The Demon Lilith and the Ghost of Doc Benton

The monsters of Supernatural, Season 3, Episodes 15 & 16 include Adam’s first wife and a Dartmouth urban legend.

To ensure his immortality, Doc Benton steals body parts from other people, and over the years has come to resemble Frankenstein’s monster

S3E15: “Time Is on My Side”

Monster: Doc Benton

Where it’s from: Moosilauke Ravine Lodge in the White Mountains of New Hampshire, owned and operated by Dartmouth College

Moosilauke Ravine Lodge in New Hampshire, where unsuspecting Dartmouth students stay — not knowing they could be the next victims of Doc Benton!

Description: On the show, Doc Benton is cobbled together from various people’s body parts, like Frankenstein’s monster.

What it does: Doc Benton is the star of a ghost story used to scare freshmen. He was an insane recluse who kidnapped a girl named Mary. Benton threw her off a cliff, and when locals examined her corpse, they noticed a scratch behind her ear and a red dot on her head. Doc Benton became obsessed with the idea of living forever, and figured out a way to do so by stealing the vital organs of healthy young specimens (like Dartmouth freshmen, for instance). He has beaten death for centuries now, and can continue to commit his sick surgeries for eternity.

Doc Benton has been stitched up numerous times over the centuries. Don’t go near him if you want to keep that kidney!

On Supernatural, a dead man’s fingerprints are all over a guy’s stomach, but only his liver was removed — surgically.

“Zombies do like the other other white meat,” Dean quips.

Another victim is missing his kidney. He’s sewn up with silk, which was used for sutures in the 18th century. And maggots are placed on the wound to eat infected tissue and leave the good — a startling practice still used today, if you can believe it.

The snarkiest of the Winchester Brothers, of course, has some great nicknames for Doc Benton: Slicey McHacky and Dr. Quinn, Zombie M.D.

Doc likes to set up shop in the middle of the woods near a river — a good place to dump intestines, fecal matter and whatnot.

Reading the mad doctor’s medical notes, the Winchester Brothers realize that he has discovered the secret to eternal life.

“Drink blood out of a baby’s skull?” Dean asks.

No black magic, Sam says. Just science.

Sammy gets kidnapped by Benton, who’s about to scoop out his eye with a Victorian-era melon baller. Eww!

How to defeat it: Doc Benton tells Dean and Sam that Daddy Winchester cut out his heart. “That was very inconvenient,” he adds.

You can’t run him over. And you can’t shoot him. “What part of immortality don’t you understand?” the phantom asks.

So they dip a knife in chloroform to knock out the not-so-good doctor and bury him alive.

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This terra cotta carving from Mesopotamia is called The Queen of the Night and possibly depicts the demon Lilith

S3E16: “No Rest for the Wicked”

Monster: Lilith

Description: On the show, Lilith takes the incarnation of a little girl. It’s a solid choice and scores high marks on the creepiness scale. Especially when her dress is covered in blood cuz her pet Freckles was mean to her — along with the babysitter lying dead nearby.

Where it’s from: The Near East, especially in what is now Iraq

What it does: Lilith has been described as the most notorious demon in Jewish tradition. She was the first woman and was Adam’s wife before Eve. Lilith is particularly dangerous to pregnant women and newborns, and her breasts are filled with poison instead of milk.

Lilith was Adam’s first wife in Jewish lore. When she refused to be subservient to him, she was demonized, and Eve was created to take her place

Her name means “Night,” and she embodies all that goes along with that: terror, sensuality and unbridled freedom.

The Babylonian Talmud says, “It is forbidden for a man to sleep alone in a house, lest Lilith get hold of him.” That’s because Lilith fertilizes herself with unsuspecting men’s sperm to give birth to other demons. Some of us might be demon baby daddies and not even know it!

How to defeat it: This demon is best avoided. She’s one badass bitch: “Lilith would have peeled the meat from your pretty, pretty faces,” the Winchesters are told. That would’ve been a shame; they do have such pretty, pretty faces.

