attractions

The Crumbling Ruins of El Badi Palace in Marrakech

Once praised for its massive scale and beauty, El Badi Palace soon became a mere shell of its former grandeur. Only storks now call it home.

A ruined palace sits within the medina of Marrakech.

A ruined palace sits within the medina of Marrakech.

It must have once been quite a spectacle. El Badi Palace was commissioned by Ahmad al-Mansour, a Saadi sultan who ascended to power after his brother’s untimely death in 1578. Its financing came from ransoms paid by the Portuguese to release their prisoners who had been captured and enslaved following their defeat after the Battle of al-Qasr al-Quibir.

A ransom paid by Portugal financed the construction of El Badi Palace.

A ransom paid by Portugal financed the construction of El Badi Palace.

Al-Mansour and the Battle of Three Kings

The young and impetuous King Sebastian of Portugal wanted to reclaim coastal Morocco for his country and intended to convert the Muslim populace to Christianity. He combined forces with the deposed sultan al-Mutawakkil, who had his own aspirations to reclaim sovereignty. 

When King Sebastian, al-Mutawakkil and their troops landed at Tangier, they were met by Sultan Abd al-Malik and his men. Within a mere six hours, the Muslim army easily forced the invading Christians to retreat to the port city of Larache — but while fleeing across the Wadi al-Makhazin at high tide, Sebastian and al-Mutawakkil drowned. 

Exhausted from combat, Abd al-Malik fell ill and expired the following morning. In the end, all three died. For this reason, the event is also known as the Battle of Three Kings.

Al-Mansour asked his court jester what he thought of his palace complex.

The jester replied, “It will make a magnificent ruin.”
Was this stork once a human being? Or is it off to deliver a baby?

Was this stork once a human being? Or is it off to deliver a baby?

Say Hi to the Storks: Visiting El Badi Palace

While staying in the Marrakech medina, we spent a day trying not to get lost and seeing the sights, including El Badi Palace. 

Outside the site are shops. An open-air restaurant with charcoal braziers filled the air with oily black smoke. Enormous storks nests that could easily accommodate the three of us have taken up residence atop the remains of the rammed earth walls. The storks of Marrakech are considered to be holy animals. Even before the arrival of Islam, an old Berber belief held that storks were actually transformed humans. As a Westerner, I’m only familiar with storks delivering babies.

The silhouettes of storks seen at sunset. The birds find niches in the ruins of El Bahi Palace to build their nests.

The silhouettes of storks seen at sunset. The birds find niches in the ruins of El Bahi Palace to build their nests.

Wally, our travel buddy Vanessa and I paid 10 Moraccan dirham (about $1) at the kiosk located outside the palace. We entered through a towering doorway and found ourselves enclosed in a massive bare-walled chamber open to a cloudless blue sky. These are the ruins of the Qubbat al-Khadra or Green Pavilion. The two-story pavilion most likely had a pyramidal roof of green terracotta tiles, a common material of the period. 

El Badi means the Incomparable One.

El Badi means the Incomparable One.

Nothing Compares 2 U: The Incomparable Palace

The name of the palace derives from one of the 99 names of Allah given in the Qur’an, and translates to “the Incomparable One.” It served as the reception palace of al-Mansour, who spared no expense in building his lavish monument to the Saadian dynasty and its growing power. 

While the palace was widely acknowledged in its time as a spectacular architectural achievement, it was plundered for its rich decorative materials only a century after its construction. However, you still get a clear sense of its monumental scale. The courtyard features four symmetrical sunken groves planted with lemon and orange trees surrounded by footpaths and separated by a large central basin, which was dry upon our visit but once provided irrigation for the orchards. 

The sunken courtyards house small orchards of citrus trees.

The sunken courtyards house small orchards of citrus trees.

It took nearly 16 years over the course of Sultan al-Mansour’s reign to complete, using materials imported from numerous countries, including onyx, Carrera marble from Italy, gold from Sudan, cedarwood and ivory. Walls and pathways were covered with multi-colored glazed zellij tiles arranged in geometric patterns. 

The zellij tile floor is the one section of the palace with some color.

The zellij tile floor is the one section of the palace with some color.

We met a fussy tomcat who at first craved our attention and then just as quickly grew fickle, batted a paw and hissed at us. (I think it was an angry jinn who became unhinged as we didn’t have any scraps of food to offer it.)

Sixteen-century Moroccan architecture during the Saadian period was heavily influenced by Andalusian decorative traditions, an Islamic architectural style that spanned across North Africa and Spain. El Badi’s layout follows a rectilinear grid similar to the Court of Myrtles at the Alhambra in Granada, Spain, but on a much larger scale.

Foreign ambassadors of the time gushed about El Badi’s unparalleled beauty and grandiose domed pavilions: In addition to the Green Pavilion, there’s the Qubbat ad-Dahab (Golden Pavilion), the Qubbat az-Zujaj (Crystal Pavilion) and the Qubbat al-Khayzuran (Khayzuran Pavilion). According to a plaque outside the latter, Khayzuran comes from the Arabic name for wild myrtle and is believed to have been the harem’s quarters. 

I’d suggest bringing bottled water and sunblock, as the site is mostly exposed. Although there isn’t a dress code, it’s respectful to stay modest wherever you go in Morocco. Wally and I both wore linen pants, and Vanessa covered up appropriately. 

It’s too bad the grandeur of the palace didn’t last long. Moulay Ismail stripped El Badi and repurposed the materials to build a new residence in nearby Meknès.

It’s too bad the grandeur of the palace didn’t last long. Moulay Ismail stripped El Badi and repurposed the materials to build a new residence in nearby Meknès.

El Badi’s Short-Lived Beauty

Less than a century after the construction of El Badi, the 17th-century Alaouite Sultan Moulay Ismail decided to move the capital from Marrakech to Meknès, and spent over 10 years systematically stripping El Badi of its riches to reuse for his palace in the new capital city. 

This could explain why, as far as ruins go, El Badi might have once been astounding, but now it just doesn’t inspire much awe. That being said, according to local lore, al-Mansour asked his court jester, who was in attendance at the official opening, what he thought of his palace complex. The jester replied, “It will make a magnificent ruin.” And indeed it does. –Duke

If you have a few days in Marrakech, you should visit El Badi Palace. If time is limited, skip it and do the souk and Jardin Majorelle instead.

If you have a few days in Marrakech, you should visit El Badi Palace. If time is limited, skip it and do the souk and Jardin Majorelle instead.

El Badi Palace
Ksibat Nhass
Marrakech 40000
Morocco

 

Atlas Studios: The Hollywood of Morocco

Ouarzazate, a stopover en route from Marrakech to the Sahara, is where blockbusters and TV series, including Gladiator, Kundun, The Mummy and Game of Thrones, were shot.

If you’ve seen a Hollywood movie set in the desert, there’s a good chance it was shot at Atlas Studios. The Mummy, Gladiator and Kingdom of Heaven have all filmed sequences here.

If you’ve seen a Hollywood movie set in the desert, there’s a good chance it was shot at Atlas Studios. The Mummy, Gladiator and Kingdom of Heaven have all filmed sequences here.

On the well-traveled route from Marrakech, almost all roads lead tourists heading to the Sahara Desert through the city of Ouarzazate (pronounced Wahr-za-zaht). It looks like a sleepy town, and, indeed, its name is derived from the local Amazigh dialect for “without” (ouar) and “noise” (zazt). 

But under the surface, the Gateway to the Sahara has a few surprises up its sleeve. Just minutes from the town center is a major motion picture facility. Though there’s no Hollywood sign visible on a hillside, there are faux pharaonic statues and a pair of iron gates emblazoned in gold letters with the name Atlas Corporation Studios. 

You can really see through the illusion when you go around back and realize that it’s all supported by bamboo scaffolding.

The working movie studio, which takes its name from the vast mountain range that surrounds it, was established in 1983 by Moroccan entrepreneur Mohamed Belghmi, who recognized the need for a permanent film facility in the region. He promoted Morocco as the perfect setting for virtually any Middle Eastern location — think Biblical epics and Ancient Egyptian myths. Perhaps he took a cue from British producer David Lea, who, in 1962, saw the potential of Ouarzazate when they needed a desert location for Lawrence of Arabia

It’s all a façade (literally!) at Atlas Studios. What at first appears to be a temple is actually just a front supported by scaffolding.

It’s all a façade (literally!) at Atlas Studios. What at first appears to be a temple is actually just a front supported by scaffolding.

Lights, Camera, Action!

When the cameras aren’t rolling, public tours of the studio are offered, and that’s just what Wally, our friend Vanessa and I did after visiting the UNESCO World Heritage site of Aït Benhaddou en route to a camel ride and overnight in the middle of the Sahara. The entrance fee is 80 dirhams (about $9 at the time of this writing), though ours was included as part of our tour package.

Our driver dropped us off outside of the complex, where we joined a small group and guide leading a walking tour of the studio. 

Just a sampling of the many movies and TV shows filmed at Atlas

Just a sampling of the many movies and TV shows filmed at Atlas

The first thing we saw after passing through its gates was the elaborate interior set of a Tibetan temple, one of the soundstages constructed for the 1997 film Kundun, Martin Scorcese’s biopic based on the life of the 14th Dali Lama. The track used by the cameraman during production is still in place on the floor of the set. 

Fun fact: Extras from Tibet were flown in to lend the movie authenticity. 

You can see the track used for the camera in Kundun. It’s this kind of behind-the-scenes looks at movie production that make a visit to Atlas Studios so fun.

You can see the track used for the camera in Kundun. It’s this kind of behind-the-scenes looks at movie production that make a visit to Atlas Studios so fun.

Beyond the temple lies a replica F-16 prop jet plane used in the production of The Jewel of the Nile (1985), starring Michael Douglas, Kathleen Turner and Danny DeVito. 

While the sets at Atlas are impressive, they pale in comparison to the real deal, obviously.

While the sets at Atlas are impressive, they pale in comparison to the real deal, obviously.

Taking a Peek Behind the Curtain

From afar everything looks real — but once we got closer, it became clear that it’s all smoke and mirrors. Walls are actually false fronts, their sides sculpted from polystyrene and concrete. But you can really see through the illusion when you go around back and realize that it’s all supported by bamboo scaffolding. More than a few were weathered and worn by the passage of time and desert air. 

Hang in there, Vanessa!

Hang in there, Vanessa!

