MEXICO

Haunting the Panteón 5 de Diciembre

This Puerto Vallarta cemetery is home to a heartbroken ghost. 

Panteon 5 de Diciembre graves with hills in background

The Panteón 5 de Diciembre: Puerto Vallarta’s main cemetery

Official records for the cemetery date back to 1916, when some bodies discovered in Hidalgo Park were interred in the Pantheon 5th of December — named for the PV neighborhood it’s located in. 

What’s so special about that date? Locals honor December 5, as it was on that day in 1929 that the Puerto Vallarta Ejido was formed. This collective offered land for local farmers to lease — the government appropriated 2,808 hectares from the Union en Cuale silver mining company in a show of egalitarianism after the Mexican Revolution.

On dark nights, the ghost of a woman can be seen making the trek from Hidalgo Park to the Panteón 5 de Diciembre.
Back of stone cherub at cemetery

Look homeward, angel: A woman’s ghost visits her husband’s grave after their remains were separated.

The Ghost of Hidalgo Park

As you can imagine, the transfer of the remains wasn’t foolproof. Some of the bones are said to remain at the old site. 

On dark nights, Vallartenses (as locals are called) say that a woman can be seen making the trek from the old burial site to the Panteón 5 de Diciembre. She must get tired, for cab drivers have reported her requesting a ride — with the dead giveaway that she’s actually levitating above the ground! 

One taxi driver, during a storm in the early 1960s, picked up the woman, noting that she smelled of roses. She wore a black dress with white circles that made him think of eyes watching him. 

The cabbie kept asking if the young woman was married, and she eventually acknowledged that she was. What the driver didn’t know at the time was that the couple were dead and had once been buried together. But while the husband’s remains had been relocated to Panteón 5 de Diciembre, the wife’s were left behind at Hidalgo Park. 

“I’ve come to comfort him,” the passenger said. A flash of lightning illuminated the sky — and when the taxi driver looked into his rearview mirror, the backseat was empty. 

But then the woman spoke again, talking of the painful separation from her husband. The cabbie saw her floating over the sidewalk and through the closed gate to the cemetery. 

Inside the taxi, the smell of roses turned to the stench of decay. 

Tombstone with writing and marigold petals

Dried marigold petals on a tombstone

A Visit for Día de los Muertos 

Duke and I visited on November 1. We hoped to see families placing bright orange marigolds, candles, photos, food items and cigarettes on the graves to lead their loved ones back from the afterlife. Instead, we only saw a couple of cans of beer left out, and a few families cleaning some of the gravesites. 

Perhaps the lack of activity was due to the fact that Day of the Dead really kicks into gear the next day. Plus, even though it was fall, the midday sun blazed down upon us scorchingly, and we tried to keep to the shade as much as possible. 

Flower stall in front of the Panteon 5 de Diciembre

A vendor sells marigolds outside the cemetery — the flower is especially popular around the Day of the Dead.

La Muerte Está Viva Parade

I was bummed to discover that we were one stinking day early on our visit. On November 2, a parade called La Muerte Está Viva (Death Is Alive) progresses from the cemetery to the Plaza Lázaro Cárdena, where a folk art festival is held. 

Elaborate stone grave with marigolds at Pantheon 5th of December

The Pantheon 5th of December has everything from gorgeous gravesites like this one to simple crosses with hand-painted Jesus heads.

If you find cemeteries as intriguing as Duke and I do, the Pantheon 5th of December is worth a visit. Just keep an eye out for a woman in a black dress whose feet don’t quite touch the ground. –Wally

Panteón 5 de Diciembre
Brasilia 715
5 de Diciembre
48350 Puerto Vallarta
Jalisco
Mexico

Where’s the Best Breakfast in Puerto Vallarta?

Three of our favorite brunch restaurants — plus the best coffee in PV.

The offerings at our fave coffeeshop in PV, Puerto Café

Part of the fun of a trip for me is the research before. This includes looking for potential places to eat, especially breakfast. You know what they say: Breakfast is the most important meal of the day. 

Read on to find out our top recommendations for Puerto Vallarta, Mexico. 

We jokingly lamented that we missed the Naked Pool Party, which had taken place a couple of days before. 
Chilaquiles at Calmate Cafe in Puerto Vallarta

Relax and enjoy a delicious and healthy(ish) breakfast at Cálmate Café. Wally got the chilaquiles.

1. Cálmate Café 

We ate here twice twice during our short stay in Puerto Vallarta, once for breakfast and once for lunch. Both times the food was delicious. Their menu offers a variety of healthy meal options as well as coffee, freshly squeezed juices and smoothies. 

We liked that it was outside of the main tourist tract and had a relaxed neighborhood vibe. The first time we had breakfast here, we arrived shortly after the streets had been washed. The cobblestones were still glistening in the sunlight, and we watched the morning unfold as we ate. The café lives up to its name, which can be translated as “take it easy.”

I ordered the eye- and mouth-pleasing yogurt and granola with fresh fruit and Wally ordered one of his go-tos: chilaquiles.

The outdoor seating area is small but cozy, and the servers were friendly. Plus, we got to pet a seemingly endless parade of dogs. 

Exterior of Calmate Cafe with server

Why sit in the crowded restaurant when you can dine on the sidewalk patio?

Cálmete Café
Calle Honduras 218
5 de Diciembre 
48350 Puerto Vallarta
 

Exterior of Fredy's Tucan restaurant in Puerto Vallarta

Fredy’s Tucán, a breakfast staple in the Zona Romántica

2. Fredy’s Tucán

Located on Basilio Badillo in the heart of the Zona Romántica, aka Old Town Puerto Vallarta (aka one of the most gay-friendly areas on the planet), this popular breakfast spot is a well-oiled machine. Fredy’s originally opened in 1983 as an open-air bar and evolved into the restaurant it is today. 

There’s a reason tourists flock here. The servers are attentive, the food is well-priced — and did I mention it’s also delicious? On offer for breakfast are waffles, omelets, pancakes and Mexican dishes like chilaquiles and huevos rancheros. Plus, how can you say no to the charming older man offering you a selection of freshly baked pastries to start your day?

When we left, satisfied and ready to explore, there was a queue outside to get in. Trust us, you won’t leave hungry. 

Fredy’s Tucán
Basilio Badillo 245
Emiliano Zapata
8380 Puerto Vallarta

Breakfast sandwich and eggs at Casa Cupola's Bistro

When in doubt, order the breakfast sandwich.

3. Bistro at Casa Cupula

Nestled in the hills among the tropical greenery of the Amapas neighborhood of PV is the gay-owned, LGBTQ- friendly boutique hotel, Casa Cupola and its onsite restaurant, Bistro at Casa Cupola. The lush setting reminded me of our visit to the spectacular Botanical Gardens earlier in the trip. 

It’s a steep climb up Callejón de la Igualdad but certainly worth it. (You could also bypass the hike and catch an Uber or cab there.)

You enter through a separate entrance for the bistro, which is located farther up the road. We arrived shortly after the restaurant opened and were seated on the sun-dappled patio as ceiling fans spun lazily overhead. Our server was attentive and the food delicious. We felt like we were in our very own private hacienda. 

We jokingly lamented that we missed the hotel’s Naked Pool Party, which had taken place a couple of days before. 

A peaceful breakfast on the deck in the hills just outside of PV at Casa Cupola.

Bistro at Casa Cupola
Callejón de la Igualdad 129
Amapas
48398 Puerto Vallarta
 

We liked the small medicinal-looking bottles the Puerto Café cold brew comes in so much we took one home.

