Monster Theory: A Q&A With Liz Gloyn

Beware! Medusa, the Sphinx, Cerberus and other monsters reveal the greatest fears of a society. 

Saint Martha Taming the Tarasque, circa 1500

There’s young Wally, curled up on the loveseat in the living room (the one his mother constantly tells him not to sit on), with D’Aulaires’ Book of Greek Myths or the D&D Monster Manual. 

The original Monster Manual used to play Dungeons & Dragons

From an early age, I’ve always loved monsters. Of course I imagined myself as a hero, and that often entailed slaying monsters — usually with magic. But I always found something sympathetic about monsters. To me, they often seemed misunderstood and maligned. Yes, the Minotaur devoured innocent youths. But did he ask to be born a vicious half-breed, trapped in the Labyrinth? 

The monsters of myth continue to have a mass appeal, as evidenced by the vampire craze (think True Blood, Twilight, Interview With the Vampire and The Vampire Diaries). 

As my friend Heather’s little boy, Gulliver, explained to me about the Batman villain Two-Face, “He’s a likable baddie.” He paused, then continued, “He’s a baddie — but he’s a goodie to me.”

Couldn’t have said it better myself. 

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While scrolling though episodes of The History of Ancient Greece podcast, I was intrigued to see one that had an interview with Liz Gloyn, senior lecturer in Classics at Royal Holloway at the University of London and author of Tracking Classical Monsters in Popular Culture. Upon listening, I couldn’t help but wonder: Why didn’t my college offer courses on monster theory?!

Liz Gloyn, author of Tracking Classical Monsters in Popular Culture

I reached out to Dr. Gloyn, and she graciously agreed to answer some questions about monster theory and her obsession with things that go bump in the night. –Wally

What drew you to monsters in the first place?

To be perfectly honest, I got cross! I had come up with an idea about how the original Clash of the Titans film used monsters and wanted to read what people had said on this subject, but when I went to look at the existing literature, there was nothing there. I could have read all I wanted to on the representation of the famous Greek heroes — Perseus, Theseus, Hercules and the rest — but monsters got treated as if they were scenery. That didn’t make any sense to me, so after I had finished with the piece I wanted to write about Clash of the Titans, I decided it was time for the monsters to get some proper attention of their own. 

The Italian movie poster for the original Clash of the Titans, which came out in 1981

“It’s noticeable how many monsters turn out to be women — or, if they’re male, they’re hypersexualized and hyperviolent, reflecting what happens without the controlling influence of civilization. ”

— Liz Gloyn, University of London

What is monster theory?

Monster theory is the field of academic studies which seeks to explain and understand the function of monsters. It’s based on a very influential piece by a medievalist, Jeffrey Jerome Cohen, who set out seven theses of monster culture, or seven ways in which monsters manifest and make themselves known. 

Few could dream up creepy creatures like Hieronymus Bosch, who painted up horrorscapes in the late 1400s and early 1500s

Monster theory argues that monsters are cultural creations — that is, the particular fears and concerns of a given culture will generate monsters which reflect those fears and concerns. They might be about the “other,” whether you define that in terms of gender, sexuality, ethnicity or something else; they might be about behavioral taboos which need to be observed to keep society safe. And however hard a culture tries to banish a monster, it always comes back. 

How has the perception of monsters changed over the years?

In the ancient world, monsters were very much known by how they looked — you could spot a monster a mile off, although it was also possible to bump into one by accident if you were wandering around the forest not paying attention. 

What we’ve seen since antiquity is a move away from a monstrous outside necessitating a monstrous inside. The break begins with Mary Shelley’s Frankenstein, where the Creature is initially an innocent and only becomes monstrous when people treat him badly because of his appearance. 

The frontispiece to an 1831 edition of Mary Shelley’s Frankenstein

What we’re seeing in the 21st century is a major anxiety over not being able to spot a monster on sight — we fear things like the serial killer, the faceless evil government corporation and the imperceptible virus carrying a gruesome disease. That’s what makes the presence of classical monsters in popular culture even more interesting — they’re still immediately recognizable, and so out of step with more modern kinds of monstrosity, yet still have considerable appeal.

What’s the most surprising finding from your research on monsters?

I think what I’ve been most surprised by is the sheer range of modern interpretations of classical monsters out there. When people know you’re working on this stuff, they pass on every example that they come across, and some of the things that have been shared with me are really amazing: tattoos, bar signs, graffiti, as well as places you might expect to find them like computer games, films and books. 

Dr. Gloyn didn’t know Wally has a Medusa tattoo — though she’d hardly be surprised

I’ve been particularly interested to find how popular Medusa tattoos are. As a monster that can turn people to stone with a glance, she’s not the most obvious thing to have permanently inked on your arm, but she’s clearly been a very important choice for a lot of people. 

Head of Medusa by Peter Paul Rubens and Frans Snyders, circa 1618. Not too many people know that Medusa was a rape victim punished by being transformed into a monster

What monster has been most maligned in your opinion?

Historically, it does have to be Medusa — her origin myth as told to us by Ovid in his poem The Metamorphoses is pretty explicit that the transformation happens after Poseidon has raped her, specifically as a punishment from Athena.

When you hear Medusa’s story, you can’t help but feel some sympathy for her and be pleased that she’s such a badass, even after death

Ovid’s version has been the most read and most influential in post-classical cultures, but until recently Medusa’s rape was translated away as “seduction” or a similar euphemism. Thankfully, as Latin literature has been opened up to a wider audience and stopped being the province of elite white men, we’re starting to see more versions of the story which grapple with Medusa’s identity as a survivor of sexual violence, so that aspect of the myth is beginning to get the coverage it should have.

Centaurs were wild creatures hardly more civilized than the wild beasts attacking them in this mosaic

What does monster theory tell us about how women are perceived? Men? Any other groups?

Monster theory argues that monsters come into existence in order to help society articulate fears and concerns about people not belonging to the dominant group — so, given the social structures of patriarchy, it has quite a lot to say about how society monsters women! Particularly in Greek myth, it’s noticeable just how many monsters turn out to be women — or, if they’re male, like centaurs, they’re hypersexualized and hyperviolent, reflecting what happens without the controlling influence of civilization. 

The Rape of Hippodamia by Peter Paul Rubens, 1638. Drunken centaurs tried to carry off the bride at her wedding feast

What looking at monsters that map on to different groups of people really tells us is what kind of threat they are supposed to hold. We see this, for instance, in the demonization of sexually active women in figures like the Sirens, or the way that villains in Hollywood are so often queer-coded, even in films made this century. 

Every society and every time period will react to these threats differently, so while there are some patterns we can spot which repeat, each monster reflects back the particular concerns of the society that generated it.  

The Victorious Sphinx by Gustave Moreau, 1886. You had only one chance to get the riddle of the Sphinx right

What’s your favorite monster, and why?

I have a soft spot for Medusa, as you may already have noticed, but I’m going to say the Sphinx.

Oedipus and the Sphinx by Gustave Moreau, 1864. The wandering hero solves the riddle, so upsetting the Sphinx, she kills herself

Before Oedipus shows up and solves her riddle, she has been patiently sitting on the road to Thebes, saying her piece to every passing traveller and then, when they don’t listen to her properly and instead try to mansplain her riddle to her, eating them. I admit that this might be a slightly free interpretation of the myth, but it does strike me that Oedipus solves the riddle because he’s the first person to actually pay attention to what the Sphinx is saying, as opposed to all her previous victims who just thought that they’d understood her. 

Hercules and Cerberus by Peter Paul Rubens, 1637. Bad doggie! The three-headed pooch Cerberus guards the gates of Hell, but is caught by Hercules as one of his tasks

What monster would you least like to encounter?

Cerberus. I’m just not a dog person, let alone a three-headed dog person. 

3 Times Alexander the Great Wasn’t So Great

The famed king of Macedon and military leader could be ruthless and cruel, especially when he dealt with Tyre, Gaza and Persepolis.

Alexander might have had a great body, but his actions weren’t always so great — especially when it came to conquering three major cities of antiquity

It’s all a matter of perspective. You can read through these stories about the man history has dubbed Alexander the Great and think, “What a dick.”

But you shouldn’t view ancient history solely through a modern lens. Even Dante was guilty of reducing the legendary conqueror to barbarian status: He placed Alexander in the seventh circle of Hell, boiling for eternity in the blood he shed.

As far as ancient history goes, though, Alexander’s brutality was typical: “He was a man of his own violent times, no better or worse in his actions than Caesar or Hannibal,” writes Philip Freeman in Alexander the Great. “He killed tens of thousands of civilians in his campaigns and spread terror in his wake, but so did every other general in the ancient world.”

“Armies in the ancient world firmly believed it was their natural right to pillage any city they encountered.

As for captive women, in the minds of the soldiers they were nothing more than the spoils of war and were to be treated as such.”

— Philip Freeman, “Alexander the Great”

Here are a few instances when the legendary conqueror was far from “Great” and acted with particular cruelty in amassing his empire.

The Phoenician city of Tyre was prosperous and well-protected

1. The Siege and Massacre of Tyre

As part of his world conquest, in 332 BCE, Alexander set his sights on Tyre, located on an island off the Lebanese coast. This was the most powerful of all the Phoenician cities and one of the richest trading centers in the Mediterranean. 