Not sure if you knew this, but Wally’s a witch.

Not sure if you knew this, but Wally’s a witch.

On one lot, the three of us found ourselves in a medieval square that was surprisingly small. But the buildings’ exteriors use forced perspective, which, when seen through a camera lens gives the illusion of being farther than they really are. Incidentally, this was where the scene of Russell Crowe’s character, Maximus, getting sold into slavery in Gladiator (Ridley Scott, 2000) was shot. 

We were quite charmed by the Egyptian temple sets, the largest of which were used for Asterix & Obelix: Mission Cleopatra, a French film based on the comic, starring Christian Clavier as Astérix, Gérard Depardieu as Obélix and Monica Bellucci as Cleopatra. 



The global hit series Game of Thrones converted one of the Atlas backlots into Pentos, one of the Free Cities of Essos, where Daenerys Targaryen lived in exile early on.

Vivid technicolor Egyptian temple interiors. I wonder what the hieroglyphics translate to?

Vivid technicolor Egyptian temple interiors. I wonder what the hieroglyphics translate to?

Atlas’ Massive Productions

In terms of scale, Atlas is one of the largest movie studios in the world. At 49 acres, it’s equal to the length of 37 football fields. It’s so vast that there’s confusion as to where sets end and the sprawling desert begins.

When a film finishes production, the sets are typically left behind, with new ones built nearby for the next shoot. The end result is a studio that grows larger each year. That means many big-budget productions are left in situ, though some are recycled and reworked for other features. 

Atlas acts as a stand-in for many countries of the Middle East, but Egypt in particular, as attested by the numerous set pieces, like this ram-headed sphinx.

Atlas acts as a stand-in for many countries of the Middle East, but Egypt in particular, as attested by the numerous set pieces, like this ram-headed sphinx.

Visiting the studios was one of the highlights of a trip filled with astounding adventures. It was a fascinating glimpse behind the scenes. We weren’t sure what to expect and were pleasantly surprised. Our guide was friendly and gave us plenty of time to take pictures. If you’re looking for an interesting day trip from Marrakech or happen to be en route to the Sahara, you should definitely add Atlas Studios to your itinerary. –Duke

Special shoutout to Vanessa for sharing her photos with us. Our camera’s memory card got fried on this trip and we lost most of our photos.

Is that the Ancient Egyptian temple of Karnak?! Oh, it’s just a replica at Atlas Studios in Morocco.

Is that the Ancient Egyptian temple of Karnak?! Oh, it’s just a replica at Atlas Studios in Morocco.

Atlas Movie Studios
Km 5
BP 28 Route de Marrakech
Ouarzazate, Morocco

 

7 Reasons to Visit the French Island of Corsica

From the towns of Ajaccio and Calvi to beaches and mountains, there’s no shortage of things to do in Corsica, whether you want culture or outdoor adventure.

The French isle of Corsica has a culture influenced by both France and Italy.

The French isle of Corsica has a culture influenced by both France and Italy.

A paradise in the middle of the Mediterranean Sea — there’s no better way to describe Corsica. One of the 18 administrative regions of France, Corsica lies southeast of the French mainland, west of the Italian Peninsula and immediately north of the Italian island of Sardinia. 

The beautiful island is known far and wide for its dramatic mountain ranges, which cover two-thirds of it, and the pristine waters that will surely take your breath away. Aside from its magnificent landscape, the Collectivité Territoriale de Corse, as it’s officially known, boasts an incredibly rich history, showcased by the various ancient buildings that pepper the city, the winding cobbled streets, the flavorful cuisine, and the colorful art and music scenes. Here are seven of the best reasons why you should visit the French island of Corsica.

Corsica boasts a rich history, ancient buildings, winding cobbled streets, flavorful cuisine, and colorful art and music scenes.
The weather in Corsica is gorgeous year-round.

The weather in Corsica is gorgeous year-round.

1. The weather

Nothing beats a summer spent on Corsica — an island where you can enjoy hot, dry weather by the beach. Due to its location, this paradise enjoys a Mediterranean climate that has an average temperature of 27ºC (81ºF) inland and year-round sunshine that’s a welcome getaway for those who live in countries where a cold, harsh climate is the norm. 

For those of you who want to avoid crowds during the high season, September and October would be the best time to visit the island since the pleasant weather only drops to the mid to low 20s Celsius (high 60s to mid 70s Fahrenheit).

One of the best beaches on the island is Plage de Saleccia — you just might have to share your spot with a wild cow! Be careful: Don’t try to take a selfie with them. A woman was gored by those horns a few years back.

One of the best beaches on the island is Plage de Saleccia — you just might have to share your spot with a wild cow! Be careful: Don’t try to take a selfie with them. A woman was gored by those horns a few years back.

2. The beaches

From wide bays that lap upon smooth rocks to remote sandy beaches only accessible by boat, you will never run out of stunning spots to go to in Corsica. If you are after a serene and quiet trip, you can go to some of the undeveloped coastlines, such as Plage de Saleccia and Lotu Beach. 

If you are traveling with kids and want to enjoy the seaside with the magnificent Corsica land formations as the backdrop, try Roccapina and Palombaggia.

The terrain on Corsica allows for lots of adventure activities, including canyoneering (which we hadn’t heard of before!).

The terrain on Corsica allows for lots of adventure activities, including canyoneering (which we hadn’t heard of before!).

3. The outdoor activities

The perfect mix of land formations and bodies of water in Corsica provides tourists with ample opportunity to partake in a wide array of outdoor activities. For those thrill-seeking tourists out there, activities include parasailing, canyoneering, river rafting, 4x4 off-road tours and rock climbing. There are also plenty of activities for those who are a bit less extreme, such as horseback riding, fishing, canoeing, cycling and kayaking.

The cuisine of Corsica takes cues from France and Italy. If you’re lucky, you’ll happen upon a market of fresh-baked goods like this one.

The cuisine of Corsica takes cues from France and Italy. If you’re lucky, you’ll happen upon a market of fresh-baked goods like this one.

4. The cuisine

If you are a foodie with a love for all things Italian and French, then you would definitely enjoy the delectable dishes of Corsica. Thanks to its location, the island’s cuisine takes inspiration from both Italy and France. This then gave birth to traditional Corsican meals that are usually hearty, made of fresh seafood, local meats and locally produced dairy products like brocciu (ewe’s milk).

One of the most famous Corsican dishes is civet de sanglier, a wild boar and vegetable stew made with red wine.

One of the most famous Corsican dishes is civet de sanglier, a wild boar and vegetable stew made with red wine.

Some of the dishes that will surely take your Corsican vacation to the next level are civet de sanglier, a hearty wild boar stew made with onions, carrots, fennel and red wine, and agneau corse, lamb slow roasted with whole garlic cloves, fresh rosemary and potatoes.

Pay a visit to the Musée Fesch, itself a work of art.

Pay a visit to the Musée Fesch, itself a work of art.

5. The arts

On top of the awesome mountain ranges and impressive beaches, Corsica is also home to magnificent art galleries and august historical establishments. Two museums you wouldn’t want to miss are Musée Fesch in Ajaccio and Musée d’Archéologie d’Aleria in Aleria.

The Musée d’Archéologie d’Aleria is housed in the historic Fort de Matra.

The Musée d’Archéologie d’Aleria is housed in the historic Fort de Matra.

While the Musée Fesch is a 19th-century palace that houses one of the finest Napoleonic collections in all of France, the Musée d’Archéologie is situated in the Fort of Matra, which was constructed by the Genoese in the 14th century and houses the various artifacts discovered at the site.

Before Napoleon became emperor of France (and liked to tuck his hand into this shirt), he was a newborn babe on the island of Corsica.

Before Napoleon became emperor of France (and liked to tuck his hand into his shirt), he was a newborn babe on the island of Corsica.

6. The historical sites

After a fulfilling art trip, you can go on a historical tour of Corsica. Maison Bonaparte was the ancestral home of the Bonaparte family from 1682 to 1923. Here you can see lavish family rooms, galleries and drawing rooms as well as the bedroom of Madame Mère, where Napoléon was born. 

Visit the Maison Bonaparte to see the bedroom where Napoleon was born.

Visit the Maison Bonaparte to see the bedroom where Napoleon was born.

Tour the Calvi Citadel, which offers views of the port.

Tour the Calvi Citadel, which offers views of the port.

Visible from the beaches, the Calvi Citadel reveals the deep influences of the Genoese rule in Corsica through the different bastions that were once home to the Genoese governor and are now used by the legendary Foreign Legion.

Corsica offers scenic vistas, from rustic villages to rugged mountains.

Corsica offers scenic vistas, from rustic villages to rugged mountains.

7. The flora and fauna

Corsica is more than just an island that can be eye-candy for many tourists around the world: It is also home to some of the world’s rarest animals and plants.

Keep an eye out for the endangered (and adorably named) mouflons.

Keep an eye out for the endangered (and adorably named) mouflon.

You might stumble upon a herd of mountain goats on a hike through the hills.

You might stumble upon a herd of mountain goats on a hike through the hills.

The best way to go on a nature trip in Corsica is by visiting the Parc Naturel Régional de Corse. First opened in 1972, the park will give you the chance to see some of the most endangered animals on the planet, such as the hoofed mammals known as mouflons and Corsican red deer.

If you can’t visit Corsica in person, you can always explore it from the comfort of your home, thanks to stunning drone photography.

If you can’t visit Corsica in person, you can always explore it from the comfort of your home, thanks to stunning drone photography.

A Virtual Tour of Corsica

Given the travel restrictions from the COVID-19 pandemic, a lot of people might find it hard to get to Corsica in the coming months. Fortunately, there are many ways to get a taste of Corsica without physically going there. For instance, you can listen to some of the best musicians from Corsica through a Spotify playlist curated by National Geographic. The playlist features songs by the vocal groups A Filetta and Voce Vetu.

Corsica, France has much to offer, whether you’re a boater, outdoor enthusiast or culture lover.

Corsica, France has much to offer, whether you’re a boater, outdoor enthusiast or culture lover.

You can also count on drone technology, which has made it possible for virtually anyone to see magnificent views of the world’s best travel destinations from the comforts of their home. Through drone cameras and unmanned aerial vehicles, you can see sweeping takes of beautiful vistas and can explore places no human has ever been able to visit. Many such videos have been shot of Corsica’s one-of-a-kind landscape, giving you a taste of what to expect when you do visit:

Tour de Corse en drone (4K) !

