wrapped in allegory? Maybe it’s all of these at once. 

But one thing’s for sure: This ancient narrative refuses to be boxed in. It has flowed through centuries, from ancient clay tablets to modern debates, each generation finding alternative meanings or raising new questions. Whether you approach it as fact or fiction, one truth remains: Noah’s Ark keeps sailing through our collective imagination, steering us toward reflections on faith, morality and what it means to endure life’s storms. –Wally

Starland District: Savannah’s Funky, Artsy Playground

Savannah’s coolest neighborhood, the Starland District, is a quirky haven brimming with creativity. 

I love Broughton Street — don’t get me wrong. This upscale thoroughfare, with shops like the Paris Market, the Savannah Bee Company and Urban Outfitters, has an undeniable charm. 

But I wanted something edgier, fresher and a little less polished. Enter the Starland District, a neighborhood born from the bones of an old dairy at the end of the ’90s and now pulsing with creativity.

The Starland District: a neighborhood born from the bones of an old dairy and now pulsing with creativity.
A mural of flowers saying, "Am I dreaming?" in the Starland District in Savannah

History of the Starland District

In 1999, two SCAD (Savannah College of Art and Design) graduates, Patrick Shay and Eric Saller, stumbled upon the derelict Starland Dairy, a once-bustling pasteurized milk plant that had been abandoned for years. The dairy, established in the early 1900s and adorned with an iconic red star, had become a canvas for graffiti and a symbol of neglected Savannah. 

Rather than tearing it down, like any good SCAD student, they saw potential in its crumbling walls and industrial charm. With a love for historic preservation, they bought the two-block complex for a modest sum and set to work.

Their vision was simple yet radical: transform the decaying dairy into a community space for artists, creatives and entrepreneurs. Over time, the Starland Dairy became a hub for studios, galleries and workshops, injecting new life into the surrounding neighborhood. The district took its name from this centerpiece, with the “Starland” moniker honoring the dairy’s heritage.

A signpost pointing to various attractions in the Starland District in Savannah, Georgia

Today, the Starland District remains an eclectic haven where SCAD students, local artists and Savannah’s quirkier residents converge. It’s colorful, messy in the best way and delightfully rebellious. Between the murals, mismatched furniture on café patios and the unmistakable hum of creativity, this neighborhood feels alive in a way that’s entirely its own. Exactly what I was craving.

Highlights of the Starland District 

Facade of Starland Strange & Bazaar, with it's pink exterior and vibrant painting path and stairs

Starland Strange & Bazaar

📍 17 West 41st Street

“It’s less curiosity shop and more Anthropologie,” I told Duke as we peered through the window of Starland Strange & Bazaar, closed for the day (Monday, for those taking notes). Instead of shrunken heads and oddities, we spotted racks of stylish women’s clothing and tables with boho-chic housewares. And because Starland loves a quirky twist, there’s also an ice cream shop inside.

Exterior of Graveface Records in the Starland District in Savannah, Georgia

Graveface Records & Curiosities

📍 5 West 40th Street

Part record store, part curiosity shop, Graveface is a delightful Wonderland of vinyl and weirdness. The records I was interested in were all around $20 to $30), but it was the curiosities that grabbed our attention: vintage taxidermy, antique Ouija boards and other objects you can’t decide if they’re creepy or cute. It’s like stepping into your cool goth cousin’s attic. 

African masks and quirky antiques at Graveface Records in the Starland District in Savannah, Georgia
A bust of a man with four eyes and mustache at Graveface Records in the Starland District in Savannah, Georgia
A fishman looking like the Creature from the Black Lagoon on a shelf at Graveface Records in Savannah (not for sale)

Note: The Graveface Museum, located across town and owned by the same guy, showcases a fascinating collection of horror-themed artifacts, vintage pinball machines and true crime memorabilia.

The facade of Flora and Fauna cafe, with blue window frames and aqua tiles in the Starland District in Savannah, Georgia

Flora and Fauna

📍 2401 Bull Street

This French-inspired café sits right on the corner and feels like a postcard come to life. The Jessica’s chicken salad sandwich was great, but let me tell you about Duke’s mushroom conserve baguette: earthy, savory, life-changing. It wasn’t just a sandwich; it was a spiritual experience. Pair it with a latte and one of their delectable pastries, and soak in the sunny, vintage vibes. It’s the kind of place where you make new friends standing in line and time seems to slow down (until you realize you’ve devoured the entire baguette in under five minutes).

Facade of Starlandia art supply store, with magenta paint, yellow stars and a rainbow flag in Savannah, GA

Starlandia

📍 2438 Bull Street

Forget those fancy-schmancy overpriced art stores; this place is an artist’s paradise. Starlandia lets you buy and sell used art supplies, so it’s a treasure hunt every time. Brushes, paints, canvases, elastic to make bracelets — they’ve got it all, often for a fraction of the cost. I even found a stash of gently used books. Oh, and don’t forget to say hi to the tiny shrimp swimming around in their tank by the register. 

Facade of Lite Foot Company in the Starland District in Savannah, Georgia

Lite Foot Company

📍 2400 Bull Street

Going green has never looked so stylish. We weren’t quite sure what the Lite Foot Company was — but we certainly didn’t realize it was a go-to for eco-friendly everything. Think reusable straws, biodegradable glitter and chic tote bags that state, “I care about the planet.” It’s the kind of place that makes you want to upcycle your life and live sustainably ever after.

Exterior of the Wormhole dive bar in the Starland District in Savannah, Georgia

The Wormhole

📍 2307 Bull Street

A dive bar with personality, the Wormhole is a no-frills spot where you can catch all sorts of live music, comedy or the occasional karaoke night. It’s the kind of place where the drinks are strong, the crowd is diverse, and the vibe is unpretentious. Their lineup is always surprising — one night, it’s punk rock, the next, stand-up comedians testing their material.

Brick facade of Arts Southeast in the Starland District in Savannah, Georgia

Arts Southeast

📍 2301 Bull Street

Carrying the Starland torch, Arts Southeast is a dynamic hub for the city’s creative community. Established in 2014 by local artists, it offers 26 private artist studios, the Ellis Gallery for rotating exhibitions, and the On::View Artist Residency, which provides artists with high-visibility studio space to engage with the public. This nonprofit organization is  dedicated to making Savannah a cultural destination, hosting community events like the monthly First Friday Art March, fostering a vibrant and supportive environment for both emerging and established artists.

Glass facade of the Water Witch tiki bar in the Starland District in Savannah, Georgia

Water Witch

📍 2220 Bull Street

Water Witch tiki bar, named after the ill-fated U.S.S. Water Witch — a Civil War-era gunboat with a reputation for attracting bad luck — channels its legendary spirit into bold cocktails and an unforgettable atmosphere. Whether you’re in the mood for a classic Mai Tai or something bold and original, this is where your taste buds get to travel. Soak in the island-inspired charm, perfect for date night or catching up with friends — no SPF required. 

Teal painted facade with cream columns of the Vault in an old bank building in Savannah, GA

The Vault Kitchen & Market

📍 2112 Bull Street

Housed in a renovated historic bank building, the Vault effortlessly blends industrial charm with sleek modern design. The menu is just as inspired as the setting, featuring everything from sushi rolls to dumplings to creative entrées that leave your tastebuds begging for more. Whether you’re here for the incredible cocktails or the vibe, the Vault delivers. Perfect for date night or a lunch with friends, this spot is as chic as it is delicious.

Facade of Stump plant shop, with brick and a tree out front in Savannah

Stump

📍 1612 Bull Street

Plant lovers, rejoice! Stump is a boutique plant shop specializing in rare and gorgeous greenery. Whether you’re looking for a monstera that’ll take over your living room or a low-maintenance succulent, they’ve got you covered. The staff is knowledgeable, so even if you’re a notorious plant killer, they’ll set you up for success. 

Stump also offers First Friday workshops, where plant lovers can get hands-on tips for caring for greenery, create their own terrariums, or learn the art of plant styling in a fun and welcoming setting.

Exterior of Woof Gang pet supply shop in Savannah, with pink below and turquoise up top

Woof Gang

📍 1601 Bull Street

If you’re traveling with a furry friend — or have a special dog in your life — this place is a must. Woof Gang offers gourmet treats (think dog-friendly cupcakes), premium toys and grooming services. It’s basically a day spa for your pet.

Annex of gingerbread Victorian house that's now E. Shave Booksellers in the Starland District in Savannah, Georgia

E. Shaver Booksellers

📍 1919 Bull Street

This bookstore is a reader’s paradise. The shelves are divided into well-curated sections, and there’s a small bar in the back serving coffee and cocktails. Bonus: It’s an annex of a historic gingerbread-style home, giving it an extra layer of charm. It’s the kind of place you’ll “stop by for five minutes” and emerge from two hours later with a pile of books and a latte (or prosecco) buzz.

Interior of E. Shaver Bookseller, with tables and shelves filled with books, and tables and chairs, in Savannah, Georgia

They host a variety of monthly book clubs by genre, including sci-fi and fantasy, romance, mystery, graphic novels and even one devoted to Jane Austen.  

Additionally, their podcast, Pull Your Shelf Together, features co-owners Melissa Taylor and Jessica Osborne discussing their latest reads and offering book recommendations.

Front of Foxy Loxy Cafe, with a glowing Open sign, and small round black tables and chairs in Savannah, GA

Foxy Loxy Cafe

📍 1919 Bull Street

A sister establishment to the bookstore, the café offers Tex-Mex-inspired bites, craft coffee and a selection of wines. What sets it apart is the spacious backyard, complete with twinkling lights and fire pits — perfect for sipping a cortado or enjoying their famous tacos al fresco. They often host live music and s’more-themed Fire & Wine Saturdays, making it a true community gem.

Facade of With Love Tattoo in a brightly painted Victorian house in the Starland District in Savannah, Georgia

With Love Tattoo

📍 1917 Bull Street, Suite A

Most tattoo parlors embrace the edgy in their iconography, but this one leans into the cutesy. With Love Tattoo is where artistry meets ink. Known for its diverse team of talented artists, the studio specializes in creating custom pieces tailored to each client’s unique vision — whether you’re into delicate line work, bold traditional designs or intricate black-and-grey realism. The shop’s warm, welcoming vibe makes it as inviting for first-timers as it is for tattoo veterans. Even if you’re not ready for ink, the artwork on display is worth a visit.

Exterior of Neighborhood Comics, with a discount cart out front, in Savannah, Georgia

Neighborhood Comics

📍 1205 Bull Street

Neighborhood Comics caters to hardcore collectors and casual readers alike, with a mix of indie comics, graphic novels and pop culture merchandise. The staff is passionate and always ready to help you find your next fave read. Quirky displays are set up throughout the store — Wally was particularly smitten with the one of Deadpool as Forrest Gump.

Wally gazes lovingly up at Deadpool dressed as Forrest Gump, in Neighborhood Comics in Savannah, Georgia

They also feature a monthly artist-in-residence program, giving local and visiting comic artists a space to create, showcase their work and connect with fans.

Henny Penny Art Space & Cafe

📍 1514 Bull Street

This family-friendly café is equal parts cozy coffeeshop and creative playground. There’s a full menu of specialty coffees and baked goods, including vegan donuts. They regularly host art classes for kids, so parents can sip a latte while their little ones explore their inner Picasso. The art on display is often created by local children, giving the place a sweet, community-focused vibe.

Mural of flowers, lasso and bull that reads, "Grab life by the horns" in Starland, Savannah, Georgia

Star Attractions of Starland in Savannah 

Starland District is Savannah at its quirkiest and most creative. It’s a hood where every corner holds a surprise — and possibly a new friend. So skip the usual downtown haunts and come see what all the buzz is about. –Wally

How to Celebrate Imbolc: Wiccan Ritual, Traditions and the Magic of Brigid’s Day

This Wiccan holiday marks the season of light, where renewal, inspiration and magic bloom as the first signs of spring begin to stir beneath the frost.

Two male Wiccans perform a ritual for Imbolc, with milk and candles

The world still slumbers under winter’s icy grip, but hints of change are stirring. The days, though cold, grow perceptibly longer. A fragile light dances across frosted fields, promising renewal. Somewhere, deep beneath the snow-covered earth, life begins its quiet return.

This is Imbolc, a sacred pause between the chill of Yule and the burgeoning energy of Ostara. It’s a time to kindle hope, purify the hearth, and honor Brigid, the Celtic goddess of fire, poetry and creation. Her spirit ignites the spark within us, encouraging us to shed the darkness and prepare for what’s to come.

Imbolc reminds us that even in the coldest winters, warmth and light are waiting to emerge.

It’s a celebration of small, quiet beginnings — the first breath of spring.

As the wheel of the year turns once more, Imbolc reminds us that even in the coldest winters, warmth and light are waiting to emerge. It’s a celebration of small, quiet beginnings — the first breath of spring.

Flame-haired Celtic goddess Brigid in green dress by flaming brazier and fireplace

The Meaning and Myth of Imbolc

Imbolc, pronounced “Im-bolk” or “Im-bolg,” derives its name from the Old Irish word for “in the belly,” symbolizing the pregnancy of ewes and the promise of new life. It marks the turning point when the earth begins to stir, and winter loosens its icy hold, making way for the first signs of spring.

A pregnant women in Celtic dress holds her pregnant belly by a pregnant ewe, the origin of Imbolc

At the heart of Imbolc is Brigid, the Celtic goddess of hearth and home, poetry and healing, fertility and fire. Known as a triple goddess, she embodies creation, transformation and inspiration. Legends say she was born with a flame rising from her head, forever tying her to the power of fire. For centuries, her sacred flame was tended by priestesses in Kildare, Ireland, representing eternal light and life.

Myths tell of Brigid’s transformative power: She turned water into beer (my kind of gal), healed the sick and inspired poets with her words. As a protector of livestock and bringer of fertility, she was revered by farmers and families alike. Even after Ireland’s Christianization, Brigid’s essence was woven into the figure of Saint Brigid, whose feast day on February 1 coincides with Imbolc.

Imbolc is also a time of purification and preparation, as people cleanse their homes, bless their hearths, and light candles to invite the sun’s growing strength. It’s a celebration of potential — aa sacred moment to honor the seeds lying dormant in the earth and within ourselves, waiting to bloom.

Fire, candles, white flowers and Celtic knots as symbols of Imbolc

Imbolc Traditions Through Time

Imbolc carries with it the energy of renewal, light and quiet preparation for the coming spring. These traditions, passed down through centuries, offer both a nod to the past and inspiration for modern celebrations.

1. Lighting the Flame

The act of lighting candles or hearth fires is central to Imbolc, symbolizing the returning warmth of the sun and the goddess Brigid’s eternal flame. In ancient Ireland, hearths were relit as a symbol of cleansing and starting anew. Today, people light candles in their homes or place them in windows, creating a glow that mirrors the lengthening days.

2. Blessing the Hearth and Home

Traditionally, homes were purified as part of Imbolc rituals. Sweeping away the old, literally and spiritually, was a way to prepare for growth and prosperity. Modern spring cleaning practices might include smudging with sage, sprinkling saltwater, or reorganizing and decluttering spaces.

A man performs candle divination at Imbolc, while a groundhog watches

3. Divination and Weather Lore

Imbolc is a time for seeking guidance about the year ahead. In Celtic traditions, weather omens played a key role — similar to the modern custom of Groundhog Day. Watching the behavior of animals or observing flame patterns were common ways to divine whether winter’s grip would loosen. Candle divination, in particular, remains a popular way to connect with the energies of this season.

4. Honoring Brigid

As the goddess of fire, poetry and fertility, Brigid is at the heart of Imbolc. Her altar might include candles, seeds, white flowers or symbols of fire. Offerings of milk, honey or baked goods are made in her honor, while poetry or creative acts are seen as gifts to her essence.

Imbolc traditions encourage connection to the rhythms of nature and the spark of inspiration within, making this a deeply personal and transformative celebration.

Milk, dairy products and bread to celebrate the Wiccan holiday of Imbolc

Symbols of Imbolc

Imbolc is rich with symbols that reflect its themes of light, renewal and connection to nature. These symbols not only tie to ancient traditions but also inspire modern celebrations, making them versatile tools for rituals, altars or simple seasonal decorations.

