Going for Baroque: The Templo de Santo Domingo de Guzmán Church in Oaxaca

From its fascinating history to its stunning Baroque architecture, the Templo de Santo Domingo de Guzmán Church is a must-see attraction in Oaxaca.

People in plaza in front of Templo de Santo Domingo de Guzmán in Oaxaca

Like most churches in Mexico, the Templo de Santo Domingo de Guzmán in Oaxaca has got history, style, beauty, drama and a whole lot of swag. 

Holy History: The Evolution of Templo de Santo Domingo de Guzmán Church

Construction of the church began in 1572 and was completed over three decades later, in 1608. The building was designed by Fray Francisco de la Maza, a Spanish architect who was a member of the Dominican Order. 

Inside the church, visitors are treated to a riot of color and decoration.

The walls and ceilings are covered in frescoes of the life of Christ and the history of the Dominican Order.
Statue of Jesus with his hands bound at Templo de Santo Domingo de Guzmán

Also par for the course: The church was built on the site of an existing temple that was destroyed during the Spanish conquest of the region. The original temple was dedicated to Cosijoeza, a Zapotec ruler from the late 15th century. He was a skilled warrior who fought against the Aztecs and other neighboring tribes to defend his people’s land and culture. He acted as shaman and healer as well, and was said to have possessed great spiritual power.

According to legend, Cosijoeza ascended to the heavens after his death, becoming a god who watches over the Zapotec people and protects them from harm.

Gorgeous white and gold Baroque interior of Templo de Santo Domingo de Guzmán, looking at rows of pews and the main altar

During the colonial period, the Templo de Santo Domingo de Guzmán was built as a symbol of the power and wealth of the Catholic Church and the Spanish colonial authorities. The church was lavishly decorated with gold leaf, marble and other precious materials, and it served as a center of religious and cultural life in Oaxaca.

In the 19th century, the church played an important role in the Mexican War of Independence, serving as barracks for both royalist and insurgent forces at different times. After Mexico gained independence from Spain in 1821, the church continued to be the spiritual heart of Oaxaca, and it was eventually designated as a national monument in 1935.

Today, the Templo de Santo Domingo de Guzmán is one of the most visited tourist attractions in town, attracting thousands of visitors each year.

Side chapel with golden altar and Christ on the cross at Templo de Santo Domingo de Guzmán

What’s in a Name? The Legacy of Santo Domingo de Guzmán

Saint Domingo de Guzmán was a Spanish priest who lived in the 12th and 13th centuries. He founded the Order of Preachers, also known as the Dominican Order, which was dedicated to preaching the gospel and combating heresy. Saint Domingo was known for his zeal and devotion to spreading the teachings of the Church.

There was no dramatic act of martyrdom for Santo Domingo, though: He died of a fever in Bologna, Italy in 1221, and was canonized by the Catholic Church in 1234.

Ornate arched ceiling decorated with paintings at Templo de Santo Domingo de Guzmán
Elaborate gilded carving showing men, cherubs and the dead body of Jesus at Templo de Santo Domingo de Guzmán

Divine Design: The Intricate Baroque Style of Templo de Santo Domingo de Guzmán Church

Mexican churches tend not to be subtle. The Templo de Santo Domingo de Guzmán Church is a masterclass in Baroque architecture, a visual feast, with intricate details both inside and out. The exterior is adorned with elaborate carvings and statues, featuring saints, angels and other religious figures. The façade is made of Cantera verde, the local green volcanic stone, which glows a lovely yellow in the sunshine. Three domes top the templo — two blue and white checkered ones atop the entrance and a larger red tile one to the side.

Woman in big pink dress by flowering tree in front of Templo de Santo Domingo de Guzmán

When we saw this woman posing in front of the church, we had to get in on the action.

Inside the church, visitors are treated to a riot of color and decoration. The walls and ceilings are covered in frescoes and murals featuring scenes from the life of Christ and the history of the Dominican Order.

The altarpiece, which was carved from a single piece of cedar, is gilded with gold leaf and decorated with intricate carvings of saints, cherubs and other religious motifs.

To the right of the nave is the Capilla del Rosario, or Chapel of the Rosary, with its own stunning altarpiece.

Niche with saint holding a baby  by wood screens at Templo de Santo Domingo de Guzmán
Niche with statue of a saint with gilded marble arch at Templo de Santo Domingo de Guzmán
Yellow side buildings at Templo de Santo Domingo de Guzmán and bird bath seen under a tree with red flowers

There’s a museum attached to the church. Hopefully it’s open when you visit!

Sacred Treasures: The Artifacts and Exhibits of the Templo de Santo Domingo de Guzmán Church Museum

There’s a museum in the massive edifice as well, to the left of the main church entrance. Unfortunately it was closed when we visited, but it holds an impressive (and surprisingly diverse) collection of religious art, including paintings, sculptures and tapestries, housed in the former monastery of the Dominican Order.

One of the highlights of the museum is the collection of pre-Hispanic artifacts, including pottery, sculptures, and other objects from the Zapotec and Mixtec cultures. You can also see a wide range of religious art from the colonial period. There’s even a collection of contemporary art, with rotating exhibits featuring the work of local and international artists, as well vintage photographs and cameras. 

Indigenous dancers, some with elaborate feathered headdresses, performing in plaza of Templo de Santo Domingo de Guzmán

As our friend Kevin, who lives in town, says, “There’s a parade or festival every day in Oaxaca.” This indigenous dance troupe performed in the plaza in front of Santo Domingo de Guzmán.

When you’re in Oaxaca de Juárez, you’ll inevitably find yourself passing by the massive Templo de Santo Domingo de Guzmán. Be sure to stop inside and admire the gilded glory — and plan a tour of the Oaxaca Botanical Garden (Jardín Etnobotánico de Oaxaca) on the grounds of the former Dominican monastery behind the church. –Wally

Front of the Templo de Santo Domingo de Guzmán bathed in a golden light under a blue sky with clouds

Templo de Santo Domingo de Guzmán

Calle Macedonio Alcalá s/n
Centro
68000 Oaxaca de Juárez
Oaxaca
Mexico

 

10 Over-the-Top Attractions in Dubai: From an Indoor Ski Resort to Dolphin Shows

Dubai is a city packed full of amazing destinations. Here are the must-see spectacles to add to your Dubai itinerary, including Mall of the Emirates, the Museum of the Future, Dubai Global Village and Dubai Miracle Garden. 

Dubai skyline at night

There’s so much to see and do in the megacity of Dubai in the UAE. We’ve whittled down the list to the top 10 picks to add to your Dubai trip.

In what seems like the blink of an eye, Dubai has grown into what could be considered the entertainment capital of the world — a treasure trove teeming with hundreds of attractions that draw millions of visitors from around the world. What more would you expect of a megacity built in the middle of a desert?

With its ultra-modern architecture, magnificent skyline and exotic lifestyle, Dubai is synonymous with grandeur and luxury. Almost every attraction in the UAE metropolis is built with the utmost precision and dedication, captivating the world’s attention.

With such a long list, finding the best of Dubai can be challenging. So, here’s my list of the top 10 destinations in Dubai, complete with a fun fact about each.

Rotunda with glass ceiling and fountain at Mall of the Emirates in Dubai

1. Mall of the Emirates

The Mall of Emirates is the second-largest shopping mall in Dubai and was established in the year 2005. Equipped with almost everything you can possibly imagine, the mall is one of the top places to visit in Dubai. Several cafés, restaurants, theaters and retail outlets sell hundreds of high-end brands. But the main attraction of the Mall of Emirates is Ski Dubai, an indoor ski resort!

Fun fact: Ski Dubai includes the world’s first indoor black (expert) run, which is 400 meters (a quarter of a mile) long and has a gradient of 60 degrees.

Hours: 10 a.m. to 11 p.m. (Monday to Thursday)
10 a.m. to 12 a.m. (Friday to Sunday)

Sheikh Zayed Road

Aerial view of IMG Worlds of Adventure theme park with rides and attractions lit up in the dark

2. IMG Worlds of Adventure

Get ready for a day filled with adventure at IMG Worlds of Adventure, Dubai’s ultimate indoor theme park. This massive wonderland is divided into zones, including the Lost Valley, a prehistoric land where dinosaurs roam; Cartoon Network Zone, where you could meet Ben 10 and the Powerpuff Girls; and Marvel, with thrilling rides and attractions that will leave you feeling like a superhero. Oh, and there’s even a haunted hotel, if you dare!

Fun fact: The park’s Velociraptor roller coaster is one of the fastest in the world, with a top speed of 62 miles per hour (100 kilometers per hour).

Hours: 12 p.m. to 10 p.m. (Sunday to Friday)
12 p.m. to 11 p.m. (Saturday)

Sheikh Mohammed Bin Zayed Road

Oval-shaped Museum of the Future with oval cutout shape and covered with Arabic script by freeway at twilight in Dubai

3. Museum of the Future

What will the world be like in 2071? That’s what this forward-looking museum tries to predict. Before you even go in, admire the torus-shaped architectural wonder created by Killa Design. Then go on an immersive journey into the future and learn more about how astronauts survive in space and how you can help reduce the effects of global warming.

Fun fact: The façade is made of stainless steel plates that feature Arabic calligraphy quotes from Sheikh Mohammed bin Rashid Al Maktoum, the ruler of Dubai.

Hours: 10 a.m. to 7:30 p.m.

Near Emirates Towers Metro Station
Sheikh Zayed Road

Six dolphins jumping in a group as part of a show at the Dubai Dolphinarium

4. Dubai Dolphinarium

Home to the majestic Black Sea bottlenose dolphins, the Dubai Dolphinarium is one of the coolest places to visit in Dubai with kids. Watch the fur seals and dolphins join together in a fun performance, and under the supervision of a trained professional, you also get to interact, play, feed and swim with these delightful sea creatures.

Fun fact: The Dolphinarium has a rare albino bottlenose dolphin named Kekaimalu, which means “From the Peaceful Ocean” in Hawaiian.

Hours:  9 a.m. to 8 p.m (Closed on Tuesdays)

Creek Park Gate 1
Umm Hurair Road

Small boat traveling along a canal, passing by a large lit-up Indian palace at Dubai Global Village

5. Dubai Global Village

Travel the world — without ever leaving Dubai. At the Dubai Global Village, you can take a stroll through the African pavilion, where you’ll be transported to the Serengeti and witness some exotic wildlife. Or visit the European pavilion to be immersed in a world of art and history. The complex also hosts incredible shows, including acrobatics, dance performances and concerts. And to get your shopping fix, there are over 3,500 outlets selling everything from local handicrafts to international brands.

Fun fact: The park’s largest attraction is a replica of the Taj Mahal, which stands 52 feet (16 meters) tall and weighs 3,000 tons.