The astonishing island of Corsica is only one of the many majestic places France has to offer. To make your French trip count, read about the different beautiful destinations. The country has perfect spots for couples, history junkies, nature lovers and all kinds of travelers. –Shannon Nichol

 

The Temple of Literature in Hanoi and Its Confucius Connection

Looking for things to do in Hanoi? Walk through the five courtyards of Van Mieu and Quoc Tu Giam, Vietnam’s oldest national university. 

A pair of stone steles outside the main gates instructed everyone — even the emperor — to dismount their horses before entering the compound. It’s not as much of a concern nowadays.

A pair of stone steles outside the main gates instructed everyone — even the emperor — to dismount their horses before entering the compound. It’s not as much of a concern nowadays.

One of the perks of staying in Hanoi’s Old Quarter is that its many attractions are within walking distance. 

En route to one of the must-see destinations, the Temple of Literature, Wally, our friend Vanessa and I passed a shop selling trendy men’s short sleeve shirts. Sadly, even an XL in Vietnam would have been too small. 

The Temple of Literature is this way — but who’s right? Wally or Vanessa?

The Temple of Literature is this way — but who’s right? Wally or Vanessa?

We also passed the Imperial Citadel of Thang Long on our way to the temple. 

confucius.jpg

The Temple of Literature was built to honor Confucius, who strived to have his followers live up to their ideal selves.

Quoc Tu Giam University

Van Mieu, the temple-cum-university, is located in the Dong Da district, a leafy green neighborhood about a 35-minute walk from the Prince II Hotel, where we were staying.

The temple was originally conceived and built in 1070 to honor Chinese philosopher Confucius.

A mere six years later, Quoc Tu Giam, literally translated as the “Temple of the King Who Distinguished Literature,” was established within the complex. The prestigious academy opened in 1076 to teach the doctrines of Confucius and his 72 disciples to the royal family and elite members of society before opening its doors to bright commoners in 1253. Students accepted into Van Mieu’s Quoc Tu Giam attended for three to seven years. The curriculum was influenced by Imperial China and involved rigorous study in classical Chinese literature, poetry and penmanship. 

The man who says he can and the man who says he can’t are both usually right.
— Confucius

The core of Confucianism is aimed at creating the ideal man, emphasizing the disciplines of social, ethical and political conduct. It’s believed that if everyone followed these principles, the right balance would be attained, and social order would prevail. 

Five courtyards lead through the complex.

Five courtyards lead through the complex.

Making an Entrance: the Great Portico

One of the first things you’ll see as you approach the historic structure is the impressive two-tiered main temple gate, Van Mieu Mon. The grand portico contains three doorways. The largest is in the center and was traditionally reserved for the emperor. To the left is a stylized relief of the “Tiger of the Mountain” and to the right, the “Dragon in the Cloud.” These flank the main doorway and represent symbols of the power of the king and the success of students and past scholars. 

The second level holds a bronze bell that was rung when a notable person entered the temple complex. For some reason, it didn’t ring when we came in.

The three pathways beyond run the entire length of the complex. 

Van Mieu’s design and layout are based upon Qufu, the birthplace of Confucius, located in the northeastern province of Shantung, China. Visitors take the central path, which leads to Dai Trung Mon, an open-air pavilion supported by red painted columns. Atop the middle of the roof, two carp with raised tails flank a gourd-shaped vase. 

templeofliteraturebonsai.jpg

Bonsai trees are planted in the temple grounds.

The Five Courtyards 

The Temple of Literature is divided into a total of five courtyards. Behind its high brick walls are a pair of courtyards where students would relax among the ancient trees and manicured lawns. 

In the center of the second courtyard is the Khue Van Cac, the Constellation of Literature pavilion. Khue is the name of the brightest star in the constellation of 28 in the Milky Way. The square wooden structure is supported by four white stone columns and has an elaborate terra cotta-tiled double roof. Its circular windows with spoke-like slats symbolize radiating suns. 

templeofliteraturewell.jpg

Well of Heavenly Clarity? More like Pond of Murky Greenness.

Muddy Waters at the Well of Heavenly Clarity

Wally, Vanessa and I passed through the Khue Van Cac and entered a third courtyard, where we found Thien Quang Tinh, the Well of Heavenly Clarity. Ironically it’s neither clear nor a well, but rather a large basin of murky green water. 

Le Cour des Steles, as the French would say, as it was back in 1890.

Le Cour des Steles, as the French would say, as it was back in 1890

A similar shot of the Well of Heavenly Clarity, this one from the 1970s.

A similar shot of the Well of Heavenly Clarity, this one from the 1970s

Thien Quang Tinh and the Doctors’ Steles

Two great halls stand to either side of Thien Quang Tinh, containing the treasured stone steles placed atop the backs of turtle statues. In Vietnamese culture, turtles are a symbol of wisdom and longevity. 

templeofliteratureturtles.JPG

These tombstone-like monuments honor graduates and sit atop turtles, which represent wisdom.

The names commemorate more than 1,300 students who attained doctoral ranks in the triennial royal court exams held at Quoc Tu Giam and provide details about the greatness of the monarch issuing the exam, as well as some regional history. Over time, the turtles’ foreheads have become burnished by the touch of thousands of hands — it was considered good luck for students to rub the heads of the statues before their exams. 

confuciusdisciples.jpg

Shrines to two of Confucius’ followers

The Ceremonial Hall and Sanctuary of Great Success

The fourth courtyard is where you’ll find the Ceremonial Hall and Dai Bai Duong, the Sanctuary of Great Success, which was once considered so sacred that even the emperor was forbidden entry. Today, anyone may enter.

Inside is an elaborately decorated altar to Confucius and his four disciples Yanhui, Mencius, Zisi and Zheng Shen. One each side stands a bronze crane atop a turtle’s back.

templeofliteraturecrane.JPG

Wally loves a giant crane — but feels bad for the poor turtle it’s standing on.

templeofliteratureconfuciusshrine.jpg

The Sanctuary of Great Success houses a shrine to Confucius.

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This part of the temple was once so sacred that even the emperor was forbidden entry. Today, you’re free to roam about its confines.

From University to Pagoda of Crows

The fifth and final courtyard is where the actual university, Quoc Tu Giam, once stood. It lay abandoned when the French arrived in 1883 and was referred to pejoratively by them as the Pagoda of Crows since a flock of the black birds nested in an old mango tree on the site. The French razed the original building to accommodate the sick and wounded during wartime.

templeofliteraturewally.jpg

The roots of a massive banyan tree allow Wally to take a dramatic shot.

templeofliteratureduke.jpg

Duke taking a break while exploring the temple

Today, there are several exhibits within the reconstructed academy, including a statue of Chu Van An, one of the academy’s rectors and a beloved figure in Vietnamese history for his dedication to teaching. 

Fortunately, the Temple of Literature has retained most of its original architectural style and character through multiple wars and restorations. It was declared a monument historique in 1906 by the French administration and restored by the École Française d’Extrême-Orient in 1920. Admission is 30,000 Vietnamese dong, or about $1.30. –Duke



templeofliteratureroof.jpg

A dragon undulates along the rooftop of the sanctuary.

Temple of Literature
58 Quốc Tử Giám
Văn Miếu
Đống Đa
Hà Nội 100000
Vietnam

 

Anahuacalli Museum: Diego Rivera’s Temple-Like Treasure Trove

El Museo Anahuacalli is unlike any other museum we’ve visited. Explore Rivera’s collection of pre-Hispanic artifacts after a visit to La Casa Azul.

If you’ve seen Frida’s Casa Azul, the Anahuacalli Museum is included in the ticket. Don’t miss it!

If you’ve seen Frida’s Casa Azul, the Anahuacalli Museum is included in the ticket. Don’t miss it!

My first introduction to Diego Rivera, one of Mexico’s most famous artists, was a seemingly ubiquitous, mass-produced print of Rivera’s painting El Vendedor de Alcatraces (The Calla Lily Vendor). This image can be seen hanging on the wall of many Mexican restaurants in Anytown, USA. 

Wally peeks behind a giant agave plant in the plaza in front of the museum.

Wally peeks behind a giant agave plant in the plaza in front of the museum.

The subject of the artwork is a peasant woman, head bowed, squatting and overwhelmed by a basket filled with an immense bunch of white calla lilies. Rivera was known for his murals with a message and many featured the great social inequalities of the working class and the indigenous peoples of his country. His larger-than-life paintings were commissioned by the Mexican government, Henry Ford, the Rockefellers and the San Francisco Stock Exchange building, among many others. 

If the light seems gauzy it’s because the panels of the thin vertical windows aren’t made from glass but alabaster, creating an ethereal air of mystery.
Frida’s nickname for Diego was Toad-Frog — and with his bulging eyes and belly, it’s not hard to imagine why.

Frida’s nickname for Diego was Toad-Frog — and with his bulging eyes and belly, it’s not hard to imagine why.

Perhaps what’s more interesting is that his passionate, colorfully attired and unibrowed wife, the eccentric Mexican painter Frida Kahlo is now better known than her erstwhile husband. Her birthplace and childhood home, La Casa Azul (the Blue House), was purchased by and shared with Rivera, who paid off the mortgage and financial debt left by Frida’s father Guillermo — undoubtedly accrued by Frida’s chronic health issues caused by a near-fatal street car accident she suffered when she was 18 years old. 

The first floor of the museum is filled with Mexican folk art.

The first floor of the museum is filled with Mexican folk art.

Diego’s Dream Museum

If you’re visiting Kahlo’s home, be sure to hold on to your ticket, as it also includes admission to Rivera’s equally intriguing and less visited Museo Anahuacalli. The museum is located on the southern end of Coyoacán, about a 30-minute Uber ride from La Conchita Plaza, where Wally and I departed from after spending the afternoon exploring the area. 

The museum’s name is derived from Cemanahuac, the name used by the Aztecs to refer to their world. It’s Nahuatl, the language of the Aztecs, for “the Place Surrounded by Water” a concept that paid homage to the swampy pre-Hispanic landscape of México. 

Diego and Frida purchased the parcel of land in the 1930s on the rocky and then underdeveloped lava deposit of El Pedregal colonia, or neighborhood. While working on a mural in America, Rivera was inspired by the Industrial Revolution, and envisioned a space where he and Kahlo could visit and contemplate their collection of pre-Hispanic artifacts. He spent every cent he could scrape together on acquiring these pieces, amassing over 50,000 in his lifetime. One of the stories told about his obsession involves his second wife, Guadalupe Marín, who ground up one of his prized figurines in a fit of anger and served it to him in a bowl of soup. 

