The Glorious Decay of Karnak Temple

The sprawling temple complex in Luxor is considered one of the greatest architectural feats of all time.

Areas like this on the massive temple grounds of Karnak evoked Ancient Rome for Wally

For much of the history of Ancient Egypt, Karnak was the epicenter of worship, situated in the great city of Thebes (modern-day Luxor). Over 3,000 years ago, 30 or so pharaohs each wanted to put his or her stamp upon the temple, adding structures and elements, on and on through the centuries. In less-prosperous times, like the reign of Ramesses VI, the pharaoh simply recarved the additions made by his predecessor, Ramesses IV, and claimed them as his own. And Horemheb replaced King Tut’s name with his own on several monuments at Karnak, in a bid to sever all ties with the heretical lineage of Akhenaton. 

The site sprawled, and today it is the largest surviving religious complex in the world.

“The great temple complex of Karnak was where Hatshepsut first started her genderbending iconography — all before she declared herself pharaoh.”

So much of Karnak as it is today began during the reign of that fascinating figure Hatshepsut, a female pharaoh who ruled during the 15th century BCE. Before her, Karnak was mostly mud brick but she embarked upon an ambitious construction program that included rebuilding Karnak with sandstone, making it more permanent and the basis of the massive complex we can still explore to this day. 

The scale of these massive columns is difficult to describe without experiencing it yourself

Wally loves exploring ancient temples so much, he just had to jump for joy

I’ve mentioned before that a large part of the charm of visiting Egypt is that each temple has something utterly unique about it, and for Karnak it’s the massive scale of the site. In addition, because its stones were plundered for other construction projects, much of the complex lies in a semi-ruined state, which evoked Ancient Rome to me. It’s fun to clamber past large fragments of stone as you explore the temple.

Rows of sphinxes welcome you to Karnak

A Tour of Karnak

We call the temple Karnak today, but that name came from a nearby village, el-Karnak. In ancient times it was known as Ipetisut, “the Most Select of Places.” The main part of the temple was dedicated to that great god, Amun (aka Amon, Amen), who was responsible for fertility and whom Egyptians trusted to keep their country prosperous.

Other, smaller, temples surrounded it, such as the one to Mut, the mother goddess and Amun’s consort.

Admission costs 150 Egyptian pounds, or less than $10, per person. You enter Karnak through an avenue of sphinxes bearing the heads of rams to honor Amun. Between each of their leonine paws, their chins resting on his head, stand small statues of Pharaoh Ramesses II, who commissioned the project.

Ram-headed, lion-bodied sphinxes protect diminutive statues of Ramesses II between their paws

Past these stone guardians, to the right, is a shrine to house the solar barque, used to transport the statue of the god during festivals. Built by Ramesses III, the exterior is lined with statues showing the pharaoh in mummy form with arms crossed to draw a connection with the god Osiris, ruler of the afterlife.

There’s much to explore at Karnak, so be sure to give yourself a couple of hours at least

The Great Hypostyle Hall

Pass under the Second Pylon to come to Karnak’s Great Hypostyle Hall, row upon rows of papyrus columns — 134, in fact. Unlike many other Ancient Egyptian temples, this colonnade is predominantly open-roofed. Blue sky can be seen above, and the sun blazes down upon you. Historians posit that this airy hall was the site of a ceremony called “uniting with the sun” and is supposed to resemble the primeval swamp, part of the creation myth.

The open-air nature of the Great Hypostyle Hall hints at the worship of Amun as a sun god

It’s near impossible to fully comprehend how gigantic some of these columns are, as you stand on the ground, gazing up. But the columns stand six stories high, and it’s said that some of the capitals, or tops, would fit 50 people!

An avenue of sphinxes once led all the way to Luxor Temple, two miles away — and there’s talk of restoring it

In ancient times, statues of deities would have been placed throughout this forest of columns. That’s one of the things that bummed me out most about these temples. As awesome as they are, most are devoid of statuary. I suppose they’ve been relocated to museums around the world — though I wish they had kept at least a few here and there. 

That being said, Karnak is one of the few sites in Egypt where you’ll see quite a few statues on the grounds, though most are of pharaohs not gods. 