4. Puerto Café 

Hands down, this was our favorite spot to get our caffeine fix. This hip, cozy coffeeshop serves the best coffee in town. It’s located on Calle Morelos, not far from the seaside Malecón promenade — kitty-corner from the black and white lighthouse they use in their logo. When we were there, someone had scrawled, “Fuck Digital Nomads” on the wall at the front of the space and good music spun on the turntable.

I loved their delicious (and potent) housemade cold brew coffee. Each serving comes in its very own small brown bottle like something a snake oil salesman would peddle. They also make a solid iced latte, which Wally enjoyed.

Part of what makes Puerto Café so special is the coffee they serve. All varieties are by Guadalajara-based Café Estelar, a specialty roaster that proudly works directly with regional producers to offer single-origin Mexican coffee beans. 

Just make sure to get there earlier in the day if you appreciate cold brew, as they produce it in limited batches daily and had run out on one of our visits. –Duke

Man at counter talking to barista at Puerto Cafe

With great local coffee and a cool vibe, Puerto Café is a fun spot to escape the heat and get your caffeine fix.

Puerto Café
Morelos 540
Proyecto Escola
Centro
48300 Puerto Vallarta

A Tour of the Malecón Sculptures in Puerto Vallarta

You might recognize Caballero del Mar (The Boy on the Seahorse), but here’s a cheat sheet for the other statues along the PV boardwalk.

Man on chair of La Rotunda del Mar in Puerto Vallarta

Wally has a seat and imitates his favorite sculpture on the Malecón, the creepy, cool La Rotunda del Mar (The Roundabout of the Sea).

If you spend any time in Puerto Vallarta, you’ll inevitably find yourself strolling along the Malecón, the boardwalk that lines the Bahía de Banderas. It’s not an old-fashioned wooden boardwalk as you might see in the States; it’s a wide concrete promenade lined with tourist shops, massive restaurants and clubs blaring music. It’s where everyone in PV goes to congregate, acting as a town square for tourists and locals alike.

You’ll have to get used to being constantly called out to (“hassled” is perhaps too harsh a word, but one you might be using after a few days). 

“Malecón” is simply the Spanish word for a waterfront promenade.

The Malecón stretches for about a mile, from the edge of the Zona Romántica, over the Cuale River, and on into Centro, the center of town, up to the Hotel Rosita on Calle Treinta y Uno de Octubre. Its first incarnation was as a breakwater built in 1936 and named the Paseo de la Revolución. It later became the Paseo Díaz Ordaz before getting enlarged and becoming the Malecón as we now can experience it. (In fact, “malecón” is simply the Spanish word for this type of waterfront promenade.)

The iconic Los Archos (The Arches) that are now there are a replica, as the originals were damaged in 2002 by Hurricane Kenna. The first were built during the colonial period and brought from a hacienda in Guadalajara.

Los Archos on the Puerto Vallarta Malecon

Los Archos frame Bahía de Banderas and the spit of land called Nuevo Vallarta, where many of the big resorts and hotels are located.

When you want to get some exercise, perhaps in the late afternoon, when the sun isn’t blazing down so fiercely, take a tour of the public sculptures that line the Malecón. 

Bailarines de Vallarta sculpture on the Malecon in Puerto Vallarta

Bailarines de Vallarta (Dancers of Vallarta) by Jim Demetro, 2006

Fun fact: The couple is performing the jarabe tapatio, the Mexican hat dance, which originated as a courtship ritual. 

San Pascual Bailón sculpture on the Malecon in Puerto Vallarta

San Pascual Bailón by Ramiz Barquet, 2008

Fun fact: The 16th century Spanish Franciscan friar, aka Paschal Baylón, became the patron saint of cooks.

La Fuente de la Amistad sculpture on the Malecon in Puerto Vallarta

La Fuente de la Amistad (The Friendship Fountain) by James “Bud” Bottoms and Octavio González Gutiérrez, 1987

Fun fact: The sculpture was a gift from Puerto Vallarta’s sister city, Santa Barbara, California. The dolphins symbolize peace, protection and brotherhood between the two cities.

The artists were inspired by a myth of the Chumash, a native people from what’s now Southern California. The Earth goddess, Hutash, created a rainbow bridge to connect the Chumash from their island to the mainland. And even though she warned those crossing not to look down, some did, losing their balance and falling. But as they plummeted into the ocean, the goddess transformed them into dolphins so they would not die.

Caballero del Mar (sculpture at sunset on the Malecon in Puerto Vallarta

Caballero del Mar (The Boy on the Seahorse) by Rafael Zamarripa, 1976

Fun fact: The first statue to be erected on the Malecón, it has become a symbol of the city. 

Triton and the Nereid sculpture on the Malecon in Puerto Vallarta

Triton and the Nereid by Carlos Espino, 1990

Fun fact: In Greek mythology, Triton was the son of Poseidon, the god of the sea, and nereids were sea nymphs who would help sailors during storms.

Lluvia sculpture on the Malecon in Puerto Vallarta

Lluvia (Rain) by Jovian, 2020

Fun fact: The artist says, “I tried to present a man with open arms as a symbol of openness, positively receiving what the world offers him with a gesture of happiness and fulfillment, eyes looking up into the rain without that affecting his peace but rather enjoying the water that falls on his body and making him feel free and alive.

That is what Vallarta is for me: a city with great openness, which welcomes locals and strangers with open arms. I have never known another city where people who come from other places feel so at home.” 

Man climbing ladder on En Búsqueda de la Razón sculpture on the Malecon in Puerto Vallarta

En Búsqueda de la Razón (In Search of Reason) by Sergio Bustamante, 2000

Fun fact: Another of our faves, this statue divides its audience — some think the mother is pleading with her children to come down, while others think she’s encouraging them to explore new heights.

Metal chairs from La Rotunda del Mar sculpture on the Malecon in Puerto Vallarta

La Rotunda del Mar (The Roundabout of the Sea) by Alejandro Colunga, 1996

Fun fact: These strange steampunk creatures, a fantastical mélange of humans, animals and tech tools, are inspired by the folk tales the artist heard as a child. Incidentally (and perhaps not surprisingly?), this is Duke and my favorite sculpture along the Malecón.

Naturaleza Como Madre sculpture on the Malecon in Puerto Vallarta

Naturaleza Como Madre (Nature as Mother) by Tapatio Adrián Reynoso, 1997

Fun fact: If the shape confuses you a bit, it’s a wave that’s becoming a woman…while balancing on a snail shell. 

Unicornio de la Buena Fortuna sculpture on the Malecon in Puerto Vallarta

Unicornio de la Buena Fortuna (Unicorn of Good Fortune) by Aníbal Riebeling, 2011

Fun fact: No surprise, given its name, but it’s said to be good luck to touch it. In fact, the city had to raise the base to help deter people from climbing on top of it for pictures.

El Sutil Comepiedras sculpture on Malecon in Puerto Vallarta with voladores in background

El Sutil Comepiedras (The Subtle Rock-Eater) by Jonás Gutiérrez, 2006

Fun fact: No one knows why exactly this man wants to eat rocks (as if there’s anything subtle about that), aside from the fact that he’s supposed to be a magician.

The statue is a great spot to watch the Voladores de Papantla spin around a pole on ropes attached to their feet. These “Flying Men” are part of an ancient ritual.

La Nostalgia sculpture on the Malecon in Puerto Vallarta

La Nostalgia by José Ramiz Barquet, 1976

Fun fact: One of the oldest on the Malecón, placed there in 1984, the sculpture is inspired by the love story between the sculptor and his wife, Nelly Galván-Duque Tamborrel. The couple met but then lost touch for 27 years before meeting again and getting married.