Attacking the city of Tyre was no easy feat, as it was situated half a mile off the coast and protected by strong currents and winds. Alexander decided to build a causeway, chopping down some of the famed cedars of the area and destroying the older parts of the city on the mainland to use as construction material. 

The long, arduous task took over half a year, interrupted by violent storms, a fire the Tyrians started by sending a flaming ship crashing into the causeway, and even a “sea monster” getting trapped upon it (most likely a whale). 

An aerial photo of Tyre taken by the French military in 1934 shows the land bridge that resulted from Alexander the Great’s causeway

At last, Alexander’s men completed the causeway. While a battle raged on land, the king boarded his lead ship and led a naval battle that struck simultaneously at all the seaward walls around the city. The Tyrians didn’t know where to focus their defense. When a battering ram on an armored ship opened a breach, the Macedonian army flooded into Tyre. It’s said that Alexander himself was the first to reach the top of the city walls. Then the carnage began.

Alexander assaulted Tyre from all directions on both land and sea

“The ferocity of the slaughter was staggering,” Freeman writes. “The Macedonians had spent seven long months laboring to take the stubborn town. They had seen many of their friends crushed by stones hurled from the walls or burned to death by fire bombs. They were angry, exhausted, and passionately hated the people of Tyre for putting them through hell. Alexander didn’t even try to hold them back as they killed every man, woman, and child they could lay their hands on.”

Corpses of men, women and children lined the streets of Tyre after Alexander and his army breached the walls of the city

Thousands died within the first few hours, and the rest were sold into slavery — aside from the lucky few who sought sanctuary in the temple of Hercules. And then there were the 2,000 men of fighting age who were taken to a mainland beach across from Tyre and crucified.

A painting of Gaza in 1839 by David Roberts

2. The Unmentionable Death of Gaza’s Eunuch Governor

En route to Egypt, also in 332 BCE, Alexander faced an obstacle: the hilltop fortress town of Gaza, ruled at the time by the Persians. Its marketplace held the riches of the Arabian caravan trade, including frankincense, gold and myrrh. 

A bas-relief from Alexander the Great’s sarcophagus depicting the battle of Gaza

Alexander was, in many ways, not only a daring army commander but also an engineering genius. When his men weren’t fighting or trekking halfway around the world, they were engaged in impressive construction projects. In Gaza, Alexander ordered them to build a ring around the city equal to its height. Using the siege towers from Tyre, the Macedonian army stormed the walls of Gaza but were driven back three times. On the fourth attempt, though, Alexander led a successful foray into the city, despite a wounded shoulder from a previous skirmish. 

All the men of Gaza were killed, and the women and children sold into slavery. The local governor, a eunuch named Batis, was brought before Alexander, who insisted he bow down before him. Batis refused, looking upon his conqueror in contempt.

The hero Achilles dragged his enemy Hector from his chariot — a gruesome act that inspired Alexander the Great’s humiliation of the governor of Gaza

“Then Alexander in his anger did something so horrific that most ancient historians omit the episode altogether,” Freeman writes. Inspired by Achilles’ shocking treatment of his enemy Hector in The Iliad, Alexander tied Batis to his chariot by his ankles and dragged his mutilated body through the surrounding rocky desert around Gaza long after he was dead.

The burning of Xerxes’ palace in Persepolis. Was it an act of drunken stupidity — or premeditated revenge?

3. The Needless Sacking of Persepolis

Unlike these previous battles, Alexander and his army marched right into Persepolis, the heart of the great Persian Empire, unopposed, in 330 BCE. It was a new city for the era, and a gorgeous one at that, filled with statues, impressive architecture and luxurious accommodations. 

Architectural and artistic wonders filled the city of Persepolis, though Alexander’s army viewed them only as the spoils of war

Alexander had spent too much time calling Persepolis the most hated city in Asia and claiming that the ultimate goal of his campaign was to destroy the Persian Empire (even though he would continue on after this, much to some of his men’s dismay). Having finally reached the city that had been demonized for so long, Alexander’s soldiers didn’t give even the remotest thought to preserving this pinnacle of culture; they wanted booty in all senses of the word. 

“Armies in the ancient world firmly believed it was their natural right to pillage any city they encountered,” Freeman writes. “After all, they put their lives on the line fighting for king and country. Glory was well and good for princes and nobles, but they longed for tangible treasure to spend while they were still young enough to enjoy it and gold to buy that farm they had always had their eye on back home. As for captive women, in the minds of the soldiers they were nothing more than the spoils of war and were to be treated as such.”

A drawing of Persepolis by the architect Charles Chipiez

Once he was situated in the palace complex, Alexander knew he couldn’t contain his men. He gave his army free reign to sack Persepolis — the first time he had done so to a city that had willingly surrendered.

What resulted was “an orgy of ferocious greed,” as Freeman calls it. The soldiers broke into homes, killing the men and raping the women and girls. They grabbed anything of value, hacking limbs off golden statues and sometimes even killing each other in the quarrels over fine purple cloth or silver jewelry. 

“The bravest among the citizens saw what was coming and set their own houses on fire with themselves and their families inside before the Macedonians could break down the door,” Freeman writes. “Others put on their finest clothing and threw their wives and children from the roofs to their deaths in the streets below, then followed themselves. 

After one day, “Persepolis was a smoking ruin filled with the dead, an indescribable scene of horror as naked widows and orphans were led away in the winter cold to the slave markets,” Freeman continues.

Some time later, in what the author calls “a fine Greek tradition to blame women for the foolish deeds of men,” Alexander burned down the great palace of Xerxes. A courtesan (which is just a nice way of saying “high-class whore”) named Thaïs had spoken so eloquently of destroying the palace, that a drunk Alexander grabbed the nearest torch and started the blaze himself — an act he almost immediately regretted. But it was too late. The palace was reduced to ash. 

The woman is always to blame. The courtesan Thaïs is said to have convinced Alexander to burn down Xerxes’ palace — which he instantly regretted

A different version of the story comes from Arrian, often the best source for information about Alexander the Great. The historian stated that the Macedonian king had always planned to burn down the palace in revenge for all the evils the Persian Empire had perpetrated upon the Greek world. Evidence supports this claim: Archeologists have found the remains of the palace but no treasures destroyed at the time — revealing that the fire was most likely premeditated and not started until all valuable objects had been removed.

“In the end, we simply cannot know whether or not the king deliberately burned down the palace of Xerxes,” according to Freeman. “But we can be sure that most of the ancient historians who wrote of the episode were deeply uncomfortable with Alexander’s actions and preferred to blame the events of that night on too much wine and the silken tongue of a woman.” –Wally

“He killed tens of thousands of civilians in his campaigns and spread terror in his wake, but so did every other general in the ancient world.”

— Philip Freeman, “Alexander the Great”

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LEARN MORE about the insane early life of Alexander the Great, from a gay gang rape to his mother burning a rival’s baby!

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The Easy-to-Miss Mastabas of Saqqara

The three royal Saqqara tombs of Inefrt V, Unas-Ankh and Idut offer a glimpse into the daily life of Ancient Egyptians. 

Ancient Egyptians believed that a drawing of a sacrifice was as good as the real thing

For most of us, there are a couple of certainties about death: You can’t take it with you, and you can’t bring the dead back to life. 

When pondering the finality of death, we try to reason with fate that it’s not our time to go while simultaneously contemplating the frightening prospect that one day, no matter how hard we try to avoid it, we’ll all end up as worm food. 

“Two of the mastaba’s rooms were purchased by Edward Ayer, the first president of the Field Museum in Chicago.

Strangely enough, these entire rooms were dismantled and traveled by boat to the Windy City, where they were added to the Field’s permanent collection. They can still be viewed today. ”

Step through the doorway to enter a world over 4,000 years old

Not so for the royal and upper-class families of Ancient Egypt, who, although having lived life very much in the present, were preoccupied with achieving the ideal afterlife. The planning and preparation of sophisticated abodes where their souls would reside for eternity often began shortly upon birth. And when a pharaoh did die, if the right precautions were taken, their soul went on to enjoy living among the gods, while the souls of nobility were reborn into a utopia. 

Wally walks like an Egyptian — and you should, too!

Duke’s happy we decided to explore the mastabas at Saqqara

A few Old Kingdom burial structures, known as mastabas (pronounced “mast-a-bahs”) are located within the cemetery complex of Pharaoh Unas at Saqqara. Built for his viziers, wives and offspring, these “forever homes” survived, immutable, for thousands of years, likely due to being hidden under sand. The flat-roofed, low-slung structures are all similar in size, with their exterior walls built of durable limestone blocks. 

Servants bear offerings of beer, bread, fowl, meat and other goodies

Spirits in the Material World: Inefrt V’s Mastaba

The first mastaba that Wally and I went into was the tomb of Inefrt V, a vizier who served Pharaoh Unas from his mid to late reign around 2430 BCE. This was the most powerful title amongst the Egyptian social hierarchy, after that of king — in fact, they’re often called the prime ministers of the time — and Inefrt’s loyalty earned him a coveted final resting spot. 