Hours: 4 p.m. to 12 a.m. (Sunday to Wednesday, with Tuesdays for women and families only)
4 p.m. to 1 a.m. (Thursday to Saturday)

Sheikh Mohammed Bin Zayed Road

Aerial view of Dubai Miracle Garden, with houses and arches entirely covered with flowers, mostly white, red and pink, with pond in the middle

6. Dubai Miracle Garden

Get lost in the world of a fairy tale, where everything is covered in beautiful flowers. Dubai Miracle Garden is the biggest natural flower garden in the world, spreading over 775,000 square feet (72,000 square meters) and featuring 150 million flowers and plants. It’s an absolute paradise for those seeking to connect with nature — and for those who have always wanted to visit a Smurf village!

Fun fact: The flower arrangements change every season, and it takes over 200 people to plant and maintain the flowers throughout the year.

Hours: 9 a.m. to 9 p.m. (Monday to Friday)
9 a.m. to 11 p.m. (Saturday and Sunday)

Al Barsha South 3

Ain Dubai, the massive Ferris wheel seen from a nearby beach at sunset

7. Ain Dubai

Modeled after and inspired by the famous London Eye, Ain Dubai is the world’s tallest observation wheel, standing at a staggering height of 850 feet (260 meters). Marvel at the breathtaking views of Dubai as the capsule reaches the city’s highest point. Catch a glimpse of other places to visit in Dubai, including the Burj Khalifa, Burj Al Arab, Jumeirah Islands and more.

Fun fact: The observation wheel features 48 capsules that can each hold up to 40 people, offering a total capacity of 1,920 passengers at any given time.

(Note: At the time of publication, Ain Dubai was temporarily closed. Check to see if it has reopened yet.) 

Hours: 10 a.m. to 9 p.m. (Tuesday and Wednesday)
12 p.m. to 9 p.m. (Thursday to Saturday)

Bluewaters Island

Giant sculpture of an elephant covered with colorful designs emerges from a building as family passes by at Bollywood Dubai

8. Bollywood Parks Dubai

Have you always dreamed of starring in a Bollywood musical? Well, now’s your chance! Bollywood Parks Dubai brings you the first amusement park dedicated exclusively to Indian films. As part of Dubai Parks and Resorts, you can visit various remakes of famous Bollywood movie sets like Lagaan, Sholay and Dabangg and take in a 4D movie experience or dance workshops while admiring the beautiful Indian décor.

Fun fact: The hot new ride is Ra.One – Unleashed, a virtual reality ride based on a popular superhero movie. Riders feel wind and water as they battle robots and villains alongside the film’s hero, G.One.

Hours: 1 p.m. to 10 p.m. (Sunday to Thursday)

1 p.m. to 11 p.m. (Friday and Saturday)

Sheikh Zayed Road

Statues of giant Smurfs by roller coaster at Motiongate theme park in Dubai

9. Motiongate

Bollywood isn’t the only movie industry to inspire a theme park in Dubai; Hollywood has cast its spell as well at Motiongate. Also located within Dubai Park and Resorts, you can enjoy adrenaline-pumping rides and can meet Hollywood characters wandering around the park in zones affiliated with various production companies, including Columbia, Dreamworks and Lionsgate. Oh, and strangely enough, there’s a Smurf village here, too.

My favorite rides: the Green Hornet: High-Speed Chase and the Madagascar Mad Pursuit.

Fun fact: The park’s Zombieland Blast-off ride is the tallest freefall tower in the world, standing at 190 feet (58 meters) tall.

Hours: 11 a.m. to 8 p.m. (Sunday to Thursday)
11 a.m. to 9 p.m. (Friday and Saturday)

Sheikh Zayed Road

Cool exterior design of the Dubai Opera lit up at night

10. Dubai Opera

Dubai is also home to high culture — and in my opinion, no trip here is complete without a visit to the Dubai Opera. Once again, it’s a marvel of design. Despite its name, the 2,000-seat theater literally transforms itself to play host to a wide variety of stunning world-class entertainment, including orchestras, musicals, ballets and lectures. 

Fun fact: The opera house’s iconic design was inspired by the traditional sailing vessels of the Arabian Gulf known as dhows. The building’s unique shape also transforms into a flat floor space for events other than operas.

Hours: 10 a.m. to 9 p.m.

Sheikh Mohammed bin Rashid Boulevard

Aerial view looking down at harbor surrounding by massive skyscrapers in Dubai

Everything in Dubai is over-the-top. Bigger is better — and the attractions are no different.

In a city of superlatives, these are what I think are the best of the best. Have you noticed how everything is described as the world’s biggest such-and-such? And so many of these attractions are held indoors, away from the intense desert heat. Dubai leaves no chance for disappointment, and every visit to this gleaming metropolis is worthwhile. –Nishita Khanwani

A Guide to Visiting Hierve el Agua: Oaxaca’s Stunning Petrified Waterfalls

Calling all nature lovers! Tips to experience the magic of these breathtaking mineral springs — a mysterious example of Mexico’s natural beauty.  

Two men swimming by calcified waterfall at Hierve el Agua in Oaxaca

If you’re in the Oaxaca area, we definitely recommend a day trip to Hierve el Agua.

I’ll admit it. After speaking with a friend who had recently been to Oaxaca, I was initially reluctant about visiting Hierve el Agua, the calcified waterfalls and spring-fed mineral water pools outside of the city of Oaxaca de Juárez. I told Wally, “It’s going to take us a couple hours to get there, and it might be too crowded.” Plus, after scrolling through dozens of images on Instagram, it seemed like the main purpose of the site was to provide opportunities to take aspirational selfies of the infinity pool overlooking the mountains and reflecting a bright blue sky. I was wrong. 

Swimmers in pool at Hierve el Agua with iconic dead tree in the mountains

Natural springs form a sort of infinity pool perched at the edge of a cliff, looking out over the Sierra Madre mountains.

Our friend Kevin, who lives in Oaxaca, said it was one of his favorite places to watch the sun set and insisted we had to see it. Wally pleaded. I was convinced — especially after I insisted we make it a day trip and visit the Iglesia de San Jerónimo Tlacochahuaya and the legendary candlemaker at Casa Viviana en route.

Calcium has left behind a suspended mineral formation that looks like a frozen waterfall.

You’d better hurry up and get to Hierve el Agua while there are still entrance passes left!

Hierve el Agua: Almost Closed for Good

The popular geologic wonder is located in the town of San Isidro Roaguía, in the municipality of San Lorenzo Albarradas, about 42 miles, or a two-hour drive  southwest of Oaxaca de Juárez. In English, Hierve el Agua means  “Boil the Water.” Don’t let the name fool you, though: This refers to the oxygenated spring water that naturally bubbles up out of the ground from an aquifer — not the temperature of the pools, which is around 72°. 

Man in Bimbo t-shirt with arm around another man in front of petrified waterfalls of Hierve el Agua

Wally and Duke hiked down to the lookout, with the calcified waterfall in the background.

Stoney ground and pools in the mountains at Hierve el Agua in Oaxaca, Mexico

Despite its name, which translates to “Boil the Water,” these aren’t hot springs.

Pro tip for getting there: Check if the roads are open. In April 2020, residents of the municipality of San Lorenzo Albarradas, which encompasses the rugged mountainous region where Hierve el Agua is situated, blocked off one of the roads leading to the popular attraction. The abbreviated version as to why was twofold: to curb the spread of COVID, and to manage the influx of visitors. Pre-pandemic numbers fluctuated between 2,500 to 7,000 visitors per day, which, with high traffic and the ensuing garbage, was having a negative impact on the environment. There was even talk that Hierve el Agua would remain closed.

Thankfully, the natural wonder has reopened, with new rules to prevent overcrowding; the number of visitors per day has been reduced to 200, and entrance fees have been put in place to help maintain the monument and surrounding grounds. 

Our friend Kevin says hello to a dog in the stretch of market stalls leading to the attraction.

The Market and Approach to Hierve el Agua

Our group of four reached our destination in the late afternoon and parked our rental car. We didn’t know about the visitor cap and were fortunate enough to gain admission. What a disappointment it would have been to drive all the way out there, only to be turned away! So, even though Kevin loves to watch the sun set in the mountains, it’s probably best to arrive earlier than later in the day.

We passed stalls selling packaged snacks, water, soft drinks, beer, micheladas and piña loca, a mezcal-based cocktail served in a hollowed-out pineapple, with additional chunks of the fruit drizzled with bright red chamoy sauce and sprinkled with a healthy dose of chile con limón seasoning. 

Older cowboy on brown horse with white patches on trail at Hierve el Agua

Giddy up! A vaquero, or cowboy, rides down the trail to the springs.

The walking trail that leads to the main area where the pools are was a bit steep but offered sweeping panoramic views of the Sierra Madre del Sur mountain range and the outlying valley, which was occasionally interrupted by monstrously tall flowering agave stalks. I was grateful that I brought my Teva sandals, which have great support and traction — I couldn’t imagine attempting to traverse the path in flip-flops.  

Looking down at the pools in the mountains at Hierve el Agua

There are a few different pools to explore at Hierve el Agua.

Elevated Expectations: Petrified Waterfalls and Mineral Springs

Locals revere the waters for their sacred healing properties. And while the basins are man-made, the underground spring that feeds them is natural. Because the pools are full of mineral-rich deposits of calcium carbonate, magnesium and sulfur, they had a yellowish hue. 

Women in the mineral spring at Hierve el Agua, one floating on her back, with green mountains all around

The pools are refreshing — with the water temp being about 70º.

Although it was spring, it was still quite hot. Be advised that you’ll be exposed to direct sunlight since there really isn’t any shade on the plateau. Also, be sure to stay hydrated; at 5,000 feet above sea level, it’s one of the highest elevation points in Oaxaca state, and your body loses water through respiration at high altitude twice as fast as it does at sea level. 

Rock formations that look like a lunar landscape  at Hierve el Agua

The rock formations by the mineral springs resembled a lunar landscape.

The leafless gnarled tree at the edge of the main pool surrendered long ago. But it has become iconic of Hierve el Agua, so it pissed us off to see a visitor had hung their bag from one of its twisted branches. 

Dead tree reaching up to sky by pool in the mountains at Hierve el Agua

The famous dead tree at the edge of one of the pools

Kevin and his amigo David decided to hang back and relax, but Wally and I wanted to check out the trail that leads to the larger of the two petrified “waterfalls” to get a closer look. The hike itself is 1.6 miles long, with an elevation change of 623 feet. You’ll find a couple of benches and a covered pavilion at the top of the trail to relax and hydrate after you’ve completed the trek. 

Cool rock formation on cliff face at Hierve el Agua

Take a break from mezcal and folk art and admire the natural wonder of Hierve el Agua.

Cacti and other vegetation in the Sierra Madre mountains

The surrounding landscape and foliage is also impressive.

Trees growing by rock around the mineral springs at Hierve el Agua

Hierve el Agua is a picture-perfect way to spend an afternoon.