Detail of The Millennia sculpture on the Malecon in Puerto Vallarta

The Millennia by Mathís Lídice, 2001

Fun fact: There’s a double-helix DNA strand at the bottom to show that humans evolved from the sea alongside octopi, fish, frogs and lizards. This is followed by the French Charlemagne, the king of the Francs, bearing a sword, then the pre-Columbian poet-king Nezahualcoyotl. And the future is represented by a woman releasing a dove of peace.


So take a break from sunbathing, get a little culture and take some fun photos — it’ll give you an excuse to avoid the incessant hawkers trying to lure you into a sale. –Wally

A Perfect Morning in La Condesa, Mexico City

One of CDMX’s hippest hoods has its own distinct vibe with the racetrack-turned-oval-park Avenida Amsterdam and an array of eye-catching Art Deco architecture, green spaces and cafés. 

Colorful buildings along Avenida Amsterdam in Mexico City

If you’re in Mexico City, you’ve got to take a walk around the colorful colonia of La Condesa — especially the pedestrian-friendly, lush Avenida Amsterdam.

At the beginning of the 20th century, Mexico City began to experience the influence of a new international artistic movement, which had great importance in graphic and industrial design, the decorative arts and architecture. What was this revolutionary style? Art Deco, of course. 

Art and design are still a driving force in the hip, pedestrian-friendly neighborhood of La Condesa. Here’s how to spend a pleasant morning in the colonia (neighborhood).

Art and design are a driving force in the hip, pedestrian-friendly neighborhood of La Condesa.
Purple house with sign out front for Avenida Amsterdam in Mexico City

This periwinkle house and sign became a familiar guidepost for us.

1. Go round Avenida Amsterdam and the surrounding streets.

Start your day by heading to Avenida Amsterdam in Hipódromo, the heart of La Condesa. The avenue gets its shape from a former horse racing track. 

Median park along Avenida Amsterdam in Mexico City

Following the old horse racing track, Avenida Amsterdam is now a median green space in the heart of La Condesa.

Stroll along the central pedestrian median of Avenida Amsterdam and stop to gaze at La Fuente de la Glorieta Popocatépetl. The 1927 Art Deco fountain by José Gómez Echeverría is popularly known as the Bomba. The fountain consists of a dome supported by four white columns decorated with tiles. An aperture at the top allows sunlight to illuminate it, if only for a fleeting moment. 

Edificio San Martin in La Condesa, Mexico City

There are lots of Art Deco delights to discover while wandering around La Condesa, including Edificio San Martín.

As you wander this neighborhood, admire the Art Deco and Streamline Moderne doorways and façades of mansions and apartments that line the streets. The San Martin building, designed by Ernesto Ignacio Buenrosto, with its symmetrical entrance and canopy on Avenida México, perfectly characterizes the Art Deco style.

Wally’s all set for brunch at the cozy back patio at Frëims in La Condesa. He and Duke of course loved the mural.

2. Grab breakfast on Frëims’ charming back patio.

Fuel up for the day at one of our favorite spots in La Condesa, Frëims (Avenida Amsterdam 62B). The space occupies the renovated first floor of a former 1920s home reimagined as a bookstore, record shop and restaurant serving food and a variety of coffee drinks. 

We were seated at a table on the sun-dappled patio. While we were there, the gallery and garden wall mural featured a collaborative installation by Colombian artist Sofía Echeverri and Oaxacan illustrator Vero Anaya called The Origins of Knowledge. The artists describe their imaginative pieces as embodying the concept of “soróbora”: the juxtaposition of sorority, a society of women, and ouroboros, the snake that nurtures itself and symbolizes infinity by eating its own tail. 

Lemon pancakes at Freims restaurant

Lemon ricotta pancakes

Eggs Benedict at Freims restaurant

Eggs Benedict

I tried the lemon ricotta pancakes and Wally got his usual huevos benedictinos, paired with a coffee for me and a latte for Wally. We also ordered two Vecinos, a fresh-squeezed juice blend of pear, lime, cucumber and cardamom. 


Facade of Ojo de Agua in La Condesa, CDMX

ANOTHER BREAKFAST OPTION: Ojo de Agua in La Condesa


Dog park in Parque Mexico, Mexico CIty

A large section of Parque México is devoted to a dog park.

3. Take a walk in the park…Parque México, that is. 

Officially Parque San Martín, La Condesa’s large urban park was built on the former site of the elite Jockey Club de México — and everyone refers to it as Parque México now.  Built in 1927 the park is a favorite among families, dog walkers and skateboarders. 

Rollerbladers and others enjoying the Teatro al Aire Libre Coronel Lindbergh in Parque Mexico, Mexico City

This plaza, named for Charles Lindbergh, offers a space for dog walkers, children and rollerbladers to congregate.

Bougainvillea covering a pergola in Parque Mexico, CDMX

Bougainvillea covers the pergola that surrounds the open-air theater.

At the front of the park, there’s a communal space consisting of five pillars topped with a canopy and bordered by a pergola. The exterior walls are covered with graffiti and when we walked by, we watched a group of kids learning to rollerblade.

Fuente de los Cántaros in Parque Mexico in Mexico City

Nice jugs! El Fuente de los Cántaros (Fountain of the Pitchers) was modeled after Luz Jiménez, once the go-to model for indigenous Mexicans.

Standing serenely in front of the open-air Teatro al Aire Libre Coronel Lindbergh, named in honor of the American aviator, is a concrete figure of a nude woman holding a pair of jugs (literally). Known as Fuente de los Cántaros (Fountain of the Pitchers), it depicts Luz Jiménez, who modeled for its creator, José María Fernández Urbina, as well as Diego Rivera and Tina Modotti. She was considered the it girl archetype of the Mexican indigenous woman.

Clock tower fountain in Parque Mexico, CDMX

This clock tower with Art Deco ironwork, designed by Leonardo Noriega, has bells that chime to mark the hour.

Every visitor to Mexico City should spend some time in this colonia — if not use it as a base, as we did, staying in the delightful and chic Octavia Casa. –Duke

Catch the Bazar Sábado While You Can

The ephemeral San Ángel market in Mexico City is worth saving a Saturday for.

Paintings for sale outside at the Bazar Sábado

Handicrafts, artworks, pottery and other goodies are on sale at the Saturday Bazaar — one day a week only.

Unlike the village of Brigadoon, which rises out of the Scottish mist once every 100 years, the no-less-enchanting Bazar Sábado in the colonia (neighborhood) of San Ángel in Mexico City bursts into life every Saturday. An artisanal market rises and fills the hilly cobblestone streets, Plaza del Carmen and surrounding shops.

Originally, the colonia, located southwest of Centro, the city center, was a weekend retreat for Spanish nobles, who built their 19th century colonial-style homes here. 

The enchanting Bazar Sábado in San Ángel bursts into life every Saturday. The artisanal market fills the hilly cobblestone streets, plaza and surrounding shops.
Market stalls selling handicrafts at the Bazar Sábado

The handicraft portion of the bazaar lines the street.

Shopping in San Ángel, CDMX

A few of the shops, including Caracol Púrpura, have beautiful contemporary and traditional objects for sale but were too expensive for us. We wanted to take some pictures to write about their shop but they told us no photos when they saw us getting ready to take a few snaps. We managed to capture a few anyway — we are the Not So Innocents Abroad after all! 

Sign of the store Caracol Púrpura

A high-end shop in San Ángel

No photos allowed!

Catrinas for sale at Caracol Púrpura

Long and lean Catrinas

Man selling pressed tin artwork of the Virgin Mary at the Bazar Sábado

Pressed tin depictions of the Virgin Mary

Colorful woven garlands at the Bazar Sábado

Colorful garlands woven from palm leaves

Painted masks for sale at the Bazar Sábado

A fun selection of masks for sale

Marzipan fruit at el Bazar Sábado

These adorable tiny fruits are made of marzipan.