1. Candles and Fire

Representing the growing light of the sun and the goddess Brigid’s eternal flame, candles are central to Imbolc. Fire symbolizes purification, inspiration and the spark of creativity that comes with the return of warmth.

2. Milk and Dairy

As a time when ewes begin to lactate, milk represents nourishment, fertility and abundance. Dairy products, like milk, butter and cheese, are traditional offerings to Brigid and reminders of the life-sustaining power of nature.

3. Seeds and Grain

Seeds symbolize potential and the promise of new growth. Grains, like oats and barley, represent sustenance and the cycles of planting and harvest. These are often included in rituals or placed on altars to honor the turning of the seasons.

4. Snowdrops and White Flowers

Snowdrops, among the first flowers to bloom after winter, embody hope and renewal. White flowers in general are associated with purity and Brigid herself, adding beauty and meaning to any Imbolc altar or space.

5. Brigid’s Cross

The cross, woven from rushes or straw, is one of Imbolc’s most iconic symbols. It represents protection, the four elements, and the turning of the seasons.

6. The Color White

White is associated with purity, cleansing and the snowy landscapes of this time of year. It’s often used in altar cloths, candles and flowers to reflect the themes of the season.

A man in Celtic dress kneels before an altar outside with a Celtic cross, candles and jug of milk

Imbolc Ritual: Casting a Spell for Inspiration and New Beginnings

At Imbolc, Wiccans can honor the first whispers of spring and cast a spell to awaken creativity, clarity and the promise of new growth. This spell draws upon the energy of Brigid, the goddess of inspiration, to kindle the spark within and set the stage for the year ahead.

What you’ll need:

  • A white candle

  • A bowl of milk or water 

  • A sprig of rosemary

  • A small jar of seeds

  • A silver coin

  • A small piece of green fabric or pouch

  • A bell or chime

An altar for an Imbolc ritual, with white flowers, candles, a silver coin, seeds and Celtic cloth

Step 1: Set the space.

Prepare your altar or sacred space with the items listed. Arrange the candle in the center and place the bowl of milk or water beside it. Scatter the seeds and rosemary around the bowl. Dim the lights, light incense, and play soft music to create a focused and magical atmosphere.

Cast a magic circle if you wish. Hold the white candle in your hands. Close your eyes and visualize its flame as a beacon of inspiration and hope. Light the candle and say:

Brigid’s flame, so pure and bright,
I call upon your guiding light.
Inspire my heart, my mind, my soul,
And help me make my spirit whole.

Step 2: Charge the seeds.

Take a pinch of seeds and hold them in your hands, focusing on your goals and dreams for the coming months. Visualize them sprouting into reality, nurtured by your efforts and Brigid’s blessings. Sprinkle the seeds into the bowl of milk or water while saying:

Seeds of potential, nourished and blessed,
Grow with abundance, bring me your best.
By earth and water, by sun and flame,
Bring forth the promise in Brigid’s name.

Step 3: Create a charm of inspiration.

Place the rosemary sprig, the silver coin, and a small handful of seeds into the green fabric or pouch. Tie it closed while focusing on the qualities you wish to invite into your life: clarity, creativity and prosperity. As you tie the charm, chant:

By this charm, I call to me
Creativity, prosperity.
By Brigid’s light, by fire’s glow,
Through this year, may inspiration flow.

Hold the pouch over the flame of the candle (without burning it) to infuse it with energy, then place it near your heart and visualize its power filling you with Brigid’s light.

Step 4: Seal the spell.

Ring the bell or chime to close the ritual, signaling to the universe that your intentions have been set. Hold your hands over the bowl of milk or water and say:

This spell is cast, this charm is true,
Blessed by Brigid’s flame anew.
The wheel has turned, my path is clear,
I walk with hope through this new year.

Dip your fingers into the bowl and anoint your forehead, hands and heart as a sign of cleansing and renewal.

Step 5: Close the circle.

Extinguish the candle, thanking Brigid and the elements for their guidance. Take the charm you’ve created and keep it near your creative workspace or carry it with you to inspire you throughout the season. Pour the milk or water into the earth, offering it as thanks to the land for its nourishment and potential.

A group of people sit around a large table for an Imbolc feast

Feasting for Imbolc

Feasting at Imbolc is a celebration of nourishment, fertility and the subtle shift toward spring. Traditional foods honor the season’s natural rhythms, focusing on simple, wholesome ingredients that reflect the energy of renewal and growth. Whether hosting a feast or preparing a small meal for yourself, these ideas connect to the spirit of the season.

1. Dairy Delights

Imbolc is closely tied to the lactation of ewes, making dairy a symbolic staple. Incorporate milk, cream, butter and cheese into your feast to honor Brigid as the goddess of fertility and nourishment. Consider dishes like:

  • Creamy potato soup or leek and potato soup

  • Freshly baked bread with homemade butter

  • Cheesy casseroles or savory tarts

2. Warm Grains and Breads

Grains symbolize abundance and the promise of new growth. Baking bread is a traditional way to honor the hearth and Brigid, who is associated with fire and the home. Ideas include:

  • Oatcakes or soda bread

  • Barley or oat porridge sweetened with honey

  • Seeded loaves to symbolize planting and fertility

3. Seasonal Vegetables

Root vegetables are perfect for Imbolc feasts, reflecting the connection to the earth’s stored energy and the first hints of new life. Serve roasted carrots, parsnips or turnips, or prepare a hearty stew featuring seasonal produce.

4. Sweet Treats

Honey and other natural sweeteners reflect the nurturing energy of the season. Create desserts that bring warmth and joy, such as:

  • Honey-glazed scones

  • Rice pudding with cinnamon

  • Custards or panna cotta

5. Herbal Teas and Milk-Based Drinks

Infused drinks are a lovely way to conclude your feast, offering warmth and comfort. Consider:

  • Chamomile or rosemary tea for clarity and calm

  • Warm milk with honey and cinnamon for a soothing, symbolic nightcap

  • Mulled cider or spiced wine for a celebratory touch

The goddess Brigid accepts an offering of milk, bread and rosemary by a fireplace

Creating a Feast for Brigid

Dedicate your meal to Brigid by setting a small portion aside as an offering. This can be placed on your altar or returned to the earth to honor the goddess and the cycles of nature. Light candles during your meal to reflect the growing light, and invite your loved ones to share their intentions or blessings for the year ahead.

Feasting at Imbolc is about more than food—it’s a moment to pause, nourish your body and spirit, and celebrate the promise of renewal in the turning of the seasons.

A woven Brigid's cross, with a candle, coin and white flowers

Crafting for Imbolc

Imbolc is a time to honor creativity and the spark of inspiration, making it the perfect occasion for hands-on crafting. Channel Brigid’s energy as the goddess of creation by making meaningful items that celebrate the season’s themes of renewal, protection and potential.

1. Brigid’s Cross

What you’ll need:

  • About 16-20 pieces of straw, rushes (or yarn, strips of paper, pipe cleaners, etc. 

  • Scissors

  • Thread, string or rubber bandsSeeds symbolize potential and growth, making them a powerful tool for setting intentions.

Braiding a Brigid’s Cross is a traditional Irish craft often associated with Imbolc and the goddess Brigid. It’s made by weaving rushes, straw or other flexible materials into a distinct cross shape with a square center and four arms.

How to make it:

  • Soak natural materials like straw or rushes in water for a few hours to make them more pliable.

  • If using pipe cleaners or paper, ensure they are cut to equal lengths (about 10-12 inches).

  • Start the center: Hold one straw vertically in your left hand. Fold a second straw in half and place it over the first, forming an “L” shape.

  • Add the Alarms: Rotate the cross clockwise. Fold a third straw in half and lay it horizontally over the second straw, enclosing the vertical straw. Rotate again and fold a fourth straw over the last one.

  • Repeat this process, rotating and adding straws until you achieve the desired thickness for the center.

  • Secure the arms: Once the center is complete, you’ll have four arms extending outward.

  • Group the ends of each arm and tie them tightly with string or rubber bands to hold the shape.

  • Trim the ends to make them even. 

  • Place the completed Brigid’s Cross on an altar, hang it above a door, or use it as a protective charm.

  • Symbolism: The square center symbolizes balance and the hearth, central to Brigid’s domain. The four arms represent the elements (earth, air, fire, water) and the cyclical nature of life.

  • Traditionally, the cross was hung in homes to invoke Brigid’s blessings and protection for the year ahead.

Seed jars of intention for an Imbolc project

2. Seed Jars of Intention

What you’ll need:

  • A small glass jar

  • Seeds (for herbs, flowers or vegetables)

  • Small slips of paper

  • A pen

Seeds symbolize potential and growth, making them a powerful tool for setting intentions.

How to make it:

  • Write your goals or wishes for the coming season on small slips of paper.

  • Place the seeds in the jar, layering them with the slips of paper.

  • Seal the jar and place it on your altar as a reminder of the intentions you’ve planted.

When the season is right, plant the seeds as a symbolic act of manifesting your goals.

Candleholders made of jars with ribbons and woven twigs for an Imbolc craft project

3. Imbolc Candleholders

What you’ll need:

  • Glass jars or small bowls

  • Natural materials (twigs, dried herbs, ribbons)

  • Glue or twine

  • Tea lights or votive candles

These simple, decorative candleholders symbolize the growing light of the sun and Brigid’s eternal flame.

How to make it:

  • Decorate the outside of a glass jar or bowl using twigs, dried herbs or ribbons.

  • Secure the materials with glue or twine.

  • Place a tea light or votive candle inside, and light it during your Imbolc rituals or feasts.

A wreath made of rosemary, flowers and a green ribbon

4. Rosemary Wreaths

What you’ll need:

  • Fresh rosemary sprigs

  • Floral wire or twine

  • Dried flowers and ribbons

Rosemary is a traditional herb for purification and protection, making it a perfect addition to Imbolc crafting.

How to make it:

  • Form a small wreath shape with the rosemary sprigs, securing them with wire or twine.

  • Add dried flowers or ribbons for decoration if desired.

  • Hang the wreath near your front door or in your sacred space to cleanse and protect.

Crafting as a Sacred Act

Crafting at Imbolc is a way to weave your intentions into tangible forms. Whether you’re making a Brigid’s Cross for protection or a seed jar to nurture your goals, these crafts connect you to the themes of Imbolc and the power of the goddess Brigid herself.

A coven of witches in Celtic garb form a circle around a bonfire to celebrate Imbolc

Embracing the Light of Imbolc

As the wheel of the year turns, the Wiccan holiday of Imbolc offers a moment to pause and honor the quiet transformations happening within and around us. It’s a time to kindle the first sparks of inspiration, to nurture the seeds of what’s to come, and to invite light and warmth back into our lives.

Whether through rituals, feasting, crafting or simply reflecting on the promise of spring, Imbolc encourages us to celebrate the potential of new beginnings. By embracing the season’s themes of renewal, creativity and connection, we align ourselves with the cycles of nature and the guiding light of Brigid.

As you step into the growing light of the season, may you carry with you the hope and inspiration that Imbolc brings. Blessed be. –Wally

The Genius of Mongol Warfare: Strategies That Conquered Empires

8 Mongol military tactics that changed how wars are fought, including false retreats, horse archers, siege technology, spies and propaganda. 

In the vast, wind-swept steppes of Mongolia, a handful of nomadic tribes evolved into one of the most formidable military machines the world has ever seen. Within just a few decades, the Mongols — once dismissed as primitive horsemen — would carve out the largest contiguous empire in history, stretching from the edges of Eastern Europe to the shores of the Pacific Ocean. At its height, the Mongol Empire covered nearly 12 million square miles, encompassing China, Persia, Russia and parts of the Middle East, with its influence even reaching Korea and Southeast Asia.

But their astonishing success wasn’t just a matter of brute strength. The Mongols were strategic masterminds, innovators in a world still clinging to outdated tactics. They wielded mobility like a weapon, turned deception into an art form, and mastered psychological warfare so effectively that their very name struck terror into the hearts of distant nations. 

The Mongols rewrote the rules of warfare.

Their campaigns shattered the conventional strategies of the time, leaving entire civilizations scrambling.

But what truly set the Mongols apart was how they consistently turned the battlefield into a proving ground for innovation, efficiency and relentless adaptability.

“Genghis Khan recognized that warfare was not a sporting contest or a mere match between rivals; it was a total commitment of one people against another,” writes Jack Weatherford in Genghis Khan and the Making of the Modern World. “Victory did not come to the one who played by the rules; it came to the one who made the rules and imposed them on his enemy. Triumph could not be partial. It was complete, total and undeniable — or it was nothing. In battle, this meant the unbridled use of terror and surprise. In peace, it meant the steadfast adherence to a few basic but unwavering principles that created loyalty among the common people. Resistance would be met with death, loyalty with security.”

The Mongol focus on precision, planning and an uncanny ability to adapt led to victories that reshaped the course of history. Let’s dive into the tactics that made the Mongol Empire from 1206 to 1368 an unstoppable force — and secured its place as one of history’s most dominant military powers.

1. Horse archers as the backbone

The open steppe: a vast, unforgiving expanse where the horizon blurs into the sky. The wind howls, carrying with it the distant thunder of hooves — faint at first, but growing louder, a storm of dust and fury heading your way. Before you can even catch a glimpse of your attackers, arrows begin raining down from the sky like lethal hail, striking with unerring precision.

This was the nightmare that armies across Asia and Europe faced when they encountered the Mongols. Unlike the heavily armored knights of Europe or the disciplined infantry of China, the Mongols fought as if they were part of the wind itself — swift, elusive and deadly. 

Their entire way of life had trained them for this. From childhood, Mongol boys were taught to ride with the skill of seasoned cavalrymen and to shoot with a deadly accuracy that could strike a sparrow mid-flight. But what made them truly terrifying was their ability to do both — racing across the battlefield at full speed with bows drawn.

No army wanted to face a horde of these warriors, with each solider armed with a composite bow, a weapon capable of firing arrows with greater force and at longer ranges than any bow of the time. The Mongols would circle their enemy, shooting while riding with such precision that no one within range was safe. 

Unlike conventional armies that moved in rigid formations, the Mongols attacked with fluid, ever-shifting maneuvers, swarming like a living organism. They were never where you expected them to be, always striking at your most vulnerable points.

It’s easy to see how traditional armies found themselves outmatched. Try to chase the Mongols, and they’d vanish into the distance, only to regroup and encircle you. Stand and hold your ground, and you’d be worn down by relentless waves of arrows. And this was just the beginning of their tactics — this merciless dance of speed and precision was merely the opening move in battles that would leave entire regions trembling in their wake.

2. Hit-and-run tactics and feigned retreats 

The battlefield is quiet — too quiet. Your forces stand on edge, gripping swords and shields, scanning the horizon for any sign of the Mongol horde. They’ve attacked twice already today, firing volleys of arrows before vanishing into the vast plains. Frustration simmers among your ranks. You know they’re out there, hiding just beyond sight, waiting for the perfect moment to strike again.

Suddenly, the ground begins to tremble, a distant rumble of hooves echoing through the air. There they are: a line of Mongol riders streaking toward you at breakneck speed, dust billowing behind them. Your archers scramble to prepare — but just as they aim, the Mongols turn and retreat, racing back into the open steppe. A cheer goes up from your troops — they’re running away!

But the retreat is a trap. What you don’t realize is that this maneuver is exactly what they want. As your forces give chase, emboldened by what they believe to be a fleeing enemy, the Mongols keep just out of reach, drawing you farther from your strong position. They’re leading you into a killing ground — a carefully chosen area where they hold every advantage.

Then it happens. The Mongols suddenly stop, wheeling around with the fluidity of a flock of birds, and a second group of riders bursts from a hidden position, flanking your forces. Arrows rain down in a deadly crossfire, and before you can even order a retreat, your ranks are in chaos. The “retreating” riders now charge back with renewed ferocity, encircling you on all sides. It’s no longer a battle — it’s a massacre.

This was the brilliance of Mongol hit-and-run tactics: the feigned retreat. Where traditional armies saw retreat as a sign of defeat, the Mongols turned it into one of their deadliest weapons. They understood human nature — how pride, fear and the desire for victory could be manipulated. Time and again, enemy forces were lured into pursuing what they thought was a vulnerable target, only to find themselves surrounded, overwhelmed and utterly crushed.

