Mumbai Tourism: How to Prepare Yourself for the Chaos

The Gateway to India in the Colaba neighborhood of Mumbai

The Colaba neighborhood is a great place to station yourself. Just know what to expect navigating India’s largest metropolis.

Delhi feels like a small town compared with the bustling metropolis of Mumbai.

After a brief delay at the Aurangabad airport, Wally and I were off to Mumbai. It was our final day and a half, as we would be flying out the following night.

“Practically every step we took, street hawkers would call out, “Pashminas!” to us. When we didn’t respond, some would ask if we wanted to purchase hash instead. The truth is, at this point I probably would have welcomed the latter.”

I had found us an adorable boutique hotel called Abode in the neighborhood of Colaba. We read an article that described Colaba as Mumbai’s Greenwich Village.

Looking out upon the Arabian Sea in Colaba, Mumbai, India

India is intense overall, and Mumbai’s size makes it simultaneously familiar yet foreign. Here are some things to know about the city:

Traffic is a bitch.

We arranged airport pickup through our hotel. Abode works with an NGO women-run taxi company, which empowers and employs female drivers in a vocation generally dominated by men.

Our driver, Husna, met us at the airport. Traffic came to a standstill once we left the airport. We were hoping our driver would play tour guide a bit, pointing out the sites as we crawled along. But she didn’t say one word to us. Instead, she just talked on her cell phone and, at one point, had a brief altercation with a traffic cop.

If the rural villages we passed through were about promoting the sales and use of concrete, Mumbai is all about marble. There were massive marble and granite warehouses and shops for as far as the eye could see.

One of the many impressive buildings in Mumbai, India

It seemed to take an eternity to reach our hotel, which is located at the southernmost tip of the city in Colaba. In actuality, it took us two hours. Not surprisingly, navigating this booming metropolis of over 16 million people can be a frustrating experience.

We ate lunch at the lively Café Mondegar, not far from our hotel and quite close to the tourist staple, Leopold Café. Our table faced the street and a wall mural by cartoonist Mario de Miranda filled with satirical caricatures depicting the café’s bustling interior and patrons.

The street hawkers won’t leave you alone.

Colaba is a touristy area on the waterfront. The famous Taj Mahal hotel is nearby, as is the Gateway to India.

Practically every step we took, street hawkers would call out, “Pashminas!” to us. When we didn’t respond, some would ask if we wanted to purchase hash instead. The truth is, at this point I probably would have welcomed the latter. My synapses had been worn down from processing all the things we had seen and places we had travelled in such a short period of time. You get no break in this frenetic city.

And don't even get me started on all the men selling giant squiggly balloons! How the heck would we get those things home — even if we wanted one?

Go where the locals go.

We decided to venture beyond Colaba and explore the Kala Ghoda district, where we stumbled upon its Arts Festival, not far from the Abode Hotel. The event takes its name from the neighborhood of Kala Ghoda (which translates to Black Horse, a reference to a black stone Colonial-era equestrian statue of King Edward VII that was previously located here. Incidentally, it was commissioned by the Sassoon family, who owned the Lansdowne House, where Abode now resides. The statue has since been relocated to the Byculla Zoo.)

Also of note is the Esplanade Mansion, which was fabricated in 1871 and shipped from England and is India’s oldest surviving cast iron building. Now a crumbling remnant, the structure was once a majestic structure that served as the Watson’s Hotel, the grandest in Mumbai. 

The Kala Ghoda Arts Festival is a combination of local art installations and includes craftspeople from across India. We purchased a vibrantly colored blue pottery turtle from Jaipur. The name comes from the deep blue glaze, used to color objects, which are fashioned from a unique dough-like mixture of gypsum, powdered quartz, powdered glass and gum.

We also bought a fun tote bag from Lemon Trunk with the message, “HORN OK PLEASE” that we had seen on the decorated backs of goods carrier trucks everywhere we went.

Halfway through the festival, Wally spotted the Alliance Française de Bombay table, which had a photo booth set up with a backdrop image of Mont Saint-Michel. He was delighted to practice his French and I smiled, pretending to understand what they were saying. 

The kids at the booth took our picture, and Wally and I like to think of ourselves as the centerpiece of their new ad campaign.

After we had left the festival and were returning to Abode, we passed the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya Museum, which was formerly the Prince of Wales Museum of Western India (which is only slightly less of a mouthful to say). A few street artists were set up outside, one of whom was selling colorful bent wire cycle rickshaws. We purchased one, thanked him and arrived back at the hotel with our souvenirs. 

We had a great time, but the chaos of Colaba left us both fatigued. At times India can be her own worst enemy. –Duke

Is There Any Good Shopping in Aurangabad?

Piles of colored powder for sale at the Gulmandi Road Bazaar

There aren’t a lot of places to visit in Aurangabad, aside from the Ajanta and Ellora Caves. But the Gulmandi Road Bazaar is worth checking out if you’ve got a little extra time. 

There’s not a lot to do in Aurangabad, India by itself. The city is best known as a jumping-off point for the Ajanta and Ellora Caves.