You’ll spot quite a few statues as you wander Karnak

Pharaoh after pharaoh repurposed materials to rebuild portions of Karnak over the centuries

Reliefs cover the exterior of the hall, one showing Ramesses II’s Battle of Kadesh, which ended as a stalemate — though the pharaoh proclaimed victory. This was his favorite piece of revisionist history. He depicted his “triumph” at numerous temples, including Karnak, where he had a poem carved that told of his miraculous victory over the Hittites. His army was about to be defeated, but his father, the god Amun, made him invincible — and he single-handedly vanquished 2,500 of his enemies. 

Hatshepsut depicted herself as a pharaoh blessed by the gods on one of her obelisks, now on its side by the Sacred Lake

The great temple complex of Karnak was where Hatshepsut first started her genderbending iconography. A carving shows her wearing a masculine wig and the atef crown, which sported ram’s horns and two feathers — all before she declared herself pharaoh.

It’s truly astounding that the Ancient Egyptians found a way to carve obelisks from a single stone and raise them, where they remain standing, thousands of years later

Obelisks: The Sun Made Stone

Obelisks were the most impressive of architectural feats. Carved from a single block of red granite, the top halves of them were covered in electrum, silver-gold sheets beaten flat. There was no stronger tie to the solar cult than these tall, thin structures resembling the sun’s rays, and, indeed, the metal caught the light, blinding onlookers.

One of the obelisks Hatshepsut erected at the site honors her patron deity, Amun, whom she once served as his “wife.” The inscription reads, in part: “I know that Karnak is Heaven on Earth, the sacred elevation of the first occasion, the eye of the Lord to the Limit, his favorite place, which bears his perfection and gathers his followers.”

Love among the ruins, Wally and Karnak style

A couple of obelisks tower above visitors to this day, and I’m not ashamed to say I was a little freaked out standing beneath them, imagining how easily they could become off-balanced and come crashing down upon us. 

In fact, one obelisk does lie on its side, though it was probably done so purposefully. It’s on these remains, in front of the Sacred Lake, that you can see depictions of Hatshepsut as pharaoh. 

No swimming allowed! The Sacred Lake was where priests would cleanse themselves before rituals

The Sacred Lake

The lake supplied Karnak with water, in part for its priests to cleanse themselves for rituals. 

Nearby is a statue of a scarab (a word that sounds a whole lot cooler than “dung beetle”). Our guide Mamduh told us we should circle it three times for good luck, and a guy on Flickr complains: “Crazy tourists circumambulate — 3 times for luck, 7 times for love, and 10 times for wealth. Makes it hard to get a decent photo.”

Join the throng and walk in circles around the statue of Khepri, the scarab god, by the Sacred Lake. It’s said to be good luck

This is also where you’ll find a café, where we met up with our guide, smoking a cigarette and drinking coffee. He tried to convince us that hot beverages are better for your body in extreme heat, but we ignored his advice and went for ice-cold waters and ice cream treats.

Hatshepsut and Thutmose III make offerings to Amun in the carvings inside the Red Chapel

Hatshepsut’s Red Chapel

Egyptologists gush about Hatshepsut’s Red Chapel, but I don’t get it. To me, it’s not all that impressive, especially compared to all the other marvels found throughout the country, from massive colonnades to towering statues. It’s just a rectangular-shaped building.

Inside this deep red quartzite chapel in the heart of Karnak, Hatshepsut depicted herself as a male ruler. In fact, her images are difficult to tell apart from those of her nephew and co-pharaoh, Thutmose III.

Much like Hatshepsut’s, King Tut’s reign was stricken from the official record

After Hatshepsut’s death and toward the end of his reign, Thutmose III began a campaign to obliterate his co-ruler’s legacy. At Karnak, he took apart her sacred Red Chapel, leaving its bricks in rubble piles nearby. And at the Eighth Pylon, Thutmose III reassigned two colossal statues of Hatshepsut as pharaoh to his father, Thutmose II. The idea was to connect himself with the traditional patriarchal lineage — and hopefully have everyone forget the unconventional time he shared Egypt’s throne with a woman.

In 1997, the French Institute undertook the challenge of rebuilding what they refer to as la Chapelle Rouge. Today you can visit the Red Chapel, and hopefully you won’t have the space crowded with tourists and a woman doing an Instagram photo shoot out the back.