There are two petrified waterfalls at Hierve el Agua. Rising up from near-vertical cliffs, there’s the 98-foot, nine-story-high Cascada Grande and the smaller 39-foot, four-story-high Cascada Chica. These formations are the result of mineral-rich spring water that has trickled over the cliff face for thousands of years. It’s similar to the way that a candle drips wax down the side of a bottle while melting. As a result, the calcium has left behind a suspended mineral formation that looks like a frozen waterfall. 

Two petrified waterfalls in the Sierra Madre mountains in Mexico

La Cascada Grande is nine stories tall!

After our hike, Wally and I took a plunge to cool off, which felt great after being exposed to the sweltering Oaxacan sun. 

Two men in sunglasses cooling off in a pool in the mountains at Hierve el Agua

Wally and Duke cool off after their hike.

We packed up and headed back to the car. As the sun began to set, Kevin stopped the car so we could get out and take one last look at this stunning landscape. We gazed out over the mountains, and I reflected on the pleasant day, grateful for having experienced the geological marvel in person, and for having spent it among friends. –Duke

A red and orange sunset over the foliage of the Sierra Madre mountains in Oaxaca state, Mexico

If you can, time your trip to catch a gorgeous sunset in the mountains on your way home.

The Lowdown 

Hours: 7 a.m. to 5 p.m.

Parking: 100 pesos ($5)

Admission: 50 pesos ($2.50) per person

Bring: Sunscreen, footwear that can get wet and has good traction, and bottled water (though you can buy drinks and snacks at the market)

 

Dispelling Myths and Misconceptions About the Church of Satan

They don’t actually worship the Devil, for one thing. Here are 5 surprising facts you need to know, from Satanist beliefs to the controversies that hound them — and the differences between the Church of Satan and the Satanic Temple.

Members of the Church of Satan wearing giant masks of a black cat, boar and goat

There’s nothing scary about the Church of Satan — except, perhaps, their propensity for creepy costumes.

In the classic Saturday Night Live skit, Dana Carvey dresses up as the priggish Church Lady, and she’s got one thing on her mind: “Is it…Satan?!” For her, Satan has everything to do with it. And when discussing the Church of Satan, it’s ironic (and surprising) to learn that Satan doesn’t really have anything to do with it. 

When you hear the words “Church of Satan,” like the Church Lady, you might picture a bunch of cultists clad in black robes, worshiping the Devil in nefarious ways. Maybe sacrificing a kitten or puppy now and then. 

But the reality is much less salacious. The Church of Satan, founded in 1966 by a former carnie named Anton Szandor LaVey, is really just an organization that rejects traditional religious dogma in favor of individualism, rebellion and personal freedom. 

Satanism is often misunderstood as a religion promoting evil, violence and debauchery.

In fact, it’s a peaceful and individualistic philosophy that champions personal freedom, critical thinking and rationalism.
— Blanche Barton, former high priestess of the Church of Satan

“Satanism is often misunderstood as a religion promoting evil, violence and debauchery,” Blanche Barton, former high priestess of the Church of Satan, told Rolling Stone. “In fact, it’s a peaceful and individualistic philosophy that champions personal freedom, critical thinking and rationalism.” 

Here are some of the most surprising facts about the Church of Satan that will make you question everything you thought you knew about Satanism.  

Historic woodcut of people being baptized by the Devil

No baptism by the Devil necessary — in fact, Satan is really just a symbol for the carnal, material and earthly aspects of life.

1.  They don’t actually worship Satan.

Despite what the Bible thumpers might tell you, members of the Church of Satan don’t actually worship Satan as a literal being. There is no red-skinned Devil clutching a pitchfork and eager to torture sinners for eternity in Hell. Instead, they see Satan as a symbol of individualism, freedom and self-determination. According to the Church of Satan’s website, “Satan represents the carnal, material and earthly aspects of life.” By embracing these qualities, members seek to live life to the fullest and pursue their own desires and goals, no matter how “sinful” they may seem to others. In fact, Satanism preaches atheism. 

What does the Church of Satan believe? If booze and drugs are your thing, you do you — so long as you don’t hurt anyone.

2. Evil isn’t what it’s all about. Satanic beliefs center on being true to yourself and questioning authority.

The Church of Satan has a set of guiding principles known as the Nine Satanic Statements, originally written by LaVey in 1969 in The Satanic Bible. These statements emphasize the importance of individuality, skepticism and critical thinking. For example, the first Satanic Statement reads, “Satan represents indulgence instead of abstinence!” (Not sure why LaVey felt like he needed to shout them all.) This encourages members to indulge in all of life’s pleasures, including sex, drugs and rock ’n’ roll.

Members of the Church of Satan seem to be very dramatic — and that includes Anton Szandor LaVey, its founder and author of The Satanic Bible.

The Nine Satanic Statements

Here’s the full list:

  1. Satan represents indulgence instead of abstinence!

  2. Satan represents vital existence instead of spiritual pipe dreams!

  3. Satan represents undefiled wisdom instead of hypocritical self-deceit!

  4. Satan represents kindness to those who deserve it instead of love wasted on ingrates!

  5. Satan represents vengeance instead of turning the other cheek!

  6. Satan represents responsibility to the responsible instead of concern for psychic vampires!

  7. Satan represents man as just another animal, sometimes better, more often worse than those that walk on all-fours, who, because of his “divine spiritual and intellectual development,” has become the most vicious animal of all!

  8. Satan represents all of the so-called sins, as they all lead to physical, mental or emotional gratification!

  9. Satan has been the best friend the Church has ever had, as He has kept it in business all these years!

There’s mention of vengeance, of selfishness, of sins. The Church of Satan doesn’t believe in limiting its members’ choices or imposing moral restrictions. Instead, it encourages Satanists to pursue their own desires and goals — as long as they don’t harm others or infringe on their rights. (It’s not so far off from the Wiccan Rede, “An’ it harm none, do what ye will.”) This means that members are free to engage in activities that might be considered taboo or controversial by mainstream society and prudish worshippers of other religions, from BDSM to witchcraft — and even, God forbid, playing Dungeons & Dragons.

“Satanism is about elevating and empowering the self, not wallowing in guilt or self-denial. It’s about pursuing one’s own desires and goals, while respecting the rights and freedoms of others,” says Peter H. Gilmore, author of The Satanic Scriptures.

The Church of Satan takes a libertarian approach to politics and society, emphasizing individual rights and freedoms above all else. According to the Church of Satan’s website, “Satanists believe in free will, self-preservation and autonomy.” This means that the church is opposed to authoritarianism, censorship and other forms of control that limit individual expression and freedom. So if you’re sick of the government telling you what to do and think, maybe it’s time to join the Satanist movement.

Satan Exulting Over Eve, a painting of a well-muscled man with a shield, spear and dragonlike wings flying over a naked Eve, wrapped in a giant snake, by William Blake

Satan Exulting Over Eve by William Blake, 1795

3. The Church of Satan doesn’t require specific rituals or practices — but orgies are OK, it that’s your thing.

Unlike many other religious and spiritual organizations, the Church of Satan doesn’t require its members to engage in specific rituals or practices. Satanists are free to choose their own path and approach. However, the Church of Satan does offer resources and guidance for those who want to participate in Satanic rituals or ceremonies, including baptisms, weddings and even orgies (releasing lust is seen as an essential need).

Illustration of the Devil wearing a black coat, with clawed hands reaching out and spouting flames

Devil worshippers are everywhere — and they’re coming for your children! That was what some people believed in the ’80s, during the Satanic Panic. Thankfully, Wally’s parents still let him play D&D.

4. The Church has been embroiled in numerous controversies, including the so-called Satanic Panic.

The Church of Satan has faced controversy and opposition from mainstream society since its inception. Some people have accused the Church of promoting violence and immorality, while others have labeled it a dangerous cult. However, the Church of Satan has consistently maintained that it’s a legitimate religious organization that promotes personal freedom and individualism, and has even won legal battles in defense of its rights.

In the 1980s and ’90s, the Church of Satan became embroiled in what was dubbed the Satanic Panic, a wave of hysteria that swept across the United States and other countries. During this time, many people believed that Satanic cults were operating in secret, engaging in human sacrifice, ritual abuse and other horrific acts. While there was no real evidence to support these claims, the Church of Satan was frequently targeted and was blamed for influencing the behavior of alleged cult members, including brainwashed youth.

Black statue of goat-headed demon Baphomet, with two children looking adoringly up into his face

The Satanic Temple is a much more political group than the Church of Satan. They fought to have a statue of the demon Baphomet placed outside the Arkansas State Capitol next to a sculpture of the 10 Commandments as a protest against the lack of a separation of church and state.

5. The Church of Satan shouldn’t be confused with the Satanic Temple — the group behind the Baphomet statue in Arkansas.

While the Church of Satan and the Satanic Temple share some similarities in terms of their general beliefs and philosophies, they are distinct organizations with different leadership, history and goals.

The Satanic Temple, founded in 2013, has a more politically active and socially engaged mission. It uses the symbol of Satan as a tool to challenge authority, promote religious freedom and individual liberties, and advocate for social justice and progressive values. The Satanic Temple is organized as a nonprofit and engages in various campaigns, such as advocating for reproductive rights and opposing government-sanctioned displays of religion.

In 2018, the Satanic Temple wanted a bronze statue of Baphomet, a deity with a goat’s head and a human body, to be placed next to a monument of the 10 Commandments on the grounds of the Arkansas State Capitol.

While the statue was ultimately never installed due to a legal dispute, the controversy sparked a heated debate over the separation of church and state and the role of religious expression in public spaces. The temple’s involvement in the statue project once again highlighted the organization’s commitment to free speech and individual rights, and raised important questions about the limits of religious expression in the public sphere.

“We are not merely fighting to install this statue in Arkansas, we are fighting for the constitutional rights of all Americans,” Lucien Greaves, co-founder of the Satanic Temple, told NPR.

Despite their differences, both the Church of Satan and the Satanic Temple share a commitment to individual freedom, critical thinking and opposition to oppressive authority. They also both seek to challenge the dominant religious and moral values of society, and promote a more nuanced and rational understanding of the human experience.

Satan in His Original Glory: ‘Thou Wast Perfect Till Iniquity Was Found in Thee’ by William Blake, circa 1805

Speak of the Devil

The Church of Satan is more than just a bunch of weirdos chanting in black robes (though, if you see some of their pictures on their website, that seems to be a part of their ceremonies). It’s a legitimate religious organization that promotes individualism, free thought and personal freedom. While it may not be for everyone, the Church of Satan is certainly not the sinister cult that many people make it out to be. Whether you’re a hardcore Satanist or just a curious outsider, the Church of Satan is a fascinating and provocative institution that deserves to be taken seriously. 

Stop worrying about centuries-old moral codes? Do what’s right for you — so long as you don’t hurt others? That all sounds pretty heavenly to me. 