Finely sculpted limestone relief carvings throughout his tomb depict daily life. The mere utterance of the hieroglyphic inscriptions that accompany them were believed to spark magical powers to prepare the soul of the deceased for the next world.

Six small figures of the deceased, carved in sunken relief, face the central niche of the false door, which was used by the ka, or spirit

In the offertory chapel, one of several rooms, we paused in front of a niche with a false door. After the deceased had been laid to rest, family members and priests continued to bring food and other offerings, which were placed on a low bench-like slab in front of the false door through which the spirit, or ka, would pass through in order to receive sustenance. The dead, you see, still had to eat and drink even if they no longer held a physical form. 

One of the mastabas shows offerings for Prince Unas-Ankh to enjoy during his afterlife

The Princely Digs of Unas-Ankh

The second mastaba tomb we entered belongs to Prince Unas-Ankh, the son of Queen Nebt and King Unas, who died around 2400 BCE. It was discovered and excavated in 1908 by British Egyptologist James E. Quibell, then the chief inspector at Saqqara. Many historians have speculated that the prince died before his father, as no male heir took the throne upon Unas’ death. 

Surprisingly realistic depictions of fish are shown swimming beneath a boat

Scenes devoted to daily life include seated scribes going about their work

Two of the mastaba’s rooms, the offertory chapel and antechamber, were purchased from the Egyptian government by American business magnate Edward Ayer, the founding father and first president of the Field Museum of Natural History in Chicago. Strangely enough, these entire rooms were dismantled and traveled by boat to the Windy City, where they were added to the Field’s permanent collection of Ancient Egyptian artifacts. They can still be viewed today. 

Why build a tomb when you can steal one like Princess Idut did? She’s shown smelling a lotus blossom, a symbol of rebirth

Princess Idut and the Usurped Lair of Ihy

The mastaba tomb of the vizier Ihy was the last of this group. Dated to circa 2360 BCE, it was discovered by British Egyptologist Cecil Firth in 1927 and further excavated by French Egyptologist Jean-Philippe Lauer. What makes this tomb particularly interesting is that it was later usurped and reused by Pharaoh Teti’s daughter, Princess Idut, who bears the title of king’s daughter of his body. Ihy’s name was erased, and scenes originally made for the vizier were adapted, with the figure of the princess replacing that of poor Ihy. These were executed in shallow relief and, perhaps because they were made over existing ones, are inferior in quality, in my opinion. 

That baby hippo better watch out for the crocodile!

One of my favorite reliefs within the mastaba depicts a hippopotamus giving birth with a crocodile waiting to gobble up the newborn in its snapping jaws.

Be sure to visit the mastabas after exploring the depths of Unas’ pyramid

The Mastabas of the Unas Complex

The mastaba tombs Wally and I saw at Saqqara were multi-roomed affairs with corridors and a mortuary chapel with a false door for worship and offerings to the deceased. Reliefs often included scenes of hunting, netting fish, herding and butchering animals, threshing grain and other farming activities corresponding to events and experiences that the departed would have enjoyed in everyday life.

One of the main concerns beyond death for royalty and nobles alike was that the deceased would require food, and plenty of it. This bas-relief shows a graphic depiction of butchers slaughtering a bull

As our guide Ahmed hurried us past the mastaba entrances, we stopped and pointed at the doorways.

“What’s in there?” Wally asked.

“Some tombs,” Ahmed said, dismissively.

“Well, let’s go in then. We might only be here once — we want to see everything,” Wally said.

“That’s fine,” Ahmed snapped, obviously annoyed. “We can do that. But they’re all the same.”

Not only was this an alarming statement from a guide, who should be proud of his country’s heritage, it also just wasn’t true.

It wasn’t until then that we told Ahmed we were travel bloggers — and he looked sheepish and then upset, suddenly changing his tune, telling us that it was unfair to have withheld this detail from him and that he would have given us a different tour had he been informed. We thought that was a poor way to treat clients, and I can only imagine that he shared the same dispassionate and rushed tours with everyone.

That’s bull! Don’t let your guide at Saqqara try to pass by the mastabas in the Unas complex

Because of our lackluster Giza and Saqqara experience arranged through the Kempinski hotel concierge in Cairo, I would recommend getting the locations and sights you want to visit in writing and agreed upon the day before your visit. We didn’t — and as a result were subject to the rushed whims of our guide.

Admission to Saqqara cost 150 Egyptian pounds (about $9.50 at the time). Ahmed took us to the Step Pyramid, the entrance hall to Djoser’s Funerary Complex, the Pyramid of Unas, the above-mentioned mastaba tombs and the Imhotep Museum. Knowing what we know now, though, we could have easily have seen more time at Saqqara, including the Serapeum; the tomb of Irukaptah, nicknamed the “Butcher’s Tomb;” the tomb of Queen Nebt, one of the wives of King Unas; and the Tomb of the Two Brothers, possible gay lovers. –Duke

 

The Shocking Secrets of the Gospel of Judas

One of the Gnostic gospels, this “heretical” text paints a controversial picture of Christianity and the apostle who is said to have betrayed Jesus.

The Betrayal of Jesus by Giotto di Bondone, 1304. But what if Judas turning Jesus over to the authorities was all part of the plan?

Most people believe that Christianity has always been fully formed, as if the New Testament was handed down from God Himself.

But that’s not the case. We can be forgiven for falling under the impression “that Christianity actually was a single, static, universal system of beliefs,” write Elaine Pagels and Karen L. King in Reading Judas: The Gospel of Judas and the Shaping of Christianity. “Creating this impression was itself a remarkable achievement — one to which certain ‘fathers of the church’ were dedicated. But they did so precisely because they realized how diverse Christian groups were, and they feared that controversies over basic issues—like those revealed in the Gospel of Judas — might undermine the ‘universal church’ they were trying to build, along with the authority they were claiming for their church alone.”

But the discovery of additional texts like the Gnostic Gospels shows there were dissenting views and that early Christianity was anything but uniform. Church founders very carefully debated which gospels to keep — and which to discard.

The sorry state of the first page of the Gospel of Judas. That’s what a humid safety box and a stint in a freezer will do to ancient papyrus!

Unearthing the Gospel of Judas

The Gospel of Judas was written by an unknown author in Greek around 150 CE. Deemed heretical, the only known surviving copy is one that was translated into Coptic in the 4th century and discovered in the 1970s in Middle Egypt. It was part of what’s called the Tchacos Codex, which had a rough go of it, from its burial cave to a humid safety deposit box — even being frozen at one point!

A church father named Irenaeus rails against this particular group of Christians in work, Against Heresies, written around 180 CE:

They declare that Judas the traitor … alone, knowing the truth as no others did, accomplished the mystery of the betrayal; by him all things, both earthly and heavenly, were thus thrown into confusion. They produced a fictitious history of this kind, which they style the Gospel of Judas.

An early Christian leader, Irenaeus, railed against what he deemed heresies, including the Gospel of Judas.

This was at a time when Christianity had developed into numerous offshoots, with quite different beliefs. The Roman Emperor Constantine, a surprising but passionate convert to Christianity, attempted to resolve the differences by supporting the bishops he gathered together in 325 CE at the Council of Nicaea in present-day Turkey. These early church fathers went through the existing literature and chose what was canon and what was heresy. 

“The traditional history of Christianity is written almost solely from the viewpoint of the side that won, which was remarkably successful in silencing or distorting other voices, destroying their writings, and suppressing any who disagreed with them as dangerous and obstinate ‘heretics,’” Pagels and King write.

Those who dared to continue practicing beliefs the bishops had forbidden found their buildings confiscated or burned to the ground over the following centuries.

the shocking claims of the Gospel of Judas

The Gospel of Judas is a quick but confounding read. (At one point, for example, the writer offers this aside, which suggests that the son of God had the power to shapeshift: “Frequently, however, he would not reveal himself to his disciples, but you would find him in their midst as a child.” Judas 1:8).

Marvin Meyer and F. Gaudard translated the text into English for the National Geographic Society in 2006, and it wasn’t an easy task. As stated, the poor manuscript had been through the ringer. Improper handling and storage — including that stint in a freezer — had reduced the papyrus to fragments.

Here are four shocking claims made in the Gospel of Judas that completely disrupt what we know of Christianity.

The Taking of Christ by Caravaggio, circa 1602. The Christianity we know today was shaped by Church leaders 300 years after Jesus’ death — and early followers didn’t agree on doctrines.

1. Judas wasn’t a villain — he was actually Jesus’ favorite disciple and was asked by Christ to betray him.

This is the statement that’s the most shocking, even to this day, entirely turning the Gospels of the New Testament on their head.

“For thousands of years, Christians have pictured Judas as the incarnation of evil. Motivated by greed and inspired by Satan, he is the betrayer whom Dante placed in the third lowest circle of hell,” Pagels and King write. “But the Gospel of Judas shows Judas instead as Jesus’s closest and most trusted confidant — the one to whom Jesus reveals his deepest mysteries and whom he trusts to initiate the passion.”

On some level, this shouldn’t be such a big surprise. In all of the New Testament gospels, Jesus anticipated and even embraced his own death. So it’s not too far a stretch to imagine he worked with Judas to put his plan in motion.