Rivera obsessively collected local artifacts.

Rivera obsessively collected local artifacts.

Some of RIvera’s artifacts might have been acquired on the black market — maybe even this one, which Wally thinks looks like someone giving birth.

Some of Rivera’s artifacts might have been acquired on the black market — maybe even this one, which Wally thinks looks like someone giving birth.

Rumor has it that Rivera acquired more than a few of his artifacts on the black market. At the time, there weren’t any laws protecting the provenance of pre-Columbian antiquities, and for this reason, the market boomed amongst nationals and foreigners alike. However Rivera obtained his prized artifacts, it’s undoubtedly an impressive collection that reveals the reverence and curiosity he felt toward the past. An inscription by Rivera at the entrance to the museum reads, “I hereby return to the people what I could rescue from the artistic heritage of their ancestors.”

Jaguars were worshipped as gods by the ancient peoples of Mexico.

Jaguars were worshipped as gods by the ancient peoples of Mexico.

Before he died in 1957 at the age of 70, Rivera bequeathed his artifacts and vision for a space to conserve and share the collection with the people of Mexico. The passion project was completed posthumously by his daughter Ruth Rivera, the financial support of his close friend and patroness Dolores Olmedo and architect Juan O’Gorman, using plans left by Rivera.  


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Visit Dolores Olmedo’s amazing estate and see more works by Frida and Diego


All are welcome at the Museo Anahuacalli.

All are welcome at the Museo Anahuacalli.

Like Entering a Temple

The imposing exterior of Anahuacalli is based upon a teocalli, a Mesoamerican temple standing on a truncated pyramid, rising dramatically from the edge of a broad, open plaza. Anahuacalli is sheathed entirely in black basalt, the igneous rock produced by the eruption of nearby Xitle, a volcano that destroyed the pre-Hispanic settlement of Cuicuilco that preceded Mexico City. 

A sign at the entry kiosk states:

En este establecimiento mercantil no se discrimina el ingreso a ninguna persona por motivos de raza, religión, orientación sexual o socioeconómica ni por ningún otro motivo.

This establishment does not discriminate against entry to any person on the basis of race, religion, sexual orientation, socioeconomic status or for any other reason.

Once inside, Wally and I immediately noticed a change in light and temperature; it was dim and cool, like the interior of a tomb. If the light seems gauzy it’s because the panels of the thin vertical windows aren’t made from glass but alabaster, creating an ethereal air of mystery. 

Gorgeous papel picado, or cut paper decorations hang above artifacts placed in niches.

Gorgeous papel picado, or cut paper decorations, hang above artifacts placed in niches.

There’s a large ofrenda, an altar to Rivera.

There’s a large ofrenda, an altar to Rivera.

One of our favorite displays on the ground floor was the impressive and brightly colored ofrenda, a traditional and allegorical offering dedicated to the deceased Rivera. Adorning the ofrenda are life-size papier-mâché folk art sculptures are known as alebrijes—the word these fantastical creatures were repeatedly chanting in vivid fever dream that the artisan Pedro Linares had. 

Ofrendas often have skeleton figures and food and other items the deceased enjoyed in life.

Ofrendas often have skeleton figures and food and other items the deceased enjoyed in life.

Whimsical papier-mâché folk art creatures called alebrijes came to their creator in a feverish dream.

Whimsical papier-mâché folk art creatures called alebrijes came to their creator in a feverish dream.

The exuberant colors of the figures and papel picado, cut tissue paper banners, are all the more striking against the volcanic stone. 

Admire the cut tissue paper flags before venturing into the depths of the temple-like museum.

Admire the cut tissue paper flags before venturing into the depths of the temple-like museum.

Narrow alabaster windows give the museum an otherworldly quality.

Narrow alabaster windows give the museum an otherworldly quality.

From the Underworld to the Heavens

A stairwell symbolizing the entrance to the Mayan underworld of Xibalba descends past bouquets of dried marigolds. These flowers guide spirits to their altars using their vibrant colors and pungent scent. 

Bright orange marigolds help guide the way for spirits to visit this world.

Bright orange marigolds help guide the way for spirits to visit this world.

Duke looks up at the dried marigolds that fill this stairwell.

Duke looks up at the dried marigolds that fill this stairwell.

The Anahuacalli’s three levels are bisected by dramatic stone staircases leading to galleries with vitrines and niches filled with Rivera’s personal collection of more than 2,000 Zapotec, Maya, Aztec, Olmec and Toltec idols and artifacts ranging from utilitarian to religious objects. 

Rivera collected about 50,000 pre-Hispanic artifacts.

Rivera collected about 50,000 pre-Hispanic artifacts.

One of Rivera’s wives supposedly ground up one of his idols and served it to him in soup.

One of Rivera’s wives supposedly ground up one of his idols and served it to him in soup.

Make sure to look up at the ceilings, which showcase mosaics based on Rivera’s designs and communist inclinations. Most were inspired by the mythological creatures of the Mesoamerican canon, with a hammer and sickle thrown in for good measure. One mosaic depicts a toad — Kahlo’s nickname for Rivera was El Sapo-rana, or Toad-Frog — fitting, as he was a large, portly man with bulging eyes. Incidentally, his birthplace, Guanajuato, loosely translates to the Place of Frogs. 

Look up! Most of the ceilings have murals made from different colored rocks.

Look up! Most of the ceilings have murals made from different colored rocks.

A woman gathers fruit in one ceiling mural.

A woman gathers fruit in one ceiling mural.

Rivera wasn’t subtle about his fondness for Communism.

Rivera wasn’t subtle about his fondness for Communism.

The light-filled second floor of the museum was originally envisioned as Rivera’s art studio and contains a number of monumental charcoal sketches and studies for several of his murals. One in particular, El Hombre en el Cruce de los Caminos (Man at the Crossroads), is a fresco originally commissioned in 1932 for the Rockefeller Center in New York, but later destroyed and unceremoniously chiseled off the wall for its unflattering portrait of Rockefeller and depiction of communism.

On the second floor, you can see sketches for Rivera’s murals.

On the second floor, you can see studies for Rivera’s murals.

Another large-scale piece, Pesadilla de Guerra, Sueño de Paz (Nightmare of War, Dream of Peace), was a portable mural painted in 1952 for the Twenty Centuries of Mexican Art exhibition that traveled to various European cities. Its creator sold the work, which was censored by the Mexican authorities, to China. Nobody knows for certain where it is today. 

Also among Rivera’s artworks is a childhood drawing of a choo-choo train. 

Although the Anahuacalli is filled with niches showcasing Rivera’s beloved artifacts, it must house only a fraction of his collection.

Although the Anahuacalli is filled with niches showcasing Rivera’s beloved artifacts, it houses only a fraction of his collection.

Some galleries host temporary exhibits.

Some galleries host temporary exhibits.

It’s also a space that hosts temporary exhibits and site-specific projects. While we were there in the fall of 2018, an exhibit titled Machama featured Adelia Sayeg’s sculptural ceramics. 

Dominating the second floor wall is an early rendering of Rivera’s famous Pesadilla de Guerra, Sueño de Paz mural.

Dominating the second floor wall is an early rendering of Rivera’s famous Pesadilla de Guerra, Sueño de Paz mural.

The circular piece in the center of the room was filled with small ceramic pieces by Adelia Sayeg.

The circular piece in the center of the room was filled with small ceramic pieces by Adelia Sayeg.

The museum’s interior embodies some of the same tenets as American architect Frank Lloyd Wright — specifically the concept of compression and release, with narrow stairwells and passageways opening abruptly into larger spaces. Rivera did meet with Wright in 1952 and consulted with him about the structure. 

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Here comes the sun: Keep winding your way up through the museum to end up on the rooftop.

You’ll be temporarily blinded as you step out of the dark confines of the museum onto the rooftop terrace. Like Duke, you can admire the view of CDMX.

You’ll be temporarily blinded as you step out of the dark confines of the museum onto the rooftop terrace. Like Duke, you can admire the view of CDMX.

Wally takes a break from a long day exploring the neighborhood of Coyoacán.

Wally takes a break from a long day exploring the neighborhood of Coyoacán.

You wind your way up, floor by floor, until you step out onto the rooftop terrace, open to the sky, boasting panoramic views of the city. The sun bathed the outlying area in golden light. It was a perfect end to an incredible day. –Duke

Wally and Duke are all smiles at this truly one-of-a-kind museum, which they can’t recommend enough.

Wally and Duke are all smiles at this truly one-of-a-kind museum, which they can’t recommend enough.

Anahuacalli Museum

Museo 150
San Pablo Tepetlapa
Coyoacán
04620 Ciudad de México
CDMX
Mexico

 

Gain an Audience at the Nasrid Palaces of the Alhambra

Start your exploration of the Nasrid Palaces with the Mexuar, Patio del Cuarto Dorado, Comares Palace and Salón de Los Embajadores. 

The Islamic Nasrid Palaces are the most spectacular part of the Alhambra complex.

The Islamic Nasrid Palaces are the most spectacular part of the Alhambra complex.

While we were in Spain, we found that most places, from neighborhood restaurants to international chains, didn’t follow any set schedule. They seemed to open and close on a whim. Los Palacios Nazaríes, or the Nasrid Palaces, are one of the only things in Spain that stick to a set schedule, so having a guide ensured that Wally and I didn’t miss our time of entry — if you do, you won’t be permitted to enter. 

And the Nasrid Palaces aren’t something you want to miss. The ornate interiors indicate that the structures were used as the private quarters of the sultan, his wives, his imperial harem and the rest of his family — unlike the Alcazaba, which served as a military fortress. 

A Court in the Alhambra in the Time of the Moors by Edwin Lord Weeks, 1876

A Court in the Alhambra in the Time of the Moors by Edwin Lord Weeks, 1876

The two main structures we’re covering in this post are:

  • Mexuar

  • Comares Palace

Altogether, there were 22 successive sultans between 1238-1492 BCE — that’s an average of roughly 10 years per sultan over a period of 254 years! 

The walls are covered with brilliantly colored tilework, above which bands of sinuous kufic script are interwoven with floral ornament.