So why not join the dark side and see what all the fuss is about? Who knows — you might just find your true calling as a card-carrying member of the Church of Satan. –Wally

Muxe Culture: Celebrating Mexico’s Fabulous Third Gender

What are muxes? An ancient Zapotec tradition blurs gender lines — but not without facing discrimination and violence.

A group of muxes, Mexico's third gender, in traditional dresses

Part of the Zapotec culture, muxes are assigned male at birth but take on roles traditionally associated with women.

Fierce and fabulous individuals are shaking up gender norms and celebrating their identities in the face of discrimination and marginalization. Meet the muxes (moo-shays) of Mexico.

But first things first: What exactly are muxes? In the Zapotec culture of southern Mexico, muxes are a third gender that includes individuals who identify as a mix of male and female — or something completely different. The term “muxe” comes from the Spanish word for woman, “mujer.” Assigned male at birth, they choose to take on gender roles traditionally affiliated with women.

Muxe identity is about celebrating difference and diversity, and rejecting the idea that there are only two ways to be in the world.
— Xochi Martinez in Eye
Muxe wearing pink floral crown, no shirt and pink and white skirt on patio in Mexico

Many muxes adopt traditional female attire (fab floral dresses), while others more dramatically blur gender lines.

The Many Flavors of Muxe Identity

Much like Hatshepset, the genderbending woman who became a pharaoh in Ancient Egypt, muxe identity is complex and varied, with different expressions and categories depending on the individual and the community. Some muxes adopt traditionally feminine clothing and roles, while others maintain a more masculine appearance but challenge binary gender norms in other ways. 

“Muxe identity is about celebrating difference and diversity, and rejecting the idea that there are only two ways to be in the world,” says Xochi Martinez in Eye magazine. “We are muxes, and that is something to be proud of.”

Within the muxe tradition, you’ll find categories like muxe gunaa (effeminate muxes) and muxe nguiiu (masculine muxes). It’s all about finding a unique expression of gender identity that feels authentic and true.

Muxe in floral dress and flower headpiece on pedestrian street under flags in Oaxaca

When Wally passed a muxe posing on the street in Oaxaca, he had to get in on the action.

This view of gender as nonbinary has gained popularity lately — certainly in the U.S. But we’re late to the party: This indigenous group in Mexico has been practicing it for centuries. The largest concentration of muxes is found in the town of Juchitán de Zaragoza, which is located on the Isthmus of Tehuantepec in the state of Oaxaca, a narrow stretch of land that separates the Gulf of Mexico and the Pacific Ocean. 

A local legend explains the origin of muxes. The story goes that Saint Nicholas Ferrer, the patron saint of Juchitán, was, for some reason, carrying a sack full of muxes and was set to distribute them evenly across the country. But when he arrived in Juchitán, the sack tore, and all the muxes spilled out onto the street. The townspeople viewed this as a good sign and welcomed the muxes with open arms, promising to provide them with a safe haven and a place to call home.


A group of Indian hijras

Beyond Gender Norms: The Bold and Colorful Fashion of Muxe Culture

Muxes are known for their fashion sense. Their style is a vibrant mix of traditional Zapotec dress and modern flair, often incorporating bright colors, sequins and bold patterns. Muxes challenge gender norms and express themselves through fashion, rejecting the idea that clothing is inherently tied to a specific gender. Some muxes dress in women’s clothing, while others mix and match traditional men’s and women’s clothing to create their own distinct look.

“We love to adorn ourselves with beautiful clothing and accessories,” muxe activist Nereo García told Vice. “We like to play with our outfits and wear what we want, regardless of what people think. It’s all about expressing our true selves and feeling confident and beautiful in our own skin.”

The muxe fashion scene is a celebration of individuality and self-expression, a rejection of rigid gender roles and expectations.

Shirtless muxe wearing long dark skirt and frilly white headdress

Lukas Avendaño, an artist and anthropologist, explores notions of sexual, gender and ethnic identity through muxeidad (muxe culture).

The Societal Role of Muxes: A Force for Change

But it’s about much more than clothes. “Muxe culture is not just about wearing dresses or putting on makeup,” Istmo de Tehuantepec told Vogue. “It is about assuming a role in society that is both different and important, and that role comes with responsibilities and obligations to the community.”

Muxes have historically been the healers and spiritual leaders of their communities, with a deep understanding of the natural world and a talent for curanderismo (traditional healing practices). They also bring a fresh perspective to the arts, with many muxes being talented musicians, dancers and performers. And let’s not forget the amazing food: Muxes are also known for their culinary skills, with many running successful restaurants or cooking up a storm in their homes.

But beyond their specific talents, muxes bring something invaluable to society: diversity. By refusing to conform to binary gender norms, muxes challenge our preconceived ideas about what it means to be a man or a woman, and create a more inclusive and accepting world for all of us. Plus, they look damn good doing it.

Two muxes, Mexico's third gender, in traditional floral dresses and headpieces in Oaxaca

Two muxes in Oaxaca

Discrimination and Violence: The Challenges of Being Muxe

And muxes do all this while facing discrimination, violence and marginalization in a society that’s still largely patriarchal and heteronormative.

I’ve been told that Mexico is a machismo society, where rigid gender roles are the norm, and anything that challenges the status quo tends to be met with hostility. This is certainly true for muxes. While they have a long and rich history in Oaxacan society, they also face some of the most brutal forms of violence and discrimination in Mexico.

For muxes, every day is a battle to exist in a society that doesn’t understand or accept them. They face verbal abuse, physical violence and sexual assault simply for being who they are. The violence against muxes is often brutal and public, with little to no recourse for justice. Many muxes are marginalized and ostracized from their communities, leading to a sense of isolation and vulnerability.

Despite the fact that muxes have been a part of Oaxacan society for centuries, many Mexicans still view them as deviant or abnormal. They can be seen as a threat to traditional gender roles and heteronormative culture, leading to a culture of fear and intolerance.

Muxes are frequently denied access to basic human rights such as healthcare, education and employment, and are subject to widespread discrimination in housing and public accommodations.

And Mexican law does little to protect muxes from discrimination and violence, and the authorities are often unwilling or unable to intervene when attacks occur. This leaves muxes without any real legal recourse, and their attackers free to continue their reigns of terror.

The Sex Lives of Muxes

Like any other group of people, muxes have diverse experiences and individual preferences when it comes to sex and sexuality. Some muxes may be gay, straight or bisexual, and their sexual activities may involve men, women or other muxes.

Some muxes are exclusively interested in straight men; others have girlfriends. “They have sex, fall in love, have relationships, get married and, if they are lucky, have children,” Diana Taylor, a professor of performance studies at NYU, says in The Guardian. Taylor’s research highlights the fact that muxes are not defined by their gender identity alone, and that their experiences and desires are just as complex and multifaceted as those of anyone else.

It’s worth noting that muxes may face particular challenges when it comes to sexual health, as they can experience discrimination and marginalization from healthcare providers. 

“Muxe sex is still heavily stigmatized and associated with disease,” Taylor says, “which means that muxes may have difficulty finding condoms and lubricants, or may avoid going to the doctor altogether.”  

A third gender muxe holding pink fan and wearing floral dress on the cover of Vogue Mexico

Talk about visibility! A muxe appeared on the cover of Vogue Mexico!

Supporting Muxe Rights and Visibility

The violence and discrimination muxes face underscores the importance of working towards greater acceptance and understanding of this fascinating indigenous group and their experiences. 

So what can we do to support muxes and their amazing contributions to Mexican society? It starts with education and awareness, spreading the word about muxes and the challenges they face. We can also advocate for their rights and stand up against discrimination and violence. By embracing the diversity of gender identity and expression, we can create a more inclusive and compassionate world for all.

Let’s raise a glass (or a sign of support) to the muxes of Oaxaca and all the fierce and fabulous individuals who challenge gender norms and celebrate diversity every day. –Wally

West Rose: Ellicottville, New York’s Chicest Spot

The buzzy and Instagrammable West Rose restaurant in Eville is more than just a pretty face. Known for their wood-fired pizza, you should also check out the noodle shop upstairs.

Wood-topped counter by white pizza oven, chef and server at West Rose in Ellicottville, New York

West Rose, famous for its wood-fired pizzas and stylish aesthetic, has definitely taken Ellicottville’s food scene up a notch.

When Wally and I visit my family in the charming Western New York burg of Ellicottville, we always make it a point to wander Washington Street, the main thoroughfare of shops and restaurants. We’ve watched its evolution over the years and couldn’t help but notice the newish standout restaurant West Rose. 

Our visits tend to be short, so we weren’t able to check it out until this past fall. When we mentioned wanting to make sure we finally got to experience West Rose for ourselves, my sister suggested that Wally and I go for brunch. She had us at “breakfast pizza.”

My sister suggested we go to West Rose for brunch.
She had us at “breakfast pizza.”

It was a Sunday and we had made reservations for 10 a.m., in hopes of beating the brunch rush. When we arrived, the front bar was already hopping with families.  

People at the bar at West Rose in Eville, New York, including girl hugging man

The front bar provides additional seating.

A (West) Rose by Any Other Name 

Something Wally and I noticed before even stepping foot into the restaurant was their strong brand identity. The subdued color palette uses dusty rose, gold, gray-green and yellow-ochre to great effect throughout. Upon entering the bright, airy space I admired the stylized brushed brass rose inlay in the white and gray marble tiled floor. 

Rose motif in tile on floor at West Rose restaurant

A nice detail on the floor by the entrance

Wally suddenly thought he had a eureka moment: “West Rose! Westeros!” he exclaimed, alluding to the fictitious continent in the popular series Game of Thrones

However, we later learned from co-owner Caryn Dujanovich that it doesn’t have any connection to GoT, and is in fact a nod to where it’s located: Western New York, combined with her daughter's name, Louise Rose. And you’ve gotta admit, it’s got a nice ring to it. 

Three years into running the Grange Community Kitchen, a restaurant in nearby Hamburg, Brad Rowell and his business partner Caryn were approached by a couple of regular guests from Ellicottville who incidentally own the building that West Rose inhabits — and, as they say, the rest is history. 

“We had a great staff at the Grange and felt confident that we would be able to maintain the same level of quality there while offering some employees opportunities to advance in the company,” Caryn explains. “We were able to make our Grange sous chef, Anthony Petrilli, a partner in West Rose. He creates the menus and runs the kitchen.”

White brick wall, open shelving with plants and light wood stools at West Rose restaurant in Ellicottville, New York

The interior is chic and clean — mostly white and light wood, with pops of the brand’s colors.

The Design: Getting Hygge With It 

The vision for the restaurant’s interior aesthetic was led by Caryn and embodies a cozy Scandinavian vibe, which suits the charming town of Ellicottville. Eville, as it’s affectionately known among locals, started as a ski town but has become an all-season destination with a variety of outdoor activities, including hiking, golf, horseback riding and Sky High Adventure Park, the largest zipline and aerial course in New York state.