2. The other apostles actually worship a false God and are mistaken in their beliefs about the Eucharist and martyrdom. 

The Gospel of Judas begins with Jesus laughing at the apostles (he laughs mockingly throughout the work) as they celebrate the Eucharist, believing that they were eating the body of Christ and drinking his blood — a practice that always struck me as eerily cannibalistic.

Matthew 26:26-28 reads, “As they were eating, Jesus took some bread and blessed it. Then he broke it in pieces and gave it to the disciples, saying, ‘Take this and eat it, for this is my body.’

The Gospel of Judas declares that the apostles got the Eucharist all wrong.

“Jesus’s laughter is a kind of ridicule or mockery intended to shock the disciples out of their complacency and false pride,” Pagels and King write. “Their deepest problem is that they don’t know they have a problem; they wrongly think they are already righteous, with their prayers and practices of piety.” 

Despite the hopeful message of salvation in the gospel, there’s a cryptic declaration near the beginning: Jesus said to them, “Do you (really think you) know me — how? Truly I say to you, no race from the people among you will ever know me.” Judas 2:10-11.

The apostles then have a dream that horrifies them: Priests sacrificed their children and wives. Some had sex with other men, while some engaged in slaughter, amongst an array of other “sins and injustices.”

Jesus once again laughs (I told you) and informs them that they are the ones doing those deeds and that they worship a false God.

This is, in part, supposed to be a commentary on the craze of martyrdom. Not surprisingly, many followers of Jesus at the time weren’t happy with the trend that persecuted Christians should eagerly embrace torture and violent death.

“Their anger was directed less against the Romans than at their own leaders for encouraging Christians to accept martyrdom as God’s will, as though God desired these tortured bodies for his own glory,” Pagels and King write.

The apostles just didn’t understand Jesus’ teachings, according to the Gospel of Judas — even the “God” they worshipped was false!

The author of the Gospel of Judas points out what he feels is a stunning contradiction: “while Christians refuse to practice sacrifice, many of them bring sacrifice right back into the center of Christian worship — by claiming that Jesus’s death is a sacrifice for human sin, and then by insisting that Christians who die as martyrs are sacrifices pleasing to God,” the authors point out.

 Jesus tells the disciples that the supposed “God” they worship is actually a lower angel who’s leading them astray. (This is where the gospel starts going a bit off the rails and gets all metaphysical.)

St. Stephen, said to be the first Christian martyr, as painted by Rembrandt.

3. Judas didn’t commit suicide — he was, in fact, the first Christian martyr.

The Gospel of Matthew states that Judas, ashamed at his betrayal, returned the 30 pieces of silver that had been his bribe, and hanged himself.

The Suicide of Judas by John Canavesio, circa 1492 — but did Judas really hang himself? The Gospel of Judas has him meeting a different gruesome end.

But the Gospel of Judas tells a different tale: The other disciples, horrified by what Judas has done, and not grasping the truth of Jesus’ plan, stone the supposed traitor to death. Even though the gospel decries martyrdom, it paradoxically also states that its subject was the first Christian martyr. 

Resurrection of the Flesh by Luca Signorelli, circa 1500. According to 1 Corinthians 15: 52, “the trumpet shall sound, and the dead shall be raised incorruptible, and we shall be changed.”

4. Despite what mainstream Christian teachings preach, during the end times, resurrection of the faithful will not be physical but spiritual.

Only Judas is ready to hear the truth, so Jesus takes him aside and teaches him how the visible world we know is actually one of primeval darkness and disorder. But despair not: There’s a heavenly realm where the invisible Spirit of God dwells in an infinite cloud of light.

At a time when Christians believed that the apocalypse was going to happen in the near future and that the bodies of the faithful would be reanimated, the Gospel of Judas taught a controversial doctrine: The body is temporary, but the spirit is eternal.

Jesus said, “The souls of every human race will die. But when those (who belong to the holy race) have completed the time of the kingdom and the spirit separates from them, their bodies will die but their souls will be alive and they will be lifted up.

Gospel of Judas 8:1-4

That sounds suspiciously like the state of enlightenment at the heart of Buddhism, which was gaining favor around this time.

By the end of the gospel, Judas reaches enlightenment, er, comprehends Jesus’ teachings. No longer turning his eyes away from Jesus, he looks up and enters nirvana, er, that infinite cloud of light. 

The torture and execution of Jesus, whom many believed would be another warrior king, dealt a severe blow to the faith of many early Christians. The Gospel of Judas attempts to show that the crucifiction (and murder of Judas) shouldn’t be disheartening: “This gospel suggests that our lives consist of more than what biology or psychology can explore — that our real life begins when the spirit of God tranforms the soul,” Pagels and King write.

A depiction of Lucifer devouring poor Judas

Was Judas a Demon?

Another scholar, April D. DeConick, offers a contradictory view. She questions the mainstream interpretation of the Gospel of Judas, arguing that instead of being the favored apostle, Judas was actually a demon. 

That’s a misinterpretation of the Greek, according to Pagels and King. Jesus calls Judas the “thirteenth god,” using the word “daimon.” Of course this later developed a negative connotation, worming its way into our language as “demon.” But in Greek thought, the term indicated a lesser god or even an individual’s lot in life. 

“Indeed,” the authors state, “Plato wrote that everyone possesses a daimon” — an idea picked up by Philip Pullman in the His Dark Materials series. –Wally

The Many Layers of Luxor Temple

The town of Luxor now surrounds this ancient complex built as a festival site by Amenhotep III and added on to by Hatshepsut, King Tut and Alexander the Great.

The modern city of Luxor has been built around the ancient temple complex

Americans never wanted a monarch like our friends across the pond, against whom we rebelled to set up a democracy. So we don’t know what it’s like to get caught up in a king’s or queen’s jubilee as the Brits do. 

It was a similar type of celebration that led to Luxor Temple. Amenhotep III, having been on the throne for 30 years, was due a Sed festival, an ancient rite to represent the rejuvenation of the pharaoh and renew his contract with the gods. Not every pharaoh made it three decades on the throne — at a time when that was pretty much the life expectancy — and Amenhotep was determined to celebrate his jubilee unlike any of his forebears. 

“Don’t miss the carvings of none other than Alexander the Great worshipping Amun-Min, whose massive hard-on points toward the legendary, bisexual conqueror.”

Luxor Temple was an important place of worship for 3,000 years!

He looked three miles south of Karnak Temple and directly across the Nile from his mortuary temple at a small shrine that acted as the “southern residence” of the composite god Amun-Ra. The town of Luxor, known as Thebes in ancient times, now surrounds the temple complex.

This colonnade was designed to resemble bundles of papyrus, an important plant for the Egyptians, used to make paper, sandals and other essentials

Amenhotep III had his architects design a vast open court with double rows of columns that resemble bundles of papyrus. The pharaoh was becoming more and more interested in solar worship, so he instructed that no roof cover this structure, allowing the sun’s rays to fill the space. With electrum walls and silver furnishings, you can only imagine how blinding the court would have been on a sunny day, filling worshippers with a sense of awe at the power of Amun-Ra.

Because they make noise at sunrise, as if in greeting, baboons were connected to sun worship for the Ancient Egyptians

Son of God

But Egyptologists say that the most important room in Luxor Temple is a small one at the back, behind the shrine where the solar barque, the god’s vessel, was kept, and next to an offering room. In this seemingly unobtrusive chamber, Amenhotep III rewrote his history (a favorite pastime of the pharaohs). He tells the tale of how his mother, Mutemwia, was visited in her bedchamber by what looked like her husband, Thutmose IV, but was actually the chief deity, Amun-Ra. 

The inscription at Luxor is a much more graphic recounting than the divine parentage story Hatshepsut inscribed in her mortuary temple. Amenhotep seems to delight in the details of his mother’s arousal:

She awoke because of the god’s scent and cried out with pleasure before his majesty. … She rejoiced at the sight of his beauty, and love of him suffused her body. …

“How great is your power!” … Your dew permeates all my limbs.” And then the majesty of this god did all that he desired with her.

Amenhotep-ruler-of-Thebes is the name of this child that I have placed in your womb. … He shall exercise potent kingship in this entire land. … He shall rule the Two Lands like Ra forever.

Speaking of graphic depictions, the Amun worshipped here was conflated with the fertility god Min and was depicted with an impressive erection. Don’t miss the carvings here that show none other than Alexander the Great worshipping this god, whose massive hard-on points toward the legendary, bisexual conqueror.

Alexander the Great, crowned as pharaoh, worships Amun in the form of Min, who has one arm, one leg and one giant erection

Luxor Temple became the primary stage for kingly rituals, including the Opet festival, when the Amun statue at Karnak would come for a visit.

An avenue of sphinxes once stretched for two miles, connecting Luxor to Karnak Temple

Various pharaohs put their stamp on Luxor, as seen in the Court of Ramesses

A Favorite of the Pharaohs

Over the course of 3,000 years, pharaohs added onto or rebuilt the temple. It’s interesting that Amenhotep III is known as the Sun King, and that his son, Amenhotep IV,  later chose the name of Akhenaten when he infamously shifted worship away from the pantheon led by Amun to a single deity, Aten, the sun itself. It seems the son took the father’s solar passion to an extreme. 