There are courtyards, a magnificent throne room, private quarters and restful gardens within. And although no furniture remains in any of the rooms, it’s the ornate designs and geometric patterns covering the walls and ceilings that are the true stars of the show.

Wally likes to spend his birthdays touring memorable locales — and the Alhambra was something he had dreamed of for years.

Wally likes to spend his birthdays touring memorable locales — and the Alhambra was something he had dreamed of for years.

Mexuar Audience Hall

Our tour of the palace complex began with the Mexuar. This earliest surviving structure of the Alhambra is believed to have been commissioned by Ismail I (who ruled from 1314-1325). It was modified and enlarged by Yusef I (1333-1354), and later altered and completed by his son Muhammad V (1362-1391). The Mexuar served as a council chamber and reception hall to receive and conduct business with the general public. 

The Holy Roman Emperor Charles V put his stamp on the Mexuar tilework, incorporating some of his heraldic iconography, including a two-headed eagle.

The Holy Roman Emperor Charles V put his stamp on the Mexuar tilework, incorporating some of his heraldic iconography, including a two-headed eagle.

Be sure to look up at the decorative coffered cedarwood ceilings, referred to as artesonado in Spanish. Then look down a bit: The lower walls are completely covered with glazed ceramic mosaic tile panels arranged in a complex geometric pattern resembling interlocking stars in vivid shades of green, blue and yellow. A few bear evidence of the Catholic conquest, which ended Islamic rule in the region: Charles V’s heraldic emblem featuring a pair of pillars with a red ribbon draped between them as well as a double-headed eagle. A band of calligraphic ornamentation carved into the stucco panels encircling the room give the hall a formal air suitable for receiving dignitaries, with the declaration “There is no conqueror but Allah,” repeated multiple times in Islamic calligraphy.

The gloriously gilded ceiling of the Cuarto Dorado

The gloriously gilded ceiling of the Cuarto Dorado

Patio del Cuarto Dorado, the Patio of the Golden Room

From the Mexuar, our group entered the adjoining enclosed courtyard known as the Patio del Cuarto Dorado (Patio of the Golden, or Gilded, Room). The lotus-shaped marble fountain in the center of the patio was fabricated in 1943 and is a replica of the original, which is now located in Daraxa’s Garden, adjacent to the Palace of the Lions. 

Islamic tradition stated that depictions of people are blasphemous, so the builders of the Alhambra created complex geometric patterns and scrollwork.

Islamic tradition stated that depictions of people are blasphemous, so the builders of the Alhambra created complex geometric patterns and scrollwork.

The chamber beyond is referred to as the Cuarto Dorado. It functioned as an anteroom between the Alhambra’s public and private spaces and takes its name from the gilt-wood ceiling that was added after the Christian conquest. 

Looking out at the Patio de Arrayanes

Looking out at the Patio de Arrayanes

Palacio de Comares and the Patio de Arrayanes: the Alhambra’s Money Shot

Immediately ahead is the Palacio de Comares (named for a nearby town that crafted the crystals used to make stained glass), the money shot of nearly every guidebook, as it’s here where the oft-photographed Patio de Arrayanes (Court of Myrtles) and its narrow glassy pool of water is located. This tranquil enclosed space was commissioned during the reign of Yusuf I and was named for the verdant clipped hedges that border the central pool. 

The two-story southern façade is the most highly embellished in the Alhambra and was renovated in 1369 by Muhammad V to celebrate his victory at Algeciras near Gibraltar in 1869. Behind its succession of arches is a geometrically patterned mosaic tiled wall and interwoven, lacy, carved stucco plasterwork, further embellished by the arabesque tree of life motif. A set of small windows with delicate fretwork mashrabiya screens for discreet viewing look down from the second floor into the courtyard. 

Pretty much every square inch of the Nasrid Palaces’ walls are covered with beautiful, ornate carvings.

Pretty much every square inch of the Nasrid Palaces’ walls are covered with beautiful, ornate carvings.

The north façade has a similar design to the south, yet is a single level and serves as the entry point for the Torre de Comares. This structure rises majestically above the palace arcade and is the tallest external tower of the Alhambra, with a height of 147 feet.

The Hall of the Ambassadors is where King Ferdinand and Queen Isabella met with Christopher Columbus to grant him permission to seek a new route to India (and we know how that turned out).

The Hall of the Ambassadors is where King Ferdinand and Queen Isabella met with Christopher Columbus to grant him permission to seek a new route to India (and we know how that turned out).

Salón de los Embajadores, the Hall of the Ambassadors

Inside the Torre de Comares is the grand reception hall known today as the Salón de los Embajadores, the Hall of the Ambassadors. Its vaulted wood ceiling is ornamented with a profusion of blue, white and gold inlay work in the shape of circles, crowns and stars, representative of the seven heavens of Islamic belief. The lower walls of the hall are covered with brilliantly colored tilework, above which horizontal bands of sinuous, vine-like kufic script are interwoven with floral ornament. One bears the inscription “Speak few words and you will leave in peace,” perhaps instructions for those requesting the audience of the sultan. I’m sure the sultan was busy, but that’s essentially like putting up a sign that says, “Keep it brief.”

The ceiling of the Hall of the Ambassadors resembles a starry sky.

The ceiling of the Hall of the Ambassadors resembles a starry sky.

The hall contains a total of nine alcoves, three per side, with windows known as cumarias, Spanish for stained glass, and incidentally where the palace gets its name from. Sadly, the windows are no longer there. A central niche opposite the entrance at the back of the hall was originally occupied by the sultan’s throne and contains the inscription “My lord, the victorious Yusuf, has decorated me with robes of glory and has made me the throne of his rule.”

You would cry, too, if it happened to you: King Boabdil Bids Farewell to Granada by Alfred Dehodencq, 1882

You would cry, too, if it happened to you: King Boabdil Bids Farewell to Granada by Alfred Dehodencq, 1882

Legend has it that Muhammad XII, known as Boabdil, the 22nd and final sultan of the Nasrid dynasty, met with his council in the Salón de los Embajadores on November 25, 1491 and signed the Treaty of Granada, capitulating the last Muslim territory in the region to Christendom. As Boabdil left the city with his entourage, he looked back from the mountain pass at the beauty of what he had lost, and wept. –Duke

If you’re in the South of Spain, you can’t leave without a visit to the amazing Alhambra.

If you’re in the South of Spain, you can’t leave without a visit to the amazing Alhambra.

 

The Glorious Decay of Karnak Temple

The sprawling temple complex in Luxor is considered one of the greatest architectural feats of all time.

Areas like this on the massive temple grounds of Karnak evoked Ancient Rome for Wally

Areas like this on the massive temple grounds of Karnak evoked Ancient Rome for Wally

For much of the history of Ancient Egypt, Karnak was the epicenter of worship, situated in the great city of Thebes (modern-day Luxor). Over 3,000 years ago, 30 or so pharaohs each wanted to put his or her stamp upon the temple, adding structures and elements, on and on through the centuries. In less-prosperous times, like the reign of Ramesses VI, the pharaoh simply recarved the additions made by his predecessor, Ramesses IV, and claimed them as his own. And Horemheb replaced King Tut’s name with his own on several monuments at Karnak, in a bid to sever all ties with the heretical lineage of Akhenaton. 

The site sprawled, and today it is the largest surviving religious complex in the world.

The great temple complex of Karnak was where Hatshepsut first started her genderbending iconography — all before she declared herself pharaoh.

So much of Karnak as it is today began during the reign of that fascinating figure Hatshepsut, a female pharaoh who ruled during the 15th century BCE. Before her, Karnak was mostly mud brick but she embarked upon an ambitious construction program that included rebuilding Karnak with sandstone, making it more permanent and the basis of the massive complex we can still explore to this day. 

The scale of these massive columns is difficult to describe without experiencing it yourself

The scale of these massive columns is difficult to describe without experiencing it yourself

Wally loves exploring ancient temples so much, he just had to jump for joy

Wally loves exploring ancient temples so much, he just had to jump for joy

I’ve mentioned before that a large part of the charm of visiting Egypt is that each temple has something utterly unique about it, and for Karnak it’s the massive scale of the site. In addition, because its stones were plundered for other construction projects, much of the complex lies in a semi-ruined state, which evoked Ancient Rome to me. It’s fun to clamber past large fragments of stone as you explore the temple.

Rows of sphinxes welcome you to Karnak

Rows of sphinxes welcome you to Karnak

A Tour of Karnak

We call the temple Karnak today, but that name came from a nearby village, el-Karnak. In ancient times it was known as Ipetisut, “the Most Select of Places.” The main part of the temple was dedicated to that great god, Amun (aka Amon, Amen), who was responsible for fertility and whom Egyptians trusted to keep their country prosperous.

Other, smaller, temples surrounded it, such as the one to Mut, the mother goddess and Amun’s consort.

Admission costs 150 Egyptian pounds, or less than $10, per person. You enter Karnak through an avenue of sphinxes bearing the heads of rams to honor Amun. Between each of their leonine paws, their chins resting on his head, stand small statues of Pharaoh Ramesses II, who commissioned the project.

Ram-headed, lion-bodied sphinxes protect diminutive statues of Ramesses II between their paws

Ram-headed, lion-bodied sphinxes protect diminutive statues of Ramesses II between their paws

Past these stone guardians, to the right, is a shrine to house the solar barque, used to transport the statue of the god during festivals. Built by Ramesses III, the exterior is lined with statues showing the pharaoh in mummy form with arms crossed to draw a connection with the god Osiris, ruler of the afterlife.

There’s much to explore at Karnak, so be sure to give yourself a couple of hours at least

There’s much to explore at Karnak, so be sure to give yourself a couple of hours at least

The Great Hypostyle Hall

Pass under the Second Pylon to come to Karnak’s Great Hypostyle Hall, row upon rows of papyrus columns — 134, in fact. Unlike many other Ancient Egyptian temples, this colonnade is predominantly open-roofed. Blue sky can be seen above, and the sun blazes down upon you. Historians posit that this airy hall was the site of a ceremony called “uniting with the sun” and is supposed to resemble the primeval swamp, part of the creation myth.

The open-air nature of the Great Hypostyle Hall hints at the worship of Amun as a sun god

The open-air nature of the Great Hypostyle Hall hints at the worship of Amun as a sun god

It’s near impossible to fully comprehend how gigantic some of these columns are, as you stand on the ground, gazing up. But the columns stand six stories high, and it’s said that some of the capitals, or tops, would fit 50 people!