RELATED: Ajanta Caves Walk-Through

Ellora Caves: A Guide to the Amazing Rock-Cut Temples

But if you’re like Wally and me, you can find your fun anywhere.

“Suddenly the seemingly hidden side street, filled with merchant stands, opened up before us as if by magic.”

If you’ve got some extra time after visiting the caves, head to Gul Mandi market, located in the center of old Aurangabad. (For the record, it’s #19 of TripAdvisor’s 52 things to do in Aurangabad.)

We hired an auto rickshaw from our hotel and asked to be taken to the Old Quarter.

Aurangabad is known as the City of Gates. The city had 50-some during medieval times, though only 18 remain. These served as surveillance and security and as a means of collecting tolls when caravans passed through.

Our rickshaw driver parked on a side street and we got out to see what sort of shopping was to be found.

We wandered around Rangar Galli, where every store was pretty much selling the same product: clothes. We were disappointed that it was not a handicrafts market. But then we decided to go one block off the major thoroughfare — and suddenly the seemingly hidden side street, Gulmandi Road, filled with merchant stands, opened up before us as if by magic.

Marigolds and More

Known as the Gulmandi Road Bazaar, this street was a fascinating glimpse into the daily life of the locals. Merchants set up stalls on the side of the road, selling various items. We were most intrigued by the cart filled with piles of brightly colored powder, wondering if it was for the Hindu holiday Holi. (You’ve probably seen the pictures of people covered in every color imaginable — in fact, the trend has even extended to races here in the States.)

In the middle of the narrow thoroughfare is the Supari Hanuman Temple.

The Supari Hanuman Temple on Gulmandi Road in Aurangabad, India

An old mystic spied us and asked where I was from. He had me join him in a mantra chant, calling out, “Krishna! Krishna! Krishna!” right there on the street — much to the amusement of passersby.

We crossed the alley, where a pair of women sat cross-legged, stringing together marigold flower garlands amidst a mountain of the orange blooms.

As we made our way up the opposite side of Gulmandi, we spotted a small shop selling incense and ephemera. Once inside, I spotted something I had been looking to get this whole trip: a small brass trishula, the sacred trident that’s the symbol of Shiva. The three prongs represent the god’s three roles as creator, preserver and destroyer. He’s pretty badass, huh? –Duke

6 Historic Images of the Red Fort in Delhi, India

The Red Fort once sat along the Yamuna River

Interior layout of the Red Fort. You can't tell from this depiction, but the fort is actually octagonal

Diwan-i-Khas, or Hall of Private Audiences, where the emperor received guests 

Bahadur Shah Zafar, the last of the Mughal emperors

Chhatta Chowk, a passageway lined with a bazaar

The hammam, or baths, of the Red Fort

Ghulam Ali Khan's paintings reveal the splendor of This Mughal palace — now a sad shadow of its glorious past.

 

The images in the slideshow are watercolor paintings by Ghulam Ali Khan, the last royal Mughal painter. Thirty-one of his works were published as Sketches of The Delhee Palace & Delhee in 1854.

 

Oh, to have seen it in its glory days — before the Brits got their mitts on it, ransacking and demolishing much of it until it was but a shadow of its former glory.

Originally called Qila-e-Mubarak, or the Blessed Fort, its name was changed by the British. They didn't see it as so blessed, as they tore much of it apart, stripped it of its riches and built barracks within. They called it the relatively unimaginative Red Fort after the crimson sandstone used to construct the ramparts. The name stuck, and the locals started referring to it as Lal Qila in the native tongue.

“The diamond is said to be cursed, bringing bad luck to any man who wears it.”

Ironically enough, parts of the structure were actually once white, painted with lime plaster, according to IndiaTV and other sources.

Constructed over a decade, beginning in 1638, the Red Fort was designed by the architect Ustad Ahmad Lahauri. He's the man who's also behind a modest mausoleum you might know: the Taj Mahal.

The Red Fort was the Mughal emperors' palace for almost 200 years.

Bahadur Shah Zahar, the last of the line, was tried for treason by the British in the Diwan-i-Khas, the Hall of Private Audience. This is the part of the Red Fort where he'd greet his guests and couriers.

Emperor Zahar, who was 82 at the time, was found guilty, stripped of his title and exiled to Rangoon in what is now Myanmar.

A Cursed Diamond

The Diwan-i-Khas was said to have a solid gold frame studded with precious stones, including the world's largest diamond, the Koh-i-Noor (Persian for Mountain of Light). It was pillaged long ago and is currently part of the Crown Jewels in England.

It was the inspiration behind Wilkie Collins' mystery novel The Moonstone.

For, the diamond is said to be cursed, bringing bad luck to any man who wears it. Cleverly exploiting a loophole, only female members of the British royal family will put it on. –Wally

RELATED: Tips for Exploring Delhi's Red Fort

India's "Game of Thrones" Ruins: Daulatabad Fort and Bibi ka Maqbara, the "Baby Taj Mahal"

The ruins of Daulatabad, India

A creepy day trip from Aurangabad you can pair with the Ellora Caves.