3. Spreading fear, rumors and propaganda

You’re a soldier stationed in a distant city, a place that until recently had felt like a secure fortress, surrounded by thick walls and defended by thousands. But now, unease grips the streets. The merchants whisper dark tales from travelers — stories of entire towns wiped off the map, of rivers running red with blood. The name on everyone’s lips is the same: Mongols.

You hear that when the Mongols approach a city, they send messengers ahead with an offer: Surrender or face annihilation. Those who resist are said to be shown no mercy: civilians slaughtered, leaders executed and survivors — if there are any — left alive just so they can spread word of the devastation to the next town. The stories are horrific, often exaggerated with every retelling, but that’s the point. Before the Mongols even arrive, their reputation arrives first, a shadow that stretches across hundreds of miles.

The panic sets in. You hear of entire armies fleeing without even putting up a fight, abandoning their posts at the mere rumor of Mongol scouts. Even among your fellow soldiers, there’s doubt. What if the rumors are true? What if the Mongols really are unbeatable? What chance do you have against an enemy that fights like a phantom, one that doesn’t just defeat armies but erases cities from existence?

The Mongols understood the power of propaganda better than any other force. They didn’t just wage war on the battlefield; they waged psychological warfare on entire populations. They would often exaggerate their numbers and the brutality of their tactics, knowing full well that fear could sometimes do more damage than arrows or swords. By the time the Mongols appeared at the gates, many cities had already lost the battle in their minds. The choice between surrender or certain death seemed all too clear.

In this way, the Mongols won countless victories without even lifting a weapon. Their enemies crumbled under the weight of their own dread, driven by stories that blurred the line between truth and myth. 

4. Siege warfare

The city walls loom tall and impenetrable. They’ve held back countless enemies before, giving the citizens within a sense of security. They’ve heard of the Mongols — how they devastate everything in their path — but they’re confident that these steppe warriors, known for their lightning-fast cavalry, won’t have the patience or the tools to crack these mighty defenses. 

But as the days stretch on, something unsettling begins to happen. Siege engines start appearing — massive trebuchets that hurl boulders with frightening precision, towers that inch closer every night and tunnels that seem to dig themselves under the city walls. The Mongols are even said to have thrown diseased corpses over walls to sow panic and chaos. 

Early in their conquests, the Mongols recognized that brute force alone couldn’t bring down the heavily fortified cities of China, Persia and Europe. So they adapted. They captured and recruited siege engineers from the civilizations they conquered, learning how to breach walls that had stood for centuries. 

The Mongols would also cut off all supplies to the city. Starvation and desperation would do the work for them, as defenders grew weaker and morale crumbled. Every siege was a calculated operation designed to break both the city’s defenses and its spirit.

The siege of Xiangyang in the 13th century is one of the most famous examples of Mongol tenacity. The city, a key fortress along the Yangtze River, was heavily fortified and seemed impregnable. But the Mongols weren’t deterred. After years of encircling the city and relentlessly attacking, they deployed new trebuchets built with the expertise of Persian engineers they had brought into their ranks. These trebuchets had longer range and greater power than anything the defenders had seen before. When they began firing, the walls that had withstood years of assault began to crumble. Once Xiangyang fell, the path to conquering southern China was wide open.

By the time news of a Mongol siege reached neighboring cities, panic often spread faster than the armies themselves. The fall of one fortress became a warning to the next, and with each victory, the Mongols solidified their reputation as an unstoppable force. Siege warfare allowed them to conquer the unconquerable, turning the cities that should have been their greatest obstacles into stepping stones for their ongoing conquest.

5. Use of spies and scouts

The sun dips low over the horizon, casting long shadows across the camp. As your army prepares for the next day’s march, there’s an uneasy tension in the air. You’ve heard the rumors — how the Mongols always seem to know every move you make, every weakness in your defenses, even the most secret paths through the mountains. It’s as if they’ve been watching you for weeks, perhaps months. The truth is, they have.

Long before the first Mongol arrow is loosed in battle, their spies and scouts have already done much of the heavy lifting. These agents, often disguised as merchants, travelers or even defectors, slip unnoticed into enemy territories. By the time a Mongol army arrives, they know everything: the strengths of your defenses, the locations of your food stores, the morale of your soldiers and the political tensions within your ranks.

This intelligence network is a vast, organized system. Mongol scouts map out entire regions, identifying the best routes for swift movement and the hidden vulnerabilities of their enemies. 

In the world of Mongol warfare, knowledge truly was power. Where other armies relied on brute strength or blind courage, the Mongols leveraged the hidden movements of their spies and scouts to outthink their opponents long before they clashed on the battlefield.

6. Rapid communication

The Mongol army moves like a shadow across the landscape — swift, coordinated and seemingly unstoppable. But what’s truly remarkable isn’t just their speed; it’s their ability to remain connected across the vast expanse of their empire. From the frozen forests of Siberia to the deserts of Persia, the Mongols maintain perfect coordination over thousands of miles. How? Through a means of communication incredibly advanced for its time: a system known as the yam.

Imagine being a messenger tasked with carrying critical orders across hundreds of miles of hostile terrain. You’re not traveling alone or unaided, though. As you gallop along the steppe, you know that every 20 to 30 miles, there’s a relay station — each stocked with fresh horses, supplies and guards. You ride at full speed to the next station, where you hand off your message to the next rider, who continues the journey without missing a beat. 

In a world where armies could take weeks to coordinate movements over long distances, the Mongols collapsed time and space. Orders that would take weeks to reach other empires were transmitted across the Mongol Empire in a matter of days. This rapid communication allowed them to stay unified, adapting to changing situations and striking with devastating precision.

7. Learning from conquered peoples

The Mongol Empire was a rolling juggernaut that devoured cities, kingdoms and empires. Yet, unlike many conquerors before them, the Mongols didn’t just take land — they took knowledge as well. As they moved across continents, they were like sponges, soaking up the best tactics, technologies and ideas from every culture they encountered. For the Mongols, wisdom could come from anywhere, and they knew that the difference between victory and defeat often lay in adapting and improving upon what others had already mastered.

The sophisticated siege engines Genghis Khan and his successors used weren’t Mongol inventions. They were borrowed, adapted and perfected from the Chinese and Persian engineers whose lives were spared to serve under the Mongol banner.

This ability to assimilate the skills and knowledge of conquered peoples was one of the most overlooked strengths of the Mongols. While other conquerors destroyed what they didn’t understand, the Mongols saw opportunity in every culture they encountered. Skilled craftsmen, scholars, engineers and even military experts were often spared, given new homes and tasked with serving the Mongol cause. 

Once they learned a new tactic or technique, they integrated it into their existing strategies, creating a flexible and formidable war machine that could handle pretty much any challenge.

This willingness to learn, adapt and evolve was a key factor in the Mongols’ success. Where other empires stagnated, the Mongols thrived by remaining open-minded and pragmatic. In doing so, the Mongols proved that the smartest way to dominate the world wasn’t just through force, but through understanding and adaptation.

8. Living off the land and rapid campaigns

The wind sweeps across the open plains, carrying with it the scent of dry grass and distant smoke. You’re a soldier in an army marching into unfamiliar territory, uncertain of what lies ahead. Supplies are dwindling, and every day feels like a struggle to keep your men fed and ready to fight. 

But across the field, the Mongol army seems unfazed. They move swiftly and silently, barely slowed by the lack of resources that would cripple any other force. How do they do it? How do they manage to keep their strength, their speed and their ferocity even in the harshest conditions?

The answer lies in their ability to live off the land. Unlike the lumbering armies of Europe or China, bogged down by supply chains and the need to carry provisions for weeks or months, the Mongols were masters of survival and self-sufficiency. They didn’t rely on vast wagon trains of food or endless lines of pack animals to feed their troops. Instead, they adapted to whatever environment they found themselves in, thriving in conditions that would break lesser armies.

Mongol warriors were raised on the harsh steppes, where survival meant knowing how to make the most of what little was available. They were trained to be self-reliant from a young age, and this ethos extended to their campaigns. The Mongols could cover vast distances with astonishing speed because they weren’t weighed down by the need to secure elaborate supply routes. Instead, they carried what they needed on their horses — dried meat, fermented milk and hard cheese — and when supplies ran low, they simply hunted, foraged or took what they needed from the land.

Mongol warriors could subsist on mare’s milk, often fermenting it into the drink known as kumis, and in dire situations, they could bleed their horses, drinking the blood, mixed with water, for sustenance. 

This ability to live off the land, coupled with their lightweight and durable supplies, made the Mongol army one of the most mobile forces in history. They rode at a pace that left their enemies reeling. 

The Legacy of Mongol Warfare

The Mongols rewrote the rules of warfare. From the vast plains of Mongolia to the fortified cities of Europe and the Middle East, their campaigns shattered the conventional strategies of the time, leaving entire civilizations scrambling. But what truly set the Mongols apart wasn’t just their ability to win battles; it was how they consistently turned the battlefield into a proving ground for innovation, efficiency and relentless adaptability.

Their mastery of speed and mobility made them the swiftest force the world had ever seen, while their psychological warfare broke enemy morale before the first arrow was ever fired. They used intelligence networks and rapid communication to stay steps ahead of their foes, creating an empire where information flowed faster than any army could march. And with their willingness to learn from every culture they encountered, the Mongols turned their enemies’ technologies and tactics into the bedrock of their growing power.

The Mongol Empire may have eventually fragmented, but the strategies they pioneered can be seen in modern military tactics and logistics. Even beyond warfare, from women’s rights to paper currency, Mongol innovations helped shape the modern world.

Demonized as an inferior race for centuries, the Mongols are finally getting the recognition they deserve. –Wally

From Freaks to Serial Killers: The Dark Wonders of Graveface Museum

Dive into a world of roadside oddities, taxidermy curiosities, cult memorabilia and chilling true crime tales — including the legacies of Ed Gein and John Wayne Gacy — at Graveface Museum.

A tall red devil face forms the entrance to the Graveface Museum in Savannah, Georgia

The devil’s in the details: the iconic entrance to the Graveface Museum

If your idea of the perfect afternoon includes taxidermied animals, Church of Satan memorabilia, paintings made by a serial killer, and an arcade filled with vintage monster-themed pinball machines, then the Graveface Museum might just be your new happy place. Tucked away in Savannah, Georgia’s historic Byck building along the cobblestoned Factors Walk, this one-of-a-kind museum is a must-visit for enthusiasts of the macabre, the mysterious and the downright bizarre.

Originally, Duke and I had planned a day trip to Savannah with my mom, but she decided to sit this one out due to the blustery, cold winter weather. With just the two of us making the trip, we decided to explore some of the city’s more unusual shops and attractions. 

We took an Uber from Hilton Head, South Carolina and had the driver drop us off in the artsy Starland district. It was here among the shops that we stumbled upon Graveface Records & Curiosities, a combination vinyl and oddities shop founded by Ryan Graveface — a musician, record label owner and lifelong collector of all things peculiar. (Something tells me he would get along well with Ryan and Regina Cohn, whom we’ve dubbed the King and Queen of Oddities.)

After exploring the Starland district and other aspects of quirky Savannah, we made our way to Bay Street. The Graveface Museum is tucked away in the historic Byck building at 420 East Factors Walk, a cobblestone thoroughfare sandwiched between River Street and Bay Street. Keep an eye out: This hidden gem isn’t as obvious as the tourist stops along the river — but that only adds to its allure. 

Wooden cutout of a Tattooed Lady at the Graveface Museum in Savannah, Georgia

The museum pays homage to all things creepy or unusual.

A Grave Undertaking 

The museum opened in February 2020 (right before the pandemic hit, gulp) as a passion-project-turned-immersive-experience. Given that Ryan’s last name is Graveface, an affinity for the macabre seems inevitable. With a mission to preserve and showcase the stranger aspects of history, he’s curated an eclectic mix of roadside attractions, true crime artifacts, cult memorabilia and secret society paraphernalia, among other peculiarities.

Highlights include the largest private collection of John Wayne Gacy’s paintings, artifacts from Ed Gein’s notorious crimes, and exhibits on topics ranging from Satanism to UFO cults. The museum also features a free pinball arcade, offering visitors a chance to unwind after exploring its darker displays.

Deer heads and multicolored geometric design cover the walls of the gift shop at the Graveface Museum in Savannah

The eclectic gift shop

Enter Through the Gift Shop

Your journey into the macabre begins in a gift shop that’s as offbeat as the museum itself. Part retail space, part curiosity cabinet, it’s stocked with horror-themed merchandise, oddities and hilariously gory painted movie posters from Ghana, Africa. It’s an appetizer for the weirdness that lies ahead.

Old cloth masks of Ernie and Bert (wearing a fez) from Sesame Street at the Graveface Museum gift shop in Savannah, GA

Sunny days…with a side of terror: Ernie and Bert masks up front

The $25 entrance fee might seem a bit steep, but if you’re into all things weird, it’s worth it. The staff is brimming with enthusiasm, eager to share their knowledge of the unusual. With your ticket in hand, you’re ready to step into a world where the bizarre, the dark and the fascinating collide. Step right up — into the gaping maw of a bright red devil.

Taxidermied remains and sideshow poster of Spiderfawn, a malformed baby deer with two heads and six legs, at the Graveface Museum in Savannah

The first room of the museum houses medical oddities like the Spiderfawn.

The Tour Begins: Roadside Oddities

The first room welcomes you into a world of roadside curiosities — an homage to the kitschy, the creepy and the oddly endearing. Here, you’ll find displays of “freaks of nature”: a taxidermied faun with two heads and extra legs, and Clementine, a calf with five legs — a mix of biology gone awry and human fascination with the unnatural.

But not everything is what it seems. This room dives into the art of Homer Tate, nicknamed the “King of Gaffes” for devising grotesque, cobbled-together creations that once dazzled and duped carnival-goers, including a few variations of the infamous Fiji mermaid. Our favorite was the one called Fish Girl, which incorporated the red hair of Tate’s wife and a cat’s teeth. 

Fish Girl, a gaffe by Homer Tate, a Fiji mermaid hoax with red hair, at the Graveface Museum in Savannah, Georgia

This Fiji mermaid is a hoax by Homer Tate, who used his wife’s hair and his cat’s teeth.

Apparently, Tate also produced shrunken heads — some fake, some real! — and was arrested for grave robbing. However, since he was the town sheriff, he didn’t spend have to worry about spending time behind bars.

Also in this first room are dioramas of taxidermied critters that reveal a peculiar Victorian obsession: crafting miniature scenes featuring preserved animals in quirky, anthropomorphic roles. These whimsical displays, once popular showpieces for the 19th century elite, straddle the line between charming and unsettling. Our favorite? A tiny circus featuring prematurely born kittens as the star performers — walking the tightrope, balancing on balls and delighting an imaginary crowd. What else would you expect from the generation that created death photography?


Taxidermy and old poster of Clementine, the 5-Legged Cow, at the Graveface Museum in Savannah

Cute l’il Clementine was born with five legs. You can see the purple mirrored chamber about Heaven’s Gate and alien abductions.

Alien Abductions and Heaven’s Gate

From roadside oddities, you’re transported into a small, mirrored room that feels like stepping into another dimension. This space is dedicated to UFO lore, alien abductions, and one of the most infamous cults of modern times: Heaven’s Gate. A  video loop of its founder anchors the exhibit and offers a chilling glimpse into the cult, whose members believed they would ascend to an alien spacecraft trailing the Hale-Bopp comet. 

The room’s mirrors amplify the eerie vibe, reflecting the otherworldly artifacts and making you feel like you’ve entered a cosmic echo chamber.



Two mannequins on either side of a fireplace, one of a blonde woman in black, the other of Anton LaVey, founder of the Church of Satan, at the Graveface Museum, Savannah

The mannequin on the right is of Anton LaVey, who founded the Church of Satan.

Satanism and Secret Societies

The next stop on our journey delved into the forbidden, the misunderstood and the hidden corners of belief systems. 