An avenue of sphinxes once led all the way to Luxor Temple, two miles away — and there’s talk of restoring it

An avenue of sphinxes once led all the way to Luxor Temple, two miles away — and there’s talk of restoring it

In ancient times, statues of deities would have been placed throughout this forest of columns. That’s one of the things that bummed me out most about these temples. As awesome as they are, most are devoid of statuary. I suppose they’ve been relocated to museums around the world — though I wish they had kept at least a few here and there. 

That being said, Karnak is one of the few sites in Egypt where you’ll see quite a few statues on the grounds, though most are of pharaohs not gods. 

You’ll spot quite a few statues as you wander Karnak

You’ll spot quite a few statues as you wander Karnak

Pharaoh after pharaoh repurposed materials to rebuild portions of Karnak over the centuries

Pharaoh after pharaoh repurposed materials to rebuild portions of Karnak over the centuries

Reliefs cover the exterior of the hall, one showing Ramesses II’s Battle of Kadesh, which ended as a stalemate — though the pharaoh proclaimed victory. This was his favorite piece of revisionist history. He depicted his “triumph” at numerous temples, including Karnak, where he had a poem carved that told of his miraculous victory over the Hittites. His army was about to be defeated, but his father, the god Amun, made him invincible — and he single-handedly vanquished 2,500 of his enemies. 

Hatshepsut depicted herself as a pharaoh blessed by the gods on one of her obelisks, now on its side by the Sacred Lake

Hatshepsut depicted herself as a pharaoh blessed by the gods on one of her obelisks, now on its side by the Sacred Lake

The great temple complex of Karnak was where Hatshepsut first started her genderbending iconography. A carving shows her wearing a masculine wig and the atef crown, which sported ram’s horns and two feathers — all before she declared herself pharaoh.

It’s truly astounding that the Ancient Egyptians found a way to carve obelisks from a single stone and raise them, where they remain standing, thousands of years later

It’s truly astounding that the Ancient Egyptians found a way to carve obelisks from a single stone and raise them, where they remain standing, thousands of years later

Obelisks: The Sun Made Stone

Obelisks were the most impressive of architectural feats. Carved from a single block of red granite, the top halves of them were covered in electrum, silver-gold sheets beaten flat. There was no stronger tie to the solar cult than these tall, thin structures resembling the sun’s rays, and, indeed, the metal caught the light, blinding onlookers.

One of the obelisks Hatshepsut erected at the site honors her patron deity, Amun, whom she once served as his “wife.” The inscription reads, in part: “I know that Karnak is Heaven on Earth, the sacred elevation of the first occasion, the eye of the Lord to the Limit, his favorite place, which bears his perfection and gathers his followers.”

Love among the ruins, Wally and Karnak style

Love among the ruins, Wally and Karnak style

A couple of obelisks tower above visitors to this day, and I’m not ashamed to say I was a little freaked out standing beneath them, imagining how easily they could become off-balanced and come crashing down upon us. 

In fact, one obelisk does lie on its side, though it was probably done so purposefully. It’s on these remains, in front of the Sacred Lake, that you can see depictions of Hatshepsut as pharaoh. 

No swimming allowed! The Sacred Lake was where priests would cleanse themselves before rituals

No swimming allowed! The Sacred Lake was where priests would cleanse themselves before rituals

The Sacred Lake

The lake supplied Karnak with water, in part for its priests to cleanse themselves for rituals. 

Nearby is a statue of a scarab (a word that sounds a whole lot cooler than “dung beetle”). Our guide Mamduh told us we should circle it three times for good luck, and a guy on Flickr complains: “Crazy tourists circumambulate — 3 times for luck, 7 times for love, and 10 times for wealth. Makes it hard to get a decent photo.”

Join the throng and walk in circles around the statue of Khepri, the scarab god, by the Sacred Lake. It’s said to be good luck

Join the throng and walk in circles around the statue of Khepri, the scarab god, by the Sacred Lake. It’s said to be good luck

This is also where you’ll find a café, where we met up with our guide, smoking a cigarette and drinking coffee. He tried to convince us that hot beverages are better for your body in extreme heat, but we ignored his advice and went for ice-cold waters and ice cream treats.

Hatshepsut and Thutmose III make offerings to Amun in the carvings inside the Red Chapel

Hatshepsut and Thutmose III make offerings to Amun in the carvings inside the Red Chapel

Hatshepsut’s Red Chapel

Egyptologists gush about Hatshepsut’s Red Chapel, but I don’t get it. To me, it’s not all that impressive, especially compared to all the other marvels found throughout the country, from massive colonnades to towering statues. It’s just a rectangular-shaped building.

Inside this deep red quartzite chapel in the heart of Karnak, Hatshepsut depicted herself as a male ruler. In fact, her images are difficult to tell apart from those of her nephew and co-pharaoh, Thutmose III.

Much like Hatshepsut’s, King Tut’s reign was stricken from the official record

Much like Hatshepsut’s, King Tut’s reign was stricken from the official record

After Hatshepsut’s death and toward the end of his reign, Thutmose III began a campaign to obliterate his co-ruler’s legacy. At Karnak, he took apart her sacred Red Chapel, leaving its bricks in rubble piles nearby. And at the Eighth Pylon, Thutmose III reassigned two colossal statues of Hatshepsut as pharaoh to his father, Thutmose II. The idea was to connect himself with the traditional patriarchal lineage — and hopefully have everyone forget the unconventional time he shared Egypt’s throne with a woman.

In 1997, the French Institute undertook the challenge of rebuilding what they refer to as la Chapelle Rouge. Today you can visit the Red Chapel, and hopefully you won’t have the space crowded with tourists and a woman doing an Instagram photo shoot out the back.

Beyond the Red Chapel, at the back of Karnak, off to the left, you can wander through Thutmose III’s Festival Hall.

Off to the side of the complex is the Akh-Menou, or Thutomose III’s Festival Hall, featuring tentpole columns

Off to the side of the complex is the Akh-Menou, or Thutomose III’s Festival Hall, featuring tentpole columns



After exploring the rest of the complex, Duke and I wandered past the Sacred Lake, out to the Tenth Pylon. The gateway was closed off, but beyond was once an avenue of sphinxes that led to the Temple of Mut. The road took a turn and joined up with another avenue of sphinxes, this one leading all the way to Luxor Temple, two miles away. Everyone’s abuzz at the prospect of renovating and reopening that avenue — though it didn’t appear much progress had been made when we visited. –Wally

The temple grounds are a mishmash of architecture from many different pharaohs’ reigns

The temple grounds are a mishmash of architecture from many different pharaohs’ reigns

Much of Karnak lies in ruins

Much of Karnak lies in ruins

Hatshepsut built the Eighth Pylon, making it one of the oldest parts of the temple complex

Hatshepsut built the Eighth Pylon, making it one of the oldest parts of the temple complex

Historic renderings of Karnak

Historic renderings of Karnak

Even if you don’t read French, this map can help you navigate the Karnak complex

Even if you don’t read French, this map can help you navigate the Karnak complex

 

The Step Pyramid of Djoser at Saqqara

Don’t just see the Pyramids of Giza. The tombs at Saqqara are the architectural stepping stones that led to those wonders. Oh, and the Step Pyramid is the oldest building in the world.

The tiered structure known as the Step Pyramid at Saqqara is the direct descendant of the smooth-surfaced Great Pyramids at Giza

The tiered structure known as the Step Pyramid at Saqqara is the direct descendant of the smooth-surfaced Great Pyramids at Giza

Using a verbal sleight of hand to distract us after our whirlwind tour of the Giza necropolis, our guide Ahmed, who was selected for us by the Kempinski Nile Hotel in Cairo, began telling us about the history of Saqqara. He paused only briefly to encourage us to stop at a souvenir shop on the way, this one peddling papyrus or perfume, where he would surely get commission if we bought anything. Ahmed seemed to be a knowledgeable guide, but his lack of enthusiasm was glaringly obvious. 

Considered the first recorded architect in history, Imhotep designed the Step Pyramid at Saqqara and was later portrayed as an evil high priest who had been buried alive in ‘The Mummy.’

After spending our morning getting rushed through the Pyramids and Sphinx, I mentioned stopping for lunch at the Marriott Mena House, having been told there was a spectacular view of the Pyramids while you ate alfresco. Ahmed replied that he had recently eaten there and dismissed it as overrated and ridiculously expensive, lying about the prices of the meals. It became clear that he wasn’t going to let us go there, even though it was part of our planned itinerary.

It was about this time that I turned to Wally and muttered, “We must have passed the Solar Boat Museum when we were leaving Giza.” We were both upset by this, never imagining we’d have a guide who wouldn’t even ask if we’d want to see the various sites at an attraction. There’s a good chance this would be our only time in Egypt and we wanted to see as much as we could — especially since we were paying for our guide and car service until 4 p.m. 

But were in a stranger’s car in a foreign country and by this time too far away to go back. 

Pharaoh Djoser commissioned the Step Pyramid for his tomb in 2630 BCE

Pharaoh Djoser commissioned the Step Pyramid for his tomb in 2630 BCE

Step on It

Frequently paired with the more famous Giza Plateau, the Saqqara necropolis is where the world’s oldest large-scale stone monument, the Step Pyramid of Djoser, was built. Admission costs 150 Egyptian pounds per person (a bit over $9 at the time of this writing).

Prior to its construction, Ancient Egyptian kings were buried beneath great oblong mud-brick structures with a flat roof and sloping sides known as mastabas. According to the Abydos King List, carved on a temple wall, Djoser was the first king of the Third Dynasty, and it was his 19-year reign that allowed the grandiose plan for his pyramid complex to be completed during his lifetime. 

Built in stages, the Step Pyramid was constructed between 2630 and 2611 BCE. The tomb began as a traditional mastaba, but instead of mud-brick, it was built of stone taken from the nearby enclosed burial complex of Gisr el-Mudir. It was gradually enlarged, with smaller mastabas stacked on top of one another in concentric tiers to form the final height of 200 feet high — steps which the dead king could use to ascend into the heavens.

What’s truly amazing is that that’s just the beginning. What can’t be seen are the three miles of passageways and chambers that were carved beneath the pyramid!