It’s easy to imagine this city as cursed — and as something that sprang from the demented but brilliant mind of George R.R. Martin, the man behind Game of Thrones.

In 1327, Mohammed bin Tughlaq (sultan from 1325 to 1351) marched the entire population of Delhi to the more central Deogiri, making it the new capital and renaming it Daulatabad, the City of Fortune.

“He darted through, sure he’d end up with bats clawing at his hair and face.”

The people of Delhi protested, but nobody was allowed to stay — not even a cat or dog. According to Ibn Batuta, a medieval Berber Muslim traveler and scholar, “A search was made and a blind man and a cripple man were found. The cripple man was put to death while the blind man was tied with the tail of horse and was dragged to Daulatabad where only his one leg reached.”

The journey covered about 775 miles, and many people died along the way in the brutal heat.

Daulatabad should perhaps have been named the City of Misfortune, for it was abandoned after two years due to lack of water.

After exploring the Ellora Caves, our driver took us on to the fort. He dropped us off in a crowded dirt parking lot that sat outside the medieval fortified walls of the Daulatabad Fort.

Langur monkeys are found throughout the complex

The iron-studded entry door to the Daulatabad fort

The ruined fort with the Moon Tower in the distance

Kids ignored the "Do Not Sit Here" signs and perched on the cannon

The Chand Minar

Daulatabad is a popular Muslim tourist site

The Bibi ka Maqbara visible through the archway

We entered the outer defenses through a pair of huge wooden doors covered with iron spikes into a walled courtyard, where several cannons sat within.

The Moon Tower at Daulatabad, the second tallest tower in India

The Moon Tower

The Chand Minar, or Moon Tower, was built in 1435 as a symbol of victory by Sultan Alauddin to mark the conquest of the fort and is the second tallest tower in India after Delhi's Qutb Minar. However, it is also likely that it served as a minaret from which the Muslim call to prayer was made. 

We continued uphill, passing a scattering of langur monkeys and through another gate, which led to the inner area of the citadel. 

The Chinese Palace, or Chini Mahal, at Daulatabad in India

The Chinese Palace

Chini Mahal, or the Chinese Place, is so named because of the blue and white Chinese-style tiling that is still visible on parts of the building.

It was here that the last king of Golconda, Abdul Hasan Tana Shah was imprisoned in 1687 by the Mughal emperor Aurangzeb for 13 years until his death. 

The ornately decorated Mendha canon sits atop an elevated stone pedestal. There’s an intricately carved ram’s head at one end. Its rotation is wisely limited to 180 degrees — so opponents couldn't turn it to fire back towards the fort!

The freaky bat cave at Daulatabad, India

Moat and Bat Cave

We crossed the rock-cut moat, which was rumored to have once been filled with crocodiles, and passed into the Andheri, a pitch-black rock-cut subterranean tunnel.

Be sure you bring a flashlight, as you’ll be groping in the dark down a tunnel otherwise.

We entered through the top of the cave and saw daylight at the bottom. But first we had to pass through a somewhat large chamber.

I whispered to Wally, “I think there are bats in here.”

You could just make out darker forms swooping across the top of the cave.

I made a dash for it, but Wally was still trying to get his nerve up. Finally, he, too, darted through, sure he’d end up with bats clawing at his hair and face.

Luckily, we emerged unscathed. And sure enough, when we reached the outside and turned to look back, we saw the entire chamber was filled with roosting bats.

We decided to return to our driver and not continue the trek to the summit, where the former palace was located.

The Bibi ka Maqbara, or the Lady's Tomb — it's the poor man's Taj Mahal

The Baby Taj Mahal

Our next and final stop on the day’s adventure, before returning to our hotel in Aurangabad, was the Bibi ka Maqbara, the Lady’s Tomb.

With the Deccan Mountains as its backdrop, the funerary palace was erected by Prince Azam Shah, the eldest son of Emperor Aurangzeb to honor his mother, Rubia-ul-Daurani.

The original plans were intended to rival the Taj Mahal, but Aurangzeb would not fully fund it. It’s believed that he blocked the transport of marble from various parts of the Mughal Empire that were intended for the tomb. Therefore, the structure is not completely made of marble — only the onion dome is. Instead, sandstone was covered in finely polished limestone plaster and used to complete the mausoleum, giving the tomb a faded and theatrical charm. 

Perhaps because its name starts with "Bibi," people affectionately call this the Baby Taj Mahal, and we were glad to see it — especially since we (horror upon horrors!) decided to skip the real deal.

Ellora Caves: A Guide to the Amazing Rock-Cut Temples

Two women sit on the steps of the massive Hindu temple at Ellora Caves in India

Stunning examples of Indian architecture, Ellora features Buddhist, Hindu and Jain sanctuaries carved out of the side of the hills.

There must be something super-sacred about this spot. Practitioners of three different religions built halls of worship in the Ellora Caves: Jains, Hindus and Buddhists.

Something I found remarkable about Ellora is that the varying structures operating side-by-side illustrated the tolerance of religious belief.