One room is dedicated to Satanism, with a focus on the Church of Satan and its theatrical founder, Anton LaVey, whose philosophy challenged societal norms and fueled decades of controversy. Sexual liberation played a major part in LaVey’s teachings, and he encouraged members to embrace it. LaVey contended that living in a society in which we repress our natural urges and instincts results in unhappiness. 

From there, we entered a room dedicated to Christianity and secret societies like the international Order of Oddfellows. Artifacts from these groups reveal a fascinating interplay between faith, ritual and mystery. 

The juxtaposition of these belief systems — one often feared and the other foundational to Western culture — invites you to ponder the fine line between the sacred and the profane.

Row of pinball machines inside the Graveface Museum in Savannah, GA

Stop and play some pinball to prep yourself for a (serial) killer ending.

The Pinball Arcade

Just when the heavy, dark vibe starts to settle in, the museum offers a much-needed breather: a room filled with vintage pinball machines. It’s a welcome shift in atmosphere, adding a playful, nostalgic charm to the experience.

Of course the lineup features creepy classics like The Addams Family, Dracula, and Halloween, a perfect nod to the museum’s macabre aesthetic. Best of all? These machines are free to play. Whether you’re a seasoned pinball wizard or just looking for a moment to decompress, this quirky arcade is the perfect palate cleanser before diving back into the dark history waiting around the corner.

Red light showing a headless female mannequin hanging upside down to show Ed Gein's final victim in the Graveface Museum in Savannah

This macabre display is a re-creation of Ed Gein’s final murder, where he decapitated a woman’s head and mutilated her genitals.

Haunted House: Ed Gein’s World

From pinball nostalgia, you’re thrust into the unsettling world of Ed Gein, aka the “Butcher of Plainfield” — a man whose gruesome crimes blurred the line between true crime and urban legend. The guided tour through Gein’s macabre legacy busts some of the myths that have grown around his name. No, there weren’t lampshades made of human skin or a “nipple belt.” (Gein didn’t even have electricity, and that infamous accessory was a hoax made out of latex.) But yes, he really did use skin to upholster the seat of a chair, and he carried around a nifty keychain made from a piece of his mom’s scalp and hair. 

Book and yellow bust of Ed Gein, serial killer

Ed Gein inspired numerous villains in horror movies, including Psycho, The Silence of the Lambs and The Texas Chain Saw Massacre.

Gein, who robbed graves and murdered two women, is the inspiration for countless fictional killers, from Norman Bates to Buffalo Bill and Leatherface. The exhibit doesn’t flinch in showing the grisly details, including a diorama of his final victim. She’s depicted hanging upside down, her head cut off, and her genitals mutilated, revealing the true depravity of his crimes. This was to me the most disturbing aspect of the museum. 

We followed our guide up a staircase lined with grisly black and white crime scene photos of mob hits that reminded me of the work of Weegee. 

And yet, as shocking as it all is, there’s something oddly captivating about Gein himself. The small town simpleton obviously had horrific hidden depths. 

Picture of Pogo the Clown, John Wayne Gacy's alter ego, on the wall at the Graveface Museum in Savannah

John Wayne Gacy dressed up like a clown…when he wasn’t torturing and murdering young men and boys.

Upstairs: John Wayne Gacy’s Disturbing Legacy

Climbing the stairs to the section dedicated to John Wayne Gacy, the infamous “Killer Clown,” felt like stepping into an even darker realm of horror. In this room, our guide, her tuna fish can earrings jangling as she spoke, recounted the grim tale of Gacy. He was a seemingly ordinary married man from suburban Norwood, Illinois, who, during the 1970s, tortured, sexually assaulted and murdered (not necessarily in that order) 33 boys and young men. Gacy's preferred method of killing was strangulation, chillingly referred to as his "rope trick." 

One wall of the museum is dedicated to the faces of Gacy’s known victims — a haunting tribute to the young men whose lives he stole. Seeing their photos lined up, it’s impossible not to picture the unimaginable horrors they endured.

Paintings of the Seven Dwarves by serial killer John Wayne Gacy

Many of Gacy’s paintings were of the Seven Dwarves — a reflection of a childhood obsession

But what sets this room apart is the strange, surreal focus on Gacy’s art. Displayed prominently are his original paintings, including a series of the Seven Dwarves (Snow White is notably absent). Gacy’s clown paintings are equally unnerving, given his former role as a community entertainer in full clown getup.

A list of prices reveals that back in the 1990s, you could pick up a Gacy painting for a mere 100 bucks (or $270 nowadays). Today, their value has skyrocketed as collectors clamor for a piece of true crime infamy — a disquieting reminder of our society’s fascination with killers.

Keep an eye out for a documentary the Graveface gang is working on about Gacy. 

Man makes funny face by old circus sign that reads, "Side Show: Freaks, Oddities, Pecurliar — Why? Alive" at Graveface Museum in Savannah

Wally put his best freak on to try out to be a permanent exhibit at the Graveface Museum.

A Must-See for Oddities Enthusiasts 

The Graveface Museum isn’t for the faint of heart — if you’re squeamish or prefer your history without a macabre twist, it’s best to give this one a pass. But for those intrigued by the intersection of the bizarre and the dark, it promises a one-of-a-kind experience.

From taxidermied curiosities and cult artifacts to the unsettling tales of Ed Gein and John Wayne Gacy, the Graveface Museum balances horror with history, never veering into exploitation, but refusing to shy away from the unsettling truths of human nature And let’s not forget about the free pinball!

Whether you walk away fascinated, haunted or simply grateful for the ordinary comforts of your own life, one thing is certain: The Graveface Museum will stick with you long after you’ve left its eerie halls. –Wally


SEE ALSO:
The Oddities Flea Market

Death masks and other delights!


The Deets

Brick exterior of Freemasons Hall in Savannah, Georgia, with a fountain of a lion spouting water out front

When yoiu see Freemasons’ Hall, you’re close. Find the fittingly creepy Lower Factors Walk between Bay and River.

Location

The Graveface Museum is tucked away at 410 East Lower Factors Walk, a strange little in-between street near Savannah’s waterfront. It’s not quite street level and not quite below it, but rather a cobblestone thoroughfare sandwiched between River Street and Bay Street. 

If you’re driving, nearby parking can be tricky, so plan ahead or prepare to walk a bit.

Admission
Tickets cost $25 per person, which includes access to all exhibits and the free-play pinball arcade. 

Hours of Operation
Monday through Saturday: 11 a.m. to 7 p.m.
Sunday: 12 p.m. to 6 p.m.

Hours may vary, so it’s always a good idea to check their website or call ahead before visiting.

Graveface Museum

410 East Lower Factors Walk
Savannah, Georgia 31401
USA

What Are the Nephilim and Sons of God in the Bible?

Exploring controversial theories about Nephilim and the lustful Sons of God. Were they giants, fallen angels, warrior kings — or aliens?!

Sons of God from Heaven come to Earth to take a human wife

They’ve confounded readers of the Bible for centuries: the Nephilim — those enigmatic giants who, for a brief moment in Genesis 6:1-4, stride across the stage before vanishing into the mists of time. What are we to make of these mysterious figures, and the equally shadowy “sons of God” who, it seems, were quite taken with the local ladies? If you’re expecting a straightforward answer, prepare to be disappointed — or delighted, depending on your taste for ancient mysteries.

When the Bible says the Sons of God took any of the women they chose, there’s no indication that their consent was considered. Today, we’d call that rape. 
Songs of God as old men with white beards appear above a line of topless women

Divine Romances and Giant Offspring

Back when the world was young, shortly after the Creation and the Fall of Man, humanity was multiplying, and somewhere out there, celestial beings were looking down at the burgeoning population of Earth. And what caught their eye? The daughters of men, who, according to the text, were beautiful enough to inspire these sons of God to leave their heavenly abode and mingle with the mortals. The result? The birth of the Nephilim — described as mighty men, heroes of old.

The Nephilim as warrior kings, holding spears, with a horse nearby

It’s a story that practically begs for elaboration, yet Genesis offers little more than a tantalizing sketch. Who are these sons of God? What exactly were the Nephilim — and why do they get only a brief mention before the narrative shifts to the business of the Flood?

Fallen angels grab a woman, with their offspring around them as babies with and without wings

The Dark Side of Divine Romance: Consent? What Consent?

Let’s not sugarcoat this: The sons of God in Genesis aren’t exactly the chivalrous type. When the text says they “married any of them they chose,” we’re not talking about a whirlwind romance or a fairy-tale wedding. No, this is more of a divine free-for-all, where the daughters of men were taken — emphasis on taken — with no indication that their consent was considered. Today, we’d call that rape. 

This little detail turns the story from a mythical dalliance into something much darker. It’s not just about heavenly beings mingling with mortals; it’s about power dynamics and the exploitation of vulnerability. The sons of God are exercising a celestial privilege, and the daughters of men are on the receiving end of a cosmic power play.

Women wail, surrounded by Nephilim babies, with one woman with a baby growing out of her pregnant belly

Some scholars argue that this part of the narrative reflects a broader theme of power imbalance — one that echoes through many ancient myths (including putting the blame on Eve in the Garden of Eden) and even into modern discussions about consent and authority. 

These divine beings, with all their supernatural power, saw something they wanted and took it, consequences be damned. And what were those consequences? Enter the Nephilim, the chaotic offspring of these unions, who were as much a symbol of the moral disorder as they were of physical might.

In this light, the Flood that follows can be seen as more than just a reset button for a world gone wrong; it could be a divine response to the abuse of power. The story’s about what happens when those with power overstep their bounds, and how, in the end, that kind of violation brings about its own downfall.

A Song of God, in flowing robe, approaches a woman who tries to be modest

Sons of God: Angels Gone Wild?

But what exactly were these dubious creatures? One popular interpretation, especially in early Jewish thought, is that the sons of God were fallen angels — divine beings who, perhaps bored or rebellious, decided to have a little fun on Earth. 

This view is championed by the ancient Book of Enoch, a text that didn’t make the biblical cut but still managed to influence a lot of early Jewish thought. In Enoch, these sons of God were explicitly identified as angels who not only fathered the Nephilim but also taught humans all sorts of forbidden knowledge — think weapon-making, sorcery and makeup tips.

The Sons of God teach sorcery and weapon making

If we’re to believe this interpretation, the Nephilim were half-divine, half-human hybrids, giants whose very existence was an affront to the natural order — part of a roster of monsters of the Bible

Genesis 6 reflects an ancient belief in a world teeming with divine beings who sometimes overstepped their bounds, argues Michael Heiser, in his book The Unseen Realm: Recovering the Supernatural Worldview of the Bible. The sons of God are best understood as members of the divine council who rebelled against God, leading to the corruption of humanity through their offspring, the Nephilim. This reading positions the Nephilim as symbols of chaos, a divine error that needed correction — cue the Flood.

Illuminated manuscript showing the Nephilim as giants

The Nephilim: They Might Be Giants

Not everyone is on board with the angelic interpretation. Some scholars suggest that the sons of God were actually members of a ruling class — mortal kings or warriors who, through their power and prestige, were seen as godlike. 

In this view, the Nephilim were their offspring, not so much giants in the literal sense but towering figures in terms of reputation and strength. After all, Nephilim is sometimes translated as “fallen ones,” which could just as easily refer to warriors who fell in battle as to beings cast out of heaven.

The story is less about divine transgression and more about setting the stage for the Flood, agrees John Walton in The Lost World of Genesis One. He suggests that the Nephilim and the sons of God are narrative devices used to illustrate the moral decline of humanity. The story reflects the ancient Near Eastern understanding of kingship, where rulers often claimed divine parentage to legitimize their authority. The Nephilim, then, are not the literal giants of later myth but represent the corrupting influence of unchecked power.

illuminated manuscript showing Nephilim as a giant

The Legacy: From Giants to Modern Myth

Whatever their origins, the Nephilim have left a lasting mark on our imaginations. They’ve been linked to everything from the ancient Greek titans to the giant skeletons that pop up in dubious archaeological reports. 

In modern times, the Nephilim have marched their way into modern fiction, appearing as the heroic Shadowhunters in Cassandra Clare’s The Mortal Instruments series — proof that these ancient giants still loom large in our collective imagination.

They’ve even been co-opted by fringe theories and conspiracy buffs, who see in the Nephilim evidence of ancient alien visitations or secret histories suppressed by mainstream scholars. 

Nephilim with aliens and UFOs flying above them

So, what are we left with? A tale of divine beings who might — or might not — have fathered a race of giants, a story that straddles the line between history and myth. –Wally

Who Is Freyja? The Fierce and Enigmatic Goddess of Norse Mythology

Duality defines Freyja, the Norse goddess of love and war, beauty and death. She’s also a powerful sorceress, wielding seid — magic tied to fate, transformation and prophecy.

The Norse goddess Freyja with her falcon garb and armor in her chariot drawn by two big cats

Duke and I adopted a cat from a shelter named Freya — and quickly fell under her spell. I was always more of a Greek and Roman mythology buff than Norse, so my curiosity was piqued — I wanted to know more about the goddess our new kitty was named after. I dove into learning about the goddess, and it soon became clear that our Freya is every bit as beautiful, fierce and wild as her divine namesake, with both embodying a blend of grace, power and an untamed spirit.

Freyja (as it’s most commonly spelled), the Norse goddess of love, beauty, war and magic, both captivates and unnerves. 

Freyja stands as one of the most captivating figures in Norse mythology — a goddess of dualities who embodies beauty and ferocity, love and war, magic and mystery.
Falcons fly by at the Norse goddess Freyja casts a magic spell by the water

What Does Freyja Look Like?

She’s draped in a cloak of falcon feathers, shimmering with the colors of the sunrise — golden and russet hues that catch the light as she moves. 

Her hair, long and flowing like streams of molten amber, contrasts with eyes that seem to hold the mysteries of the cosmos. 

Adorning her neck is Brísingamen, the legendary necklace forged by dwarves in the depths of the Earth. (See the full myth of the necklace below, in which Freyja whores herself out to dwarves.)

The Norse goddess Freyja with wings spread, rides in her chariot, drawn by two lynx-like cats

Freyja’s Chariot

She commands a chariot drawn by two formidable big cats. These silver-furred creatures, known as Bygul and Trjegul, glide with the grace of wild predators, their eyes glowing with the sharp intelligence and cunning of the goddess they serve. 

The chariot moves as if weightless, whether it glides across the earth or soars through the sky. 

The origin of the Norse goddess Freyja, emerging from the sea at dawn

The Origin of Freyja

Back when the cosmos were still untamed, swirling in chaotic mists and shadows, the Vanir emerged from this primal void — gods and goddesses intrinsically tied to nature’s cycles, ancient and wild. Among them was Freyja, born of the sea god Njörðr and sister to Freyr. 

But Freyja’s birth was unlike any other — rumor has it that she emerged from the crashing waves, fully grown, as the saltwater mixed with the dawn’s first light, setting her hair aglow with a golden sheen. (Sounds quite a bit like Aphrodite, doesn’t it?)

From the very start, Freyja carried a duality within her: a grace that could soothe even the most troubled hearts, and a ferocity that could shake the heavens. 

As she grew, her allure was unmatched, yet it was her wisdom in seiðr, the mysterious Norse magic, that truly set her apart. It was said that she could weave the very threads of fate, bend reality to her will and command the elements themselves. Her presence could sway the tides of war, and her tears, when shed, turned into precious amber, glittering tokens of her sorrow and joy.

The Vanir, Freyja’s original tribe, went to war with the Æsir in a conflict that shook the Nine Realms. To establish peace, Freyja played a key role as a mediator. As part of the truce, the Vanir sent Freyja and her family to live with the Æsir — a gesture that underscored her immense value and the high stakes of the agreement.

She craved adventure, adored beautiful things and was never afraid to wield her formidable powers to get what she wanted. This was a goddess who is as multifaceted as the jewels she wears — beautiful and fearsome, compassionate and unyielding, with a touch of mischievous charm. Just like our cat.

Freyja in full armor, holding a sword on a battlefield, as the Norse goddess of war

Goddess of Love and War

Freyja is a goddess of dualities, straddling seemingly opposing forces with effortless grace. She’s most commonly associated with love, beauty and fertility, but she’s far from a simple goddess of romance. Freyja’s love is fierce and complex, reflecting both the sweetness of new beginnings and the passion that can lead to conflict and heartache. 