The next shop we entered was called Paskwarho. While Wally and I looked at a display of hand-painted dishware, we met Arturo, an expat and cofounder, who relocated from Chicago. I’m assuming that my Midwestern accent and Spanglish tipped him off. He kindly said to me that even after living in the country for many years he still doesn’t understand everything that’s said to him. 

We bought a papier-mâché skull rattle with an articulated jaw that was handmade by one of the women who works in the shop as well as a burnt orange and white casserole baking dish hand-painted in the capulineado style, a pointillist flower pattern named after the town where they’re made. 

Colorful howling wolf alebrije by stairs

A large howling wolf alebrije — fantastical Mexican folk art creatures

Día de Muertos tienda at the Bazar Sábado

A store devoted to Día de Muertos

Skeletons, skulls and catrinas for sale at the Bazar Sábado

Skeletons, skulls and marigolds

Artisans Galore

Outside are a multitude of tented stalls selling everything from handicrafts to jewelry to pottery and more. We purchased a couple of T-shirts and a change purse to keep our growing collection of coins.

The market can get crowded, but uttering a simple, apologetic, “Con permiso” goes a long way and will help you pass others politely. It’s like saying, “Excuse me” in English. 

People sitting below mural at el Bazar Sábado

A delightful mural in the building that houses part of the Bazar Sábado

The Bazar Sábado was founded in 1960 as the first of its kind before relocating to its current home in 1965 and contains hundreds of artists and an open-air interior courtyard with a restaurant. After taking our temperature and offering us hand sanitizer, we were permitted to enter. 

Courtyard restaurant with large tree at the Bazar Sábado

There’s a restaurant in the central courtyard, where women cook up meals on large griddles.

Sign that says "Bar" with monster drinking a margarita

Follow the sign.

Woman and man drinking at bar in the Bazar Sábado

And grab a drink at the small bar.

A devilishly cool sculpture hanging in one of the rooms adjoining the courtyard

We found a stand for Cervecería Monstruo de Agua, a Mexico City-based microbrewery offering a distinctive range of beers. They were one of my favorite discoveries on this visit. I had purchased a couple of bottles of Sugoi, a blonde ale brewed with agave, ginger and lemongrass at a small beer shop in La Condesa. I mean, who can resist a brand whose mascot is an axolotl, an amphibian with a long tail, six hornlike appendages and bulging eyes and whose name translates as “water monster” in Náhuatl? Not us! We ended up buying a small round glass with the creature embossed on it. 

Whimsical animal sculptures

Volcanic rock pottery at the Bazar Sábado

Molcajetes made of volcanic stone are a must for home-made guacamole.

We were delighted to discover Cerámica San Germán, a shop filled with traditional hand-painted ceramics and stoneware from the town of Tonalá. We purchased several bowls and a plate depicting the nahual, a jaguar-like cat with a smiling face. 

Also of note were the wares of Silva Dufour. I loved the colors and satin-finish glazes of their ceramic objects, which included scarab beetles and contemporary interpretations of traditional helmet masks. 

Artist working on a drawing outside at the Bazar Sábado

One of the artists at work

When we exited the bazaar, we brought the unfinished open bottles of Monstruo de Agua with us. An elderly local artist in the park, which is filled with painters selling their artworks, told us that it’s prohibited to drink alcohol outside. I’m not sure the police would have noticed, but we returned to the building to finish our beers. Better to err on the side of caution than to risk violating the law in another country. 

Men sitting on fountain in plaza of el Bazar Sábado

The plaza with this fountain is surrounded by artists selling paintings.

Luchadore masks for sale at Bazar Sábado

Which luchador mask would you choose?

Wally purchased a few desiccated Roses of Jericho (aka resurrection plants) from a street vendor as gifts for his coworkers, and we wandered down the hill into Happening, a store and gallery that carried cool clothes and objects from local artists and designers. While there I saw La Escalera, a bold graphic print by Boston-born, Mexico City-based artist Sophie Greenspan. Wally remarked that it reminded him of the modern architecture of Luis Barragán, which we had experienced earlier in the day on a tour with The Traveling Beetle. 

The impressive tiled cupolas of Nuestra Señora del Carmen are visible from the end of the thoroughfare — just a stone’s throw from the bustling market area. 

We’ll definitely return to San Ángel on our next trip to CDMX (we’re utterly smitten), especially for the basement crypt at the Templo y Museo del Carmen to see the mummified bodies of wealthy donors to the Carmelite order. And for a chance to view the embalmed severed hand of former Mexican President Álvaro Obregón in the basement of the WWI monument to him. Who knew such a charming neighborhood held such gruesome secrets? –Duke

El Bazar Sábado

Plaza San Jacinto 11
San Ángel
Álvaro Obregón
01000 Ciudad de México
CDMX
Mexico

Puerto Vallarta Botanic Garden: Mexico’s Eden

Our budding romance with this lush nature preserve, which gets our vote for the best thing to do in PV. 

Hacienda de Oro at the Puerto Vallarta Botanical Gardens

The orange-hued Hacienda de Oro houses a restaurant and gift shop, with the Cactus House to the right.

At first, we didn’t embrace the laidback, beach-oriented vibe of Puerto Vallarta. Duke and I are used to filling our itineraries with things to do — and the most culture PV has to offer are drag shows like Mama Tits’ Confessions of a Ho! (you couldn’t make this shit up).

Needless to say, we were excited to learn about the Puerto Vallarta Botanic Garden. And, not surprisingly, our trip there was our favorite part of our vacation.

The most culture PV has to offer are drag shows like Mama Tits’ Confessions of a Ho!

So we were excited to learn about the Puerto Vallarta Botanic Garden. And, not surprisingly, our trip there was our favorite part of our vacation.

We didn’t come fully prepared — no bug spray, Duke wearing sandals and me in suede Vans — but kudos to you for reading this to prepare for your visit. 

Man with sign at Puerto Vallarta Botanical Gardens

Look how happy exploring the botanic garden made Wally.

Take a Hike

If you’re into hiking, there are numerous trails through the surrounding jungle. We started along one behind the Cactus House and found ourselves down by the river. I squatted down to wet my hair and neck. I’m not sure if we would have gone swimming in the brown water even if we had swimsuits, but it might be a good idea to wear yours just in case you really need to cool off. 

Cactus house at Puerto Vallarta Botanic Garden

The Cactus House is filled with succulents and, yes, cacti.

Fountain with eagle sculpture at Puerto Vallarta Botanic Garden

The fountain in front of the Hacienda de Oro features an eagle, a symbol of Mexico.

Wally cools off in the river.

Teens wading in river at Puerto Vallarta Botanical Gardens

A group of teens go swimming.

We continued over some slippery rocks and passed a group of local teens wading in the river before continuing along the Jaguar Trial. A sign informed us that its rating level was “difficult.”

“Would’ve been nice to have that marked on the map,” I muttered. 

But Jaguar turned out not to be too difficult; it’s just uphill for much of the time. I was kind of hoping we’d run across the eponymous feline, but no such luck. 

Pink chapel at Puerto Vallarta Botanical Gardens

The adorable pink chapel on the grounds, Our Lady of the Gardens

Goin’ to the Chapel

After the hike, we wandered a few of the areas near the restaurant and gift shop, including the octagonal conservatory of native plants, before crossing the Bridge of Dreams and stumbling upon the adorable pink church, Our Lady of the Gardens.

Octagonal conservatory at Puerto Vallarta Botanic Garden

You can’t tell from this angle, but this conservatory is octagonal-shaped.

Bust of priest in jaguar suit at Puerto Vallarta Botanic Garden

A priest in a jaguar pelt

Masks and plants on wall at Puerto Vallarta Botanic Garden

Masks cover the back wall.