“It’s one of the coolest ancient temples we’ve ever been in. This extraordinary multi-storied temple was carved out of a single rock from the top down. ”

Now a UNESCO World Heritage Site, the 34 sanctuaries were constructed from 600 to 1000 CE. It’s likely that the Buddhist caves were the earliest, consisting mostly of viharas or monasteries, including living quarters — though there’s some debate as to whether the Hindu complex preceded this.

The Ellora Caves are located much closer to Aurangabad and less remote than Ajanta. As we neared the entrance to the complex, we were excited to catch a glimpse of langur monkeys, traditionally identified with the Hindu god Hanuman.

RELATED: What to Know Before You Go

A testament to the engineering and skill of ancient India, these extraordinary caves are a combination of temples and monasteries hewn from the basalt cliffs. It's mind-boggling that such works of exquisite beauty were built with nothing more than rudimentary tools such as hammers and mason’s chisels.

The Jain Complex

A Buddhist monk in front of the entrance to a shrine at Cave 32

We began at the Jain caves, which drew their inspiration from the older caves and were the last of the temples to be built. While smaller in scale to the ones we were to encounter after, they were still intricately carved and impressive. The Indra Sabha, or Cave 32, features two stories of elaborately carved sculptures and a gorgeous balcony.

The figure in the central shrine is a jina, the Jain equivalent of an enlightened being. This one features Mahavir, the last of the Jain saviors.

Cave 32, the most spectacular of the Jain complex at Ellora

This statue in Cave 32 depicts either Ambika, the Jain mother goddess, or Siddhayika, a yakshini, or fairy-like creature. She's seated upon a lion beneath a tree heavy with fruit

Thai monks were gathered around a man wearing a white kurta with henna-colored hair — which signifies that he has undergone the hajj, having made the required pilgrimage to Mecca.

A jina, or enlightened being, at the back of Cave 32 at Ellora

Duke on the what's called the verandah, on the upper story of Cave 32 at Ellora

Monks in bright saffron robes can be seen throughout the Ellora complex, including the stunning second story of Cave 32

Outside Cave 32, we heard a shrill, high-pitched sound and scanned the escarpment for the source. I mistook it for a bird and was surprised to discover that the sound was coming from a chipmunk several feet above us.

Nearby Cave 31 contains representations of jains or tirthankaras, liberated souls who have succeeded in ending the cycle of rebirth and teach others the path to enlightenment.

An Amazing Hindu Temple

Kailasa, the large Hindu temple in the Ellora Caves complex

The second groups of caves are Hindu. The largest, Cave 16, is known as Kailasa or Kailashnath (Silver Mountain). Designed to recall Mount Kailash, the abode of Lord Shiva, it’s one of the coolest ancient temples we’ve ever been in. This extraordinary multi-storied temple was carved out of a single rock from the top down.

It originally had a thick coat of white plaster to make it appear like a snow-covered (silver) mountain. 

The construction of this temple entailed the removal of an estimated 250,000 tons of rock over the course of a century. The complex covers an area twice the size of the Parthenon in Athens.

The main hall on the first floor has well-decorated balconies. A central door leads to the shrine at the back containing the great lingam. The small chamber was quite crowded with worshippers pressed around the phallic symbol, touching it reverently and leaving offerings of flowers and money.

Inside the Hindu temple, visitors bustled around, but it was almost eerily quiet

A carving of Shiva, the Hindu god of destruction, killing his demon son Andhaka for trying to abduct Parvati, the goddess of love and fertility, in the Kailasa temple at Ellora

We were there on a Saturday, which is a school day for Indian children. Because the cave complex is a popular field trip, it was abuzz with uniformed girls and boys. The girls were quieter and more composed, as opposed to the boys who howled and tore through the complex.

Everywhere we went, Indians wanted to take pictures of or with us. Eventually, Wally started giving them our camera so we could capture the moment as well

We were stopped by schoolboys who asked where we were from and if they could take a picture with us. They would thank us, giggling and running away after.

The Brahmanical Group

In the center of this carving in Cave 14, Varaha, the boar-headed avatar of Vishnu, rescues the Earth goddess by holding back the engulfing ocean

Cave 21, part of the Hindu temples at Ellora in India

Cave 21 has an attractive façade featuring figures of the river goddesses Ganga and Yamuna. Close by is Cave 22, in front of which is Nandi, the bull that Shiva rode around on, perched atop its usual raised platform.

The two river goddesses Ganga and Yamuna are highlights of Cave 21 at Ellora

Cave 22: Duke was kind of obsessed with the Nandi bull, the mount of the god Shiva

This lion guards Cave 29 — though Wally thinks it looks more like a walrus

Cave 29, known as the Dhumar Lena, contains a hall supported by 26 massive pillars in the form of a cross. Two large lions with small elephants under their paws guard the steps that lead to the hall from three sides. 

The verandah near the entrance is dominated by a huge Shiva with eight arms. It is a powerful depiction of the god in his terrible form. Another colossal Shiva in the portico dances in destructive fury. A beautiful Yamuna river goddess waits outside.