Scaffolding covered parts of the Step Pyramid when we visited

Scaffolding covered parts of the Step Pyramid when we visited

When we visited the atmospheric Step Pyramid of Djoser, it was partially covered in scaffolding. Ahmed told us that it was closed due to ongoing conservation work and structural concerns after an earthquake in 1992. 

Imhotep was many things, including the architect of the Step Pyramid at Saqqara — but a reanimated evil mummy he was not

Imhotep was many things, including the architect of the Step Pyramid at Saqqara — but a reanimated evil mummy he was not

Imhotep: The Man, the Myth, the Legend 

A man named Imhotep was responsible for the design of the Step Pyramid of Saqqara. Considered the first recorded architect in history, he was later portrayed as an evil high priest who had been buried alive in The Mummy movie franchise. But he was actually just a mortal man whose name translated as “The One Who Comes in Peace.” 

A savant who rose to the top of Egyptian society, Imhotep served as a scribe, architect and vizier in the court of Pharaoh Djoser. He was also a high priest of the creator god Ptah, physician and scientist. That talent would eventually lead to his posthumous deification as the patron god of medicine by the Egyptians and later by the Greeks as Asclepius. 

Duke insisted we include a historically accurate image of Imhotep as well

Duke insisted we include a historically accurate image of Imhotep as well

King Djoser was so pleased with Imhotep’s work that he allowed the architect’s name to be inscribed on the pyramid along with his own. 

Imhotep’s tomb is probably located at Saqqara but has yet to be found. 

Fun fact: In 1964, archaeologist Walter Bryan Emery discovered a network of catacombs holding the remains of thousands of mummified ibises, long-legged, long-necked birds with downward-curving beaks, brought to the necropolis by pilgrims as offerings to the deified Imhotep. (These weren’t the only mummified animal remains found at Saqqara. Learn more about animal mummies here.)

Some of the buildings of Ancient Egypt struck us as surprisingly modern, including the entrance hall to Djoser’s funerary complex

Some of the buildings of Ancient Egypt struck us as surprisingly modern, including the entrance hall to Djoser’s funerary complex

Entrance Hall Colonnade 

Like Hatshepsut’s Mortuary Temple, the clean geometric exterior of Djoser’s entrance hall struck me as quite modern. There’s only one way into the complex, situated in the center of the largest bastion of the enclosure wall. The narrow hall is comprised of 20 pairs of columns, each connected to the side wall by masonry, as opposed to free-standing, and are carved to resemble bundles of reeds. The colonnade was probably once timber-roofed, though now austere concrete slabs hover high above these unique, but decaying, pillars. 

The columns at Djoser’s complex aren’t in the best shape

The columns at Djoser’s complex aren’t in the best shape

Heb Sed Court

After passing through the entrance hall colonnade, Wally and I wandered over a low wall and into a sunken open-air courtyard with a raised stone platform. I later learned that this was known as the Heb Sed Court. 

Beyond a pair of elevated shrines or chapels are replicas in stone of structures that would have been used for Heb Sed, the king’s jubilee festival marking the 30th year of a pharaoh’s reign. (As we know, Djoser never quite made it there.) One chapel appears to be a flat-roofed tentlike structure, while the other has a curved roof and false door, a symbolic passageway for the king’s ka, or spirit, to use in the afterlife. 

While we enjoyed our visit, which also included an expedition into the Pyramid of Unas and the Mastaba of Mereruka, Ahmed never went beyond his own agenda and he certainly didn’t encourage us to explore. A lot of the information contained in our posts pertaining to Giza and Saqqara has been supplemented with our own research and curiosity about the sites. –Duke

 

Philae Temple: Saved From Destruction

Catch this island temple of Isis in Aswan after visiting Abu Simbel — and be glad it’s no longer underwater.

When you visit Aswan, be sure to explore this island temple, one of the latest and best preserved in Egypt

When you visit Aswan, be sure to explore this island temple, one of the latest and best preserved in Egypt

That damn dam. 

The Egyptians knew that building the Aswan Dam would destroy a collection of impressive temples of the ancient world. But controlling the fickle waters of the River Nile for agriculture and hydroelectric power trumped architectural preservation. 

So, back in 1899, work began on the first Aswan Dam, sometimes referred to as the Aswan Low Dam. Completed in 1902, the structure plugged up the Nile and created an artificial body of water, Lake Nasser. And from December to March, Philae Temple, one of many such casualties, sat mostly engulfed, only its top peeking above the water.

The first Aswan Dam flooded Philae Temple from December to March, with only its top peeking above the water.
For four months of the year, Philae Temple and its nearby buildings, like the Kiosk of Trajan, sat underwater. The temple has since been relocated to a different, and drier, island

For four months of the year, Philae Temple and its nearby buildings, like the Kiosk of Trajan, sat underwater. The temple has since been relocated to a different, and drier, island

The Aswan Low Dam flooded Philae Temple, and the new dam, built in the 1970s, would have entirely submerged this historic treasure

The Aswan Low Dam flooded Philae Temple, and the new dam, built in the 1970s, would have entirely submerged this historic treasure

For 70 years, that’s how the temple remained. But flooding from the Nile persisted to plague the area, and the Egyptian leader Gamal Abdel Nasser had dreams of bringing hydroelectric power to the entire country. Plans were drawn up to construct a new barrage, the Aswan High Dam. 

This dam would have completely flooded Philae. So good old UNESCO, the savior of so many historic sites, helmed a project, from 1972 to 1980, to move the temple, brick by numbered brick, to its current home, on Agilkia Island in Aswan.

One of the Ptolemaic pharaohs presents an offering to the goddess Isis, with her massive wings

One of the Ptolemaic pharaohs presents an offering to the goddess Isis, with her massive wings

Cult Center of the Goddess Isis

Lasting well into the Christian era of Ancient Rome, Philae was one of the last places where the Egyptian religion was practiced. Pilgrims came from far away to pay respects to the goddess Isis, who had inspired mystery cults across the empire. 

Poor Isis. Much like the swastika, which was a Hindu symbol for centuries but is now is a cringe-inducing reminder of Nazism, the Egyptian goddess’s name has been besmirched by the Islamic State terrorist group. 

In a characteristically bizarre Egyptian myth, Isis’ husband (and, um, brother) Osiris was murdered and chopped into 14 pieces by his brother Set, who then hid the body parts throughout Egypt. Isis, ever the dutiful wife, searched for the chunks of her beloved’s corpse — one of which, Osiris’ left leg, was hidden on an island near Philae. The goddess was able to recover all of the body parts, save one. Set had thrown Osiris’ penis into the Nile, where it was gobbled up by an Oxyrhynchus, a type of elephantfish.

Duke on the boat ride out to Philae Temple, seen in the background

Duke on the boat ride out to Philae Temple, seen in the background

Whatever Floats Your Boat

Part of the fun of visiting the Temple of Philae is the journey there. We didn’t have a lot of time in Aswan, so we got up at the crack of dawn to visit Abu Simbel (though ideally, you’d time your trip down there to miss the morning crowds and arrive around noon). On the way back to our hotel, the amazing Old Cataract, we asked our guide, Mamduh, if we could fit in Philae. It was getting a bit close to closing time, which was at 4 p.m. when we visited, but we didn’t want to miss seeing the complex.

We parked, and Mamduh walked with us past a small marketplace and down onto the docks. He spoke with a group of men and waved us over to one of the many boats berthed here, all narrow, white and red and lined with tires to act as fenders. We climbed aboard, our captain yanked the throttle, and the motor roared to life. 

These red and white boats are your transport to the island of Agilkia, where Philae has been moved to, stone by stone

These red and white boats are your transport to the island of Agilkia, where Philae has been moved to, stone by stone

The water in this part of the Nile is a deep blue that seems to contain the mysteries of the multiverse. There’s something magical about this peaceful stretch of the famous river, and it’s captivating to see the complex of Philae come into view as you approach from the water. 

We docked, climbed out of the boat and walked up the path to continue our expedition.

The first pylon presents an impressive entrance to the temple

The first pylon presents an impressive entrance to the temple

Exploring the Island Temple of Philae

The island houses numerous structures. Most that remain were built by the Ptolemies (of which Cleopatra was the last) in the final two centuries BCE and then by the Roman emperors over the next 300 years.

We started by passing through the first pylon, the towered entrance, built in the telltale Ptolemaic style: two large tapering rectangular blocks joined by a smaller entryway, all sharp angles, with nary a curve or arch to be found. Two decaying lions presented themselves as non-threatening guardians.

This faceless lion doesn’t seem like much of a guardian, poor guy

This faceless lion doesn’t seem like much of a guardian, poor guy

Once inside the forecourt, we came upon a colonnade, an open courtyard lined by columns. On one side were rooms where priests once conducted scientific inquiries. On the other was a mammisi, or birth house. These structures are common on the outskirts of Egyptian temples and were built to honor the nativity of a deity — in this case, little falcon-headed Horus, the son of Isis and Osiris (somehow born after his father’s pecker got eaten by that fish). 

Duke and Wally at the temple complex

Duke and Wally at the temple complex

The courtyards have colonnades off to each side

The courtyards have colonnades off to each side

Through another pylon, we entered the interior of the temple. This columned vestibule transported us to another world. We noted the Coptic crosses and Greek inscriptions, from when the temple was closed down and converted into a church around 535 CE by order of Emperor Justinian. In 116 CE, a group of Romans visited Philae and carved their names on the temple wall, leaving behind the oldest surviving Latin inscriptions in Egypt.

The interior of Philae

The interior of Philae

We then passed through antechambers and side rooms to reach the sanctuary of Isis — the holy of holies, as the Egyptians referred to it. This was a small room at the very back of the temple, with a block of stone that once held the solar boat used to transport the goddess’s statue when it was paraded about during festivals.

A look inside the sanctuary of the temple, where the sacred barque of Isis once sat upon a pedestal

A look inside the sanctuary of the temple, where the sacred barque of Isis once sat upon a pedestal

Sunstroke Strikes!

Something we really appreciated about our guide, Mamduh, was that he always encouraged us to wander the sites we visited after he gave us a tour, telling us to take our time and find him at the ubiquitous nearby café. We highly recommend booking him or another guide through Egypt Sunset Tours.

With most of the other temples of Ancient Egypt in desert settings, one of the coolest things about Philae is the vistas with views of the water

With most of the other temples of Ancient Egypt in desert settings, one of the coolest things about Philae is the vistas with views of the water

In addition to the main temple, there are other, smaller, buildings to see on the island. While we wandered the Temple of Hathor, at the water’s edge, Duke started feeling lightheaded and nauseous. His chest flared with red splotches, and he self-diagnosed a case of heatstroke. He tottered over to the nearby Kiosk of Trajan and sat in what little shade he could find. 