Sam and Dean get the demon-killing knife from Ruby, but she warns them that to Lilith it would be a mere “pig sticker.”

Dean can see demons’ true forms as his time on Earth nears its end. But how are they going to convince others that the child is a powerful demon? It’s not like they can sneak in, grab a 10-year-old girl and give her a Colombian necktie (a slash across the throat and the resulting bloodbath).

Dean has a deadline: At midnight his time is up — and sure, enough, once the clock strikes 12, he gets torn apart by hellhounds. Bad doggies! –Wally

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READ MORE SUPERNATURAL EPISODE RECAPS

Weird Bali: 7 Crazy Balinese Customs

Cat poop coffee, temples of death and Balinese names are a few of the unusual aspects of Bali culture.

What makes islands so interesting is that they act as closed environments and often adopt their own distinct cultures. It’s curious that Bali is a Hindu island in the midst of the most populous Muslim nation in the world. Its unique religion permeates daily life.

Here’s a sampling of seven unusual things we observed or learned about on our trip to Bali.

“The passage of the beans through the civet’s digestive tract, pressed against their anal scent glands makes the resulting coffee to die for. ”

Kopi luwak, made from the excrement of a cute wild cat, has become a craze. But we recommend boycotting it

1. A popular coffee on Bali is made from animal poop — and it’s the most expensive coffee on Earth.

Known as kopi luwak, this is essentially coffee beans that have been eaten, digested and shat out by the palm civet, a cute animal that looks like a cross between a wild cat and a mongoose. You’ll see signs for kopi luwak all over Bali, and Duke and I were like, no thank you. The British couple next to us at dinner one night said they quite enjoyed it, though, that the beans were a honeyed color, that the coffee was smooth, and they’d have gotten some if it wasn’t so bloody expensive.

Many poor civets are kept in cages and mistreated to make sure there’s a steady supply of luwak coffee

Civets are shy, nocturnal creatures that roam coffee plantations at night, eating ripe coffee cherries. They can’t digest the pits, or beans, and poop them out. Somehow locals got it into their heads that the passage through the civet’s digestive tract, pressed against their anal scent glands, somehow makes the resulting coffee to die for.

One of the many places we were offered civet shit coffee. We declined each time

What’s sad, though, is that the novelty of kopi luwak has turned into a booming industry, with many coffee farms mistreating the animals. They “suffer greatly from the stress of being caged in proximity to other luwaks, and the unnatural emphasis on coffee cherries in their diet causes other health problems too; they fight among themselves, gnaw off their own legs, start passing blood in their scats, and frequently die,” writes Tony Wild, the man who blames himself for bringing the kopi luwak craze to the West, in The Guardian. Treating an animal like that is just crappy.

There’s a very good chance that half the people in this photo are named Wayan. Seriously!

2. All the kids have the same names, depending on their birth order.

As you become acquainted with more and more Balinese locals, you’ll notice something strange: They all seem to have the same name. And it’s not just that certain names are popular, like John and Jennifer in the States — there literally seem to be only a few names on the island to choose from. As bizarre as that seems, that is indeed the tradition on Bali.

In most cases, Balinese parents from the lower caste (that is to say, most of the population) give their children the same names, depending on their birth order — whether or not they’re boys or girls. Firstborns are named Wayan, Putu or Gede; the second-born is Made or Kadek; the third-born is Nyoman or Komang; and the fourth-born is Ketut. What happens if you have five kids? The cycle repeats itself, with the addition of Balik. So the fifth-born would be Waylan Balik, which basically means Waylan Returns.

You’ll meet tons of Wayans and Mades (this last one is pronounced Mah-deh), so how do people know who’s who? Most Balinese add a nickname or middle name. Our driver, for instance, was Made Ada.