Beyond the Red Chapel, at the back of Karnak, off to the left, you can wander through Thutmose III’s Festival Hall.

Off to the side of the complex is the Akh-Menou, or Thutomose III’s Festival Hall, featuring tentpole columns

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After exploring the rest of the complex, Duke and I wandered past the Sacred Lake, out to the Tenth Pylon. The gateway was closed off, but beyond was once an avenue of sphinxes that led to the Temple of Mut. The road took a turn and joined up with another avenue of sphinxes, this one leading all the way to Luxor Temple, two miles away. Everyone’s abuzz at the prospect of renovating and reopening that avenue — though it didn’t appear much progress had been made when we visited. –Wally

The temple grounds are a mishmash of architecture from many different pharaohs’ reigns

Much of Karnak lies in ruins

Hatshepsut built the Eighth Pylon, making it one of the oldest parts of the temple complex

Historic renderings of Karnak

Even if you don’t read French, this map can help you navigate the Karnak complex

The Mystery of the Sphinx and the Valley Temple of Khafre

Whose head is that on the Sphinx? The site is crowded with limited access. Still, one of Ancient Egypt’s oldest monuments should be paired with the Pyramids of Giza near Cairo.

Riddle me this: What’s it like visiting the Great Sphinx of Giza?

While many of the ancient sites of Egypt have had their stones upcycled for other uses, the rose granite covering the walls of the Valley Temple of Khafre were somehow spared. The temple gives visitors a glimpse of the past and makes for a dramatic reveal of one of the world’s oldest colossal monoliths, the Great Sphinx of Giza. Just don’t expect to get too close or walk around it. 

A statue of Pharaoh Khafre in Cairo’s Egyptian Museum

After taking a few photos of the pyramids from the panoramic overlook, Wally and I returned to the car (driver and subpar guide) we had hired for the day. They drove us a short distance to another parking lot within the pyramid complex outside of Khafre’s temple. 

“Did Napoleon and his troops shoot off the nose of the Sphinx during target practice?

Read on to find out!”

Duke and Wally peek out from the columns in the open-air Temple of Khafre

Like the Temple of Horus at Edfu, the structure remains well preserved, thanks to having been buried under sand until it was rediscovered and excavated by French archaeologist Auguste Mariette in 1853. A diorite statue of Khafre, an Old Kingdom pharaoh circa 2570 BCE, shows the ruler seated with the falcon symbolizing the god Horus behind his head. It was discovered by Mariette’s workmen in 1860, inside a pit within the temple. You can now see the statue amongst the many finds scattered about the Egyptian Museum in Cairo.

Duke in the temple, en route to the Sphinx

Inside the now-open-air temple lies a peristyle hall containing a series of monumental limestone blocks quarried from the bedrock surrounding the Sphinx. The walls, lintels and columned court are sheathed in pink granite stone brought 500 miles downriver from Aswan. It’s nothing short of amazing to know that we were walking inside a structure erected thousands of years ago.                                                             

As Wally and I wandered through, the previously mentioned guide, Ahmed, whom we booked through the Kempinski concierge — beware! — mentioned that the temple floors were fashioned from slabs of white-veined calcite. The temple ends at a narrow ascending passage leading up to an open doorway, making for a dramatic exit anf reveal of the Great Sphinx.                                                                  

Whose head is that on the Sphinx, seen here in a 1790 illustration by Louis Francois Cassas?

The Sphinx’s Identity Crisis

In Ancient Egypt, statuary and art was reserved for the ruling class and often served a political or religious function. The elite were the only ones who could afford to commission their likeness in stone, but it remains a mystery as to whose face the Great Sphinx of Giza was meant to represent. No inscriptions were left to confirm who erected it or when. However, Ahmed referred to the Sphinx as Khafre, and archaeological evidence has since indicated that it was constructed during Khafre’s reign, so I’d be willing to agree it was him.

The Great Sphinx is one of the oldest and largest monolithic statues in the world. Because nobody knows its original name, the Greeks referred to it as a sphinx — which to them was traditionally a bare-breasted woman with a lion’s body and eagle’s wings who kills those who cannot answer her riddle. Carved from a single deposit of limestone bedrock on the Giza plateau, the recumbent, mythological creature has the body of a lion and the head of a king, and most likely was intended to symbolize Khafre's unification with the sun god Re (or Ra), who also acted as guardian of the Giza necropolis. 