Man in yellow shorts by Welcome to Ellicottville sign

Wally’s glad his in-laws live in such a charming, quirky town. (He’s says it reminds him of Stars Hollow from Gilmore Girls.)

Time-worn details like the exposed ceiling, wood floors and brick walls are complemented by industrial and natural textures. Elements such as brushed brass, cognac-colored leather, marble and white plaster, pair seamlessly with yam-colored velvet, terrazzo and beechwood. 

“We wanted the space to have a warm interior with a focus on texture,” Caryn says. “We are always mindful of making sure we won’t get sick of the design in five years!”

Hand-painted murals by Julie Molloy, art director at Block Club, the Buffalo-based agency behind the branding and identity of West Rose, enlivens the second floor space. 

Hand reaching for breakfast pizza at West Rose

We stopped in for brunch and had the breakfast pizza, topped with bacon, egg, cheddar cheese, scallions and chili-infused maple syrup.

The Food: American Cuisine Elevated 

The menu changes regularly to reflect the freshest available ingredients from local producers and farms.  

“After considering seasonality, we then decide what dishes fit the vibe and theme of the restaurant,” Caryn tells us. 

You’ll find items like cheeseburgers, cioppino, kale Caesar salads and crispy chicken on the menu — but the wood-fired pizzas are the star of the show. 

Menu on table at West Rose restaurant in Eville

The restaurant’s use of geometric shapes and a captivating color palette instantly drew our attention.

Wally and I  were seated across from the kitchen bar, which is perhaps the most special part of the restaurant, as it features a wood-fired oven imported from Naples, Italy. We had quite the show: I tried unsuccessfully to capture a chef expertly tossing and spinning pizza dough. 

We ordered and shared a savory breakfast pizza topped with bacon, egg, cheddar cheese, scallions and chili-infused maple syrup — washed down with a couple of spicy Bloody Marys, of course. 

Mural of hand and circles on wall by tables and chairs in noodle shop at West Rose

West Rose Upstairs has become a noodle shop and cocktail bar.

Using Their Noodles

Be sure to check out the second floor of the restaurant, which features a lounge and ramen bar. 

“The noodle bar concept was actually not what we originally had in mind for that space!” Caryn explains. “That area of the building was left unfinished when the restaurant was first built, and after two years, we decided it would be a good time to make use of the space.” 

The original plan was to offer an easy-to-execute menu of upscale bar food items, including fancy hot dogs, focaccia pizza and cheese plates. 

“Our chef and manager Mark decided to try something different and made a drunken noodle bowl to put on the menu,” Caryn continues. “This became by far our most popular item, and since Mark is a talented chef, who is able to create and execute a full noodle bar concept, we decided to go in a new direction!”

If noodles aren’t your thing, though, you can order snacks such as smoked spiced Marcona almonds, housemade focaccia or marinated olives. 

Both spaces are open for dinner Thursday through Sunday, and brunch on weekends. 

“The best part of running a restaurant is working with our team to create memorable experiences for our guests on a nightly basis,” Caryn says. 

If you’re in Eville, stop in and see for yourself. 

And be sure to check out their newest project, Wayland Brewing Company in Orchard Park. –Duke

Mural with hands and geometric shapes by stairwell at West Rose

West Rose

23 Washington Street
Ellicottville, New York 

 

When Did Jesus Become God? 5 Startling Findings in the Gospels

Matthew, Mark, Luke and John offer differing views of Christ’s divinity. Some say he became divine at his baptism, others that he has always been one with God. Plus: Did the idea of the Virgin Mary come from a misunderstanding?

Christ on the cross surrounded by a crowd of soldiers, women, angels and the Devil, with a skull in the open earth

Jesus was crucified and came to be viewed as divine after his resurrection. But as time went on, the Gospel writers altered this view, offering different takes on when Jesus became one with God.

Icon of the Crucifixion by Andreas Pavias, second half of the 15th century

What did the earliest Christians believe? The first writings about Jesus reveal that his original followers thought that he became divine upon his resurrection

But that’s not a belief shared in all of the books of the New Testament. In fact, there was hardly a consensus among early followers. “Different Christians in different churches in different regions had different views of Jesus, almost from the get-go,” writes Bart D. Ehrman in the 2014 book How Jesus Became God: The Exaltation of a Jewish Preacher From Galilee

If Jesus claimed to be equal with God,
wouldn’t the earlier Gospels have mentioned it?

Here are five surprising findings revealed in a study of the Gospels.

Icon of Jesus being baptized by John the Baptist in the River Jordan

Early Christians believed Jesus became divine upon his resurrection — but in the earliest Gospel, Mark, the timeline had been moved back to his baptism.

Theophany, an icon of the Baptism of the Lord, 20th century

1. The Gospel of Mark doesn’t mention that Mary was a virgin, and declares that Jesus became divine only after being baptized. 

According to Mark, Jesus was fully human up until the point that John the Baptist baptizes him. Once this happens, the Spirit of God descends as a dove and a voice from the heavens declares, “You are my beloved son, in you I am well pleased” (Mark 1:9-11). 

It is only after this has happened that Jesus begins his own ministry, now one with God, and is able to perform miracles (walk on water, raise the dead), cast out demons and forgive sins.  

Jesus is baptized by John the Baptist while two angels look on

The author of Luke literally changed the words of God because the earlier view that Jesus became divine after being baptized had become a heresy.

The Baptism of Christ by Domenico Ghirlandaio, 1490

2. A passage in Luke was changed from its original to downplay the statement that Jesus became the Son of God at his baptism.

We don’t have any original documents of the New Testament. What we do have are copies made centuries later — many of which have been altered and differ from each other. One such passage about Jesus’ baptism in Luke tweaks what God says. “But in several of our old witnesses to the text, the voice says something else,” Ehrman writes. “It quotes Psalm 2:7: ‘You are my Son, today I have begotten you.’” 

Why make this change? Ehrman says that “when scribes were copying the texts of Luke in later centuries, the view that Jesus was made the Son [of God] at the baptism was considered not just inadequate, but heretical.” Jesus was always divine, and any other teaching needed to be suppressed — even if that’s what early Christians believed.

The Virgin Mary gives birth to Baby Jesus while Joseph helps and barn animals look on

What if Mary wasn’t a virgin? The earliest mentions of her don’t say anything of the sort — and the concept only sprung up in Matthew with a bad translation.

The Creation of Man by Natalie Lennard, 2017

3. The Gospel of Matthew mentions the virgin birth — but this is a misinterpretation of an early prophecy.

The book of the Old Testament prophet Isaiah declares, “A virgin shall conceive and bear a son, and his name shall be called Immanuel” (Isaiah 7:14). Never mind that Jesus isn’t actually called Immanuel; the author must have made the connection because the name translates to “God Is With Us.” Turns out the quote isn’t actually about the coming messiah at all. 

To top it off, Matthew mentions the virgin birth because of a bad translation. The author read a Greek translation of Isaiah many centuries later. The original Hebrew word, alma, means “young woman” but it was translated with the Greek parthenos, which carries the connotation of a young woman who has never had sex. It’s this misinterpretation that leads Ehrman and other biblical scholars to believe that this is the origin of Mary becoming the Virgin. 

Outsider art of Jesus with stars, the cross, lightning and white flowers

As time when on, Jesus’ divinity got earlier and earlier, until the last Gospel, John, states that he had always been one with God.

Jesus Christ by Cathy Dobson, 1994

4. It’s not until John, the latest of the Gospels, that Jesus is declared to have always existed as an equal to God.

The author of John doesn’t hold that Jesus was exalted into a divine state; he is the same as God and was his human incarnation on Earth for a few decades. This is the view of Jesus held today by most Christians — but it’s certainly not what his earliest followers, including the 12 Disciples, believed. As previously mentioned, they thought that Jesus became divine only after his resurrection and later ascension into Heaven. 

Jesus and God in the clouds surrounded by angel heads with a dove and cross between them

The Gospel of John declares that Jesus is the Word of God and was essential to Creation. The text deliberately calls to mind the opening lines of Genesis.

The ceiling fresco of Chiesa di Sant’Orsola in Como, Italy, painted by Giovanni Domenico Caresana, 1616

5. An even higher view of Christ is found in the Gospel of John: that Jesus is the Word of God — and, as such, is responsible for creating the world. 

The Gospel of John is the latest of the four, written in Greek 60 or so years after Jesus died, in a different part of the world — Ephesus, in modern-day Turkey. 

“For John,” Ehrman writes, “Jesus was an equal with God and even shared his name and his glory in his preincarnate state.”

Take John 5:17-18, one of many examples: “This was why the Jews sought all the more to kill him, because not only was he breaking the Sabbath, but he was also calling God his own Father, thereby making himself equal to God.”

Much discussion has taken place around the so-called Prologue of John, the first 18 verses of the book. It presents the most elevated view of Jesus’ divinity imaginable: “even before he appeared, he was the Logos of God himself, a being who was God, the one through whom the entire universe was created,” Ehrman explains. 

But if that was the case, and Jesus made such claims about himself, wouldn’t the earlier Gospels have mentioned it? There’s nothing to be found in Matthew, Mark or Luke, however. 

Icon of Jesus surrounded by the symbols of the four Gospels of Matthew, Mark, Luke and John

The four Gospel writers all have their own take on when Jesus became God.

Christ in mandorla with the Evangelists, from the Reichenau Illumination, early 11th century

Christians today tend not to take such a close look at the Gospels, not noticing the discrepancies and not aware of the historical evidence. It’s shocking to think that the form of Christianity practiced today doesn’t align with some of the views of the Four Gospels. John’s view of Jesus as one with (but somehow distinct from) God the Father has won out. But it seems as if it could easily have gone another way. –Wally

What Did the Earliest Christians Believe?

The original views of Christ differ significantly from current beliefs. No virgin birth, no divine status during his lifetime — instead, Jesus was a mortal like the rest of us, until God decided to resurrect him and he became the Son of God.

The resurrected Jesus, naked except for a white sheet, emerges, floating from his tomb amid piles of bodies

The first Christians didn’t believe that Jesus had been born of a virgin or was already divine. He was a typical human until God resurrected him.

The Resurrection by James Tissot, circa 1890

How can we know what the earliest Christians believed when the first writings about him are from 20 years after his death? 

Scholars turn to what’s called preliterary sources — that is, snippets of text, whether they’re hymns or creeds of faith, that have been inserted into later books of the Bible. You can tell they’re most likely earlier oral traditions that have been added because they not only use terminology found nowhere else in the works, but they also often present different theological views. 

For instance, in Romans 1:3-4, Paul describes Jesus as he “who was descended from the seed of David according to the flesh, who was appointed Son of God in power according to the Spirit of holiness by his resurrection from the dead.”

The first part expresses a long-held belief by Jesus’ followers: that he was the promised messiah from the line of King David. This is a surprising inclusion for Paul, the earliest Christian author; nowhere else does he emphasize Jesus’ messiahship. 