While Amenhotep laid the foundation for a colonnade in front of his sun court, it was completed by Akhenaten’s short-lived son, the famous Tutankhamun. Inside the massive hall, columns soar 60 feet into the air, and six striding colossi wowed visitors. 

Unlike so many other temples of Ancient Egypt, Luxor is open-aired, highlighting its connection to the sun

Ramesses II, who never shied away from an opportunity to proclaim his greatness, added on to Luxor, installing a forecourt, a pylon gateway and statues out front. To obtain the construction materials needed, he engaged in another preferred pastime of the pharaohs: razing and raiding the temples and pyramids of ages past. 

Ramesses shifted the axis of the temple to the east to align it with Karnak, to which it was connected by a sphinx-lined processional avenue.

You can see where the ancient stone wall ends and the new mosque built atop it starts

Religions Built Atop One Another 

Luxor, like most of the temples of Ancient Egypt was at some point buried in the shifting sands of the desert. But at no sight is this more clear than here, where you can literally see the different colors of the rock showing what was buried for millennia. 

Old meets new and Islam meets Ancient Egyptian at Luxor

You can also see how the complex was converted to various Christian churches in the 4th to 6th centuries, when Romans incorporated the entire complex into a castrum, or fortified military encampment. Icons of various holy figures can still be seen painted on one of the walls. 

In the late 3rd century, during the reign of Diocletian, this section of Luxor became a Roman legionary shrine. Part of the fresco can still be seen

With the rise of Islam, Muslims built a mosque atop one of the churches here. This striking place of worship sits perched atop one of Luxor’s surrounding walls and is still in use to this day. 

Venture to the back of Luxor Temple to see statues of King Tut and Queen Ankhesenpaaten

A Bizarre Ritual Out Back

While we wandered the open-air structures at the back of the temple, past two pairs of decaying statues, an Egyptian policeman approached us. The ubiquitous machine gun strapped across his chest that never failed to put me ill at ease was counteracted by his beaming smile. 

He signaled for us to follow him. A bit nervous but curious, Duke and I followed him into a nook in the far corner of the complex. The policeman gestured for our phone to take a picture. With Duke’s iPhone in hand, he began a series of strange choreography, intertwining our fingers of one hand and having us touch the ancient stone with the other. (I know you’re not supposed to touch the monuments, but when an armed guard tells you to do something, you obey. Sure enough, we weren’t the first to follow this bizarre ritual — the stone was worn, polished by the oils of countless hands.) He snapped a shot, then had us hold our hands toward each other in a prayer gesture, like we were about to play pattycake. Snap, another picture. And finally, he had us keep our hands in that position but place them against the wall in the same spot we had previously touched. 

An armed policeman ran Duke and Wally through a series of strange motions — though they have no idea what it all meant

It was all quite amusing, though we’re not sure what exactly was the desired outcome. Perhaps it was an ancient spell for fertility — and if that’s the case, what a waste doing it on a couple of gays. 

We offered the cop a tip, known as baksheesh in Arabic, which he gladly pocketed. 

Admission to Luxor Temple costs 140 Egyptian pounds, or less than $9 at the time of this writing. –Wally

 

The Magical Pyramid of Unas at Saqqara

Home of the bewitching Pyramid Texts, including the Cannibal Hymn — ancient magic spells cast to assure the pharaoh an eternal afterlife.

The Saqqara complex, about an hour south of Giza

South of the Step Pyramid of Djoser at Saqqara lies one of Egypt’s most important Old Kingdom monuments, the Pyramid of Unas, whose walls are covered in ancient spells. 

What remains of the Pyramid of Unas, though, looks more like a crumbling mound of sand, stone blocks and debris than a royal pyramid. After walking past the Step Pyramid and being told that was unsafe to enter, Wally gestured to the collapsed structure before us, looking dubious, and asked our guide, “But it’s safe to go inside this one?”

“The texts carved into the walls include the Cannibal Hymn, which, strangely, describes the dead king consuming the gods themselves. ”

Built 80 years after the Step Pyramid of Djoser, the Pyramid of Unas is the smallest of the Old Kingdom pyramids. The complex was originally known as Nefer asut Unas, or Beautiful Are the Places of Unas, who was the ninth and final ruler of the Fifth Dynasty. 

A small mountain of rubble and sand are all that’s left of the Pyramid of Unas — but you can explore the tomb carved beneath it

Unas, Dos, Tres

Pharaoh Unas reigned for 15 to 30 years, succeeding Djedkare Isesi, who might have been his father. Little is known of Unas’ activities during his reign, which was a time of economic decline (perhaps he spent too much money on his tomb?). He died without an heir, and his daughter married his successor, a commoner named Teti, whom historians consider the founder of the Sixth Dynasty. Unas’ wives, Nebet and Khenut, were buried in a double mudbrick tomb called a mastaba, adjacent to his pyramid.

It’s hard to imagine that it’s safe to explore the tunnels and chambers under this crumbling mound

The Pyramid of Unas itself is over 4,400 years old, part of the Saqqara complex, a necropolis used by pharaohs for millennia. It remained unexplored until the French Egyptologist Gaston Maspero uncovered it in 1881. Excavations later took place between 1899 and 1901, leading to the discovery of the tomb of King Hotepsekhemwy, the first king of Egypt’s Second Dynasty (back around 2890 BCE) as well as numerous shaft tombs from the 26th and 27th Dynasties.

Doesn’t it look like Gaston Maspero, the French Egyptologist who rediscovered the pyramid, made a call on his cell phone inside the tomb?

Keep in mind that without the step pyramids of Saqqara, even in their sad current state of demise, there wouldn’t be the Great Pyramids of Giza. This is where the ancient architects tried out their designs, moving from mastabas to step pyramids and finally to the towering Wonders of the Ancient World that still stand to this day.

Access to the Pyramid of Unas is included with the 150 Egyptian pound (less than $10) admission to the Saqqara necropolis. Our guide Ahmed recommended that we visit this tomb in lieu of going inside the Pyramid of Khafre at Giza as Khafre’s doesn’t have any relief carvings inside. Wally and I ignored his advice and went inside the Pyramid of Khafre as well, which was an absolute highlight not to be missed.

These ancient hieroglyphics are actually the oldest known collection of spells and were used to grant the pharaoh life after death

It’s What’s Inside That Matters: The Pyramid Texts and the Cannibal Hymn

The ground-level entrance to the Pyramid of Unas is surrounded by an open metal railing located on the north side. Wally and I clambered down the low, narrow passage using an angled wooden ramp similar to the one at the Pyramid of Khafre. Once inside the depths of the tomb, there’s a small vestibule where it’s possible to stand, that leads to the antechamber and a pair of adjoining rooms.

Carvings of famine in the causeway in the Unas complex

What makes this tomb unique is that it was the first to feature the mysterious Pyramid Texts, the earliest surviving collection of religious spells. The texts offer instructions and the power to grant life after death. 

In the antechamber, the texts carved into the walls address the rebirth of Unas, his ascent into the sky and his mystical union with the sun god Ra (aka Re) as well as the fascinating Cannibal Hymn, which, strangely, describes the dead king consuming the gods themselves. Here are some of the more colorful excerpts:

A god who lives on his fathers,
who feeds on his mothers …

Unas is the bull of heaven
Who rages in his heart,
Who lives on the being of every god,
Who eats their entrails
When they come, their bodies full of magic
From the Isle of Flame …

Indeed, Khonsu [the Moon], who slaughters the lords, cuts their throats for Unas, and takes out for him what is in their bellies. He is the messenger whom he sends out to chastise.

Indeed, Shesmu [the wine-press god] cuts them up for Unas and cooks for him a meal out of them in his evening cook pots.

Unas is he who eats their magic, who swallows their spirits.
Their great ones are for his morning meal,
Their middle-sized ones for his evening meal,
Their little ones for his night meal,
Their old men and the old women are for his fuel.

Negotiating the afterlife was no small feat for an Ancient Egyptian pharaoh and required some 700 incantations. Of these texts, 283 are inscribed on the limestone walls of the subterranean antechamber, or horizon room, and burial chamber of the pyramid. A third chamber known as the judgement room is devoid of inscriptions, indicating that the pharaoh couldn’t be aided by sacred texts when answering for his mortal deeds before Osiris, the lord of the afterlife.

Pharaohs didn’t want to give up the good life, so they had elaborate incantations carved in their tombs to assure a pleasant afterlife

The Pyramid Texts predate the more famous Book of the Dead. These spellbooks do not mean that death was the Ancient Egyptians’ main preoccupation. In fact, it’s just that they enjoyed life so much they took every means possible to continue feasting, hunting, playing games and the like in an everlasting paradise as a god beyond death.

To the west is the burial chamber with its black basalt sarcophagus symbolizing the fertile earth. The proximity of the Pyramid Texts to the deceased acted as afterlife insurance for the pharaoh. Incised on the white alabaster-lined walls of the burial chamber, ritual texts for the rebirth of the king refer to the sun’s rays as a ladder Unas could use to ascend to the heavens. 

The vaulted burial chamber ceiling is embellished with a pattern of stars (which looked more like starfish to Wally and me). When the burial chamber was excavated by Maspero, the sarcophagus was found to be empty, aside from an arm and skull fragments, still covered with skin and hair.