Her beauty is more than skin deep, tied to the power she wields and the control she exercises over those who desire her favor. Her role in fertility isn’t just about the growth of crops or even the bearing of children — it’s about the vital force of life itself, the energy that sustains both the Earth and its people.

But Freya’s also a goddess of war, presiding over the battlefield in a role similar to that of Odin. Half of those who die in battle are claimed by Freyja, who takes them to her hall, Fólkvangr, while the other half go to Valhalla. This dual role reflects the Norse view of death, where even in war, the concepts of love, honor and sacrifice are deeply intertwined. Freyja’s warriors are chosen not just for their valor but for the passion with which they lived and fought.

Fólkvangr, the hall of the dead ruled over by the Norse goddess Freyja

Freyja’s power also extends into the realm of magic, specifically seiðr — a type of Norse sorcery associated with fate, transformation and prophecy. She’s said to have taught this art to Odin, a significant detail that underscores her mastery of one of the most feared and revered practices in Norse culture. Seiðr allowed her to manipulate the threads of destiny, control the elements and see into the future, making her both respected and dreaded.

Norse goddess Freyja holds dominion over magic, as runes swirls around her as well as falcons
Norse goddess Freyja, surrounded by runes, sees into the future

Freyja’s Symbols and Associations 

Freyja’s symbols further reflect her complex nature. Brísingamen, her radiant necklace, is a source of power and authority. The cats that draw her chariot embody her independence and mystery, as felines have long been associated with both sensuality and cunning. Her falcon cloak, which allows her to take the form of a bird and fly, represents her ability to traverse the boundaries between worlds — between life and death, love and war, magic and reality.

Finally, Freyja’s association with gold and amber, symbolized by the tears she sheds for her missing husband, ties her to the earth’s treasures. These tears, said to be found along the shores of rivers and forests, show how deeply her emotions are connected to the natural world. 

Freyja’s domains make her one of the most complex figures in Norse mythology — her influence extends across all realms, and through her associations, we see a goddess who embodies the full spectrum of human and divine experience.

Brísingamen, the Norse goddess Freyja's gorgeous necklace

Freyja’s Necklace, Brísingamen

It’s a masterpiece of craftsmanship — each link in the chain engraved with ancient runes of power and protection, glowing with an otherworldly radiance. Inset with gemstones that flicker between deep amber and blood-red, it pulses in time with Freyja’s heartbeat, amplifying her beauty and authority, making even gods and giants bow in awe. And like any good Norse artifact, it has its own name: Brísingamen.

The tale of how Freyja came to possess Brísingamen is a perfect blend of ambition, desire and a touch of scandal — exactly the kind of tale you’d expect from the goddess of love and war.

One evening, Freyja was wandering through the forests of Midgard when her eye caught the glimmer of something extraordinary: a necklace unlike any she had ever seen. It was Brísingamen, forged by four dwarves deep within the earth, and it shone with a brilliance that rivaled the stars. Instantly captivated, Freyja knew she had to have it. But dwarves are a tricky bunch — they aren’t easily bribed with gold or treasures. No, these craftsmen had something else in mind.

When Freyja approached them, the dwarves, grinning slyly, made their offer: sleep with each of them, and the necklace would be hers. Now, Freyja isn’t one to shy away from a deal — especially when something as dazzling as Brísingamen is at stake. She weighed her options, considered the price, and agreed. The deal was struck, she had sex with each dwarf in turn — and the necklace was hers, glittering proudly around her neck. 

Norse goddess Freyja offers herself up dwarves in return for the neckace Brísingamen

But not everyone was thrilled by Freyja’s deal.

Loki, the trouble-making trickster, caught wind of the arrangement and couldn’t resist stirring up trouble. He went straight to Odin, gleefully spilling the beans about how Freyja had “negotiated” for her new accessory. Odin was outraged and demanded the necklace be taken from her as a lesson in humility.

Loki, looking a lot like Tom Hiddleston, steals the necklace Brísingamen from Freyja

Loki, always ready to stir the pot, snuck into Freyja’s hall, slipped past her defenses and stole Brísingamen right from under her nose. When Freyja discovered the theft, she didn’t take it lightly. She stormed into Asgard, confronting Odin with a fury that shook the heavens. 

Odin decreed that if Freyja wanted her precious necklace back, she would have to incite a war. And even if Freyja wasn’t particularly keen on Odin’s terms, she knew she wasn’t walking away from Brísingamen. 

The Norse goddess Freyja whispers into a bearded man's ear to start a war

Now, how to start a war? Freyja took a surprisingly subtle approach. She traveled through villages and courts, planting seeds of jealousy, rivalry and greed. Her whispers acted like a slow poison, and soon, those tiny sparks of discord ignited into flames. Neighbor turned against neighbor, tribes clashed over petty slights, and kings sought expansion through conquest. War was declared, and Freyja got her necklace back. 

The giant Thrym holds up Mjölnir, Thor's hammer, which he has stolen

Freyja and Thor’s Hammer

In another myth, Thor woke up one day to find that his beloved hammer, Mjölnir, had vanished. Now, losing Mjölnir isn’t like misplacing your car keys — it’s a catastrophic event that leaves Asgard vulnerable to all sorts of enemies. 

As Thor fumed and threatened to smash anything in sight, Loki (who else?) volunteered to investigate. Using his usual cunning, Loki discovered that the hammer had been stolen by Thrym, a giant with a particularly thick skull and a bad case of greed. Thrym wasn’t interested in riches or glory, though — he had his eyes set on something far more valuable: Freyja.

Thrym sent a message to the gods: “You want the hammer back? Fine, but I want Freyja as my bride in exchange.” 

When Freyja heard the demand, her face turned scarlet, her eyes blazed, and she unleashed a roar so powerful that it caused the very foundations of Asgard to tremble. 

“Do you really think I’d let myself be bartered off like some prize cow?” she thundered, sending all the gods scrambling for cover. 

With Freyja’s refusal made perfectly clear, the gods had to get creative. They hatched a hairbrained plan that could only work in the world of Norse mythology: Thor would disguise himself as Freyja and trick Thrym into giving back Mjölnir. 

So there he was — Thor, the mighty god of thunder, his bulging muscles squeezed into a bridal gown, wearing a veil that barely concealed his thick beard. Loki, never one to miss out on a prank, gleefully played the role of Thor’s maid of honor and accompanied him to Thrym’s hall.

Thor dressed up as a bride to fool the giant Thrym

When Thrym saw his “bride,” he was thrilled — though a little confused by Freyja’s sudden appetite, as she devoured platter after platter of food and drained barrels of ale in one sitting. Loki, quick on his feet, explained that Freyja hadn’t eaten in days, out of excitement for her wedding. Dim-witted Thrym was sold and brought out the hammer as part of the wedding ceremony.

The moment Mjölnir was placed in “Freyja’s” lap, the charade was over. Thor ripped off his veil, seized the hammer, and with a single swing, sent Thrym and his cronies flying. The feast turned into a battlefield, with Thor gleefully smashing his way through the giant’s hall while Loki cackled in the background.

Thor, dressed in a wedding dress as Freyja, used Mjölnir, his hammer, to kill the giant Thrym

The gods returned to Asgard victorious, hammer in hand and no bride sacrificed. And Freyja? She watched the whole spectacle from afar with an amused smirk. 

A giant uses the stallion Svadilfari to build Asgard's defences

Freyja as the Price of Asgard’s Defences

As we have seen, Freyja’s beauty and allure were legendary, which made her a target for unwanted attention — particularly from giants, who always seemed to be scheming for ways to get their hands on her. One such tale involves a giant who came to Asgard with an offer the gods couldn’t refuse…or so he thought.

The giant approached the gods with a bold proposition: He would build a wall around Asgard strong enough to keep out any enemy — an impenetrable fortress that could withstand even the fiercest of attacks. In return, he demanded three things: the sun, the moon and — most importantly — Freyja as his bride. Now, the gods weren’t exactly thrilled about the idea of losing the sun and moon, but the thought of handing over Freyja? Unthinkable.

Still, they figured they could outsmart the giant. After all, he was offering a monumental task, and they were confident that no one could complete such a project in the tight deadline they’d impose. The gods agreed to the deal but insisted that the wall had to be finished within a single season. Thinking they’d bought themselves an easy win, they relaxed…until the giant started making serious progress.

What they hadn’t anticipated was that the giant had a secret weapon: his powerful stallion, Svadilfari, who was hauling massive stones at lightning speed. As the deadline drew near, the gods realized they were in deep trouble. Freyja, fuming at the thought of being handed over like a prize, made it clear that if this deal went south, heads would roll. Literally.

Desperate for a solution, the gods turned to Loki, the trickster they could always count on for a scheme, however unconventional.

Loki didn’t disappoint. “Leave it to me,” he said with a sly grin, already hatching a plan.

That night, under the cover of darkness, Loki transformed himself into a sleek, graceful mare. His shimmering coat caught the moonlight as he trotted toward Svadilfari, the giant’s powerful stallion, who was tirelessly hauling massive stones for the wall.

Svadilfari, enchanted by the sight of this new and alluring horse, immediately lost interest in his work. Loki, in mare form, whinnied coyly, flicked his tail, and galloped into the forest. The stallion, spellbound, followed without hesitation.

The Norse trickster god Loki, disguised as a mare, seduces the stallion Svadilfari, luring him into the woods

What happened in the woods isn’t certain, but let’s just say Loki as a mare was just a bit too entrancing. He ended up pregnant and gave birth to Sleipnir, an extraordinary eight-legged horse with unmatched speed and strength. Sleipnir would go on to become Odin’s trusted steed, capable of crossing realms and outrunning the wind itself.

Meanwhile, with the horse gone, the giant’s progress slowed to a crawl. 

Enraged and realizing he’d been duped, the giant revealed his true form. It was terrifying to behold: His once humanoid features twisted and expanded, his body swelling to an immense size. His skin turned a dark, stony gray, cracked and weathered like ancient rock, with jagged ridges jutting from his shoulders and spine. His eyes burned like molten lava, seething with fury, and his hands became massive, clawed appendages capable of crushing stone. Veins of fiery red pulsed across his body, as if his rage was fueling him from within, and his voice thundered like an earthquake as he roared his fury, shaking the very ground beneath him.

A giant of Norse myth in its true form of jagged rocks and molten lava

But before he could make a move, Thor swooped in and took care of the problem the way he usually does — with a swift blow from Mjölnir, turning the giant into rubble. Crisis averted, the gods celebrated, and Freyja remained free, much to her relief.

Óðr, husband of the Norse goddess Freyja, wandering the worlds

Óðr, Freyja’s Wandering Husband

Freyja is married to Óðr (pronounced “Oh-thur”), a figure shrouded in mystery. His identity has long been debated by scholars. Some suggest that he’s another aspect of Odin, given the similarity in their names and roles as wanderers. If that’s true, it would make Freyja and Frigg — Odin’s wife, and a wise, reserved goddess of domestic life — two sides of the same coin, representing different aspects of a single goddess. 

Óðr, a mysterious figure even by Norse standards, was known for his wanderlust. For reasons unknown, he left Freyja, vanishing into the far reaches of the world. Heartbroken but determined, Freyja set out on a relentless quest to find him, traveling through every corner of the Nine Realms.

In her search, Freyja disguised herself many times, using her falcon cloak to fly over mountains, seas and distant lands. Her journey took her through realms of both gods and mortals, and wherever she went, she asked after Óðr. Yet her search was filled with more questions than answers, and with every door she knocked on, the trail seemed to grow colder. As the days turned into months and the months into years, Freyja’s sorrow became legendary.

The tears she shed in her search turned into shimmering gold or amber as they hit the ground. These tears were found scattered across forests and shores, becoming treasured jewels sought after by mortals and gods alike. Even in her despair, Freyja’s presence brought beauty into the world, a fitting symbol for a goddess whose love and pain are intertwined.

The Norse goddess Freyja cries as she searches for her husband, Óðr, walking past a stream

Despite the depth of her love and the lengths she went to, Freyja’s search for Óðr was ultimately fruitless. Whether he ever returned or remained lost to her, the myths don’t say clearly. What they do tell us, though, is that Freyja’s longing became a part of who she is: a goddess who, despite her formidable powers and fierce independence, knows the sting of loss. It’s this complexity that makes Freyja one of the most relatable figures in Norse mythology. She’s both the mighty goddess who commands the battlefield and the grieving wife searching for the one she loves.

Interestingly, despite her marriage, Freyja remains a goddess whose love is sought after by many. Giants, gods and dwarves alike have tried to win her hand or bargain for her favor. Yet, even when she strikes deals, it’s always on her terms, showcasing her autonomy and power within relationships. Whether she’s using her beauty to achieve her goals or fiercely guarding what she holds dear, Freyja’s never reduced to just a love interest. 

The tale of Freyja’s search for her lost husband, Óðr, is one of longing, resilience, and the deep, bittersweet love that lies at the heart of her myth. Unlike the larger-than-life battles or witty escapades of other gods, this story reveals a more poignant side of the fierce goddess, one that resonates with the universal pain of losing someone dear.

The Norse goddess of beauty, war and magic, Freyja

Freyja, Goddess of Dualities

Freyja stands as one of the most captivating figures in Norse mythology — a goddess of dualities who embodies beauty and ferocity, love and war, magic and mystery. Her stories remind us that power comes in many forms: the strength to fight, the wisdom to weave destiny, and the resilience to seek what’s lost. Much like our own Freya, who prowls the house with a mix of wild grace and playful charm, the goddess Freyja continues to enchant and inspire. –Wally

How to Celebrate Yule: Rituals, Traditions and the Magic of the Winter Solstice

The ultimate guide to Yule for Wiccans, with rituals, spellworks and history to honor the sun’s rebirth and embrace the magic of renewal and light.

The world outside is blanketed in silence. Snow falls softly, covering the earth in a thick, sparkling layer of white. The air is crisp and biting, your breath visible as it rises in little puffs. The trees, bare and skeletal, stretch their branches toward the sky like ancient sentinels standing watch over the longest night of the year. Above, the full moon hangs heavy, casting an ethereal glow over the frozen landscape, while the stars twinkle like distant flames in the deep, velvety sky.

It’s Yule, the Winter Solstice, the longest night and shortest day of the year. As the world sits in quiet darkness, a sense of anticipation builds. This night marks not only the peak of winter’s cold embrace but also the moment when the sun begins its slow return. From this point onward, the days will lengthen, and light will slowly reclaim its place, reminding us that even in the darkest of times, warmth and life are never far behind.

For Wiccans and many pagans, Yule is a celebration of this return of the sun, the rebirth of light and the turning of the Wheel of the Year. It’s a time to gather around the fire with loved ones, to reflect on the year gone by and to welcome the new beginnings that are yet to come. The fire burns bright in the hearth, candles flicker on windowsills, and evergreens — symbols of eternal life — adorn homes, filling the air with the crisp, fragrant scent of pine and holly.

Yule invites us to embrace the stillness of winter, to honor the darkness, and to celebrate the hope that the sun will rise again, bringing light, warmth and growth. Whether you light a candle to honor the sun’s rebirth, feast with friends and family, or simply sit in quiet reflection, this guide will walk you through the history, traditions and rituals that make Yule a magical and deeply meaningful celebration.

The Myth of Yule

Ah, Yule — the festival where, much like the phoenix, the sun rises from its metaphorical ashes and decides it’s had enough of lounging around on the other side of the world. But, like all good tales, this one involves conflict — a dramatic showdown between two competitive gentlemen: the Oak King and the Holly King.

The Oak King, representing the light half of the year, and the Holly King, his darker, moodier counterpart, have been at it for eons — locked in a rivalry as old as time. Think of them as cosmic frenemies, each vying for control of the sky, though it’s a bit more theatrical than your standard sibling squabble. Twice a year, they meet for their biannual smackdown. The setting? The solstices. The stakes? Oh, nothing major — just the fate of the entire year’s light cycle.