The second part of the Bible verse holds a key element of early Christian belief: Jesus became the Son of God at his resurrection. A similar snippet from Acts 13:32-33 posits the same view, even though that’s in stark contrast to what the author later writes (and is currently part of the Christian faith) — namely that Jesus was divine from the moment of his conception.

There is no talk about Jesus being born of a virgin and certainly no talk of him being divine during his lifetime.
— Bart D. Ehrman, “How Jesus Became God”
Jesus, in a white robe, ascends up to Heaven amid a glowing light, cherubs and astonished viewers

Jesus was said to have been resurrected and, some time after, ascended into Heaven to be with God.

The Ascension by Benjamin West, 1801

What’s most striking is that “there is no talk about Jesus being born of a virgin and certainly no talk of him being divine during his lifetime,” writes Bart D. Ehrman in How Jesus Became God: The Exaltation of a Jewish Preacher From Galilee, published in 2014. “He is a human figure, possibly a messiah. But then at a critical point of his existence, he is elevated from his previous lowly existence down here with us, the other mere mortals, to sit at God’s right hand in a position of honor, power and authority.”

Ehrman emphasizes the importance of this act: “the man Jesus is showered with divine favors beyond anyone’s wildest dreams, honored by God to an unbelievable extent, elevated to a divine status on a level with God himself, sitting at his right hand.”

This belief helped give a positive spin to a man whose followers must have been disheartened that their messiah didn’t destroy their oppressors but was instead tortured and executed by them. It certainly wasn’t what any of them was expecting of their hero. 

But Jesus’ “resurrection confirmed for them that even though he had not conquered his political enemies — the way the messiah was supposed to — God had showered his special favor on him by raising him from the dead,” Ehrman writes. 

The resurrected Jesus emerges from a tomb with angels and surprised guards

Early Christians thought that Jesus was indeed their messiah despite having been crucified. God resurrected him and made him his adopted son and heir — with all the power and glory that involved.

The Resurrection of Christ by Rafael, 1502

Adopted Sons

To the people of the time, there wasn’t any stigma attached to being an adopted son — in fact, quite the opposite. In Ancient Rome, the adopted son was the chosen heir. “He was made great because he had demonstrated the potential for greatness, not because of the accident of his birth,” Ehrman explains. 

Take Julius Caesar. He had a son, Caesarion, with Cleopatra — but not too many people have heard of him. Instead, it’s his nephew and adopted son, Octavian, who has a major place in history: He went on to become Augustus, the first emperor of the Roman Empire.

So when the earliest Christians talked about Jesus being God’s adopted son, they were saying this: “He received all of God’s power and privileges. He could defy death. He could forgive sins. He could be the future judge of the earth. He could rule with divine authority,” Ehrman writes. “He was for all intents and purposes God.” –Wally

Fábrica la Aurora: Textile Factory Turned Art and Design Center

A popular stop in San Miguel de Allende, the Fábrica la Aurora spins a new yarn as a complex filled with antique shops, galleries, artist studios and restaurants. 

La Fábrica la Aurora, an old textile factory, is a winding complex filled with art of all sorts.

San Miguel de Allende is a town with art in its DNA. There are galleries galore and shops full of colorful folk art. But we knew that one of the places we had to add to our itinerary was the Fábrica la Aurora. It just sounded so interesting: It’s a former textile mill that has been converted into a vibrant arts center. A remnant of Mexico’s industrial era, the factory was built at the turn of the 20th century and featured the best technology of the time. The complex operated for nearly 90 years producing percale (a fabric often used for bedsheets), muslin and flannel, before closing for good in 1991 — that is, until it was reimagined as an arts center in 2004.

White wall covered with all sorts of wooden masks from Mexico, including bearded fishman, jaguars and devils

We took one look at the mask wall at the front of Casa Michoacana and knew we had to go in.

Walk This Way: Shopping Stops on the Way to Fábrica la Aurora 

Whenever we can, we walk on foot in the cities we stay, and I’m especially glad we did so in SMA — otherwise we might have missed Casa Michoacana, an incredible shop filled with folk art that we passed on the way to the Fábrica. Many of the items here are made by artists from the state of Michoacán but also include a few from other regions of the country, too. You will find a collection of ceramic piñas of all sizes, multi-tiered candelabras, innumerable masks, wood carvings and more. The staff was patient and informative, and it was here that we found a variety of changos, black clay vessels used for storing mezcal in the shape of a monkey, and purchased one.

The owners also run the sister shop with the same name, a bit farther down, on the opposite side of the street. Look for the sign with two hands and an archway decorated with handpainted flowers.

The renovation retains the building’s industrial character, with open spaces, concrete floors, high ceilings, steel casement windows, exposed pipes and more than a few industrial artifacts, including massive mechanical looms.
Alebrije of a lounging lemur-like creature with black body with yellow accents and white and blue stomach

We wanted to get this alebrije — but there’s only so much space in our home.

Row of changos mezcaleros, black clay vessels shaped like monkeys and painted in bright clothing

We did, though, find room to bring back a chango mezcalero!

As we walked along Calzada de la Aurora and crossed a puente (bridge), we paused to admire a carved Colonial-era Cantera stone cross. The crucifix features an INRI plaque at the top and so-called Arma Christi (Weapons of Christ), including glyphs of Christ’s face, a nail and a ladder — items linked with Christ’s crucifixion. 

Cantera stone cross on bridge in San Miguel de Allende, Mexico

If you walk to La Aurora, you’ll cross a bridge with this cross. It depicts the Arma Christi, the collection of artifacts related to the Passion of Christ.

Angular metal statue of people in a cluster by the sign for Fabrica La Aurora

Here’s your sign (literally) that you’ve arrived at La Fábrica la Aurora.

Art Park in front of La Fábrica la Aurora

Just a few minutes later, we passed an oxidized Cubist sculpture of four converging figures and a sign marking the entrance to Fábrica la Aurora. The park-like grounds contain additional sculptures, including Oso Grizzly by Francisco Esnayra, a striking work of art composed of a series of metal bands in the shape of a bear. It majestically stands in place on a patch of mulch amongst the trees, while the sculpture Looking for Balance by Rodrigo de la Sierra features a trio of his childlike Timoteo characters precariously balancing on an unsupported ladder. 

Oso Grizzly by Francisco Esnayra, a large sculpture of a bear made of metal bands in front of la Fabrica la Aurora

Oso Grizzly by Francisco Esnayra

Sculpture of cartoonish children hanging off a ladder called  Looking for Balance by Rodrigo de la Sierra in front of La Fabrica la Aurora in San Miguel de Allende

Looking for Balance by Rodrigo de la Sierra

Men pass by the front of the Fabrica La Aurora arts center

La Aurora’s historic façade includes its central archway with metal lettering and wrought iron gate.

The Dawn of a New Fold as an Art Makers Outpost

Most of the original structure of La Fábrica remains intact. Its brick façade is punctuated by Cantera stone arches, made from quarried volcanic rock. Its central entrance has a wrought iron gate and metal lettering spelling out “La Aurora” above. The arts and design center was founded by a quintet of creative forces: Francisco Garay, Christopher Fallon, Mary Rapp, Merry Calderoni and DeWayne Youts. In addition to showcasing local and expat artists’ works, there are also places to eat. A burger joint named El Grandpa & Son occupies one side of the front and can be seen through the aforementioned arches. There’s also a café called Geek & Coffee tucked away somewhere. We didn’t happen to stumble upon it during our visit — the complex is quite large and meandering. 

Checkered courtyard and fountain at old textile factory Fabrica la Aurora, which is now an arts center

The front courtyard before you enter the sizable complex filled with galleries and studios.

The renovation retains the building’s industrial character, with open spaces, concrete floors, high ceilings, steel casement windows, exposed pipes and more than a few industrial artifacts, including massive mechanical looms that were used for the production of cloth from cotton. 

An industrial Zinser loom in a gallery at La Fábrica la Aurora

An industrial Zinser loom tucked among one of the galleries at La Fábrica la Aurora

Wandering the Maze of Fábrica la Aurora

The first shop we stopped into was Cantadora Antigüedades, which specializes in arte popular and ephemera from the 16th to 19th centuries. A figure depicting Jesus riding a donkey, possibly used during Easter week processions, stands outside the store entrance. 

Antique store with wooden niche holding figure of baby Jesus by iron door knockers and religious icons
Antique store with Jesus on the cross in orange loincloth leaning on stacks of framed art
Painted head of Jesus by wood wall at antique store in Mexico

By this time, Wally and I were both craving a snack, and the relaxed and casual open-air Café de la Aurora was the perfect spot. I tried a mango smoothie that incorporated a large dose of ruby red chamoy sauce, which was refreshing. If I had to describe the flavor, I would say that it was simultaneously sweet, spicy and tangy — the chile on the glass rim was a nice touch. What’s chamoy, you ask? The popular condiment is a combination of dried chiles, mangoes, apricots or plums and lime juice that’s added to flavor hard candy as well as drizzled on fruit. 

Pots of succulents and flowers by brick wall, iron window framework and wood door at La Fabrica la Aurora

Just beyond the café, were the cutest vistas of potted plants arranged along the old factory wall.

Green plants cover a wall with wooden boards showing loteria cards and a bench with pots painted with cacti and other plants

Lotería imagery decorates this wall at La Fábrica la Aurora.

Stone and brick walls of old factory with large collection of potted plants and faded blue bench

Can you see why Wally was obsessed with these vignettes?

One shop in the Fábrica, La Buhardilla, purchased a trove of items in 2004, including letters, sketches, paintings and clothing from an eccentric lawyer in Mexico City that were alleged to have once belonged to the surrealist Mexican artist Frida Kahlo

These artifacts are well-documented in the fascinating book Finding Frida Kahlo. The personal effects were said to have been originally acquired from Abraham Jiménez Lopez, a woodcarver who received them in lieu of payment for frames he had made for Kahlo. While many experts question their authenticity and say that the objects are fake, I’d like to believe that at least some of them are real. 

Black and white cat on concrete floor in art gallery at La Fabrica la Aurora

This kitty seemed to share our taste in art.

Industrial old factory with modern white art galleries at La Fabrica la Aurora in San Miguel de Allende

A modern-feeling wing of art galleries toward the back of La Fábrica

After resting and refueling, we ventured into another annex, where we saw a small black and white cat slinking through one of the galleries. We wandered into Manuk Galeria, which was founded by Mexican artist Lourdes Rivera. I suspect we were drawn to this gallery in particular because of its well-curated assortment of contemporary and folk art-inspired pieces.

Painting of people around a table at Manuk Gallery in San Miguel de Allende

Artwork on display at Manuk Galeria at the back portion of La Fábrica

While there, the compelling work titled Neblina (Fog), by self-taught artist Erik García Gómez, caught my eye. The painting features a stylized animal (pig? dog?) and spotted albino snakes. According to the artist’s bio, his main source of inspiration comes from the town he grew up in, San Cristóbal de las Casas, and memories of his grandmother, who was a village healer. 