Oedipus and the Sphinx by Gustave Moreau, 1864. She doesn’t look too fierce — but notice the corpse at the bottom of the painting

Limestone is a soft sedimentary rock composed primarily of the compressed remains of marine organisms that died in the waters of ancient seas. Time has not been kind to the Sphinx, and due to variations in the density of the bedrock, its surface appears to undulate. 

You can get a good shot of the Sphinx, but you’ll have to fight your way through the crowd

We were only allowed to walk within a narrow space to one side of the Sphinx and not around the monument as is often seen on so many television programs. It was crowded on that strip, and there were tourists taking selfies and other photos, which made viewing the Sphinx a letdown for us. 

For centuries, only the head of the Sphinx peeked out from the desert, with the rest buried in the sand

Dream Stele: When Dreams Come True 

The Great Sphinx was already ancient and abandoned by the time Prince Menkheperure discovered it on a hunting expedition. The colossal monument had been swallowed to its neck by the desert sands, and the prince decided it was as good a spot as any for a nap. He fell asleep beneath the shadow of its head. He later claimed that the Sphinx, in the embodiment of the sun god, Horemakhet, or Horus on the Horizon, appeared to him in a dream and made him a deal that the ambitious young royal couldn’t refuse: Although he wasn’t next in line, the Sphinx promised the prince the throne if he freed the great statue from the desert sands.

We don’t know what happened to his older brother, who was next in line, but Menkheperure did indeed become pharaoh, changing his name to Thutmose IV. To commemorate the event, he erected a small chapel between the front paws of the Great Sphinx. Inside the sacred chamber, Thutmose placed a 15-ton pink granite memorial slab inscribed with a telling of the so-called miracle. It’s also entirely possible that the stone table known as the Dream Stele was fabricated to legitimize Thutmose IV’s authority after usurping the throne. 

British soldiers pose at the base of the still-buried and noseless Sphinx

Sphinx Myth Busting: Who Nose?

The biggest myth perpetuated over time claims that Napoleon and his troops used the nose of the Sphinx for target practice and were responsible for this missing feature. European visitors to Egypt prior to Napoleon’s expedition had already discovered the vandalism to the Sphinx, and 18th century sketches of the beast indicate that the statue’s disfigurement occurred well before the French emperor was even born.

Another tale is that it was deliberately hacked off by a Sufi Muslim named Muhammad Sa’im al-Dahr, who was outraged by peasants making offerings to the colossal beast in hopes of controlling the flood cycle of the Nile, which would result in a successful harvest.                                          

Though it’s now indistinct from the hue of its desert surroundings, Ahmed told us that the Sphinx was once elaborately painted. He gestured to the residue of original blue pigment that remains near the ear, but I couldn’t see it.  

A historic illustration of the Sphinx. We wish we could climb a ladder onto its head!

After taking in the pyramids and Sphinx, Wally and I both needed to use the bathroom. Make sure to keep small bills for this purpose — the attendants will hand you a single square of toilet paper and ask for money before permitting you to go in. 

Before using the restroom, Wally and I stood on the terrace of a café and took some great photos of the Sphinx, with the Pyramids in the background. This is where I suspect the nightly Sound and Light Show is held. If you want some pics here, take them quickly — a guard came right over to scold us. I thought it might be because the grounds outside the monument were strewn with garbage, and a photo would have cast it in a less-than-flattering light. Wally thought it was a privilege reserved for those who paid for a meal on the terrace overlook. I guess this will remain an unsolvable riddle for the time being. 

The nearby restaurant offers a front-on view of the Sphinx

Admission for the valley temple and Great Sphinx are included with the 160 Egyptian pound ticket to the Giza Plateau. –Duke

Duke and Wally were bummed they couldn’t get closer to the massive monument

The Singing Colossi of Memnon

The crumbling giants in Luxor are all that’s left of Amenhotep III’s mortuary temple. 

These decaying statues were once guardians of one of the most impressive temples in Egypt

There’s not much left to see, but that doesn’t stop most visitors to Luxor from making a quick pit stop at the Colossi of Memnon. 