Statue of maize god at Puerto Vallarta Botanic Garden

A statue of a man holding maize, one of the most important crops to the Mesoamericans who lived here

Replica of Aztec pyramid at Puerto Vallarta Botanic Garden

This pyramid is a replica of the one at La Casa Azul, Frida Kahlo’s home museum in Mexico City.

Column with head-shaped planters at Puerto Vallarta Botanic Garden

“If they had planters like this at the gift shop, I would have bought some,” Duke says.

Man at the Bridge of Dreams in Puerto Vallarta Botanical Gardens

Duke on the Bridge of Dreams

Bridge of Dreams at Puerto Vallarta Botanical Gardens

El Puente de los Sueños leads to the chapel.

We couldn’t go inside the small chapel because they were putting up new wallpaper — a  bright yellow background filled with plants, birds and butterflies. It’s going to give the space a modern feel and make it oh-so-Instagrammable. 

Man on pink steps at Puerto Vallarta Botanical Gardens

Wally on the pink stairs in front of the chapel

The man in charge of the project came over to chat with us, giving us advice (buy some insect repellent and carry it everywhere in defense of the no-see-ums; take a day trip to San Sebastián). 

Grave with statue of child king at Puerto Vallarta Botanical Gardens

The Infant of Prague in the graveyard

Statue of the Virgin Mary at the graveyard in Puerto Vallarta Botanical Gardens

The Virgin Mary watches over some tombs.

Grave in shape of white church with Virgin at Puerto Vallarta Botanical Gardens

Graves, some with elaborate statuary like this small church with the Virgin Mary within, line the hills on either side of the chapel.

There are graves scattered on either side of the hill leading up to the church — with those of pets to one side. If I happen to die while I’m in the area, I couldn’t hope for a better eternal resting place. 

Tropical birds eating fruit at Puerto Vallarta Botanical Gardens

When the staff put out this tray of fruit, one colorful species of bird after another stopped by to dine.

Birdwatching at the Hacienda

By this time, we were hungry and in need of refreshment, so we went back to the Hacienda de Oro and had a great lunch — guacamole, grilled fish tacos, chicken quesadillas Xochimilco and two Cadillac margaritas, por su puesto. (Incidentally, the margs were quite strong and left us un poco barrato). 

Hand holding margarita at Puerto Vallarta Botanical Gardens restaurant

You can’t take a break on the Hacienda de Oro balcony without getting a margarita. Just be careful: They’re strong!

The food was tasty — whipped up in this open-air kitchen.

A violist stood by the tables playing songs, including “Dust in the Wind.” At first I was a bit annoyed we’d be pressured into tipping him, but it ended up being nice having the strains of music waft around us, and when I looked up at him, his eyes crinkled with a grin — and I didn’t mind slipping him some pesos in appreciation.

He was a nice guy and during one of his breaks, he told us to look over the balcony, pointing down to a spot where the staff had left out tropical fruits to attract a variety of birds in a rainbow array of bright colors. 

Hummingbird at feeder at Puerto Vallarta Botanical Gardens

A hummingbird at the feeder on the balcony

Woodpecker at feeder at Puerto Vallarta Botanical Gardens

Next to stop by was a woodpecker.

He saw how excited we were — I could take up birdwatching if they were all this colorful and amazing — and kept pointing out new birds to us. 

After lunch we did some shopping. I can tell you that the handicrafts here are among the best you’ll find in the PV area. (The ubiquitous markets along the waterfront, which peddle tourist-oriented fare, get dismissively dubbed “mercados de basura,” or “trash markets,” by Duke.)

And the prices aren’t bad. I bought a blue wool dinosaur stuffed animal, a cloth Frida ornament and a ceramic skull rattle. 

Plants for sale at Puerto Vallarta Botanical Gardens

Plants and pots for sale

A skeleton and marigold for Día de los Muertos

Small statue of saint with skull amid plants at Puerto Vallarta Botanic Garden

St. Francis holding a skull to contemplate death

Objects for sale at gift shop at Puerto Vallarta Botanic Garden

We found the items on sale at the gift shop to be of high quality at a fair price.

To wrap up our visit, we went back to the main road and found the offshoot that leads to the Gazebo Bridge and then crossed the Swinging Bridge to the Vanilla Plantation. 

Man on Swinging Bridge at Puerto Vallarta Botanic Garden

Duke wasn’t afraid to cross the Swinging Bridge.

Wally in the ironwork gazebo

Plant-covered fountain in greenhouse at Puerto Vallarta Botanic Garden

A plant-filled fountain we passed en route to the Vanilla Plantation

Ready to call it a day, we headed back up the road to the entrance, where there’s an open-air hut. The staff there can call you a taxi with a fixed price. The Zona Románitca is just under 40 minutes north.

Lotuses and lilypads in pond at Puerto Vallarta Botanic Garden

Lily pads and lotuses in one of the ponds in the gardens

All in all, we spent the better part of the day at the botanic garden, getting in a hike, eating a great meal, seeing exotic birds, doing some shopping and exploring the lush grounds. Tickets are well worth the 200 peso (about $9.50 when we visited) admission charge. By the way, kids under 4 get in free.

The beach has its perks. And drag shows are fun once in a while. But we wouldn’t visit PV without a trip here. It’s anything but your garden variety attraction. –Wally

Jardín Botánico Vallarta (Puerto Vallarta Botanical Gardens)

Carretera Puerto Vallarta
Carretera Costera a Barra de Navidad Kilómetro 24
48425 Jalisco
México


Secret Gardens: Read More

Animal Symbolism in Pre-Columbian Pottery at the Museo Nacional de Antropología

The meanings behind monkeys, jaguars, ducks, bats, dogs and other animals in Mesoamerican myths as depicted in pre-Columbian artifacts at the National Museum of Anthropology in Mexico City.

Coati sculptures of pre-Columbian pottery at the Museo Nacional de Antropología

A lot of the exhibits at the National Museum of Anthropology in CDMX depict animals — each of which held symbolic meaning for the ancient peoples of Mexico.

Something that’s always fascinated me about ancient cultures are the similarities in beliefs with other civilizations around the world. Despite being oceans apart, many shared highly developed civilizations and a deep reverence for the natural world. 

We saw this in action during our last visit to Mexico City, when we finally made it to the Museo Nacional de Antropología. The scale and scope of the galleries at the museum is dizzying. Wally and I don’t like to overdo it, so we spent half a day just wandering through the first floor. One of the highlights for me was the large number and variety of Mesoamerican animal-shaped effigy vessels on display. Like other ancient societies, the pre-Columbian peoples believed that certain animals embodied a spiritual energy in which sacred beings manifested themselves. 

Conquistadors developed such an appetite for Xoloitzcuintli Mexican hairless dogs that they nearly ate them into extinction. 

These ritual objects were not used in everyday life; they were often placed in tombs as burial goods. Animals played a key role at all levels of society and symbolically linked the three cosmic realms of the universe: the heavens, earth and underworld.

Stone Aztec calendar at the Museo Nacional de Antropología

Aztec cosmology posited that time is cyclical — and that we’re in the Fifth Sun, the final cycle of the world.

Here Comes the (Fifth) Sun

According to the Aztec legend of the Fifth Sun, time is cyclical. Four suns, or eras, have passed, created by a different deity and successively destroyed. Each cycle included inhabitants who died or transformed into various creatures, including monkeys, turkeys, dogs and fish. Our present world happens to be the Fifth Sun. 

Brightly colored feathers were used in religious ceremonies.

The pre-Columbian people used animals for a variety of purposes. Parrots and macaws, for example, provided a source of food as well as prized blue-green plumage used to adorn headdresses. However, animals also held great symbolic significance. They served as cultural and cosmic metaphors based on their habitat and natural features. 