The ceiling of the burial chamber in the Pyramid of Unas is covered with stars

We were told to tip the men inside so they’d use their flashlights to reveal some of the carvings, which can only be seen with the lights off. As we entered the small room, another tour group was being shown the trick. Duke and I watched, squinting at the wall but not seeing anything. Eventually, we looked at each other, shrugged and moved on. –Duke

When you’re in Cairo, find a guide who’s not an ass like ours was — and spend an afternoon in the ancient necropolis of Saqqara

 

Lesser-Known Egyptian Gods

Nut, Geb, Bes and Ptah, oh my! A who’s who of Egyptian deities.

Even if you’re familiar with the stars of the Ancient Egyptian pantheon like Osiris and Re, you probably don’t know some of their colorful cohorts. Meet the less well-known but still batshit crazy gods and goddesses who sport the head of a lion, crocodile, dung beetle and other creatures.

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RELATED: The Major Egyptian Gods

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Aten

Aka: Aton

Domain: The sun

Description: The sun with a uraeus (the sacred asp) at its base, with rays of light that each end in outstretched hands, some of which hold ankhs when shining upon anyone in the royal family.

Strange story: Historians believe that Pharaoh Akhenaten’s decree to abandon the old gods and worship only the Aten is the first instance of monotheism — and could very well have influenced the Jewish religion.

Bes

Aka: Aha

Domain: Protector of children and pregnant women

Description: A dwarf with a large head featuring bulging eyes, a protruding tongue, a beard and a lion’s mane. Sometimes depicted with a large belly and sagging breasts

Consort: Beset 

Strange story: Pilgrims would spend the night in incubation chambers covered with images of Bes and Beset to cure themselves of infertility or impotence.

Geb

Domain: Personification of the Earth, healing — colds, fevers and scorpion stings in particular

Description: A man lying on his side, one arm supporting himself, beneath his spouse, Nut, the personified sky. Grain sprouts from his ribs and vegetation from his back.

Consort: Nut

Strange story: His laughter is what causes earthquakes.

Hapi

Aka: Hapy

Domain: The yearly flooding of the Nile

Description: A man with a swollen belly, long hair and pendulous female breasts, sometimes with a cluster of papyrus on his head

Strange story: One ancient text relates that 1,089 goats were sacrificed to Hapi in a fertility rite.

Khepri

Domain: The sun

Description: A black scarab, or dung beetle, or a man with one for his head.

Strange story: Male scarabs push around small balls of dung. Ancient Egyptians believed that the sun, in turn, was pushed through the sky every day by Khepri.

Min

Aka: Amun-Min

Domain: Male virility

Description: A black mummified man who holds his wrappings in his right hand and his hard-on in his left, though he’s often shown with only one arm and one leg

Strange story: Offerings to Min depicted lettuce, a symbol of sex due to its semen-like milky sap.

Neith

Domain: War, creation, motherhood and the funerary process

Description: One of the oldest of the Egyptian pantheon, Neith’s iconography shifted through the centuries. She’s sometimes shown as a woman holding an ankh and was scepter or wearing the Red Crown of Lower Egypt. She’s also depicted holding a bow and arrow or a harpoon. As the mother of Sobek, she’s shown suckling a small crocodile at each breast. The goddess could also appear in the guise of a serpent or fish.

Strange story: She’s so wise that even the sun god Re comes to her for counsel. But if you don’t follow her advice, she gets so angry she’ll make the sky fall. 

Nut

Domain: The sky

Description: A naked woman bending over to form the heavens, her feet and hands on the horizon below. She’s sometimes depicted as a cow or sow.

Strange story: Every night, she swallows the sun, giving birth to it in the morning.

Ptah

Aka: Ptah-Nun

Domain: Creation and craftsmanship

Description: A mummified man with a long, thin erection, wearing a skull cap and false beard and carrying a scepter

Consort: Sekhmet

Strange story: While some believed that Ptah created the world on his potter’s wheel, others credited him with thinking or speaking the world into existence.

Sekhmet

Domain: Violence and healing

Description: A lion-headed woman

Consort: Ptah

Strange story: When the sun god Re grew old, his subjects plotted against him. To punish them, Re sent Sekhmet, who, in a destructive frenzy, went on a rampage, breathing fire and nearly wiping out the entire human race.

Sobek

Domain: Water

Description: A man with a crocodile head, sometimes wearing a headdress with tall feathers, horns and the sun

Strange story: Watch out, ladies! Sobek’s nickname is the Raging One because he’s known to “take women from their husbands whenever he wishes according to his desire.”

Pro tip: One of the less-visited temples in Egypt, Kom Ombo, is dedicated to Sobek and has a museum of mummified crocodiles next door.

Taweret

Aka: Tawaret

Domain: Motherhood

Description: A grimacing hippo with sagging tits and a pregnant belly

Consort: Seth or Bes

Strange story: Containers made of faience were shaped like Taweret to hold breast milk. Two holes in the nipples allowed the milk to be poured out for magic rituals. –Wally

The Major Egyptian Gods and Goddesses

Who the heck were Anubis, Osiris, Thoth and Amun? Learn about Egyptian deities and the crazy stories of Egyptian mythology.

Look for the various deities from Egyptian mythology as you explore temples like Dendera, with this colorful wall featuring Thoth, Horus, Isis and others

As a kid, I loved mythology (still do) — but I hated how many different versions there were of every tale. Couldn’t they all just agree upon one story and stick with it?

Of course, now, as an adult, I realize things aren’t that simple. Deities begin as one thing and evolve into something else. They get conflated with other gods. Their worship extends to a new region, where they take on new aspects. 

If you’re planning a trip to see the wonders of Egypt, it’s helpful to know a bit about the gods and goddesses beforehand. Temple carvings can blur together after a while, so it’s more fun to be able to spot the deities in the images: Hey! I know that green-skinned mummy-looking dude! That’s Osiris, lord of the afterlife! 

Here’s a primer on this often-bizarre pantheon, mostly culled from The Complete Gods and Goddesses of Ancient Egypt by Richard H. Wilkinson. (And be sure to check out our glossary of the lesser-known Ancient Egyptian gods, too!)

Amun

Aka: Amon, Amen, Amun-Re

Domain: The sun and fertility. As the supreme god of the Egyptian pantheon, he’s also credited in some tales for thinking the world into being.

Description: A human male, often with the head of a ram

Consort: Mut

Strange story: A young daughter of the reigning pharaoh was given the role of divine wife of Amun. Her duties including rubbing the phallus of the god’s statue until she felt it “orgasm.”

Anubis

Domain: Mummification, death and the afterlife

Description: A man with a black jackal head

Strange story: Anubis mostly likely got this head because desert canines would scavenge the shallow graves in early cemeteries, and people sought protection from the very creature that would threaten their eternal peace.

Bastet

Aka: Bast

Domain: Cats and pregnancy

Description: A woman with the head of a cat, or simply a cat itself

Strange story: Entire cemeteries at Saqqara and elsewhere are filled with cat mummies killed as offerings to the goddess.

Hathor

Domain: Women, female sexuality and motherhood, as well as music and happiness

Description: A woman with bovine features, usually cow ears, as can be seen atop Hathor columns. Sometimes depicted as a cow or a woman wearing a vulture cap.

Consort: Hathor is, alternately, the mother and wife of Horus.

Strange story: One of her nicknames is Mistress of the Vagina. When the sun god Re was depressed, Hathor flashed her pussy at him. It did the trick: Re laughed and rejoined his fellow gods.

Horus

Aka: Re-Horakhty

Domain: The sky, sun and kingship

Description: A falcon-headed man or infant

Strange story: During an epic battle with his Uncle Seth, Horus climbed a mountain with his mother Isis’ decapitated head. He fell asleep, and Seth snuck up and gouged out Horus’ eyes and buried them. Lotuses sprouted from the eyes, and the goddess Hathor restored Horus’ sight by pouring gazelle milk over the sockets.

Isis

Domain: The cosmos, magic, mourning and the dead

Description: A woman with large horns and the solar disc atop her head, sometimes with wings

Consort: She’s the sister and wife of Osiris, with whom she had Horus.

Strange story: A popular way to depict Isis was to show her breastfeeding Horus. Because pharaohs were the living incarnation of Horus, Egyptian kings were said to drink Isis’ breast milk as well.

Maat

Aka: Ma’at

Domain: Truth, justice and the cosmic order

Description: A woman with a bird’s tail feather atop her head, sometimes shown with wings under her arms

Consort: Thoth

Strange story: Upon death, the heart was placed upon a scale. If it weighed less or the same as the feather of Maat, the person had led a virtuous life and could go on to the afterlife. If not, they’d be devoured by the demoness Ammit, who was part lion, hippo and crocodile. 

Mut

Domain: Motherhood

Description: Early depictions show her with the head of a lioness, but she’s most often shown as a woman in a feathered dress wearing either the White Crown of Upper Egypt or the Double Crown of the Two Lands.

Consort: Amun

Strange story: Mut was sometimes shown with an erection and three heads — those of a vulture, lion and human. In this aspect, she was said to be “mightier than the gods.”

Osiris

Domain: Ruling over death, resurrection and fertility, he’s the lord of the underworld.