The Tempe of Hathor at Philae

The Tempe of Hathor at Philae

Take a walk around the small island to see the other buildings apart from the temple to Isis

Take a walk around the small island to see the other buildings apart from the temple to Isis

The Kiosk of Trajan is an iconic structure at Philae

The Kiosk of Trajan is an iconic structure at Philae

The goddess Hathor was commonly depicted with cow ears

The goddess Hathor was commonly depicted with cow ears

At the Temple of Hathor, look for the dwarf god, Bes. He’s a fascinating figure — learn more about him here

At the Temple of Hathor, look for the dwarf god, Bes. He’s a fascinating figure — learn more about him here

Philae isn’t a good place to escape the blazing sun, as most of the complex is exposed. We had taken a quick circuit of the island and decided to end our tour since Duke wasn’t feeling well. 

A small open-air café sits at the tip of the island, and this is where we met Mamduh. We found a table in the shade and treated ourselves to ice cream. Within an instant, we were completely surrounded by cats jealously eyeing our treats. Duke and I can’t resist a friendly feline, so we dropped a few bite-sized pieces of ice cream onto the ground, which the cats would lap up happily. Mamduh laughed and shook his head in disbelief as if he had never seen such a thing before. (He probably hadn’t.)

End your adventure at the outdoor café at one end of the island

End your adventure at the outdoor café at one end of the island

Cats lounge by the water

Cats lounge by the water

And they also beg for food

And they also beg for food

After our offerings to the familiars of the feline-headed goddess Bastet, we walked back to the boat. As we rounded the hill, we saw our captain, along with two other men, prostrating themselves on the wooden dock, saying their late afternoon prayers in the direction of Mecca. I felt bad when he saw us and cut short his prayer, quickly jumping up to help us aboard the boat for the short, pleasant trip back to the mainland. –Wally

A map of the Philae complex on Agilkia Island (even though it’s in French, you should still be able to decipher it

A map of the Philae complex on Agilkia Island (even though it’s in French, you should still be able to decipher it

The first pylon, or entrance tower, at Philae Temple

The first pylon, or entrance tower, at Philae Temple

Isis was able to recover all of Osiris’ body parts, save one. His penis had been thrown into the Nile, where it was gobbled up by a fish.
 

The Mystery of the Sphinx and the Valley Temple of Khafre

Whose head is that on the Sphinx? The site is crowded with limited access. Still, one of Ancient Egypt’s oldest monuments should be paired with the Pyramids of Giza near Cairo.

Riddle me this: What’s it like visiting the Great Sphinx of Giza?

Riddle me this: What’s it like visiting the Great Sphinx of Giza?

While many of the ancient sites of Egypt have had their stones upcycled for other uses, the rose granite covering the walls of the Valley Temple of Khafre were somehow spared. The temple gives visitors a glimpse of the past and makes for a dramatic reveal of one of the world’s oldest colossal monoliths, the Great Sphinx of Giza. Just don’t expect to get too close or walk around it. 

A statue of Pharaoh Khafre in Cairo’s Egyptian Museum

A statue of Pharaoh Khafre in Cairo’s Egyptian Museum

After taking a few photos of the pyramids from the panoramic overlook, Wally and I returned to the car (driver and subpar guide) we had hired for the day. They drove us a short distance to another parking lot within the pyramid complex outside of Khafre’s temple. 

Did Napoleon and his troops shoot off the nose of the Sphinx during target practice?

Read on to find out!
Duke and Wally peek out from the columns in the open-air Temple of Khafre

Duke and Wally peek out from the columns in the open-air Temple of Khafre

Like the Temple of Horus at Edfu, the structure remains well preserved, thanks to having been buried under sand until it was rediscovered and excavated by French archaeologist Auguste Mariette in 1853. A diorite statue of Khafre, an Old Kingdom pharaoh circa 2570 BCE, shows the ruler seated with the falcon symbolizing the god Horus behind his head. It was discovered by Mariette’s workmen in 1860, inside a pit within the temple. You can now see the statue amongst the many finds scattered about the Egyptian Museum in Cairo.

Duke in the temple, en route to the Sphinx

Duke in the temple, en route to the Sphinx

Inside the now-open-air temple lies a peristyle hall containing a series of monumental limestone blocks quarried from the bedrock surrounding the Sphinx. The walls, lintels and columned court are sheathed in pink granite stone brought 500 miles downriver from Aswan. It’s nothing short of amazing to know that we were walking inside a structure erected thousands of years ago.                                                             

As Wally and I wandered through, the previously mentioned guide, Ahmed, whom we booked through the Kempinski concierge — beware! — mentioned that the temple floors were fashioned from slabs of white-veined calcite. The temple ends at a narrow ascending passage leading up to an open doorway, making for a dramatic exit anf reveal of the Great Sphinx.                                                                  

Whose head is that on the Sphinx, seen here in a 1790 illustration by Louis Francois Cassas?

Whose head is that on the Sphinx, seen here in a 1790 illustration by Louis Francois Cassas?

The Sphinx’s Identity Crisis

In Ancient Egypt, statuary and art was reserved for the ruling class and often served a political or religious function. The elite were the only ones who could afford to commission their likeness in stone, but it remains a mystery as to whose face the Great Sphinx of Giza was meant to represent. No inscriptions were left to confirm who erected it or when. However, Ahmed referred to the Sphinx as Khafre, and archaeological evidence has since indicated that it was constructed during Khafre’s reign, so I’d be willing to agree it was him.

The Great Sphinx is one of the oldest and largest monolithic statues in the world. Because nobody knows its original name, the Greeks referred to it as a sphinx — which to them was traditionally a bare-breasted woman with a lion’s body and eagle’s wings who kills those who cannot answer her riddle. Carved from a single deposit of limestone bedrock on the Giza plateau, the recumbent, mythological creature has the body of a lion and the head of a king, and most likely was intended to symbolize Khafre's unification with the sun god Re (or Ra), who also acted as guardian of the Giza necropolis. 

Oedipus and the Sphinx by Gustave Moreau, 1864. She doesn’t look too fierce — but notice the corpse at the bottom of the painting

Oedipus and the Sphinx by Gustave Moreau, 1864. She doesn’t look too fierce — but notice the corpse at the bottom of the painting

Limestone is a soft sedimentary rock composed primarily of the compressed remains of marine organisms that died in the waters of ancient seas. Time has not been kind to the Sphinx, and due to variations in the density of the bedrock, its surface appears to undulate. 

You can get a good shot of the Sphinx, but you’ll have to fight your way through the crowd

You can get a good shot of the Sphinx, but you’ll have to fight your way through the crowd

We were only allowed to walk within a narrow space to one side of the Sphinx and not around the monument as is often seen on so many television programs. It was crowded on that strip, and there were tourists taking selfies and other photos, which made viewing the Sphinx a letdown for us. 

For centuries, only the head of the Sphinx peeked out from the desert, with the rest buried in the sand

For centuries, only the head of the Sphinx peeked out from the desert, with the rest buried in the sand

Dream Stele: When Dreams Come True 

The Great Sphinx was already ancient and abandoned by the time Prince Menkheperure discovered it on a hunting expedition. The colossal monument had been swallowed to its neck by the desert sands, and the prince decided it was as good a spot as any for a nap. He fell asleep beneath the shadow of its head. He later claimed that the Sphinx, in the embodiment of the sun god, Horemakhet, or Horus on the Horizon, appeared to him in a dream and made him a deal that the ambitious young royal couldn’t refuse: Although he wasn’t next in line, the Sphinx promised the prince the throne if he freed the great statue from the desert sands.

We don’t know what happened to his older brother, who was next in line, but Menkheperure did indeed become pharaoh, changing his name to Thutmose IV. To commemorate the event, he erected a small chapel between the front paws of the Great Sphinx. Inside the sacred chamber, Thutmose placed a 15-ton pink granite memorial slab inscribed with a telling of the so-called miracle. It’s also entirely possible that the stone table known as the Dream Stele was fabricated to legitimize Thutmose IV’s authority after usurping the throne. 

British soldiers pose at the base of the still-buried and noseless Sphinx

British soldiers pose at the base of the still-buried and noseless Sphinx

Sphinx Myth Busting: Who Nose?

The biggest myth perpetuated over time claims that Napoleon and his troops used the nose of the Sphinx for target practice and were responsible for this missing feature. European visitors to Egypt prior to Napoleon’s expedition had already discovered the vandalism to the Sphinx, and 18th century sketches of the beast indicate that the statue’s disfigurement occurred well before the French emperor was even born.

Another tale is that it was deliberately hacked off by a Sufi Muslim named Muhammad Sa’im al-Dahr, who was outraged by peasants making offerings to the colossal beast in hopes of controlling the flood cycle of the Nile, which would result in a successful harvest.                                          

Though it’s now indistinct from the hue of its desert surroundings, Ahmed told us that the Sphinx was once elaborately painted. He gestured to the residue of original blue pigment that remains near the ear, but I couldn’t see it.  

A historic illustration of the Sphinx. We wish we could climb a ladder onto its head!

A historic illustration of the Sphinx. We wish we could climb a ladder onto its head!

After taking in the pyramids and Sphinx, Wally and I both needed to use the bathroom. Make sure to keep small bills for this purpose — the attendants will hand you a single square of toilet paper and ask for money before permitting you to go in. 

Before using the restroom, Wally and I stood on the terrace of a café and took some great photos of the Sphinx, with the Pyramids in the background. This is where I suspect the nightly Sound and Light Show is held. If you want some pics here, take them quickly — a guard came right over to scold us. I thought it might be because the grounds outside the monument were strewn with garbage, and a photo would have cast it in a less-than-flattering light. Wally thought it was a privilege reserved for those who paid for a meal on the terrace overlook. I guess this will remain an unsolvable riddle for the time being. 

The nearby restaurant offers a front-on view of the Sphinx

The nearby restaurant offers a front-on view of the Sphinx

Admission for the valley temple and Great Sphinx are included with the 160 Egyptian pound ticket to the Giza Plateau. –Duke

Duke and Wally were bummed they couldn’t get closer to the massive monument

Duke and Wally were bummed they couldn’t get closer to the massive monument