Duck pre-Columbian pottery at the Museo Nacional de Antropología

Ducks were particularly holy to Mesoamericans, as they moved between three realms: water, the sky and land.

Just Ducky

Birds symbolized the celestial realm, the sun and moon in particular, and were considered messengers between the natural and spiritual worlds. 

Ducks were particularly holy, perhaps because they ticked all the boxes: They can fly, walk on land and dive underwater, possessing the ability to travel freely between these different spheres. 

Ducks and related birds were also associated with the wind god Ehécatl (pronounced “Eh-heh-ka-tul”), one of the avatars of Quetzacoatl, the great plumed serpent. The deity was frequently portrayed with a duckbill-like appendage on his face, which he used to summon the winds. 

The Maya considered bodies of water to be pathways to the Underworld. Ducks and other waterfowl were ritualistically sacrificed, eaten and used to ward off demons.

Coatimundi pre-Columbian pottery at the Museo Nacional de Antropología

This little guy represents a coatimundi, which figures in a Mayan myth that involved a decapitated head in the Underworld.

Coati Encounters of the First Kind

The coatimundi, or coati, are members of the raccoon family. They have distinct mask-like markings on their faces, resembling a combination of kinkajou, anteater, raccoon and bear cub. 

In the Popol Vuh, the sacred text of the Maya, a bat rips off the head of Hunahpu, one of the Hero Twins, and takes it to the ball court of Xibalbá (the Underworld) to be used in place of a rubber ball. A coati fashions a fake head from a calabash squash and places it on the shoulders of the headless hero. Hanapu’s brother Xbalanque places Hanapu’s head back on his shoulders, and the brothers succeed in defeating the Lords of Xibalbá.

Sitting monkey pre-Columbian pottery at the Museo Nacional de Antropología

Monkeys represented the good (luck and joy) and the bad (immorality).

Monkeys: Sacred Simians 

Spider and howler monkeys are the two most common species native to the tropical lowlands of Mexico. Playful and social in nature, these nimble primates live in the high forest canopy and are mankind’s closest living relative. They were symbols of good fortune and joy, as well as pleasure and immorality — the latter of which was punishable by death. Monkeys were domesticated and kept as pets by both Zapotec and Aztec nobility and weren’t used for food or sacrifice. 

Head of monkey pre-Columbian pottery at the Museo Nacional de Antropología

The “leftovers” of the Second Sun cycle of the universe were turned into jabbering monkeys.

Statue of Ehecatl the god of the wind at the Museo Nacional de Antropología

Ehecatl, the Aztec god of the wind, was associated with monkeys.

Monkeys were also associated with the Aztec wind god Ehécatl. According to the legend of the Fifth Sun, the disobedient survivors of the Second Sun, whose cataclysmic end included hurricanes and floods, were transformed into monkeys by Ehécatl. Deprived of the ability to speak, they were condemned to emit meaningless noises for the rest of their existence. 

Xoloitzcuintli dog pre-Columbian pottery at the Museo Nacional de Antropología

A person’s spirit would hold onto a Xoloitzcuintli dog’s tail to be guided through the Underworld.

Dogs Truly Are Man’s Best Friend

Before the Chihuahua became the most popular dog breed from Mexico, there was the hairless Xoloitzcuintli (pronounced “Show-low-eats-queent-lee”). This breed got its name from Xolotl, the god of lightning and death, and itzcuintli, dog. To the ancient Aztec and Maya, the canine was created by Xolotl to guard the living and guide the souls of the dead through the perils of Mictlán, the Underworld. Deceased souls held onto the dogs’ tails as they led their owners through the afterlife. They were also bred as a source of food — in fact, the conquistadors developed such an appetite for them that they nearly ate them into extinction. 

The most common depictions of Xoloitzcuintles take the form of small ceramic vessels known as Colima dogs for the modern state of Mexico where they are commonly found. More than a few of these red clay objects are depicted with chubby bodies — this may be an indication that they were fattened up to be eaten.

Frida Khalo and Diego Rivera owned a brood of Xolos, and Wally and I saw a few sunning themselves at el Museo Dolores Olmedo, which houses a large collection of works by this famous duo.

Grasshopper pre-Columbian pottery at the Museo Nacional de Antropología

Grasshoppers were associated with agriculture and fertility — but could also mean destruction.

The Grasshopper: the Insect That Sings for Its Supper

The name of Chapultepec Park, where the Museo Nacional de Antropología is located, comes from Náhuatl for “Hill of the Grasshopper.” This hill rises from the center of the park, was a sacred place for the Aztec and is where Chapultepec Castle stands. 

Grasshoppers were associated with agriculture and fertility and were associated with the period following the annual rainfall, which brought an abundance of the insects. 

In addition to their symbolic importance, the Aztec snacked on chapulines, cooking them on clay surfaces with spices. 

To the Mexica, they represented the duality of abundance vs. destruction: Drought triggers the solitary grasshopper to become social, changing color from green to yellow and black. Under such conditions, they move in swarms, devouring crops and vegetation.

Bat on bowl of pre-Columbian pottery at the Museo Nacional de Antropología

Bats were paired with the Underworld, which was accessible via the caves they live in.

Bats Out of Hell

Bats are nocturnal creatures that travel the sky by night and hide in caves by day, which Mesoamericans believed were portals to the Underworld. 

Bat pre-Columbian artifact at the Museo Nacional de Antropología

The stuck-out tongue on this bat statue hinted at the creature’s blood-sucking nature and connected it to the practice of human sacrifice.

The Zapotec venerated the god Camazotz, who had the head of a bat and was associated with night, death and sacrifice. Most likely due to the sanguinary diet of the vampire bat, native to most regions of Mexico, where it feeds on the blood of mammals, the creature became associated with rites of bloodletting and human sacrifice practiced to honor the gods and secure bountiful harvests. 

Jaguar pre-Columbian pottery at the Museo Nacional de Antropología

A common symbol in ancient Mesoamerica, the jaguar was linked to power and protection from evil.

Jaguars Hit the Spot(s)

The jaguar was one of the most important sacred symbols of power, ferocity and protection from evil. According to Mexica lore, a jaguar and an eagle both sacrificed themselves to bring light to the world, and in doing so became gods. 

Jaguars were believed to have the ability to travel between the worlds.

Laying jaguar pre-Columbian pottery at the Museo Nacional de Antropología

The Maya connected the jaguar’s spots with heavenly lights.

The jaguar is closely associated with the “night sun” (the sun during its nightly trip through the Underworld) and darkness as well. As such, the big cat was thought to have the ability to move between the worlds of the living and the dead. The Maya venerated the feline, seeing heavenly lights in its spots. –Duke



Nuestra Señora del Carmen in San Ángel, Mexico City

A tour of this Colonial Baroque Catholic church built for the Discalced Carmelites in one of CDMX’s most charming neighborhoods.

Man in front of Nuestra Señora del Carmen in San Ángel, Mexico City

Wally’s a bit obsessed with the domes of Nuestra Señora del Carmen in San Ángel in Mexico City.

Those domes! Those wondrous brightly tiled domes! I didn’t want to stop looking at them. There was something captivating about their faded glory. 

We spotted them in our Uber en route to el Bazaar Sábado, the Saturday Market in the charming CDMX colonia (neighborhood) of San Ángel. 

Nuestra Señora del Carmen was built for the strangely named order of Discalced Carmelites (known colloquially as Barefoot Carmelites for their tendency to forgo footwear). 
Saint in niche at Nuestra Señora del Carmen in San Ángel, Mexico City
Saint with child in niche at Nuestra Señora del Carmen in San Ángel, Mexico City
Interior of Nuestra Señora del Carmen in San Ángel, Mexico City

The church was founded for the order of Discalced Carmelites (aka the Barefoot Carmelites).