Ravaged by earthquakes, looters and time itself, the crumbling statues you see today are nothing compared to their past glory. When they were first built, they were painted with bright white, red, brown, blue and even some golden gilding to set off key areas. 

“At dawn, people would visit the statue to ask a question of it, trying to decipher an answer in its prophetic whispering. ”

Statues of Memnon at Thebes, During the Inundation by David Roberts, 1846-1849

Amenhotep III’s Mortuary Temple

Amenhotep III (who ruled during the 18th Dynasty, from 1386-1353 BCE) sits on his throne, while smaller statues of his chief wife, Tiye, and his mother stand between his legs. Carved from single pieces of sandstone, the statues rise 60 feet into the air and weigh 720 tons. Situated on the West Bank of the Nile, they guarded the entrance to Amenhotep’s mortuary temple. 

The giants weren’t alone, though. Just beyond was another pair of colossi, and then another pair through the next pylon. Each pair got smaller than its predecessors, as you moved into the depths of the temple. 

One of the statues was thought to sing and prophesize back in Roman times

This colossi were not only there to instill awe in viewers — they were also representations of fertility and the life-giving abundance of the River Nile. During the annual flood, the water would rush past the giants, flowing along the avenue of sphinxes and into the temple itself. Only the innermost sanctuary was protected, having been built on a slight elevation. 

After months of being partially submerged, the colossi would re-emerge as symbols of rebirth. 

Wally does one of his jumping pics in front of the 60-foot statue

While Hatshepsut’s mortuary temple is in much better shape today, Amenhotep’s was originally much larger and more impressive. It was even said to rival the massive Karnak complex. 

Archaeological evidence shows that there were once hundreds of stone statues within the temple. These depicted not only the pharaoh but various gods that would protect him in the afterlife: Osiris, the lord of the underworld, Sekhmet, the lion-headed goddess with healing powers, and sphinxes bearing the jackal head of Anubis, who oversaw the mummification process. (Learn how — and why — Ancient Egyptians created mummies.)

The temple would have been filled with priests worshipping the statues and offering food, drink and some of the finer luxury items the king was used to in this life and would want to enjoy in death as well.

A nice stranger offered to take our picture

The Singing Statue

For a while, the northern giant had been damaged in such a way that when the wind blew through, it made a whistling noise that some mistook for singing. People believed that it happened every morning at dawn and they would visit the statue to ask a question of it, trying to decipher an answer in its supposedly prophetic whispering. (Popular thought now is that it was dew drying in the cracks of the porous stone.) 

The Roman Emperor Septimus Severus visited the site but didn’t hear the singing. In a misguided attempt to curry favor with the oracle, he repaired the colossus in 196 or 199 CE. It’s a total bummer, but after the renovation, the colossus never again sang its quiet soothsaying song.

The Vocal Memnon by Harry Fenn, 1881-1884

A Case of Mistaken Identity

If these colossi depict Pharaoh Amenhotep III, why are they now called Memnon? During the Trojan War, Ethiopia’s King Memnon joined the side of Troy to battle the Greeks. He was killed by the famous demigod hero Achilles but was admired for his courage and fighting prowess. When Greek tourists visited this site, they mistook Amenhotep for Memnon — in part because they thought the singing might be that of Memnon’s mother, Eos, the goddess of the dawn, lamenting the loss of her son. The name stuck. 

An illustration from Description de l'Égypte, 1809-1828

Sadly, all that remains of this once-stunning temple are the crumbling, now-silent colossi that stood guard out front. –Wally

Pura Dalem Ubud: The Temple of Death

Looking for things to do in Ubud? Wander among the demons — and attend a kecak dance — at Desa Pakraman Ubud.

The Pura Dalem lies on the outskirts of Ubud

NSFW: The temple is covered with depictions of bare-breasted demonic women

As we drove out of town our last evening on Bali, I glimpsed a temple atop a hill on the outskirts of Ubud. There was something that called to me, and I made a note to investigate it the next morning. So after we had packed up our bags and our driver Made (pronounced Mah-day) picked us up, I directed him to the temple.

Duke and I were delighted to discover that it was a pura dalem, or temple of death. These temples always have the craziest statues and carvings depicting Balinese demons out front, menacing visitors with bulging bug eyes, fangs, long tongues and breasts that sag down to their stomachs.