Description: A green mummy holding the crook and flail, symbols of Egyptian royalty, and wearing the atef crown, a white bowling pin-like headpiece flanked by two tall feathers

Consort: Isis

Strange story: His jealous brother Seth murdered him and chopped him into pieces, hiding the body parts all over Egypt. Osiris’ dutiful wife, Isis, hunted down and found all the pieces, save one: his pecker.

Re

Aka: Ra (though he merged with many other deities as well, including Amun and Horus)

Domain: The sun

Description: The sun, encircled by a cobra, sometimes with wings. He has a falcon head in his Re-Horakhty version.

Strange story: In one myth, Re created the world. When he “cut” his cock, possibly a reference to circumcision, two deities sprang from the drops of blood: Hu (Authority) and Sia (Mind).

Seth

Aka: Set

Domain: Violence, chaos, confusion, cunning and storms

Description: A man with a long tail and a strange curved animal head that has tall, squared-off ears

Strange story: He molested his nephew Horus but then lost the throne of Egypt when he unwittingly ate lettuce that had Horus’ jizz on it. 

Thoth

Domain: Knowledge and the moon

Description: A man with the head of an ibis, a now-extinct bird with a long, thin, curved beak. Sometimes also shown as a baboon

Strange story: Thoth invented writing and is the Lord of Time, recording history. Scribes would pour out a drop of water for him from their brush pot as a libation at the beginning of each day. –Wally

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Were Hatshepsut and Senenmut Lovers?

From speculation that he was gay to that infamous graffiti, we investigate Pharaoh Hatshepsut’s most-trusted advisor, who rose from nothing to become one of the most powerful men at the time. 

Senenmut was certainly Hatshepsut’s right-hand man — but did their relationship extend into the bedroom?

Were they or weren’t they? Egyptologists have debated whether or not Hatshepsut, the woman who became pharaoh, and her right-hand man, Senenmut, were an item. 

Senenmut, who was most likely about 20 years older than Hatshepsut, started out as a nobody. He didn’t come from a respected family — in fact, he was the son of a low-level official in a backwater village 15 miles from the capital city of Thebes (modern-day Luxor). Yet somehow he was chosen for a position at the palace, overseer of the large hall. In this role, Senenmut was in charge of the audience hall, where the king and queen would sit upon their thrones and receive visitors and hear petitions. And that was just the beginning.

“Archaeologists found a drawing of a man and woman having sex doggie-style.

Some think it was a political satire of who really wore the pants, so to speak, in the relationship between Hatshepsut and Senenmut. ”

Senenmut was soon promoted to overseer of the two granaries of the god Amun, a position that gave him access to great wealth and made him an economic authority. In addition to having control of the religious storehouse of wealth, Senenmut also became steward of the king’s and queen’s palaces, thereby controlling vast portions of the Ancient Egyptian economy. 

It’s hard to imagine how one man could do so many things, but Senenmut must have proved himself imminently capable, for he continued to collect titles, becoming responsible for more and more aspects of the state religion and government.

Royal tutors like Senenmut were depicted in this strange, blockish style — perhaps to emphasize their role as protectors of their charges

Wet Nurse for the Brain: Tutor to Neferure

One of the aspects of his illustrious career of which Senenmut was most proud was his role as tutor to Thutmose II and Hatshepset’s daughter, Neferure. It seems he wasn’t allowed to depict himself in the presence of Pharaoh Hatshepsut, but he commissioned numerous statues showing him as tutor to little Neferure — a way of declaring his connection to the royal family.

“The title for the royal tutor in Egyptian is mena nesut, which essentially means ‘male breast for the king’; that is to say, it is the masculine version of a wet nurse whose milk provided an infant with nourishment and protection against disease,” Kara Cooney writes in The Woman Who Would Be King, a marvelous account of Hatshepsut’s life. “The Egyptians believed that a wet nurse became related to her charge through the milk she fed the baby — in a sense, artificially creating blood relations.” 

In a similar sense, a male tutor nourished the mind of his young charge, pretty much becoming part of the family. Senenmut was such a father figure to young Neferure that many have speculated that she was actually his child instead of sickly Thutmose II’s.

“Much ink has been spilled on conjectures about the relationship between Hatshepsut and Senenmut,” Cooney writes, “however, there is no clear indication that Senenmut was anything more than Neferure’s tutor and protector, albeit a very close one.”  

Does this naughty graffiti show Senenmut taking King Hatshepsut from behind?

The Case of the Doggy-Style Graffito

After Thutmose II died, Hatshepset’s nephew Thutmose III became pharaoh. Because he was still a child, Hatshepsut acted as regent for the Egyptian throne, ultimately declaring herself co-pharaoh. 

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Hatshepsut led a colorful early life, including a period when she acted as a “wife” to the chief god of the Egyptian pantheon

SHE DID WHAT TO THE STATUE?! 

9 Fascinating Facts About the Early Life of Hatshepsut

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As ruler of Egypt at a time of great prosperity, Hatshepsut launched numerous construction projects, including the amazingly modern-looking Deir el-Bahari, her funerary temple, in the mid-1400s BCE. A crude drawing found nearby has launched a thousand speculations on the relationship between Hatshepsut and Senenmut. 

Senenmut wanted to be close to his queen in the afterlife. His tomb chapel sits in the hills overlooking Deir el-Bahari, the Mortuary Temple of Hatshepsut

When archaeologists excavated the tombs in the hills above the Mortuary Temple of Hatshepsut, they were, I’m sure, delighted to find a drawing of a man fucking a woman from behind. Surely this was a political satire of who really wore the pants, so to speak, in the relationship between Hatshepsut and Senenmut. 

But there’s nothing to mark the woman as Hatshepsut — no crown, no label — or anything that points to the man being Senenmut, for that matter. It was just too good of a story to pass up. 

While that famous graffito might not reveal that the pharaoh and her trusted advisor were intimate, there are other clues: Senenmut’s image was sneakily included in parts of Hashepsut’s mortuary temple, and his sarcophagus was of a matching pair with Hatshepsut’s.

There’s one other fact that raises suspicions about Senenmut’s connection to his female king, Cooney points out: “Not one of his dozens of statues, reliefs, and temple depictions records the existence of a family of his own,” she writes. “Without a doubt, if anything should make us wonder about the nature of his relationship with Hatshepsut, it is his lack of a wife. All Egyptian elites married.” 

Even if Senenmut was gay — and there might not have been anything wrong with that! — he probably would have still married. Did Hatshepsut just want him as a lover all to herself?

Was Senenmut Gay?

Perhaps Senenmut just preferred the company of men. “The ranks of Egyptian elites undoubtedly included some men with same-sex desires, and some of these men might even have been able to talk of their sexual interests openly,” Cooney writes. 

But assuming that was the case, evidence indicates that gays in Ancient Egypt would have still married, in the hopes of having sons to pass on their legacy. 

Maybe Hatshepsut insisted she have Senenmut all to herself.

Portraits found in Senenmut’s tomb present a less-flattering, probably more-realistic view of what he looked like

What Did Senenmut Look Like?

The statues of Senenmut as tutor to Princess Neferure show him as young and idealized. But the portraits in his tomb are probably more accurate: They “show him as a timeworn man with a hooked nose, lines etched into the skin around his mouth, a flabby, weak chin, and fleshy lips,” Cooney writes, adding, “If these latter images are to be believed, he was not a handsome man.”

Despite being one of the greatest royal advisors in Ancient Egypt, Senenmut was left with an unfinished tomb and an empty, shattered sarcophagus

A Sad End for Senenmut

Whether or not Hatshepsut and Senenmut were lovers, it’s obvious he wanted to be near her in the eternity of the afterlife. While his tomb chapel sits in the hills overlooking the Mortuary Temple of Hatshepsut, he planned to have his body buried in a separate tomb closer to hers. To have a separate location for the tomb, instead of digging it below the funerary chapel, was a right that had previously been reserved for royalty. 

There’s evidence Senenmut lived for about 20 years after Hatshepsut’s death, but no records show that he retained his high position. It’s believed he lost much of his prestige after his beloved perished — and Thutmose III’s subsequent attempt to erase Hatshepsut’s kingship from history certainly wouldn’t have helped. 

Thutmose III, the a-hole who tried to wipe Pharaoh Hatshepsut’s reign from history

Senenmut’s tomb was left unfinished and sealed without his corpse. His sarcophagus was dragged up to his tomb chapel in the Theban hills — though his mummy was never put inside it. The sarcophagus, constructed of quartzite, a durable material, was found smashed into pieces, a task that “would have required extensive labor and great expense,” Cooney writes. “Someone really wanted him disgraced.”

A man who had been that powerful for so long, who was an essential companion to an unconventional pharaoh, surely made many enemies along the way. So it shouldn’t be surprising that there were those who hated him enough to deface his tomb chapel and went to great effort to annihilate his sarcophagus. 

Ancient Egyptians believed that your tomb needed depictions of you so your spirit could find its way back to the preserved corpse each morning throughout eternity. Destroying a mummy and sarcophagus was a way of leaving poor Senenmut’s spirit wandering aimlessly for the rest of time, homeless and separated from all the wealth he had accrued in his impressive life. –Wally

The Glorious Decay of Karnak Temple

The sprawling temple complex in Luxor is considered one of the greatest architectural feats of all time.