So, after we finished shopping at the market (and being told we couldn’t drink our beers while walking through the square outside), Duke and I knew we had to explore the church at the base of the hill. And thankfully, unlike in the States, we’ve found churches in Mexico to be unlocked any time we’ve wanted to go in. 

Exterior of Nuestra Señora del Carmen in San Ángel, Mexico City

The church is designed in the Baroque Colonial style — with a plain façade and an ornate gilded altarpiece.

The Discalced Carmelites: Barefoot but Not Pregnant 

Design and construction of Nuestra Señora del Carmen was overseen by Fray Andrés de San Miguel between 1615 and 1626 for the strangely named order of Discalced Carmelites (known colloquially as Barefoot Carmelites for their tendency to forgo footwear). The order was established in 1562 by Saint Teresa of Avila, an epileptic Roman Catholic nun. 

The Barefoot Carmelite nuns stayed in their cloisters, “above all to lead a life of unceasing prayer in silence and solitude,” according to their official website

Gate of Nuestra Señora del Carmen in San Ángel, Mexico City

There’s more to the Carmen Complex than the church — including mummies!

El Carmen Complex

We weren’t able to wander the entire grounds, which includes a former convent and monastery that’s now a museum (complete with mummies!). 

The property extended quite far, and the scenic orchards are part of what attracted the aristocracy to make the neighborhood its home — giving birth to the colonia of San Ángel. 

The complex was taken over by the government after the War of Reform, which was fought between the Liberals and Conservatives from 1857 and 1860. The lefties won and subsequently greatly diminished the power of the Catholic Church, stripping it of most of its property. The local school was shut down and was used by the town council. Parts of the Carmelite grounds became a prison and barracks. 

The church, also known as the Templo del Carmen de San Ángel, is in the Colonial Baroque style — somehow austere in parts, such as the façade, and yet over-the-top ornate in others (that altarpiece!). 

Altarpiece at Nuestra Señora del Carmen in San Ángel, Mexico City

The Baroque movement was all about drama — rounded edges and shimmering gold create a dizzying effect.

We spent some time exploring the church and all of its offshoot chapels, trying to be respectful of those praying within. Heavens knows we’ll be back to admire those beautiful domes — and to see the creepy mummies, of course. –Wally

Cherub at altar in Nuestra Señora del Carmen in San Ángel, Mexico City
Cherub in Nuestra Señora del Carmen in San Ángel, Mexico City
Interior of Nuestra Señora del Carmen in San Ángel, Mexico City
Ceiling at Nuestra Señora del Carmen in San Ángel, Mexico City
Ceiling at Nuestra Señora del Carmen in San Ángel, Mexico City
Ceiling at Nuestra Señora del Carmen in San Ángel, Mexico City
Angel statue at Nuestra Señora del Carmen in San Ángel, Mexico City
Infant of Prague
Statue of Jesus carrying the cross at Nuestra Señora del Carmen in San Ángel, Mexico City
Chapel with San Clemente Flavio in Nuestra Señora del Carmen in San Ángel, Mexico City
Side chapel at Nuestra Señora del Carmen in San Ángel, Mexico City
Painting of saint in Nuestra Señora del Carmen in San Ángel, Mexico City
Painting of Christ on the cross in Nuestra Señora del Carmen in San Ángel, Mexico City
Side chapel at Nuestra Señora del Carmen in San Ángel, Mexico City
Crucifix and pews in Nuestra Señora del Carmen in San Ángel, Mexico City
Exterior archway at Nuestra Señora del Carmen in San Ángel, Mexico City
Man on tiled staircase at el Carmen Complex in CDMX

Nuestra Señora del Carmen (Templo del Carmen de San Ángel)

Avenida Revolución s/n
San Ángel
Álvaro Obregón
01000 Ciudad de México
CDMX
México

Death Cults of Ancient Mexico

The post-death rituals of the pre-Hispanic peoples of Mexico involved human sacrifices, dog sacrifices — lots of sacrifices.

The pre-Hispanic people of Mexico often left a token in a corpse’s mouth to help the spirit on its journey through the underworld.

Our current death rituals are typically one of two extremes: We either pump a corpse full of chemicals in an effort to preserve it — or we burn it to a crisp. 

The pre-Hispanic peoples of Mexico went to their own extremes when it came to the cult of death, often involving sacrifice of some sort. 

Death goddess at the Museo Nacional de Anthropología in Mexico City

Known as the Lady of the Dead, Mictecacihuatl was the Aztec goddess of death, who ruled the underworld.

Here are some interesting facts about their death rites, which we learned while exploring the amazing Museo Nacional de Anthropología in Mexico City — currently my favorite museum in the world. 

A xoloitzcuintli Mexican hairless dog was sacrificed when someone died in the belief that it would serve as a spirit guide.

The death rites of pre-Hispanic peoples involved an elaborate spiritual journey that began with the killing of a dog.

When someone died in pre-Hispanic Mexico, a 40-day death ritual kicked off with the sacrifice of a xoloitzcuintli dog. The corpse was dressed in fine clothes, if their family could afford it. Otherwise, simple mats would do. A jade bead (or blue-painted pebble) was placed in the body’s mouth.

The person’s soul began a journey through the darkness of the nine planes beneath the earth. The skin was shed and dangers faced, including savage beasts that could only be appeased by being given the bead or pebble, which represented the person’s heart. 

As the spirit traversed this sinister landscape, family members would help them on their way by abstaining from sex and certain foods.

Eventually, the soul reached the Chignahuapan, the river at the border of the ninth plane. Waiting patiently, and probably wagging its tail, was the little doggie, who would lead the way across the water, into Mictlan, the dark and cold place of no return. 

Pyramid of the Feathered Serpent at the Museo Nacional de Anthropología in Mexico City

A reconstruction of the Pyramid of the Feathered Serpent at the Museo Nacional de Anthropología in Mexico City. The original was the site of mass human sacrifices.

Excavations at a major temple in Teotihuacán revealed human sacrifices.

In Teotihuacán, within the confines of its religious and political centerpiece, the Pyramid of the Feathered Serpent (Pirámide de la Serpiente Enplumada), evidence of mass human sacrifice has been unearthed. Built from 150 to 200 BCE, the temple houses the remains of numerous sacrificial victims dressed as warriors. The symmetrical pattern of the bodies reveals that they were connected to the culture’s cosmology and calendar.

Stone carving of skull at the Museo Nacional de Anthropología in Mexico City

This disc from the Temple of the Sun in Teotihuacán represents the death of the sun.

It was an honor to be sacrificed to the god of war and darkness.

Tezcatlipoca (“the Obsidian Mirror”) helped create the universe and, as the Mexica god of war and darkness, held dominion over those activities that often took place at night, including theft and adultery. Not surprisingly, the color black was associated with him. Tezcatlipoca was also the god of masculinity and procreation. 

Every year, an unmarried man under the age of 20 was chosen to represent him as a living god. He was dressed up like the deity and lived large — until, that is, the fifth month of the year, when he was sacrificed.

Statue of goddess at Museo Nacional de Anthropología in Mexico City

Coatilcue, the goddess of the earth, had a head made of two serpents and liked to wear a necklace of severed human hands and hearts.

People were shot to death with arrows in a fertility rite.

Ancient peoples did many unusual things to ensure the fertility of their crops, and the residents of Mexico were no different. Tlazolteotl, the Aztec goddess of purification, lust and vice, liked people to be shot full of arrows in the fields. The sacrificial person’s blood fell to the earth to ensure fertilization and to thank the goddess for her bounty. –Wally

Masala y Maíz: One of the Best Restaurants in Mexico City

A delectable mix of South Asian, East African and Mexican cuisines are served up with natural wines at a chic spot in CDMX’s hottest hood.