Temples of death on Bali feature frightening statues out front

3. Every village has at least one temple of death.

Known as pura dalem, every village has at least one death temple, often located in the lowest part of town, facing the sea, which is considered the gateway to the underworld. Bodies are buried in the nearby cemetery, awaiting the purification of a cremation ceremony. Pura dalem, not surprisingly, are typically dedicated to the most gruesome gods and goddesses of the Hindu pantheon: Shiva the Destroyer, Kali, Durga or Rangda.

Many temples of death are dedicated to the demoness Rangda, who has a long tongue, droopy breasts, phallic dreadlocks and a fondness for eating babies

Monstrous demonic statues line the entrance — many featuring bulging bug eyes, fierce fangs and large, saggy breasts. Some hold innocent babies in their arms as they stand atop a pile of skulls. These serve as a vivid reminders of what awaits the wicked.

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LEARN MORE: Visit the temple of death in Ubud

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The only thing that would make Duke and Wally even more macho than these sarongs is if they had flowers behind their ears, too

4. Wearing a skirt and tucking a flower behind your ear is thought of as the epitome of masculinity.

At temples on Bali you have to wear a sarong, wrapping these bright cloths around your waist like a long skirt. When I first visited Bali almost two decades ago, I’d wear a sarong every day, and it was common to see local men doing the same. On this visit, though, we only saw one young man wearing a sarong in Ubud (and that’s why I approached him to be our driver for the week).

I’d also pluck a flower and put it behind my ear, having seen temple priests do so. When men on Bali would see me with my sarong and flower, they’d exclaim, “Look at you! You are so masculine!” Bali has got to be the only place on Earth where a man is considered macho for wearing what’s essentially a skirt and a flower behind his ear.

Newborns on Bali are so holy they aren’t allowed to crawl on the ground

5. Babies on Bali aren’t allowed to touch the ground for the first three months or so.

Being Hindus, Balinese believe in reincarnation — more specifically, newborns are thought to be the spirit of an ancestor returning to live another life. Because babies are still so close to the sacred realm they came from, they should be venerated. And in a culture where the ground represents all that is demonic and impure, that means newborns aren’t allowed to touch the earth for at least 105 days after birth, and up to 210 in some communities. That’s when the soul officially becomes a part of the child.

At this time, there’s a ceremony called nyabutan or nyambutin, where the baby’s hair is cut off and he or she touches the ground for the first time. It’s often at this time that the child is given its name.

You’ll be a total baller in Bali!

6. In Indonesian currency, you’ll be a multimillionaire.

Literally every time we hit the ATM, we got out the maximum amount: 1.5 million rupiah, which, at the time we visited, was only about $100.

We passed at least four Polo stores in Ubud — and they all seemed to be having a 70% off sale

Are these officially licensed Ralph Lauren stores? Probably not

7. There are Ralph Lauren Polo stores everywhere.

The preppy look is huge on Bali, at least among tourists. The island is lousy with Polo stores — though they might be of dubious affiliation with the brand. Walking through Ubud, we passed at least six Polo stores. Let the buyer beware: The online consensus is that these deals are too good to be true and are most likely knock-offs. –Wally

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RELATED: 5 Strange World Traditions

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Pura Taman Saraswati: The Heart of Ubud

You can’t miss the Saraswati Temple, famous for its lotus pond and dedicated to the Hindu goddess of learning.

The Saraswati Temple is a peaceful oasis in Ubud

On our first afternoon exploring Ubud, Wally and I decided to grab a bite at Cafe Lotus. Our table within the café’s open-air dining pavilion had a lovely view of the pond in front of the temple. There’s an undeniably magical quality to the multitudes of vibrant pink buds rising upon their stems above the murky waters, with the bricks of the temple beyond glowing orange.