These dramatically sliced gates are common at Balinese temples

Motorbikes are ubiquitious on Bali

Many Hindu temples have balustrades that run the length of staircases in the shape of snakelike naga

“Snarling lions and hosts of demons line the entrance stairs. Duke and I couldn’t help smiling.

This is our Disneyland.”

Pura dalems are dedicated to Rangda, the Demon Queen. She is the personification of evil, often depicted with pendulous breastes, fangs and unkempt hair. We passed a statue of her holding a baby in her arms — her favorite snack.

Rangda, the Demon Queen, loves to snack on innocent babes

Many creatures in Balinese mythology — good and evil — have bulging bug eyes

Balinese temples are composed of numerous open-air shrines

This was pretty much the only statue at the Pura Dalem Ubud that wasn’t monstrous

Monkeys, skulls and babies, oh my!

The entrance to the pura dalem has creepy creatures everywhere you look

I’ve read that pura dalems are usually built at the lowest part of a village, as demons are associated with bhur, the underworld (some elements are consistent across religions). But this temple rises on a hill above Ubud. Maybe the Great Temple of Death in the Monkey Forest is the one situated at the lowest point.

Snarling lions and hosts of demons line the entrance stairs. Duke and I couldn't help smiling. This is our Disneyland.

Parts of the façade were being renovated when we visited

Pura dalems are associated with bhur, the underworld, where demons reside

It shouldn’t be surprising to learn that this is a temple of death

Ferocious beasts populate the entrance to the temple

Wally loves himself a lion

Downward-facing demon: a new yoga pose?

Sneaking Into the Temple of Death

We wandered around the temple complex, and I was surprised to see a large courtyard off to the left, for dancing. I wondered what kind of performances would take place at a temple of death.

After a bit of research, I learned that this temple hosts the Kecak Fire and Trance Dance, which sounds like an intense experience I’m bummed we didn’t see. I’d like to imagine the environment becomes charged with a mystical energy as the flames dance to  the dissonance of the native music. Perhaps the statues themselves come to life to join the dance.

The music pavilion near the dance performance space

Balinese musical ensembles are called gamelans

Wood and bronze xylophone-like instruments are common on Bali

The instruments are intricately carved with creatures from Balinese mythology

At the back of the dance area is a pavilion filled with row after row of the bronze instruments, many resembling xylophones, that comprise a gamelan ensemble.

Which is Garuda and which is Duke?

Mischievous Wally likes sneaking into temples

The interior of the temple was gated off, but Duke and I skirted around it until we found a gate we could stick our hand through and unlock from the other side. We opened it as quietly as possible, trying not to capture the attention of the construction workers nearby. The gate let out painfully loud squeal, and Duke and I slipped in quickly.

Lichen covers Balinese temples, lending an ancient air to even the newer ones

Maybe this is where you sacrifice your babies to Rangda

The interior courtyard of the pura dalem was locked — but that didn’t stop us from finding a way in

Shrine towers in the most sacred space of the temple

These woven baskets contain offerings to the gods

Various shrines rise jaggedly skyward in the interior courtyard, bright orange brick and pale stone carved into monstrous creatures. The ground, like many temples on the island, is striped, alternating bands of stone and grass, a dichotomy I imagine symbolizes the balance of good and evil so prevalent in the Balinese religion.

Like many temples in Bali, the interior courtyard features rows of grass and stone

Could the alternating stripes on the temple floor symbolize good vs. evil?

A holy banyan tree grows off to one side, its roots dangling in clumps like Rangda’s matted dreadlocks.

Banyan trees, with their roots that grow from above, are amazing works of nature

Many offering tables are covered with black and white checkered cloths

The gnarled roots of banyans pair nicely with demonic depictions

When someone dies on Bali, they’re temporarily buried, and their spirit resides in the pura dalem, according to Murni’s in Bali. It’s not until a cremation ceremony has taken place that the person is free to be reincarnated.

Despite the demonic depictions scattered throughout the pura dalem, I wondered if death isn’t something to be afraid of, amongst a people who believe in reincarnation. –Wally

Many temple statues get adorned in sarongs

A bit of heavenly light shines upon one of the demons of death

Pura Dalem Ubud

Jalan Raya Ubud, No.23
Ubud, Kabupaten Gianyar
Bali 80571, Indonesia