Neblina by Erik García Gómez, a painting with a red, white and orange pig-dog creature and white snakes with black dots

Neblina by Erik García Gómez

A row of unpainted clay heads on stands from a sculpture workshop led by Juan Luis Potosí

A menagerie of heads from a sculpture workshop led by Juan Luis Potosí

Small sculpture of toylike giraffe in a blue boat

The whimsical Travesías sin Rumba by Ernesto de la Peña Folch sits atop a pedestal outside CSEIS gallery. 

Italian for “the Spice,” Le Spezie lives up to its name — the spice of life, that is. This design shop features a mix of handicrafts from Mexico and other regions of the world. Colorful metal roosters, distressed painted furniture, sofas and accent cushions upholstered in colorful fabrics are all for sale here. Also of note is a range of industrial and hammered copper lighting fixtures. I especially liked the painted wood Kamadhenu, the wish-fulfilling Hindu cow goddess, sitting atop one of the cabinets. 

Wooden carving with faded paint of Hindu goddess Kamadhenu, with the torso and head of a woman, wings and body of a cow

What’s not to love? The Kamadhenu is part woman, part cow, with the wings of an eagle and the tail of a peacock.

The last space Wally and I walked through was Rise, a store featuring the works of Argentine graphic designer Lucas Rise and a clothing line created by his wife and business partner, Giuliana Vastarella. Rendered in jewel-tone hues, his works have been digitally printed onto textiles, with a few resembling kaleidoscopic Rorschach tests. Rise works in a nontraditional manner by using cabinets as his canvas, combining geometric forms, each meticulously painted by hand. 

Rise gallery in Fabrica la Aurora with large piece of machine from the old textile factory, paintings, a pink dress and a wooden sculpture with primary colors in geometric designs

A steampunk-looking apparatus with oversized gears, a remnant of the textile factory, shares a space with Rise. 

Over the years, La Fábrica has expanded its galleries and studios as places where both national and international artists can create and sell their work. It’s a short distance from the historic center of San Miguel de Allende, and if you’re like the two of us, you can easily spend a fun afternoon going from one gallery to the next. –Duke

Metal statue of rearing horse with its tongue out in parking lot of La Fabrica la Aurora in SMA, Mexico

A statue of a rearing horse stands in the parking lot of the arts center.

Fábrica la Aurora

Calzada de la Aurora s/n
San Miguel de Allende
Guanajuato
Mexico 

 

Magical Mystery Tour of the Chapel of Jimmy Ray

A glimpse into the glittering and colorful legacy of the self-taught expat artist Anado McLauchlin at his house outside of San Miguel de Allende, Mexico. 

Pink house with cattle skulls and plants at Chapel of Jimmy Ray

There’s no denying that a visit to the Chapel of Jimmy Ray will be a unique experience.

When planning a trip, Wally and I seek out quirky sites that are in close proximity to where we’re visiting. That’s how I first came across the Chapel of Jimmy Ray on Atlas Obscura — followed by an intensive image search on Instagram. I shared the fantastical artwork with Wally but was getting worried our itinerary was filling up. He said we’d make the time. 

And, really, how could we pass up such a weird and wonderful attraction during our stay in San Miguel de Allende, Mexico?!

Don’t go expecting to see a chapel, FYI. It’s actually a 2.5-acre complex literally filled with the unusual art of the late Anado McLauchlin. 

Two men sitting by crazy mosaic-covered fireplace

The Casa de las Ranas might be too crazy for other people, but Wally and Duke would be more than happy to call it their home.

Since it isn’t exactly easy to find, we hired a driver to take us there. The mosaic wonderland is located at the end of an unpaved dead-end road in La Cieneguita, a small town about 30 minutes from San Miguel de Allende. Our hotel arranged the ride, but when the driver doubled the price on us, we sent him packing — a move we’d later come to regret. 

Upon our arrival, Wally and I were welcomed by trusted artistic assistant Carlos Ramírez Galvan. We met up with another couple and were greeted by a tall bespeckled man with an impressive long white beard, wearing a wide-brimmed straw hat. This was Anado’s husband, Richard Schultz, and not unlike a mystical shaman, he was adorned with baubles and charms. Wally thought he looked like the poet Walt Whitman.

Colorful mural and man with white beard, hat and green pants

Richard leads the tour, which starts at the memorial for his late hubby.

Life’s Rich Tapestry: Anado’s Memorial

We were about 10 minutes late and the tour had already started, so be sure to get there a bit early. 

It started off at Anado’s memorial, which includes a 50-year-old olive tree that he and Richard purchased and planted when Anado was diagnosed with colon cancer. The design and theme was originally proposed for the chapel at the Puerto Vallarta Botanical Garden. However, the garden didn’t have enough money to fund it, Richard told us. 

So, Anado decided to use it as his memorial. The assemblage depicts two Trees of Life and portraits of Anado and Richard in profile. Between them is a blue glass heart and above them are a pair of colibríes (hummingbirds), which are considered sacred to many Mesoamerican cultures. 

Mural of two old men in love

A lovely mosaic of the lovebirds

Many of the small pieces of tile used in the construction of the mural come from Dolores Hidalgo. The nearby village is known for the production of brightly colored tin-enameled Talavera tiles — and for Father Miguel Hidalgo, who, on September 16, 1810, rang the church bells from his parish and set the Mexican Independence movement in motion. 

Additional tiles were sourced from Cuernavaca, Morelos. These arrive in ¾-inch squares and need to be cut by hand using a tile nipper, which allows the artists to break off small pieces of the material in a controlled fashion.

To the right of the memorial is a likeness of the Aztec god Xochipilli, (pronounced So-chee-pee-lee). Xochipilli was a benevolent god, a gender-fluid combination of both male and female traits. His name contains the Nahuatl words meaning Flower Prince. He was the god of art — as well as male sex workers. 

Richard pointed out how other indigenous societies like the Lakota Sioux have third-sex individuals who identify as two-spirit and hold sacred roles as teachers, healers and keepers of traditional knowledge among their tribes. Even the Zapotec muxes (mu-shay), who are born male at birth but assume matriarchal roles and female dress, are celebrated in parts of Mexico. 

“Usually, they get stomped out any time religion’s involved, whether it’s Evangelical, Catholic or Muslim,” Richard said. “Being two-spirit doesn’t mean they’re gay, or trans — they’re simply two spirits in one person.”

Mosaic arch with painted cattle skull and blue bottles at Chapel of Jimmy Ray

Anado referred to this as the Arch to Nowhere because at the time there was nothing built beyond it. Now it leads to the gallery (and outhouse).

Anado’s fascination with world religions, especially those honoring the pre-Columbian pantheon, can be found throughout the grounds. There’s a small colorful shrine embellished with pieces of mirror and tile that pays homage to the Virgin of Guadalupe, the venerated patroness of Mexico.

Artwork of Anado McLauchlin and his husband Richard against orange wall

Anado and Richard met the old-fashioned way: in an AOL chat room.

Picking Up the Pieces: Anado’s Fractured Life

Central to the complex is the namesake Jimmy Ray, a mosaic rendering Anado created in honor of his father, with whom he had a troubled relationship. Anado’s given name at birth was James Rayburn McLaughlin III, and his father was James Rayburn McLaughlin Jr. Anado’s father was a doctor and a scoundrel who always had a mistress. He had two sons outside his marriage and died in a plane crash returning from the Caribbean with one of his mistresses. 

“Anado’s mother learned of her husband’s death while watching the local news on TV,” Richard told us. “In life, there was always anger towards his father because the whole family knew what was going on.”

Mural of man at Gallery of Jimmy Ray

This mosaic is of Anado’s philandering father, the Jimmy Ray the chapel is named for.

One of the reasons Anado named his compound the Chapel of Jimmy Ray (his father’s nickname), was partly as a healing process, to recognize and forgive his dad for being a flawed human being, and to stop internalizing everything his father had done.

Anado was born in Oklahoma City on May 24, 1947. At the age of 20, he was drafted into the Navy during the Vietnam War. As fate would have it, he was stationed in San Francisco. A self-proclaimed product of the Summer of Love, he visited the bohemian Haight-Ashbury neighborhood every chance he could to participate in the crosscurrents of creative expression and social tolerance among the hippies. 

Once Anado got out of the Navy, he returned to Oklahoma City and opened the only head shop in town and was arrested for selling Zap Comix, which local authorities considered to be part of the counterculture movement.

Shortly thereafter, Anado enrolled at the School of Visual Arts in Norman, Oklahoma, where he intended to pursue a career in art. However, he was frustrated by his professors, who told him that his works were “too decorative.”

Catrina artwork with bottle hair at the Chapel of Jimmy Ray Gallery

Screw you, School of Visual Arts in Oklahoma! We think Anado’s work, like this take on a Catrina, is pretty rad.

He left Oklahoma and moved to New York City, where he lived for about 10 years and became a performance artist. Anado made most of his money driving a taxi and was part of the Chelsea Hotel crowd, performing with the likes of Patti Smith and Lou Reed. 

Pink wall with bottles and painting of two old men with white hair and beards and polka dot clothing

Before meeting Richard, Anado was part of the Rajneeshpuram, the sex-forward cult featured in the documentary Wild, Wild Country.

By the late ’70s, friends were committing suicide and overdosing on drugs. So Anado made the decision to travel to India and join the ashram led by the sex guru Osho Rajneesh. He was rechristened Anand Anado, which means “Blissful Silence” in Sanskrit. Rajneesh relocated to the U.S., founding a controversial community in Oregon, and Anado followed him there.

If you’ve heard about Rajneesh, it’s probably because of the 2018 Netflix documentary Wild, Wild Country. When we asked about this, Richard said Anado wouldn’t watch it because he didn’t share the views of the people who were interviewed from the commune (or, as many would call it, cult). “He felt that they didn’t represent what the everyday person was doing there and that they were part of the problem,” Richard explained.

Anado left the commune and relocated to California. In 1998, he met Richard in an AOL chat room. Richard was a former art history teacher residing in Noe Valley, a neighborhood in San Francisco, and Anado was living in Lagunitas. Suffice to say, sparks flew and Richard eventually became Anado’s husband and muse.

Funny artwork of two men swirling in red background with gray dots

Richard and Anado moved to Mexico and built their colorful home together. Sadly, Anado died of colon cancer in 2021.

A couple of years later, Anado and Richard visited San Miguel for a few days. They returned in 2001 to look for a place to retire and saw a listing in the local newspaper. The property was in poor condition and had been on the market for a while. The price was right: “You have to pay cash when you buy property in Mexico,” Richard explained, “and it was within our budget.”

Anado died of colon cancer in 2021.

Red gallery covered with mosaics and bottles at the Chapel of Jimmy Ray

The Gallery at the Chapel of Jimmy Ray is itself a work of art.