Masala y Maíz green kitchen

One section of the kitchen is visible right when you enter the restaurant.

There are places that can be epitomized by the creative energy behind them or the emotions they stir. Masala y Maíz is one of those places. Even before Wally and I ate there, I highly suspected it was going to be a place we’d love. I first read about the restaurant in the Monocle Travel Guide to Mexico City and found myself swiping through their feed on Instagram not long after. 

Small table in front of Masala y Maíz

Masala y Maíz ended up serving the best meal we had during our trip to Mexico City.

Masala y Maíz: Where South Asian and East African Cuisine Meet Mexico

Norma Listman and Saqib Keval are the husband-and-wife team behind Masala y Maíz. While the restaurant has now established itself, opening was no small feat. 

In September 2017, the couple set up shop in San Miguel Chapultepec, but an earthquake epicentered in nearby Puebla had other plans. A 7.5-magnitude quake shook Mexico City and postponed the opening. Six months later, the restaurant was shut down after Listman and Keval refused to pay a mórbida, a bribe to support corrupt government officials. Undeterred, the resourceful duo spent months drifting from one venue to another as a pop-up, while obtaining the necessary licenses and paperwork before being allowed to reopen. 

A bit of a revolution is happening at Masala y Maíz.

The owners, Listman and Keval, want to dismantle the culture of abuse and sexism that exists in the food industry.

The “masala” part of the name refers to the variety of South Asian spice blends and relates to Keval, the American-born son of East African immigrants who trace their ancestry to Kutch, India. 

Tables and  interior at Masala y Mais restaurant

The simple interior at Masala y Maíz lets the culinary creations be the stars of the show.

Listman was born in Texcoco, Mexico, and her interest in cooking started when she was young, growing up surrounded by food and home cooks. This is where “maíz” comes in. Spanish for corn, maíz is one of the building blocks of Mexican cuisine and a source of constant culinary inspiration for Listman — it’s a key component in many of her dishes. 

Man and little girl dressed as clowns in Juarez, Mexico City

Send in the clowns! A view from our table at Masala y Maíz in Colonia Juárez

The pair met in San Francisco while honing their skills in the Bay Area and share a passion for their respective ancestors’ culinary legacy — specifically the histories, traditions and interconnections between South Asia, East Africa and Mexico. Just don’t call it “fusion” — for some reason, they hate that word.

Listman and Keval take cues from the mestizaje, the diaspora and gradual mixing of cultural groups in Mexican history due to colonization. This mélange is part of what makes Masala y Maíz so special. 

The restaurant is located in the Colonia Juárez neighborhood of Mexico City, which a local at a coffeeshop described to us as “the new Roma.”

Man in front of street art posters of dogs

Duke pausing in from of fun street art while wandering the Juárez neighborhood before our meal

After we had arrived for our lunch reservation (note that they’re only open from noon to 6 p.m.), we struck up a conversation with our server, Ariel, who asked whose birthday it was and where we were visiting from. (I had pre-booked a reservation and was able to let them know there was indeed a special occasion: my birthday.) When we told Ariel we live in Chicago, he told us that he was familiar with the city, having gone to college there and survived the brutal winter. Wally and I laughed in understanding — we often need to escape the months-long bitingly cold weather. 

Two men in restaurant booth

Wally and Duke cheers to a fab meal at Masala y Maíz.

On to the Main Course(s)

First up were the encruditos, which perfectly highlight Listman and Keval’s culinary philosophy: These thick rounds of pickled corn and cassava chips are served with a wedge of chili-dusted lime whose brightness complemented the dish. 

Pickled corn and cassava chips at Masala y Maíz

The pickled corn and cassava chips

This was followed by the samosas de suadero. Two were filled with mouthwatering slow-cooked brisket, the other potato, and dressed generously with cilantro. Wally and I can never say no to savory little golden pockets, and these were served with a chutney verde, which added a welcome kick. 

Samosas at Masala y Maíz

Be sure to share the samosas de suadero — two are filled with potato, two with brisket.

Next, was the infladita chaat, served on a banana leaf. The flaky puffed chaat was almost too pretty to smash. But that’s exactly what we did, following Ariel’s direction. Made with masa, it was garnished with fennel fronds and mint. The pocket was packed with bold pops of flavor and texture: carrots, jicama, pepitas, beets and minced pickled green mango. 

Chaat at Masala y Maíz

BEFORE: The infladita chaat looking pretty

Smashed chaat at Masala y Maíz

AFTER: Our server told us to smash it — so we did!

Then came the camarones pa’pelar: seared chile-rubbed peel-and-eat jumbo shrimp sitting atop a contrasting bed of cool, thinly sliced beets. These were accompanied by a maroon-colored dipping sauce that yielded a complex and unusual flavor, which I can only describe as something Alice might have eaten in Wonderland. Vanilla and ghee are your first taste, which gives way to a spicy finish of smoky dried morita chiles. 

Jumbo sprimp at Masala y Maíz

Chile-rubbed jumbo shrimp and beets

Next up: matoke mixiote, banana-stuffed clams steamed in parchment-like maguey leaf membrane and simmered in a flavorful broth of turmeric, coconut milk and tomato masala served with freshly baked paratha, a type of Indian flatbread. 

Clams at Masala y Maíz

Matoke mixiote, banana-stuffed steamed clams

Wally ordered a Parasol, a subtly flavored sparkling water — but didn’t like it and ended up stealing my housemade tepache, a spiced beverage made from the fermented peel and rind of pineapples, sweetened with piloncillo, unrefined pure cane sugar. 

The restaurant also offers a selection of natural wines by some of Mexico’s finest vintners. We ended our meal with a celebratory glass of Radical, a funky organic red. Ariel shared the interesting story of its vintner, Silvana Pijoan. Her vineyard is located in Valle de Guadalupe, Baja, California. Pijoan was a trained professional dancer, but in 2017 decided to pursue her winemaking passion. 

Wine glasses and napkins on table at Masala y Maíz

Be sure to try some natural wines during your meal — they’re all the rage.

Masala y Maíz’s interior is intimate and refined and features barrel-vaulted ceilings. I was obsessed with the display of cookbooks lined up neatly on a shelf and the candy-colored glazed terracotta plates and cazuelas our food was served in.

Woman working at Masala y Maíz

The owners of Masala y Maíz want to break free of the sexism and poor treatment of workers that infuses the restaurant industry.

Shaking Up the System

A bit of a revolution is happening at Masala y Maíz. Listman and Keval are fostering a vibrant community, dismantling the brutal culture of abuse and sexism that exists in the food industry. I have nothing but admiration for their mantra, “A construir la comunidad en la que queremos vivir” — to build the community we want to live in. This core belief ensures that all parts of their restaurant meet fair and equitable work conditions. From the local farmers they source from to the team employed at the restaurant, everyone involved is treated fairly, with the dignity and respect they deserve. 

End of meal plates at Masala y Maíz

The remains of our delicious meal at Masala y Maíz. We’ll be back for more next time we visit CDMX!

Wally and I are always drawn to chefs who offer surprises for the palette. Masala y Maíz checked every box: delicious food full of unexpected, utterly unique flavors, great service, a pleasing atmosphere and a business philosophy we can get behind. –Duke

Masala y Maíz is open from noon to 6 p.m. — in large part so its staff doesn’t have to work late hours.

Masala y Maíz

Calle Marsella 72
Juárez
Cuauhtémoc
06600 Juárez
CDMX
Mexico