Now, at Yule, the Holly King is feeling pretty smug. He’s been reigning supreme since the Summer Solstice, when he decisively put the Oak King in his place and sent him packing. He’s ruled over the dimming days, the dark nights and the frosty weather like a boss. But, as we reach the winter solstice, the Holly King’s grip starts to weaken. The days have been getting shorter and shorter — but there’s a catch. You see, just when the Holly King reaches the pinnacle of his power, the Oak King, ever persistent, stages his comeback.

On the longest night of the year, the battle resumes. The Oak King, brushing off snowflakes and armed with a gleaming axe, steps onto the stage. The Holly King, not to be outdone, draws his sword, his eyes glinting with cold determination. They clash — icy winds howl, snow swirls, and for a moment, it’s anyone’s game. Ultimately, it’s time for the Holly King to take a backseat. He’s had a good run, but the Oak King’s time has come. As the first rays of dawn break over the horizon, it’s clear: The sun is reborn, and the Oak King is back in business.

And so, the wheel of the year turns again. The days will grow longer, the sun stronger, and the world will start to thaw. Don’t worry about the Holly King, though; he’ll bide his time until midsummer, when he’ll no doubt make his grand return, all dark capes and icy glares, ready to steal the show once more.

So, as you light your Yule candles or toss a log on the fire, remember the eternal tug-of-war between light and dark, life and death, warmth and cold. And perhaps raise a glass to the Oak King, who, once again, has saved us from the endless night — at least for the next six months.

Symbols and Correspondences of Yule

Yule is positively brimming with symbols, each wrapped in centuries of lore and ready to be unwrapped like a Christmas gift. Let’s take a look at a few of these festive icons, each carrying its own bit of magic, meaning and mystery.

Evergreens (Holly, Ivy, Mistletoe): Symbols of Eternal Life and Protection

Ah, evergreens — the overachievers of the plant world. While everything else is shriveling, freezing or just giving up entirely for the winter, evergreens stand tall, a verdant middle finger to the cold. Holly, ivy, mistletoe, pine — they all have one thing in common: They refuse to go quietly into the night. The Celts thought this was so impressive they decided evergreens must be magical, symbolizing eternal life. Holly, with its shiny leaves and scarlet berries, was believed to ward off evil spirits. Mistletoe, a parasite, sure, but a charming one, was hung up in homes to offer protection (and, naturally, a socially acceptable excuse for a kiss).

So, when you deck the halls with boughs of holly or hang up that mistletoe, you’re not just decorating — you’re invoking ancient protective powers.

Candles and Fire: Symbols of Light’s Return

At Yule, candles and fires aren’t just for ambiance or Instagrammable moments of cozy glow. These flames represent something far more significant — the sun itself, and, more specifically, its triumphant return. In the darkest depths of winter, the simple act of lighting a candle was a declaration of hope. “Take that, longest night of the year,” it says. “The light will return, and when it does, we’ll be ready.”

The Yule Log: A Beacon of Hope and Renewal

In ancient times, families would drag in the biggest, sturdiest log they could find (preferably oak), place it in the hearth, and set it alight. The bigger the log, the longer the burn, and the longer the burn, the more protection, luck and prosperity for the household in the new year. Burned offerings — spices, wine, a bit of bread — would be thrown onto the flames, offering a little extra encouragement for the sun’s return.

Now, most of us don’t have massive hearths waiting for 20-pound logs, but that doesn’t mean we can’t enjoy a Yule log tradition. A simple candle, or even the famous chocolate Yule log (more commonly known as a bûche de Noël), will do the trick. Just be sure to send up a quick thank you to the ancient sun gods as you devour it.

Apples and Oranges: A Nod to the Sun

What’s more fitting for a sun-worshiping holiday than fruits that resemble, well, the sun itself? Apples and oranges, especially when studded with cloves, have long been used in Yule celebrations to symbolize abundance and the promise of the sun’s return. Hang them from your Yule tree or place them on your altar, and they’ll serve as a reminder that even in the depths of winter, the seeds of future growth are quietly preparing to sprout. Plus, they smell divine — an added bonus.

Sun Wheels: The Circle of Life (and Light)

The sun wheel, an ancient symbol that looks suspiciously like a festive wreath or a beautifully crafted pastry, represents the ever-turning wheel of the year and the rebirth of the sun at Yule. Made from woven branches or even metal, sun wheels were sometimes burned as offerings to ensure the sun’s strength in the coming year. These days, they’re more likely to adorn doors, windows or mantles, reminding us of the cyclical nature of life, death and rebirth.

So, when you hang your wreath this Yule, you’re not just decorating for the season — you’re participating in a centuries-old tradition celebrating the eternal cycle of light and darkness.

Yule Ritual: Casting a Spell for Renewal and Protection

At Yule, dive into the heart of Wiccan magic and cast a spell that harnesses the energy of the sun’s rebirth. This spell will help you clear away the remnants of the dark half of the year and invoke protection, renewal and strength as the days grow longer.

What You’ll Need:

  • A gold or yellow candle

  • A black candle

  • Bay leaves

  • Cinnamon sticks

  • Evergreen sprigs

  • A bowl of water

  • A small mirror

  • A piece of red string or ribbon

Step 1: Set the space. 

Begin by setting up your altar or sacred space with the candles, bay leaves, cinnamon sticks, evergreens, and the mirror. Make sure your space feels powerful and magical. Dim the lights, light some incense, and play soft music if that enhances your focus. Cast a magic circle if you’d like. 

Hold the gold candle in your hands and visualize the energy of the sun, glowing and full of life. Feel its warmth radiating through your palms, filling you with strength. Place the candle on your altar and say:

On this longest night, I call upon the light of the sun to return, bringing warmth, growth and renewal.

Now, place the black candle next to it, symbolizing the darkness you’re releasing. Light it and say:

I release all that no longer serves me, clearing the path for new beginnings.

Step 2: Create a protective charm. 

Take the bay leaves and cinnamon sticks and bind them together with the red string. As you tie the bundle, focus on the protective energy you’re weaving into it. Imagine it creating a shield around you that will carry you through the rest of winter. 

As you do, say:

With this charm, I cast a circle of protection. By the power of fire and earth, air and water, I call upon the ancient forces to guard me and mine.

Hold the charm over the flame of the black candle (without burning it) to draw out any lingering negativity. Then, place it beside the gold candle, allowing the sun’s energy to charge it with power.

Step 3: Cast a spell of renewal. 

Now, take the bowl of water and place it in front of the gold candle. Hold the mirror so that it catches the candlelight and reflects it into the water. This symbolizes the sun’s light returning to the Earth and bringing renewal with it. As you reflect the light, visualize the days growing longer and your spirit growing stronger.

Hold your hand over the water and say:

As the sun returns, so do I. I call upon the light to cleanse and renew. With the rising sun, I am reborn, stronger, wiser and protected.

Dip your fingers into the water and anoint your forehead, heart and hands, imagining yourself infused with the sun’s warmth and power. You are renewed, ready to step into the new year with strength and purpose.

Step 4: Seal the spell. 

Blow out the black candle, signifying the end of the old year’s darkness. Let the gold candle burn a little longer, allowing its light to fill the room.

Take the protective charm you made, and hang it by your front door, in your bedroom or near your sacred space to keep the energy of Yule with you in the coming months.

Close the ritual by thanking the elements and the sun for their presence, saying:

I thank the light, the earth, the air, the water and the fire for their blessings and protection. As the wheel turns, so too do I step forward, renewed and guarded by the power of the sun.

When you’re ready, blow out the gold candle and keep the bowl of water near your altar until the next sunrise.

This ritual uses spellwork to actively clear away the dark energy of the past year while inviting in the protective, renewing power of the reborn sun. It blends Wiccan symbolism with practical magic and creates a lasting charm to carry the energy of Yule with you.

Feasting and Celebrating Yule: A Harvest of Warmth and Flavor

Yule is also about filling your home (and belly) with warmth, flavor and the essence of the season. The Winter Solstice may be the darkest night, but that’s no reason not to throw a feast! After all, what better way to welcome the sun’s return than with food that radiates comfort and prosperity?

Traditional Yule Foods: Hearty and Warming

At the heart of Yule is the tradition of feasting. In ancient times, communities would come together to share in the abundance of their harvest, creating meals that symbolized the warmth and life that would soon return with the sun. The foods of Yule are rich and hearty—designed to ward off the winter chill and celebrate the season’s bounty.

For your own Yule feast, you don’t need to go full medieval (though that could be fun). A modern Yule dinner could be as simple as a cozy, comforting meal shared with friends or loved ones. 

By gathering to share food and drink, you’re honoring the cycles of life and death, darkness and light, and celebrating the promise of new beginnings. The table itself becomes a magical space where intentions for the coming year are set and blessings are shared.

Here are some classic Yule foods to inspire your feast:

  • Roasted meats: Think roasted beef, pork or chicken, seasoned with warming spices like cinnamon and cloves. These dishes evoke the strength and vitality of the returning sun.

  • Root vegetables: Potatoes, carrots, parsnips — these hearty, earthy vegetables represent the grounding energy of winter and the promise of future growth.

  • Mulled wine or cider: Spiced with cinnamon, cloves and oranges, these beverages are practically a hug in a cup. The warmth of the drink mirrors the warmth of the sun that will soon return.

  • Dried fruits and nuts: A staple for any Yule feast, they symbolize abundance and are perfect for snacking throughout the long night.

  • Yule log cake (bûche de Noël): This festive dessert is a nod to the ancient tradition of burning the Yule log — but it’s much tastier and a bit less flammable.

  • Winter stews and soups: Fill your home with the aroma of a slow-cooked stew, featuring root vegetables, beans and hearty meats. A thick, warming soup made with squash, pumpkin or potatoes can also be a perfect addition to your Yule table.

  • Holiday breads: Baking bread is a timeless ritual that honors the spirit of giving and abundance. Whether you’re making a simple loaf or a sweet, spiced bread with dried fruits, the process of kneading and baking is a magical one. For a special touch, consider adding a hidden charm to the dough. The person who finds it gets a blessing for the year ahead!

Gifts and Feasting: The Spirit of Generosity

If there’s one thing Yule is known for (besides the battle of cosmic brothers and setting logs on fire), it’s the feasting. Tables groan under the weight of hearty stews, roasted meats, spiced ciders and every baked good you can imagine. Why? Because Yule is about abundance, generosity, and celebrating the fact that we’ve made it this far into the dark and cold.

And then there are the gifts. While some modern traditions might have blurred the lines with Christmas, the ancient Yule spirit of giving was all about sharing what you had — whether that was food, drink or handmade tokens of goodwill. The act of exchanging gifts symbolized the abundance of the harvest and the warmth of community, ensuring everyone would be well prepared for the rest of winter.

This Yule, consider giving gifts that carry deeper meaning:

Handmade crafts or foods: Whether it’s a jar of homemade jam, a batch of spiced cookies or a knitted scarf, these gifts carry the personal touch that speaks to the heart of Yule.

Symbolic items: Think sun-shaped ornaments, candles, or small bundles of herbs for protection and warmth — gifts that celebrate the light and magic of the season.

As you exchange gifts, remember that this is a time to give from the heart, whether it’s something tangible or simply the gift of your presence and kindness. After all, Yule is as much about the warmth of community as it is about the return of the sun.

Yule Crafts and Activities: Channeling Your Inner Witchy Maker

Yule is the perfect time to get crafty — after all, what better way to spend a cold winter night? Whether you’re decorating your home or making charms for the season, these Yule crafts are more than just fun projects — they’re imbued with the power of renewal, protection and celebration.

Yule Sun Ornaments: Crafting Light for the Tree

Honor the rebirth of the sun by decorating your Yule tree with your own handcrafted sun ornaments. These shining symbols can be made with materials you probably already have lying around.

What You’ll Need:

  • Twigs or cinnamon sticks

  • Twine or yarn

  • Gold or yellow paint

  • Glue or a hot glue gun

Instructions:

  • Arrange your twigs or cinnamon sticks in a sunburst pattern, gluing them at the center. You can make it as simple or intricate as you like — get creative!

  • Once the glue has dried, paint the tips of the sticks in gold or yellow to represent the sun’s rays.

  • Tie a piece of twine or yarn to the center, creating a loop so you can hang your sun ornament on your Christmas tree.

Magical twist: As you craft your sun ornaments, focus on the energy of the sun returning. Each twig or cinnamon stick represents a ray of light, bringing warmth and renewal into your home. When you hang your ornaments, say:

I hang this sun with joy and light,
May it bless my home on the longest night.

Evergreen Protection Charms: The Magic of Nature

Evergreens are classic Yule symbols of protection and eternal life, and creating small charms from their branches is a powerful way to infuse your home with magical energy. These protection charms are not only magical but also beautiful and fragrant.

What You’ll Need:

  • Sprigs of evergreen (holly, pine, cedar or ivy)

  • Red ribbon or twine

  • Small bells or charms

Instructions:

  • Gather small sprigs of evergreen and tie them together with red ribbon or twine, creating a mini Yule bouquet.

  • For extra magic, attach a small bell or charm to your bundle. The bell helps ward off negative energy, while the charm can represent whatever energy you wish to invoke — protection, love or prosperity.

  • Hang your protection charms around your home — by the door, on windows, or even on your Christmas tree.

Magical twist: As you tie the ribbon, visualize the evergreen’s protective energy surrounding your home. Say: 

With this charm, I call the Yule’s light,
To shield my home through day and night.
Guard it well with peace and grace,
Protect all hearts within this space.

Magical Spell Jars: Capturing Yule’s Energy

Yule is all about the rebirth of the sun, and a spell jar can help capture that energy to carry with you through the darker months. These little jars are packed with intention and can be customized with herbs, crystals and other magical ingredients.

What You’ll Need:

  • A small glass jar with a lid

  • Salt

  • Cinnamon

  • Bay leaf

  • Sunstone or clear quartz

  • A small yellow or gold candle

Instructions:

  • Layer the salt, cinnamon, bay leaf and crystal inside the jar. As you add each ingredient, focus on the intention you’re setting: protection, renewal or whatever energy you want to bring into your life.

  • Seal the jar and place it on your altar or near a window to catch the sunlight (or moonlight on Yule night).

  • Light the yellow or gold candle and drip some of the wax on the lid to seal the magic inside.

Magical twist: Hold the jar in your hands and say:

By the power of Yule, I capture the light,
To guide me through the darkest night.
With sun and warmth, this spell is cast,
May its magic endure and forever last.

Yule Wreaths: Weaving Magic and Life

A wreath made from evergreens, holly and ivy acts as decoration as well as a circle of life and magic, representing the neverending cycle of the seasons. Weaving your own Yule wreath is a beautiful way to welcome the season’s energy into your home.

What You’ll Need:

  • A wire wreath frame (or bendable branches to form a circle)

  • Evergreen branches (holly, pine, cedar, ivy)

  • Red ribbons or berries

  • Small ornaments, cinnamon sticks or dried orange slices (optional)

Instructions:

  • Weave the evergreen branches into your wreath frame, securing them with twine or wire. Take your time, letting the process be meditative and magical.

  • Add your decorations — ribbons, berries, ornaments — anything that feels festive and magical to you.

  • Hang your wreath on your door or place it on your altar to invite Yule’s energy into your space.

Magical twist: As you weave the wreath, visualize the cycle of the year turning, with each branch representing a season. Say:

With this wreath, I honor the Wheel of the Year,
As it turns, we renew, ever growing, ever clear.

Yule Herbal Sachets: Spreading the Magic

Herbal sachets are a simple yet powerful way to infuse your home with the magical energy of Yule. These sachets can be made with protective herbs and placed around your home to invite protection, warmth and abundance.

What You’ll Need:

  • Small fabric pouches or squares of cloth

  • Dried herbs such as rosemary, cinnamon and pine needles

  • Red ribbon or thread

Instructions:

  • Fill each pouch or cloth square with your chosen herbs. Focus on your intention as you combine them, imagining the magical energy each herb holds.

  • Tie the pouch shut with red ribbon or thread. 

  • Place the sachets near windows, under pillows or in corners of your home to spread Yule’s protective magic.

Magical twist: As you tie the sachet, chant:

Herbs of Yule, protect and renew. 
Bring warmth and light the whole year through.