We really enjoyed exploring Cave 29 — it was quite large, dark and moody. Temple guards known as dwarpalas lined the walls. At the back, a flame flickered, illuminating floral offerings, while off to the side, the temple opened up to daylight, and Wally and I played along the narrow side of the structure.

The Buddhist Caves

We had climbed a set of stairs and exited onto the upper story of Cave 9 when Wally noticed a group of Thai monks feeding a group of langur monkeys. They were surprisingly docile, long-tailed and black-faced (the monkeys, not the monks). I quickly swapped lenses and took some zoomed-in photographs of them. While I'm kind of obsessed with monkeys, they’re just so unpredictable and wild, I know to cautiously keep my distance. 

The most famous of the Buddhist sanctuaries is Cave 10, known at the Vishwakarma, named after the presiding deity of craftsmen and architects. This horseshoe-shaped prayer hall features a soaring vaulted ceiling of rock-cut ribs created to imitate the roof structure of wooden temples. The central stupa has a Buddha figure emerging from it.

Cave 10, one of the Buddhist caves, is known for its rib-like roof

A worshipper lies prostrate in front of the carving of the Buddha in Cave 10

We were fortunate enough to experience a monk chanting in Cave 10. The acoustics of the stone structure amplified the ritual chant until it filled the interior.

Take a virtual tour of Ellora: This site features hundreds of photos from every cave in the complex.

All in all, we spent a very enjoyable day exploring this diverse complex: the Jain temples, with their elaborate flourishes, the serene and simple Buddhist caves, and the popular, impressive Hindu sanctuaries filled with carvings of strange deities. Because of its diversity, we recommend Ellora over Ajanta if you only have one day in the area. –Duke

Ajanta Caves Walk-Through

The Ajanta Caves look unassuming from the exterior — but within you'll find statues of the Buddha and fading frescos

Cave 1: A statue of the Buddha flanked by Avalokitesvara and Vajrapani, the embodiments of compassion and spiritual energy

Cave 2: A carving out front

Cave 2: The monks' dormitory cells and a fresco depicting previous lives of the Buddha

Cave 2: Known for the mandala, which represents the universe, painted on its ceiling 

Cave 4: The carving represents a bodhisattva as Reliever of Eight Great Perils

Some people hire porters to carry them from cave to cave on a litter

Cave 17: This cave has some of the best-preserved paintings at Ajanta

Cave 19: On either side of the arched window are nature spirits called yakshas

Cave 26: Devotees circumambulate, or walk around, the stupa

Cave 26: Reclining Buddha

WHICH CAVES ARE THE COOLEST? WE HIT THE HIGHLIGHTS AT THIS ANCIENT BUDDHIST COMPLEX OUTSIDE OF AURANGABAD FAMOUS FOR ITS PAINTINGS AND STATUES.

Don’t get us wrong. The Buddhist caves carved into the mountainside at Ajanta are cool. It’s just that after a while, you experience a sort of repetitious sensory overload (“Oh, this one has a Buddha at the back…just like the others…”).

So, in case you don’t have the time or inclination to explore all 30, we’ve listed our must-sees.

“An elaborate Buddha, whose umbrella-like crown almost touches the vaulted ceiling, emerges from the mouths of sea monsters.”

RELATED: Ajanta Caves: 8 Tips Before You Go

Cave 1

Kick things off with this cave, famous for its elaborately painted vihara, or monastery. The mural depicts two bodhisattvas: Avalokitesvara, the personification of compassion, and Vajrapani, the spiritual energy of the enlightened mind. These flank the doorway to the antechamber.

The Buddha, awash in green light and centered in the large shrine at the rear, sits cross-legged in the dharmachakrapravartana mudra teaching position and was sponsored by Emperor Harisena. In this mudra, the thumb and index finger of both hands touch at their tips to form a circle. This circle represents the Wheel of Dharma, or in metaphysical terms, the union of method and wisdom.

Cave 2

The coolest part of this cave is its ceiling, dominated by a large mandala decorated with birds, flowers, fruit and abstract designs. 

Cave 4

This is the largest vihara in the complex, but it was a bit too ambitious — part of the ceiling is said to have collapsed and it wasn’t ever completed. Look up to see the undulating ceiling, which features a cool wavy pattern created by lava flows.

The exterior is gorgeous. We learned that all of these caves were carved top-down. The entranceway features sculptures of lunging lions, maidens clutching trees and dwarves adorned with garlands.

To the right is a bas-relief of a bodhisattva as Reliever of Eight Great Perils. Curious what those are? They were common dangers for pilgrims of the past: bandits, snakes, elephants, lions, disease, floods, forest fires and false imprisonment in foreign lands.

Cave 7

Enter through an impressive double portico richly carved with elephants, lions, lotuses and small stupas.

An oblong vihara monastery from the late 5th century, the garbha griha (inner sanctuary) contains a Buddha statue in a preaching pose, as well as a seated Buddha sheltered by the Naga Muchalinda, a snake-like being who protected him from the elements after his enlightenment. 

Cave 9

This chaitya, or prayer hall, from the 1st century BCE is built on a rectangular plan. The interior is divided into three aisles by 21 unadorned octagonal columns.