Memory Box: the Chapel of Jimmy Ray Gallery

Our group followed Richard down a curved staircase flanked with mosaic-covered snakes.

The metaphorical focal point of the property is the Chapel of Jimmy Ray Gallery, a space that showcases an eclectic mix of Anado’s work as well as rotating exhibitions by guest artists who are friends of Anado and Richard. Its exterior features a subversive fountain with an anatomically correct luchador who perpetually “pees” into its basin. 

Luchador fountain with mosaics at the Gallery of Jimmy Ray in Mexico

This fountain outside the gallery is fed by water coming out of the luchador’s bright red penis.

Standing outside of the gallery is quite possibly the most beautiful outhouse ever built. It’s a rounded and thoroughly embellished structure with glass bottles embedded into its terracotta-hued mortar walls, multicolored snake door handles, shiny glass spheres and an Indian chief finial. Anado cheekily referred to it as the Caca Mahal (a play of the Taj Mahal with the Spanish word for poop). It’s a waterless toilet that uses evaporation and decomposition to compost human waste. 

Crazy outhouse with mosaics at the Chapel of Jimmy Ray

What a throne room! This could very well be the coolest outhouse ever.

We caught the tail end of a show that featured the works of three female artists: Meryl Truett, Ann Chamberlin and Leigh Hyams. We ended up purchasing a piece by Chamberlin of a group of dazed-looking men hiding out in trees called Men in the Fresh Air. Her expressive works are inspired by traditional hand-painted devotional images known as retablos. 

We Are Angry 2022 by Ann Chamberlin, a painting of women in yellow dresses with knives

We especially loved the work of Ann Chamberlin, including We Are Angry 2022, featuring multiple women with blunt bob haircuts, wearing sleeveless canary yellow dresses — and all wielding machetes!

Red walls, small round mirrors, hanging skulls and a photo of Anado McLauchlin

A cool side room has a shrine of sorts to Anado

Giant mosaic skull with clocks for eyes and blue bottle hair at the Gallery of the Chapel of Jimmy Ray

One of Anado’s works is a monumental skull covered in mosaic tiles and cobalt blue bottles titled Time Is Not the Enemy — note the clocks placed in the eye sockets.

On either side of the gallery space are a pair of Día de los Muertos sculptures, a giant bejeweled calaca (skull) and a take on a Catrina. 

Tile-covered gallery with quirky artwork at the Chapel of Jimmy Ray

A secondary outbuilding, named Casa Kali, showcases some of Anado’s early works, as well as those of his assistant, Carlos.

Destiny Calling: Casa Kali and Coltrane

The first outbuilding Anado and Richard added to the grounds was dubbed Casa Kali and was built as an office. It now holds many of Anado’s early sculptural creations as well as those of his assistant Carlos. 

Creepy artwork of skeleton in kerchief and cowrie shells holding scythe

A gnarled creation by Carlos was one of our favorites and was adorned with a multicolored headscarf and cowrie shell necklaces and held a menacingly large scythe.

Giant head made of branches at Chapel of Jimmy Ray

This giant, grumpy-looking wood sculpture was made by Carlos’ kids. They named him Coltrane.

As we wandered toward the main house, we passed a monumental effigy head nicknamed Coltrane. It was made from twigs and branches by Carlos’ kids one summer. Wally asked if he was constantly being added to, and without missing a beat, Richard replied, “Or being put back together.”  

Wall featuring mosaics of a giant skull and skeletal cats

One section honors the couple’s kitties who have gone on the Great Litterbox in the Sky. Another mosaic honors their dead doggies.

Good Fortune: Tarot and Other Murals of Kismet Street

An outer wall is covered by an elaborate large-scale mosaic installation called Kismet Street. The name came from a vivid dream Anado had while living in the East Village in the ’70s and features a series of vignettes that took years to complete. 

The politically charged Big Hands features two outward-facing palms. The left hand with blue eye and brick wall represents the United States, while the right-facing green hand with brown eye represents Mexico. The inspiration for the piece was a quote attributed to the Mexican President Porfifro Díaz: “So far from God, so close to the U.S.”

Wall with mosaic mural of burgundy hand with an eye and skulls for fingernails

One half of Big Hands, with skulls and a nod to a brick wall to symbolize the United States.

We stopped to smile over yet another unusual aspect of the wall. “We were given a Tyrannosaurus Rex head,” Richard said. “Anado combined it with a platter and turned it into Quetzalcoatl, the plumed serpent.” 

Aqua T.rex head by colorful swirling mosaic wall

Only Anado could take a T. rex head and platter and turn it into the snake god Quetzalcoatl.

A recurring theme that can be seen throughout the estate in Anado’s art is snakes. Richard explained that snakes are sacred animals to many indigenous cultures around the world, from Asia and the Americas. They’re close to the earth and are often associated with wisdom, healing and knowledge. The Judeo-Christian tradition, of course, had to demonize them (think of the serpent in the Garden of Eden).

Mosaic of blue Xoloitzcuintli dog at the Casa de las Ranas, Mexico

Xoloitzcuintli dogs are said to shepherd the souls of the dead, which could explain why Anado chose one for the mural honoring his deceased friend David Wojnarowicz.

Another mural on Kismet Street is of a hairless Xoloitzcuintli dog, and was made by Anado in memory of his former roommate, David Wojnarowicz. David was an activist and mixed-media artist in New York, who died from AIDS-related complications in 1992. Early in his career, he was part of the street art culture and created Mayan dog graffiti around the East Village where he lived. In Mesoamerican religious lore, the Xoloitzcuintli leads the soul through the underworld to its final resting spot.

Other murals were inspired by tarot cards, which Anado read. The Emperor and the Empress have no clothes and were made, in part, from cut beer and wine bottles. The Emperor has a beer bottle penis, which has broken off more than a few times by the couple’s dogs’ excitedly wagging tails. 

Mosaic of green sideways naked woman on a wall

A section of the wall features mosaics inspired by the tarot. This one is the Empress, a card depicting maternal influence.

The Lovers features a trio of entangled snakes, which represent the invisible holy energy yogis believe resides at the base of our spines. In tarot, the card depicts the choices we make in life and love, and the consequences of such choices. 

Tile mosaic of snakes

Snakes are a recurring theme in Anado’s mosaics, including this one, inspired by the Lovers card in the tarot deck.

The Hanged Man depicts a young Anado hanging around in New York City in the ’70s. 

“Respectame,” says Anado’s mother in the last mosaic on Kismet Street — a healing work of art that was his favorite of the bunch.

The Fool honors Anado’s beloved mother. She’s looking down at her husband and saying, “Respectame” (Respect me). It was Anado’s favorite piece, Richard told us. He liked the idea of his mom standing up, as she never did during her life. In tarot, this card starts the deck and represents the beginning of a journey.

Two pet memorial walls (one for cats and the other for dogs) are dedicated to Anado and Richard’s beloved companions over the years. They were designed by Anado and completed over a period of two years by Mosaics in Mexico, a mosaic mural-making workshop led by artists Julie Richey and Ana Foncerrada. 

Colorful purple, yellow, blue, red and green home with tree in front

The second part of the tour offers a glimpse inside Anado and Richard’s home.

Casa de las Ranas: Anado and Richard’s Fairy Tale Home

Our tour ended at Casa de las Ranas (Frog House). While renovating their home, which was in a ruined state when he and Richard purchased it, Anado referred to it as a tadpole that they transformed into a handsome prince, earning the residence its name. I found it especially fitting, as the well-known Mexican muralist Diego Rivera aka el Sapo-Rana (Toad-Frog) was born in the nearby capital city of Guanajuato. 

Crazy, colorful dining room with green mosaic ceiling with part of a statue, red walls covered with artwork and a yellow table

The dining room at la Casa de las Ranas

Man in green pants and striped shirt stands in very colorful maximalist room with pillows, table and settees

The house itself isn’t that big — but there sure is a lot going on inside!

Asian woman sitting on sofa with lots of pillows by fireplace covered with mosaics and a statue of a dog

The Rosewood gang couldn’t resist getting a photo taken in the kooky casa.

Kitchen counter and walls covered with tiles and knickknacks.

The kitchen at Richard and Anado’s home

Like the rest of the compound, the mosaic images covering the walls were created from pieces of mirror, tile, ceramics, and salvaged and recycled materials. Everywhere we looked there was something fantastic to be discovered. 

Container holding many containers of paint in artist's workshop
Artist's workshop with necklaces, giant mask and plastic containers

The workshop offers a glimpse into the method of Anado’s madness.

Necklaces hang in window by table covered with dolls and knickknacks

Anado had plenty of materials to work with — everywhere you look there are quirky items.

Table with various items, including Mexican puppet, Jamaican cookie jar, papier-mache Virgin Mary and a naked Trump with micropenis

Various artistic inspirations, including Trump’s micropenis

Statues of Jesus, a woman with lilies and the devil with a dragon by historic military photo in Mexico

Religious iconography in Anado’s garage workshop

The tour ends in the garage workshop, filled with containers of paint, folk art, necklaces, and odds and ends. Wally bought a bracelet of mismatched beads to remember our time here. 

The Chapel of Jimmy Ray is a journey to an artsy, whimsical world. You’ll feel a bit like Alice in Wonderland.

Final Tips for Visiting the Chapel of Jimmy Ray

1. Make an appointment — through your hotel.

Because the Chapel of Jimmy Ray is Richard’s home and a museum of sorts showcasing Anado’s work, visits are by appointment only. We had emailed Richard weeks before to make a reservation but never heard back. Luckily, the concierge at our hotel in San Miguel was able to connect with him and secure us a spot.

Maybe the trick is to get Richard on the phone. Try giving him a call at +52-415-155-8044.

2. Arrange transportation so you don’t get stranded.

As mentioned, we were upset with being overcharged for our ride out there, and made the mistake of dismissing our driver after he dropped us off. As a result, we found ourselves stranded after the tour. When we tried to connect with a taxi service or Uber, the wifi and cell service was too spotty. Fortunately, the kind-hearted Richard took pity on us and asked Carlos to take us to our destination, the natural hot springs of La Gruta. 

The best option might be to have a driver stay there, so you’re ready to head back after the tour.

3. Be sure to get there on time, if not early.

Our driver showed up late, and by the time we got into the Chapel of Jimmy Ray complex, it was 10 minutes past the appointed time, and Richard had started the tour. As such, we missed some of the background about Anado and the property.

4. After the tour, visit La Gruta Spa and the Sanctuary of Atotonilco.

While you’re in the area, stop by La Gruta, where you can soak in hot springs grottos with locals. And then head down the street to the Sanctuary of Atotonilco, a UNESCO World Heritage Site known for its amazing murals from the 1700s. –Duke

Purple house with Virgin Mary made of cork and fiery painting and sunflowers in front

Chapel of Jimmy Ray and la Casa de las Ranas

Temazcal 3
37893 La Cieneguita
Guanajuato
Mexico