Yule Divination

With Yule’s frosty atmosphere, let’s harness the power of crystals and ice for divination. These methods evoke the crispness of winter and the clarity that comes with the stillness of the solstice night. Both of these tools tap into Yule’s reflective, introspective energy while bringing a touch of magic.

Crystal Gazing: Tapping Into Yule’s Light

Crystals are powerful tools for channeling energy, and during Yule, they can help you see what lies ahead as the sun returns. The key here is choosing a crystal that resonates with the energy of the solstice — clear quartz, sunstone or citrine — and allowing its clarity to guide your visions.

What You’ll Need:

  • A clear quartz, sunstone or citrine crystal

  • A dark cloth to set the mood

  • A gold or white candle for illumination

  • A quiet space for focusing

Instructions:

  • Begin by cleansing your crystal with a bit of sage smoke or by running it under cool water.

  • Set your dark cloth on a table and place the crystal in the center. Light the candle and set it near the crystal so that its light reflects off the crystal’s surface, casting shimmering, magical patterns.

  • Sit quietly, focus on the light bouncing through the crystal, and let your gaze soften. Allow your mind to relax and open, and ask a question or set an intention for what insight you’re seeking during this Yule season.

  • After a few minutes, note any images, symbols or thoughts that come to mind. These could be shapes within the crystal itself or intuitive impressions that arise. Trust your inner knowing and let the crystal reveal its messages.

Magical twist: Visualize the warm energy of the sun returning to the world, infusing the crystal with its light. Hold the crystal and say:

I call upon the sun’s bright ray,
To guide me through each darkened day.
Reveal the path that lies in sight,
As days grow long and shadows light.

The crystal will now be charged with your intention, becoming a magical tool for you to revisit whenever you need clarity during the winter months. 

Ice Scrying: Messages From Winter’s Depths

In the spirit of Yule’s frosty season, ice scrying is a powerful method of divination. The cold, reflective surface of ice is perfect for channeling the mysterious energies of winter, helping you see deeper into the unseen and unlocking the answers hidden within.

What You’ll Need:

  • A shallow bowl of water

  • A freezer (or outdoors, if it’s cold enough)

  • A candle (white, silver or gold)

  • Herbs like bay leaves or rosemary for added magic

Instructions:

  • Prepare the ice. Pour a shallow layer of water into your bowl. If you want to add some magical flair, float herbs like bay leaves (for wisdom) or rosemary (for protection) in the water before freezing it. Place the bowl in your freezer (or outside if it’s cold enough) until it’s completely frozen.

    Set the space. Once the water has turned to ice, take it out and set the bowl on your altar or a table. Light your candle and place it near the bowl so the flame reflects on the ice, creating shadows and light patterns.

  • Chant. As you stare into the ice, say:

    Through the stillness of ice, I seek to know,
    The wisdom of darkness, the secrets below.
    Reveal what Yule’s bright light will bring,
    As the ice melts and awakens spring.

  • Scry the ice. Sit quietly in front of the ice and focus on the reflections created by the candlelight. Let your gaze soften, and as you stare into the ice, ask your question or set an intention. Allow the patterns of light and the cracks in the ice to reveal symbols or messages. Let your intuition guide you as images form. You may see shapes, animals or abstract patterns that carry personal significance. 

  • Interpret. After gazing into the ice, take a moment to reflect on what you’ve seen. The way the ice forms cracks or the reflections shift can reveal different messages depending on the question you’ve asked. Feel free to take notes on what symbols stood out and how they resonate with your current situation.

When you’re finished, allow the ice to melt naturally, symbolizing the gradual return of warmth and light to your life. You can pour the water onto your plants or return it to the earth, completing the cycle of life.

Embracing the Shadows and Honoring the Past

Winter may bring long nights and cold winds, but it also brings clarity. During this time, the earth itself rests, regenerating for the year ahead. Just as nature retreats and renews in the dark, so too can we. The shadows have their own lessons to teach: patience, introspection and the wisdom that comes from stillness.

By embracing the shadows, you recognize that growth happens in the most unexpected places. Even in the darkest times, we can find seeds of renewal that will bloom in the light.

Yule teaches us that both darkness and light are necessary for growth. By embracing the longest night, we prepare ourselves to receive the light that will carry us through the next cycle of the year. This season is a reminder that even in the depths of winter, life is stirring, waiting for its moment to return. –Wally

Controversial Theories of Cain and Abel

Why would God pit brother against brother — and what exactly was the mark of Cain? 

Cain, with a basket of fruit for God, and Abel with lambs

The tale of Cain and Abel reveals that it didn’t take long for sibling rivalry to manifest — and in a horrific manner. It’s a narrative of jealousy, fratricide and divine judgment. Yet, beneath the surface, this story is a theological Rorschach test, challenging assumptions about justice, fate and the very nature of God. Why did God favor Abel’s sacrifice over Cain’s? Was Cain always destined to be the villain? And does this story reveal more about human failure — or divine caprice? Scholars have wrestled with these questions for centuries, offering interpretations that range from moral instruction to thinly veiled critiques of the text itself.

Believe it or not, in some Jewish traditions, Cain kills Abel by biting his neck.
God chooses the gift of lambs over Cain's fruit

The Favoritism Dilemma: Why Abel?

The story’s most unsettling moment is also its crux: The two sons of Adam and Eve bring offerings to God, and one is inexplicably favored. Abel’s offering of “the firstborn of his flock” is accepted, while Cain’s “fruits of the soil” are rejected (Genesis 4:4-5). But why? The text remains maddeningly silent, leaving readers to puzzle over a seemingly arbitrary divine preference. 

Gerhard von Rad argues in Genesis: A Commentary that the lack of rationale is deliberate, underscoring a recurring biblical theme — God’s choices often defy human logic, much like the seemingly unjust suffering of Job.

Some interpreters, however, shift the blame from divine whim to Cain’s own shortcomings. In The Beginning of Wisdom: Reading Genesis, Leon Kass suggests that Cain’s offering reflects his inner state: a heart not fully invested in his act of worship. The offering of fruit was less important than the spirit in which it was given, Kass argues. Cain, in this view, was the architect of his own downfall, his half-hearted devotion sealing his rejection.

Cain and Abel in illuminated manuscript style artwork

Was Cain Set Up to Fail?

But was Cain ever given a real shot at divine favor? Some scholars argue that the narrative stacks the deck against him from the start. Robert Alter, in The Art of Biblical Narrative, notes that Cain’s name echoes the Hebrew word for “acquisition,” signaling his fixation on ownership and control — a precursor to his fatal envy. Alter sees this as foreshadowing, subtly positioning Cain as a tragic figure whose sin is less a spontaneous act and more an inevitable outcome of his character. 

God above Cain with a basket of fruit and Abel with lambs

An Allegory of Agricultural vs. Pastoral Societies?

The Cain and Abel story also serves as a lens through which scholars view broader social dynamics in ancient Israel. Cain, the farmer, stands in tension with Abel, the shepherd — a reflection of the historical friction between settled agriculturalists and nomadic pastoralists. 

John Van Seters, in Prologue to History, interprets the story as a mythologized conflict between two ways of life. The narrative reveals a deeper cultural tension, with God’s favoritism elevating the pastoral above the agrarian — it’s a dig at the encroachment of settled civilization on nomadic traditions.

Eve, holding the apple, lays on the ground, about to copulate with the Serpent

The Serpent Seed Theory: Was Cain the Son of the Devil?

Hold onto your fig leaves — this one’s a doozy. What’s known as the serpent seed theory suggests Cain wasn’t Adam’s son at all but the love child of Eve and the serpent. That’s right, some folks believe the snake in Eden didn’t just hand Eve a snack but also fathered a line of human-demonic hybrids. Move over, Maury Povich — “You are not the father” takes on a whole new meaning.

Proponents of this theory latch onto Genesis 3:15, where God curses the serpent and speaks of its “seed” being at odds with Eve’s descendants. They argue this wasn’t just symbolic but a clue that Cain’s very DNA might have been less than human. And that infamous “mark of Cain”? These theorists think it might have been serpent-like traits: scales, reptilian skin or slit-like eyes.

Mainstream theology gives this theory the side-eye, dismissing it as pure hogwash. But, rooted in fringe theological circles and esoteric traditions, this interpretation casts a shadow over the entire Genesis account, reframing the first murder as a cosmic battle between divine and demonic lineages.

Cain kills Abel with a knife

How Exactly Did Cain Kill Abel?

The Bible keeps it cryptic, as though nudging readers to ponder over the messy reality of human conflict. Genesis merely tells us that “Cain attacked his brother Abel and killed him” (Genesis 4:8). But the lack of details has sparked centuries of debate, each theory a reflection of the storyteller’s time and place.

The Stone

Many scholars, from ancient rabbis to modern theologians, argue Cain used a stone to strike his brother. This idea makes its way into commentary like The Legends of the Jews by Louis Ginzberg, where it’s suggested Cain saw the stone as both a weapon and a twisted reminder of the dust from which humanity was formed.

Cain grabs Abel and prepares to kill him in the fields by biting his neck

The Neck Bite

Believe it or not, some Jewish traditions add a far more primal touch. In these interpretations, like those found in The Talmud, Cain allegedly kills Abel by biting his neck. This brutal method underscores the story’s raw, animalistic nature — Cain attacks not with a weapon but with his own body, as if driven to murder by a more visceral rage.

A Sword or Tool

Medieval Christian artists sometimes depicted Cain wielding a crude sword or farming tool, suggesting he struck Abel with something close at hand, a symbol of Cain’s role as a tiller of the earth. This is the perspective you’ll see in certain illuminated manuscripts, where artists added their own medieval flavor to the story.

A young Abel is about to be killed by the hand of God, bursting forth light

God’s Hand

An outlying theory, often linked to Gnostic or mystical interpretations, is that Cain’s anger somehow triggered a divine consequence. In these readings, Cain’s jealousy creates a rupture, allowing Abel to die without a physical act — almost as though God allows the anger itself to kill. This unusual perspective can be found in some early Christian texts, like those discussed in Gnostic Truth and Christian Heresy by Alastair Logan.

Each theory reflects the cultural lens of its time. Whether it’s a stone, a primal bite or divine intervention, the lack of specificity gives the story a mythic quality, inviting readers to consider not just the act but the consequences of unchecked anger.

Illuminated manuscript showing the Mark of Cain as a glowing light as well as a physical mark on his chest

The Mark of Cain: Curse or Protection?

Driven by jealousy and anger after God favors Abel’s offering over his, Cain lures his brother into the field and murders him in a fit of rage (Genesis 4:8). 

After this horrifying act, Cain is marked by God — not as a curse, but as protection, ensuring that anyone who tries to harm him will face vengeance sevenfold (Genesis 4:15). 

And what exactly was the mark? The nature of the mark of Cain has sparked wild speculation, ranging from a physical scar to a distinct feature like darkened skin, although these later interpretations often twisted the mark into a symbol of racial or social stigma. In its original context, however, most scholars agree that the mark was likely symbolic, representing divine mercy and protection rather than any visible disfigurement.

Ancient Jewish and Christian traditions offer a variety of theories. Some rabbinic texts suggest the mark was a supernatural sign, such as a glowing forehead or even the Hebrew letter tav etched onto his skin. Early Christian commentators like Augustine speculated that the mark was a form of trembling or perpetual wandering — an internal affliction more than an external brand. 

But they all agree that the mark wasn’t a punishment. As Victor P. Hamilton points out in The Book of Genesis: Chapters 1-17, the mark is a striking blend of judgment and grace, revealing a God who, even in the act of condemning Cain, extends protection.

In this way, the mark of Cain complicates the straightforward idea of divine punishment. The first murderer in biblical history isn’t cast out entirely; instead, he’s given a form of protection that hints at God’s ongoing commitment to flawed humanity. 

Cain kills Abel while kings look on

A Deeper Moral: Envy, Responsibility and Restorative Justice

At first glance, Cain and Abel reads like a straightforward morality tale about unchecked envy. God’s warning to Cain — “Sin is crouching at your door; it desires to have you, but you must master it” (Genesis 4:7) — is often interpreted as a timeless lesson in self-control. 

But beneath this warning lies a story of complex responsibility. Walter Brueggemann, in Genesis: Interpretation: A Bible Commentary for Teaching and Preaching, suggests that Cain’s fate remains unresolved after the murder, leaving room for redemption. He sees a God who, even in judgment, allows space for healing and transformation. Of course, God’s favoritism is what caused the entire ruckus in the first place. –Wally


The Real Alcázar’s Mezmering Mudéjar Palace in Seville

Europe’s oldest continuously used palace and UNESCO World Heritage Site is the best thing to see in Seville.

The Mudejar Palace at the Real Alcázar of Sevilla with intricate stucco details

A palace like no other — the Real Alcázar of Sevilla dazzles with its stunning Mudéjar design with intricate stucco details.

After a quick, delicious breakfast at charming Filo, Wally and I made our way to Plaza del Triunfo (Triumph Square), the plaza where the Real Alcázar de Sevilla (Royal Palace of Seville) and its formidable main entrance, the Puerta de León (Lion Gate), stand. It’s just to the southeast of the Seville Cathedral

Thanks to Wally’s planning, all we had to do was show up at our scheduled time and wait in the line on the left, which was designated for pre-purchased ticket holders. That being said, it was a bit confusing — we weren’t sure we were in the right line, and the tickets Wally had purchased looked different than other people’s. So there was some apprehension until they were scanned and we were able to enter the palace complex. 

Crowds wait in line to pass through the Puerta de León (Lion Gateway), the main entrance to the Real Alcázar de Sevilla

The monumental Puerta de León (Lion Gateway) serves as the main entrance to the Real Alcázar de Sevilla.

Puerta de León (Lion Gateway)

While we waited, I looked up at the tile panels set into the lintel above the gate. It depicted a peculiar, emaciated lion wearing a crown with its tongue lolling out of its mouth. It’s standing atop the flags of its defeated enemies, with a cross in its paw.

This passage was added by the Castilian monarch Pedro I (who reigned from 1350-1369) to provide direct access to his royal residence. The gate takes its name from the heraldic lion, a symbol of the Spanish crown’s power and protection. Although the defensive wall dates back to Almohad rule, the rampant lion was a more recent addition, created in 1892 at the Mensaque Rodríguez ceramic factory in Triana, the center of glazed-tile production in Seville. 

A statue of the Virgin and Child located within the stone walls of the Lion Gateway at the Real Alcazar in Seville

A statue of the Virgin and Child located within the stone walls of the Lion Gateway en route to the Patio de la Montería (Courtyard of the Hunt)

Wally and I passed beneath the puerta, where an attendant checked our tickets. Just beyond was the expansive Patio de la Montería (Courtyard of the Hunt), the main courtyard of the Royal Alcázar of Seville, where Pedro I and his noblemen gathered before embarking on royal hunts.

Carlos Blanco’s portrait of Fernando VII at the Real Alcazar of Seville

Carlos Blanco’s portrait of Fernando VII, one of the many royals who once called the Alcázar home. 

Casa de Contratación de Indias (House of Trade for the Americas)

We continued through the enclosed courtyard of the Patio del Cuarto Militar (Courtyard of the Military Quarter), which perfectly framed the blue sky above. From there we entered the Casa de Contratación de Indias (House of Trade for the Americas). The Renaissance-period addition was commissioned in 1503 by Isabella I of Castile and designed to regulate the flow of goods arriving from the New World, whose colonization had begun 11 years prior. Due to its location on the banks of the Guadalquivir River, Sevilla became an epicenter of commerce and trade, where ships set sail and returned to the port laden with goods from across the seas.

An oil painting by Alfonso Grosso Sánchez of King Alfonso XIII and Queen Victoria Eugenia at the Ibero-American Exposition in Seville in 1929 in the Cuarto del Almirante (Admiral’s Quarters) at the Real Alcazar

The Cuarto del Almirante (Admiral’s Quarters) is presided over by a large oil painting by Alfonso Grosso Sánchez depicting King Alfonso XIII and Queen Victoria Eugenia at the inauguration of the Ibero-American Exposition held in Seville in 1929. 