A large stupa stands on a high cylindrical base at the center of the apse. Because figurative sculptures of the Buddha were not produced during this period, stupas were built to enshrine sacred relics that were most often worshipped and became synonymous with chaityas.

The inside of this cave is two stories high, with a barrel vault ceiling on which rafters and purlins are carved like a wooden building. Although those curious devices are structurally unnecessary, they’re an aesthetic method to mimic the interior spaces of temples.

Cave 10

A Theravada prayer hall, it’s thought to be the oldest cave temple at Ajanta, dating to the 2nd century BCE.

Cave 17

According to one of the inscriptions found in the hall, this cave was designed to “cause the attainment of well-being by good people as long as the sun dispels darkness by its rays!”

Its large central hall is supported by 20 octagonal pillars and bounded by 17 dormitory cells, where the monks slept.

A panel above the doorway depicts the seven Manushi Buddhas (fully illuminated beings in human form).

Cave 19

The detailed exterior carvings to the right of the façade are incredible. A pair of yakshas (nature spirits) are sculpted on either side of the entrance.

The arched roof of the interior hall is carved in imitation of wooden ribs, mimicking the interior spaces of structural temples.

An elaborate standing figure of Buddha, whose umbrella-like crown almost touches the vaulted ceiling, emerges from the mouths of sea monsters.

Cave 26

A reclining Buddha, representing his moment of death prior to attaining nirvana, is a popular feature here. (Wally calls this the “Sleepy-time Buddha.”)

The cave’s stupa has a sculpted figure of Buddha in pralamba padasana mudra, with both feet on the ground and legs apart, as if seated on a throne.

We saw a Sikh man practicing circumambulation (literally, “walking in circles”), a devotional practice where you walk around a sacred object like this stupa, chanting a mantra.

LUNCH WITH HANUMAN

After a morning of exploring the Ajanta Caves, we stopped at a dhaba roadside restaurant for some chana masala

On the way back to Aurangabad, we stopped at a dhaba, or roadside restaurant, for lunch and enjoyed a delicious meal of chana masala seasoned with cinnamon, chile paneer (homemade cheese) and chapatti (flatbread).

A monument to the monkey god Hanuman stood across the road. Hanuman is regarded as a the perfect symbol of selflessness and loyalty.

Worshipping him helps counter any bad karma you’ve racked up by acting selfishly. Hindus believe he bestows fortitude and the strength to overcome the trials of life. –Duke

“Look up to see the undulating ceiling, which features a cool wavy pattern created by lava flows.”

Ajanta Caves: 8 Tips Before You Go

The Ajanta Caves outside of Aurangabad, India

Stay in Aurangabad and be prepared to explore this ancient Buddhist monastery carved out of the mountainside.

Tip 1: Head off the beaten path.

If you like going all Indiana Jones on your vacation, as Wally and I do, consider adding the Ajanta and Ellora Caves to your India itinerary. These spots aren’t too well known among Western tourists — you’ll mostly see Indians and Buddhist monks from Southeast Asia.

“By midday, the ground was intensely hot, making our barefoot trek across the rocks like walking over coals.”

Tip 2: Decide if you have time to hit both Ajanta and Ellora.

We had two days in Aurangabad, so we were able to visit both sets of caves. The concierge pretty much insisted that we visit Ajanta first, and we couldn’t figure out why. After we had explored both, we wondered if this was because Ajanta, which are entirely Buddhist, might be a bit of a letdown after the diversity of the Ellora site.

Tip 3: Stay in Aurangabad.

Ajanta is nearly two hours away from Aurangabad, a big city with an airport that works as a good base for both the Ajanta and Ellora Caves.

Tip 4: Make sure you understand where you’ll meet your driver.

We arranged transport to the Ajanta Caves through our hotel, Lemon Tree.

The driver who had picked us up the evening before told us he would be there promptly at 8 a.m. so that we could beat the throngs.
What we did not know was that he actually meant a driver from the hotel — not necessarily him, and that said driver would not come into the hotel lobby to announce he had arrived. We’re not sure that this is the norm, but he waited outside until we went out to him.  

Thankfully, a concierge working that morning realized this and directed us to the vehicle after we had sat in the lobby for 45 minutes.

Tip 5: Beware the touts.

After reaching the parking lot outside the caves, we passed through an open-air market with aggressive touts, a couple of which approached us and asked our names and where we were from. They offered each of us a small quartz crystal, pressing them into the palms of our hands and saying, “No money — you visit my shop after.” 

Believe us — they’ll remember you. We did visit their shops, hardball haggled (going into other tents to compare prices) and scored some good deals.

Tip 6: Take your shoes with you.

We boarded a tour bus and soon caught our first glimpse of the horseshoe-shaped bend in the Waghora River gorge where the caves are located. 

As it was required for us to remove our sandals prior to entering the caves, we decided to leave them at Cave 1 rather than putting them on and taking them off every single time.

We failed to realize that there were 29 caves in all, and by midday the ground was intensely hot, making parts of our barefoot trek across the rocks like walking over coals.