Areas like this on the massive temple grounds of Karnak evoked Ancient Rome for Wally

For much of the history of Ancient Egypt, Karnak was the epicenter of worship, situated in the great city of Thebes (modern-day Luxor). Over 3,000 years ago, 30 or so pharaohs each wanted to put his or her stamp upon the temple, adding structures and elements, on and on through the centuries. In less-prosperous times, like the reign of Ramesses VI, the pharaoh simply recarved the additions made by his predecessor, Ramesses IV, and claimed them as his own. And Horemheb replaced King Tut’s name with his own on several monuments at Karnak, in a bid to sever all ties with the heretical lineage of Akhenaton. 

The site sprawled, and today it is the largest surviving religious complex in the world.

“The great temple complex of Karnak was where Hatshepsut first started her genderbending iconography — all before she declared herself pharaoh.”

So much of Karnak as it is today began during the reign of that fascinating figure Hatshepsut, a female pharaoh who ruled during the 15th century BCE. Before her, Karnak was mostly mud brick but she embarked upon an ambitious construction program that included rebuilding Karnak with sandstone, making it more permanent and the basis of the massive complex we can still explore to this day. 

The scale of these massive columns is difficult to describe without experiencing it yourself

Wally loves exploring ancient temples so much, he just had to jump for joy

I’ve mentioned before that a large part of the charm of visiting Egypt is that each temple has something utterly unique about it, and for Karnak it’s the massive scale of the site. In addition, because its stones were plundered for other construction projects, much of the complex lies in a semi-ruined state, which evoked Ancient Rome to me. It’s fun to clamber past large fragments of stone as you explore the temple.

Rows of sphinxes welcome you to Karnak

A Tour of Karnak

We call the temple Karnak today, but that name came from a nearby village, el-Karnak. In ancient times it was known as Ipetisut, “the Most Select of Places.” The main part of the temple was dedicated to that great god, Amun (aka Amon, Amen), who was responsible for fertility and whom Egyptians trusted to keep their country prosperous.

Other, smaller, temples surrounded it, such as the one to Mut, the mother goddess and Amun’s consort.

Admission costs 150 Egyptian pounds, or less than $10, per person. You enter Karnak through an avenue of sphinxes bearing the heads of rams to honor Amun. Between each of their leonine paws, their chins resting on his head, stand small statues of Pharaoh Ramesses II, who commissioned the project.

Ram-headed, lion-bodied sphinxes protect diminutive statues of Ramesses II between their paws

Past these stone guardians, to the right, is a shrine to house the solar barque, used to transport the statue of the god during festivals. Built by Ramesses III, the exterior is lined with statues showing the pharaoh in mummy form with arms crossed to draw a connection with the god Osiris, ruler of the afterlife.

There’s much to explore at Karnak, so be sure to give yourself a couple of hours at least

The Great Hypostyle Hall

Pass under the Second Pylon to come to Karnak’s Great Hypostyle Hall, row upon rows of papyrus columns — 134, in fact. Unlike many other Ancient Egyptian temples, this colonnade is predominantly open-roofed. Blue sky can be seen above, and the sun blazes down upon you. Historians posit that this airy hall was the site of a ceremony called “uniting with the sun” and is supposed to resemble the primeval swamp, part of the creation myth.

The open-air nature of the Great Hypostyle Hall hints at the worship of Amun as a sun god

It’s near impossible to fully comprehend how gigantic some of these columns are, as you stand on the ground, gazing up. But the columns stand six stories high, and it’s said that some of the capitals, or tops, would fit 50 people!

An avenue of sphinxes once led all the way to Luxor Temple, two miles away — and there’s talk of restoring it

In ancient times, statues of deities would have been placed throughout this forest of columns. That’s one of the things that bummed me out most about these temples. As awesome as they are, most are devoid of statuary. I suppose they’ve been relocated to museums around the world — though I wish they had kept at least a few here and there. 

That being said, Karnak is one of the few sites in Egypt where you’ll see quite a few statues on the grounds, though most are of pharaohs not gods. 

You’ll spot quite a few statues as you wander Karnak

Pharaoh after pharaoh repurposed materials to rebuild portions of Karnak over the centuries

Reliefs cover the exterior of the hall, one showing Ramesses II’s Battle of Kadesh, which ended as a stalemate — though the pharaoh proclaimed victory. This was his favorite piece of revisionist history. He depicted his “triumph” at numerous temples, including Karnak, where he had a poem carved that told of his miraculous victory over the Hittites. His army was about to be defeated, but his father, the god Amun, made him invincible — and he single-handedly vanquished 2,500 of his enemies. 

Hatshepsut depicted herself as a pharaoh blessed by the gods on one of her obelisks, now on its side by the Sacred Lake

The great temple complex of Karnak was where Hatshepsut first started her genderbending iconography. A carving shows her wearing a masculine wig and the atef crown, which sported ram’s horns and two feathers — all before she declared herself pharaoh.

It’s truly astounding that the Ancient Egyptians found a way to carve obelisks from a single stone and raise them, where they remain standing, thousands of years later

Obelisks: The Sun Made Stone

Obelisks were the most impressive of architectural feats. Carved from a single block of red granite, the top halves of them were covered in electrum, silver-gold sheets beaten flat. There was no stronger tie to the solar cult than these tall, thin structures resembling the sun’s rays, and, indeed, the metal caught the light, blinding onlookers.

One of the obelisks Hatshepsut erected at the site honors her patron deity, Amun, whom she once served as his “wife.” The inscription reads, in part: “I know that Karnak is Heaven on Earth, the sacred elevation of the first occasion, the eye of the Lord to the Limit, his favorite place, which bears his perfection and gathers his followers.”

Love among the ruins, Wally and Karnak style

A couple of obelisks tower above visitors to this day, and I’m not ashamed to say I was a little freaked out standing beneath them, imagining how easily they could become off-balanced and come crashing down upon us. 

In fact, one obelisk does lie on its side, though it was probably done so purposefully. It’s on these remains, in front of the Sacred Lake, that you can see depictions of Hatshepsut as pharaoh. 

No swimming allowed! The Sacred Lake was where priests would cleanse themselves before rituals

The Sacred Lake

The lake supplied Karnak with water, in part for its priests to cleanse themselves for rituals. 

Nearby is a statue of a scarab (a word that sounds a whole lot cooler than “dung beetle”). Our guide Mamduh told us we should circle it three times for good luck, and a guy on Flickr complains: “Crazy tourists circumambulate — 3 times for luck, 7 times for love, and 10 times for wealth. Makes it hard to get a decent photo.”

Join the throng and walk in circles around the statue of Khepri, the scarab god, by the Sacred Lake. It’s said to be good luck

This is also where you’ll find a café, where we met up with our guide, smoking a cigarette and drinking coffee. He tried to convince us that hot beverages are better for your body in extreme heat, but we ignored his advice and went for ice-cold waters and ice cream treats.

Hatshepsut and Thutmose III make offerings to Amun in the carvings inside the Red Chapel

Hatshepsut’s Red Chapel

Egyptologists gush about Hatshepsut’s Red Chapel, but I don’t get it. To me, it’s not all that impressive, especially compared to all the other marvels found throughout the country, from massive colonnades to towering statues. It’s just a rectangular-shaped building.

Inside this deep red quartzite chapel in the heart of Karnak, Hatshepsut depicted herself as a male ruler. In fact, her images are difficult to tell apart from those of her nephew and co-pharaoh, Thutmose III.

Much like Hatshepsut’s, King Tut’s reign was stricken from the official record

After Hatshepsut’s death and toward the end of his reign, Thutmose III began a campaign to obliterate his co-ruler’s legacy. At Karnak, he took apart her sacred Red Chapel, leaving its bricks in rubble piles nearby. And at the Eighth Pylon, Thutmose III reassigned two colossal statues of Hatshepsut as pharaoh to his father, Thutmose II. The idea was to connect himself with the traditional patriarchal lineage — and hopefully have everyone forget the unconventional time he shared Egypt’s throne with a woman.

In 1997, the French Institute undertook the challenge of rebuilding what they refer to as la Chapelle Rouge. Today you can visit the Red Chapel, and hopefully you won’t have the space crowded with tourists and a woman doing an Instagram photo shoot out the back.

Beyond the Red Chapel, at the back of Karnak, off to the left, you can wander through Thutmose III’s Festival Hall.

Off to the side of the complex is the Akh-Menou, or Thutomose III’s Festival Hall, featuring tentpole columns

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After exploring the rest of the complex, Duke and I wandered past the Sacred Lake, out to the Tenth Pylon. The gateway was closed off, but beyond was once an avenue of sphinxes that led to the Temple of Mut. The road took a turn and joined up with another avenue of sphinxes, this one leading all the way to Luxor Temple, two miles away. Everyone’s abuzz at the prospect of renovating and reopening that avenue — though it didn’t appear much progress had been made when we visited. –Wally

The temple grounds are a mishmash of architecture from many different pharaohs’ reigns

Much of Karnak lies in ruins

Hatshepsut built the Eighth Pylon, making it one of the oldest parts of the temple complex

Historic renderings of Karnak

Even if you don’t read French, this map can help you navigate the Karnak complex