Cuarto del Almirante (Admiral’s Room)

After passing through the main doorway, Wally and I entered the spacious Cuarto del Almirante (Admiral’s Room), whose walls have 19th and 20th century paintings of historic events, along with a collection of royal portraits. It was here that explorers and pilotos mayores (master navigators) such as Amerigo Vespucci, Ferdinand Magellan and Juan Sebastián Elcano signed their contracts and charted their voyages, while cartographers drew up detailed maps and navigational charts to assist them on their travels.

Hand fans on display in the hand fans in the Sala de los Abanicos (Hall of Fans) at the Real Alcazar

Among the traditional Spanish hand fans in the Sala de los Abanicos (Hall of Fans) are the Abanico Inglés (English Fan), made of mother-of-pearl and silk, handpainted with birds and flowers, and the Abanico Macao (Chinese Fan), a handpainted silk fan with tortoise-shell ribs depicting a traditional court scene from the province of Macau.

Sala de los Abanicos (Hall of Fans)

The following room was the Sala de los Abanicos (Hall of Fans), which held glass vitrines displaying a collection of antique fans amassed and donated to the Real Alcázar in 1997 by María Trueba Gómez. Among the beautiful and rare examples is a tortoiseshell and Chantilly lace fan, as well as a mother-of-pearl and silk fan commemorating the wedding between Alfonso XII of Spain and María Cristina Habsburg-Lorena of Austria.

The Virgen de los Navegantes (Virgin of the Navigators) altarpiece in the Sala de Audiencias (Chapterhouse) at the Real Alcazar in Seville

The Sala de Audiencias (Chapterhouse) is where you’ll find the Virgen de los Navegantes (Virgin of the Navigators) altarpiece, the first religious artwork linked to the discovery and conquest of America.

Sala de Audiencias (Chapterhouse)

After the Sala de los Abanicos, we entered the square-shaped Sala de Audiencias (Chapterhouse). This room includes a stone bench where chapter members sat. In front of these seats is an altarpiece inspired by the discovery of the Americas. 

The central panel was painted in 1535 by Alejo Fernández and is titled Virgen de los Navegantes (The Virgin of the Navigators). Fernández’s painting depicts the Virgin Mary hovering above a harbor, with her outstretched arms and billowing mantle sheltering notable navigators and monarchs, including Christopher Columbus, Amerigo Vespucci, Fernando II of Aragón and Carlos V, from the dangers of the sea. 

Flanking the Virgin are four smaller panels with saints, from left to right and top to bottom: San Sebastiano (Saint Sebastian), shown with a sword, a bow and an arrow piercing his chest; Santiago Matamoros (Saint James the Moor-Slayer) riding a white horse; San Telmo (Saint Elmo), the patron saint of sailors, dressed as a Dominican and holding a ship in his hand; and San Juan Evangelista (Saint John the Evangelist) with his book, pen, scroll and eagle. 

The entrance to the Cuarto Real (Upper Palace) museum

The entrance to the Cuarto Real (Upper Palace), which acts as a museum. For an additional fee, visitors can tour the royal residences.

Cuarto Real (Upper Palace)

Wally and I proceeded to ascend the staircase leading to the Cuarto Real (Upper Palace), where the private residences of the royal family are located. Throughout its long history, the palace has undergone numerous renovations and expansions by various kings, particularly during the 16th, 17th and 19th centuries.

Detail of a tarjetero, a large plate for holding social calling cards, designed by Manuel Arellano y Campos in the Real Alcazar in Seville

Detail of a tarjetero, a large plate for holding social calling cards, designed by Manuel Arellano y Campos in 1894. 

Since we didn’t purchase tickets (as admission to visit these is separate), we didn’t get to tour them, but we did wander through a small museum displaying ceramic objects from the collection of Vicente Carranza. The pieces are arranged chronologically, starting with Muslim and Mudéjar ceramics from the late 12th century, followed by Renaissance ceramics, and ending with Baroque ceramics from the 18th century.

Reflecting pool and greenery in the Patio de Levíes at the Real Alcazar in Seville

A tranquil haven within the Real Alcázar, the Patio de Levíes captivates with its symmetry and the quiet beauty of its reflecting pool.

Patio de Levíes (Courtyard of the Levis)

Back outside, Wally and I found ourselves in the tranquil Patio de Levíes (Courtyard of the Levis), which likely gets its name from the slender columns supporting four semicircular arches that were taken from the residence of Samuel Leví, the treasurer of King Pedro I.

A grotesque fountain spout in the Patio de Levíes at the Real Alcazar

The carved fountain spout, known as “grotesque,” in the Patio de Levíes combines artistry and utility.

Set into the wall on the left side of the patio is a Baroque-style ceramic tile altarpiece depicting the Immaculate Conception. At the center of the courtyard is a narrow reflecting pool with a gargoyle-faced fountain, flanked by white marble columns of the Ionic order.

An urn in a yellow niche in the Romero Murube Courtyard at the Real Alcazar, Seville, Spain

The Romero Murube Courtyard, named after a famed Sevillian poet

Patio de Romero Murube (Romero Murube Courtyard)

Between the Patio de Levíes and Jardín del Príncipe (Garden of the Prince) is the Patio de Romero Murube (Romero Murube Courtyard), whose name refers to Joaquín Romero Murube, a poet and the curator of the Real Alcázar from 1934 to 1969.

A man sits on a tiled bench in the Romero Murube Courtyard at the Real Alcazar in Seville

Wally takes a break on a bench in the courtyard.

The courtyard’s design reflects the style of 19th century Sevillian domestic architecture, with a pair of flowerbeds on either side and a tile-covered bench framed by pink marble columns. 

The facade of the Mudejar palace at the Real Alcazar, Sevilla, Espana

The entrance to the palace, crafted by artisans from Granada, Toledo and Seville, is considered a masterpiece of Mudéjar architechture.

Palacio del Rey Don Pedro I (Palace of King Don Pedro I)

Standing opposite the Puerta de Leon is the Palacio del Rey Don Pedro I (Palace of King Don Pedro I), a majestic 14th century masterpiece of Mudéjar architecture.

The young prince came of age during a period of religious tolerance toward Muslims and Jews and a fondness for Mudéjar architecture, which blends Muslim aesthetics with local traditions. At just 15, Pedro became the final ruler of the House of Ivrea after his father, Alfonso XI, fell victim to the bubonic plague.

Pedro’s reign was a study in contrasts. To some, he was el Cruel (the Cruel), while to others, he was el Justiceiro (the Just) — depending on which side of his sword you stood. The only solution the young king ever seemed to find for resolving political conflict was to eliminate anyone who posed a threat. One of his first acts was to target his father’s mistress, Leonor de Guzmán. Shortly after taking the throne, he had her imprisoned, and following his mother’s orders, she was executed by Pedro’s chancellor, Juan Alfonso. 

Pedro ruled alongside his mistress, María de Padilla, and used his alliance with the exiled Nasrid sultan, Muhammad V of Granada, to bring in some of the most skilled Muslim builders and craftsmen from Granada, Toledo and Seville. Between 1356 and 1366, these craftsmen built his royal residence within the walls of the Alcázar in the Mudéjar style, which is why his palace bears such a strong resemblance to the Nasrid Palaces at the Alhambra.

Intricate grillwork adorning a doorway at the exit of the Mudejar palace at the Real Alcazar in Seville

The intricate grillwork adorning this doorway exemplifies the Mudéjar style’s mastery of geometric patterns.

Originally, the term mudejár, derived from the Arabic mudajjan, meaning “domesticated” or “tamed,” was a derogatory label given to Muslims who chose to remain in al-Andalus under Christian rule after the Reconquista. Yet, as time passed, it came to represent something far more enduring — the synthesis of Islamic forms and decorative elements within Christian architecture. This distinctive style of art and architecture includes features like horseshoe arches, carved stucco, geometric tile compositions, muqarnas (stepped, stalactite-like vaulted ceilings) and carved wood.

However, Pedro didn’t get to enjoy his palace for long. On March 23, 1369, just three years after the building’s completion, Pedro was assassinated at the age of 34 by his half-brother, Enrique. This treacherous act propelled Enrique to the throne as Enrique III, marking the beginning of the new Trastámara dynasty.

A window grille with geometric patterns and stylized arches at the Real Alcazar in Sevilla

The window grille showcases elegant geometric patterns and stylized arches.

The palace’s main entrance is framed by two blind multifoil arches embellished with panels featuring symmetrical vegetal and geometric designs known as sebka. 

Above, the second-story gallery has three multifoil window arches. A horizontal blue and white frieze bears the Kufic inscription written forward and in mirror image: “There is no victor but Allah.” Framing this is a secondary band dedicated to Pedro I in Latin: “El muy alto y muy noble y muy poderoso y muy conquistador don Pedro, por la gracia de Dios Rey de Castilla y de León, mandó hacer estos Alcázares y estos Palacios y estas portadas que fue hecho en la era de mil cuatrocientos y dos.” This translates to, “The highest, noblest and most powerful conqueror, Don Pedro, by God’s grace the King of Castile and León, ordered the construction of these Alcázares, and these palaces, and these façades, completed in the year 1402.”

We stepped through the palace’s main door and found ourselves in a spacious two-story vestibule. In keeping with Islamic tradition, arches divided the reception hall into two smaller rooms with a broken axis of sharp right-angle turns, an ingenious architectural device designed to maintain the privacy of interior spaces. To the left was the Patio de las Doncellas (Courtyard of the Maidens), and to the right stretched the passageway leading to the Patio de las Muñecas (Courtyard of the Dolls). 

The magnificent Mudejar Patio de las Muñecas (Courtyard of the Dolls), looking up various flors to a gorgeous skylight at the Real Alcazar

Located in the palace’s private area, reserved for the enjoyment of the monarch and his family, the Patio de las Muñecas (Courtyard of the Dolls) includes elegant marble columns, sourced from the caliphal palace city of Madinat al-Zahra.

Patio de las Muñecas (Courtyard of the Dolls)

The intimate courtyard is one of the palace’s private spaces and owes its name to the small doll-like faces that decorate the bases of the cusped arches surrounding the patio. According to tradition, whoever finds these attracts good luck, and eligible girls are believed to find husbands. Like Córdoba’s magnificent Mezquita Mosque, the columns of black, white and pink marble that support the arches came from the former palace of Madinat al-Zahra. 

Throngs of tourists admire the elaborate carvings in the Mudejar palace of the Real Alcazar, Seville, Spain

Touring the Alcázar is a contrast of admiring serene beauty while surrounded by throngs of fellow tourists.

The two upper floors were added during the 19th century, and the domestic rooms were completely remodeled during the reign of the Catholic Monarchs. However, the showstopper here is the elegant glass skylight that turns this courtyard into a solarium.

A narrow reflecting pool, carved arches and sunken gardens in the Patio de las Doncellas (Courtyard of the Maidens) at the Real Alcazar

The cupola roof of the Hall of Ambassadors is visible from the Patio de las Doncellas (Courtyard of the Maidens).

Patio de las Doncellas (Courtyard of the Maidens)

At the heart of the palace is the Patio de las Doncellas, the main courtyard. It’s encircled by a gallery of delicate, lace-like multifoil arches, each supported by pairs of double columns brought from Genoa during the Renaissance to replace the original brick pillars. 

Scaffolding for restorations of the tiles and carved stucco in the Courtyard of the Maidens, Real Alcazar, Seville

The Patio de las Doncellas’ lower level features an arcade of polylobed arches reflecting the Mudéjar style, while the upper gallery incorporates semicircular arches influenced by the principles of the Italian Renaissance.

In contrast, the upper gallery, separated by a marble balustrade and semicircular arches, was added between 1540 and 1572 during the reign of Carlos V and reflects the Renaissance style. Despite their stylistic differences, these elements blend harmoniously, creating a space that is both cohesive and visually arresting. 

In the center of the courtyard is a rectangular pool flanked by sunken gardens with orange trees. 

Mudejar carving of Islamic symbols and a scallop shell at the Real Alcazar in Seville, Spain

The scallop motif, symbolizing the authority of the Catholic monarchy, seamlessly integrates with Mudéjar designs, highlighting the interplay of cultures and faiths in the Real Alcázar.

The name of the courtyard is tied to a controversial legend: It references a supposed annual tribute of 100 virgin maidens that the Christian kingdom of Asturias was required to send to the emirate of Córdoba. Each year, the Christian rulers allegedly selected the maidens — young women from noble and common families alike — to be sent to Córdoba. Many were believed to have been enslaved, serving as concubines or laborers in the palaces of the emirate. 

While there’s no historical evidence to confirm that such a tribute actually occurred, the story persisted in Christian retellings to underscore the perceived cruelty of Muslim rule and bolster the Christian narrative of righteous resistance. 

A tree and ground cover in the sunken garden in the Courtyard of the Maidens at the Real Alcazar

The sunken garden in the Courtyard of the Maidens is a result of a 20th century restoration of the original Islamic-era design, rediscovered through archaeological evidence and reinstated after centuries of Renaissance alterations.

The courtyard has also made its mark on popular culture, appearing as a striking backdrop in Ridley Scott’s epic film Kingdom of Heaven and as a setting in the popular HBO fantasy series Game of Thrones, where Ellaria Sand kneels before Prince Doran.

An alcove that once held the king's bed in the Alcoba Real (Royal Chamber) of the Real Alcazar, Seville

The alcove used as a bedchamber by the king during the summer months is topped by a pointed barrel vault, designed to keep the space cool.  

Alcoba Real (Royal Chamber)

The Alcoba Real (Royal Chamber) is another one of the private palace rooms and is accessible from the ground floor gallery of the Patio de las Doncellas. Its interior is divided into an antechamber and a bedroom with alcoves on the sides. Its lower walls are covered with colorful ceramic tile compositions in turquoise, royal blue and orange. 

The Mudejar splendor with beautiful carvings and archways in the Salón de Embajadores (Hall of Ambassadors) at the Real Alcazar

Once used by Pedro I as his throne room, the Salón de Embajadores (Hall of Ambassadors) stands as the most magnificent room in the palace. Its opulent design perfectly embodies its purpose as a symbol of regal authority and grandeur.

Salón de Embajadores (Hall of Ambassadors)

One of the most spectacular rooms in the Real Alcázar is the Salón de Embajadores (Hall of Ambassadors). Originally, it served as the throne room for Pedro I, where he received dignitaries and other important visitors.

Looking up at the gilt dome of the opulent Hall of Ambassadors in the Real Alcazar de Sevilla

Beneath the shimmering, gilt dome of the opulent Hall of Ambassadors is a frieze depicting castles and lions, and below that Gothic niches containing portraits of Spanish kings.

The walls of the room are covered with intricate tile and finely carved stucco work and follow the architectural scheme of a qubba — a structure in Islamic architecture, often as a mausoleum or shrine — which features a cubic floor plan with a spherical dome above it. The square base represents the earth, while the domed ceiling symbolizes the vastness of the universe above.

The ceiling of the Cuarto de Príncipe (Prince’s Suite) in the Real Alcazar with golden honeycomb-like mocarabes

The ceiling of the Cuarto de Príncipe (Prince’s Suite) was created during the reign of Charles V in 1543 and is adorned with golden honeycomb-like mocarabes. 

Cuarto de Príncipe (Prince’s Suite)

You’ll find the Cuarto de Príncipe (Prince’s Suite), through the north gallery of the Patio de las Muñecas. This historic space includes a central hall with two smaller alcove rooms on each side. The room is named after Juan de Trastámara, the only son  of Fernando II of Aragon and Isabella I of Castile. He was believed to have been born here in 1478. 

Look up, and you’ll find a ceiling decorated with the heraldic symbols of the Catholic Monarchs, with plaster arches dividing the room into three sections.

Islamic designs on the lower walls of the Prince’s Suite in the Real Alcazar

Islamic design, as seen on the lower walls of the Prince’s Suite, avoids depictions of people or animals, reflecting a focus on abstract patterns and geometry as a way to honor the divine without creating so-called idolatrous imagery.

We exited the Palacio del Rey Don Pedro I through a set of wrought iron and glass doors into the back gardens of the Real Alcázar — a serene oasis and the perfect respite after the dazzling beauty of the Mudéjar palace, which left us awestruck with its intricate details and overwhelming splendor. –Duke