The best thing to do is bring a pair of shoes you can easily slip on and off before entering each cave.

Tip 7: Learn a bit about how these caves and paintings were made.

After you enter the dimly lit cave interiors, your eyes begin to adjust, revealing frescoes depicting the magical Jataka stories about the previous incarnations of Buddha, in both human and animal form.

The oldest caves date back to the 2nd century BCE, with a more elaborately painted addition from the 6th century BCE.

Interiors of many of the cave surfaces are covered with a plaster mixture consisting of clay, lime, hay and dung.

Paintings were made while the plaster was wet. Oxide red and yellow were created from ochre, black from soot, white from the clay mineral kaolin, lime and green from another local mineral. You’ll occasionally see blue, which came from pulverized semiprecious lapis lazuli.

Tip 8: Get your head around the fact that these caves were once a Buddhist monastery.

The caves are comprised of two types. The chaitya (prayer halls) were excavated around 200 BCE and were among the first used purely for congregational worship. The viharas (monasteries) contain chapels as well as small cubical dormitory cells where monks once slept.

The site was abandoned in 477 after the sudden death of Ajanta's most important sponsor, Emperor Harisena.

It must have been incredible when English hunter John Smith accidentally rediscovered the largest of the caves, later named Cave 10, in 1819 in the middle of chasing a tiger. –Duke

The Worst Chauffeur in India

We wouldn't have been surprised to find our car up in a tree, like this one you pass on the way to the Mews at Udai Bilas Palace

When we tried to leave Dungarpur, our driver was nowhere to be found. What ensued has become a story we can laugh about…now.

We had heard that you should expect the unexpected in India — especially when it comes to travel plans. We hadn’t experienced anything too egregious, our two-hour wait for a driver to Dungarpur aside.

Well, that was nothing compared to what happened when we tried to leave Dungarpur.

“George recognized the word “police.”
“I don’t like the sound of that,” he said.”

The day started off pleasantly enough. After breakfast, we explored a temple complex not far from our heritage hotel, Udai Bilas Palace, where a brahmin greeted and welcomed us. The complex has several lingams (a phallic representation of the Hindu god Shiva) and a shrine to Krishna.

A lingam, which is really just a stylized penis meant to represent the god Shiva

“This Car Is Going Nowhere”

When we checked out at noon, we learned that our driver was unable to meet us, but that it he would be no more than an hour.

In the interim, we went and sat beside the pool and ordered some snacks to nibble on before our return trip to Baroda.

At one point, a supervisor stopped by our table and asked if we would be amenable to him contacting our driver to see what the situation was.

As the man was speaking on his mobile phone, George recognized the word “police.”

“I don’t like the sound of that,” George said.

The supervisor hung up the phone and told us that our driver had had an accident but was OK. Except that he was currently being held at the police station.

It became clear that we wouldn’t be leaving any time soon.

This prompted George to contact the company we had hired the driver through, TaxiForSure. They had a completely different account of the unfolding events: It was an accident. The car just had to be fixed, but we can leave soon. Maybe today. Tomorrow at the latest. Two days tops.

I was worried about getting back to Baroda in time for our flight the next morning. Wally, on the other hand, was enjoying himself, lounging in the sun and telling me repeatedly that there are worse ways to spend a day.

The supervisor left for the local police station with a promise to update us on the situation. When he returned, he showed us pictures of the badly damaged sedan. The driver’s side was crushed in, both windows smashed.

“This car is going nowhere,” he said.

We Get the Real Story

Turns out our driver was in jail, waiting for the commissioner, who would or would not show up within the next several hours. We learned that our driver, probably excited to be on his own with a vehicle, had left the complex and gone for a joyride. We’re not sure he was drinking — but it wouldn’t surprise us if he was eager to get some booze in his system, living as he does in Gujarat, a dry state (something to do with Gandhi being from there, George explained).

The car had gone off the road into a ditch and flipped over. Fortunately he was fine, but unfortunately for us, we no longer had transport back to Vadodara.

Thankfully, the hotel made arrangements for a new driver. Our driver took the state highway and we were back in Baroda within a few hours.

The ride was cheaper (and much more pleasant) than our trip to Dungarpur, and our driver was courteous, so we tipped him extravagantly. It wasn’t that much money to us — equal to a taxi ride across Chicago, say — but the man acted like he had just won the lottery. He thanked us profusely and offered us all bidis, tiny cigarettes hand-rolled in leaves. –Duke

The Crumbling But Majestic Dungarpur Palace

The reception hall in the Juna Mahal

One of Rajasthan’s lesser-known sites, the Juna Mahal is filled with brightly painted rooms — and a naughty collection of scenes from the Kama Sutra.

I first learned about the former royal residence from the book India: In Word and Image by photographer Eric Meola. He described the Juna Mahal as one of his favorite under-the-radar places, a faded old palace (indeed, that’s what its name translates to), located in the quiet town of Dungapur.

No longer occupied, visits are arranged upon request, which our hotel coordinated for us in advance.

“Hidden inside a cupboard on an upper floor were scenes from the Kama Sutra.”

The colorful town of Dungarpur

Perched on the brow of a hill with a panoramic view of the colorful village of Dungapur sprawled out below, the seven-story palace exterior resembles a narrow, dilapidated fortress. The façade is embellished with friezes carved from bluish-gray pareva stone.

A single staircase connects all seven floors of the Juna Mahal, or Old Palace

Once we entered the palace, an elderly man with leathery skin and a smiling face, most likely the Juna Mahal’s guardian, ushered us from room to room.

Our silent guide led us from room to room

Late afternoon light streamed through the windows, lingering upon the colorful murals, frescoes and an interior apartment that contains a glass and mirror inlay.

Hidden inside a cupboard on an upper floor were scenes from the Kama Sutra, India’s revered treatise on sexuality.

A cabinet on one of the top floors of the Juna Mahal depicts naughty scenes from the Kama Sutra

The rooftop is covered with a mosaic of broken pottery pieces and offers a magnificent view of the landscape.

Wally in the Juna Mahal

This extraordinary structure is the embodiment of both splendor and decline. It was in use until the mid-20th century and is one of the oldest continuously inhabited buildings in the country.

The brightly painted but fading walls of the Juna Mahal in Dungarpur, India

It is currently on the watch list of the World Monuments Fund, a New York City-based nonprofit organization whose goal is to preserve architectural and cultural heritage sites around the globe.

A room at the top of the Juna Mahal

The vividly painted and decorated rooms are fun to explore — and the luxe accommodations nearby make this a great stop on a tour of Rajasthan. –Duke

The Unpleasant Experience of Hiring a Driver in India

Darkness turned to daylight as we awaited our driver. At least we had stray dogs to keep us company

Our road trip from Baroda to Dungarpur taught us not to expect your driver to speak English, show up on time or care about your sanity.

We weren't having any luck finding a driver who spoke English. (Prakash informed us that people who spoke English got the good jobs, and apparently “chauffeur” doesn’t fit into that category.)

An online search revealed a company called TaxiForSure. It seemed professional. It was also pretty much our only option. So we arranged transport to Dungapur. We requested a pick-up of 5 a.m. According to Google Maps, it’s a pretty straightforward four-hour drive from Baroda.

“A sullen, if handsome, 20-something driver showed up, playing what seemed to be techno versions of Bollywood music blared at full volume.”

At 5 the next morning, our friend and host George got a confirmation text from TaxiForSure, which provided the driver’s name, license plate number and estimated arrival time.

A few minutes later, he received a call from someone at TaxiForSure, who regretted to inform us that our original driver would not be coming — his car broke down.

I’d like to point out that no matter how much you try to plan, things can change unexpectedly (and inevitably, it seems), for India moves in its own unpredictable way.

We were waiting outside in front of George’s apartment building (he calls it his “tenement”). George saves his kitchen scraps to leave outside for the cows. As he was tossing a bag onto the heap, a neighbor who was up early yelled at him, telling him not to just throw it there — that there’s an actual place to leave food scraps down the street near the ashram. The neighbor was just doing his part to attempt to reduce the ridiculous amount of garbage strewn about. Indeed, everywhere you go, you see cans, paper and plastic bags picked at and chewed on by rats, jackdaw birds, stray dogs and cows.

How “OK, OK” Can Mean Anything But

We waited. George called back after a half-hour had passed, and then again every 15 minutes. The conversations went something like this:

“The driver is in the area.”

“The driver is very close.”

“The driver is 3 to 5 minutes away.”

“The driver is 2 to 3 minutes away.”

George hung up in a huff. “Indians will always tell you, ‘OK, OK,’” he said. “But that doesn’t mean anything. It can mean he’s hours away, or he could be here in 5 minutes. I’ve learned they tell you what you want to hear — even if it’s not the truth.”

Two hours in total had passed before George received another text from TaxiForSure.

Your taxi has arrived.

It was now 7 a.m.

Beep! Beep! A sullen, if handsome, 20-something driver named Pankach, who only spoke Gujarati showed up, playing what seemed to be techno versions of Bollywood music blared at full volume, which we endured the entire trip.

Before we left Baroda, he pulled the car over, and a man approached and gave him a bag full of clothes. Then our road trip was in full swing.

Road Trippin'

Once we were outside the city limits, the scenery changed, and we began to pass rural homes, which were transformed into hand-painted advertisements for the sturdy but humble materials cement and brick.

Many of the signs touted Ambuja Cement. The company's logo is a comically proportioned man with a tiny head and a ginormous right bicep embracing a pair of buildings.

Elaborate conical Hindu temples dotted the landscape, confections in bubblegum pink, white, mint and lemon yellow. Cloth flags atop spires fluttered in the breeze.

We weren't sure we were ever going to make it. But we were finally en route to Dungapur, otherwise known as the City of Hills, located at the southernmost Aravalli mountains of Rajasthan.

We almost got used to the Bollywood Molly dance party in the car. Almost. –Duke

RELATED: 3 Tips for Hiring a Driver in India

“No matter how much you try to plan, things can change unexpectedly (and inevitably, it seems), for India moves in its own unpredictable way.”