Grab a bite at Cafe Lotus and admire the view

The temple is dedicated to Saraswati, who, according to Hindu mythology, is the divine consort of Brahma, the four-faced creator deity. Her name is a combination of two Sanskrit words, “sara,” a lake or pool, and “vati,” to possess. Loosely translated, her name means She Who Has an Abundance of Water. Originally, she took the form of the sacred Saraswati River in India. That river has since dried up, and over time, she transformed to become the patroness of knowledge, literature and the arts, the creative essence flowing within the human heart and soul.

This pathway bisects the lotus pond and leads to the temple

Who doesn’t love a lotus?

It is believed that Saraswati lives on the tip of the tongue and is present whenever words are spoken. She is the goddess of speech, and her blessings are invoked through the mantras written on sacred traditional palm leaf manuscripts, known as lontar. She is often depicted with four arms, seated upon a swan or lotus flower. In her hands she holds a lute, prayer beads and a lontar, representing the intellect, alertness and ego.

The temple is dedicated to the Hindu goddess Saraswati, patroness of learning and the arts

Pura Taman Saraswati

Prince Tjokorda Gede Agung Sukawati commissioned the temple, which was designed by the Balinese artist Gusti Nyoman Lempad. Construction began in 1951 and was completed the following year. Under patronage of the royal family, Lempad played an important role in the design and construction of palaces and temples throughout Ubud and its neighboring villages. When Lempad died in 1978, he was believed to have been 116 years old.

Wally and Duke in front of the temple and pond

There’s a Starbucks right in front of the temple. Grab a venti iced latte on the way out!

The temple is easy to find, sandwiched between Cafe Lotus and a Starbucks off the main thoroughfare of Ubud. To enter the grounds, cross a footbridge that bisects the scenic lotus ponds. The path is flanked by theatrical and grotesque sculptures of Hindu mythological figures, many of which are the original works of Lempad himself.

Grotesque statues like this one are characteristic of Gusti Nyoman Lempad’s style

Lempad carved many of the statues and was the architect of the temple

Wally and I were only able to explore the front platform of Pura Taman Saraswati, as the inner courtyard was closed to visitors. The temple exterior is a traditional assemblage of orange-red bricks embellished with gray volcanic stone ornamentation. A towering central gate known as a paduraksa stands at its center. A pair of intricately carved wooden doors functions as a symbolic boundary marker between the outer world and the temple’s sacred interior.

The central gate into the sacred interior of the temple was locked every time we visited

Gold detailing on the temple doors features heads of guardian spirits

On either side of the main gate at Pura Taman Saraswati are two tall frangipani trees whose gnarled branches and dark green leaves grow outwards and upwards like a pair of wings. When in bloom, these trees produce small, fragrant white flowers with yolk-yellow centers. The flowers are called jepun in Bali and are commonly used in the daily devotional offerings to the gods known as canang sari.

People leave offerings of flowers for Saraswati

As Saraswati is associated with the arts, it’s fitting that the courtyard serves as an open-air stage for nightly kecak performances, traditional stories depicting the constant struggle between good and evil, told through dance.

W is for Wally

Duke branches out at Pura Taman Saraswati

On a platform in front of the temple, a spiny-backed turtle flanked by two dragon-looking creatures emerge from below

On the couple of occasions we visited, we entered directly from Jalan Raya, the main street that runs through the center of Ubud. The water temple is apparently also accessible from Jalan Kajeng, which runs perpendicular to Jalan Raya. No matter how you arrive there, it’s a peaceful oasis amid the throngs of tourists and worthy of a quick visit. –Duke

The Saraswati Temple in Ubud

Pura Taman Saraswati
Jalan Kajeng
Ubud
Kabupaten Gianyar
Bali 80571
Indonesia

The Mysterious Cliff Shrines of Candi Gunung Kawi

Make the long trek down to the enigmatic “Valley of the Kings” in Tampaksiring on Bali.

When the king died, his wives were ceremoniously killed — and they were all honored with these memorial shrines

After paying the admission fee of 15,000 rupiah (just $1), Wally and I made our way down the hundreds of steep stone steps leading to the 11th century funerary complex of Gunung Kawi. Its name literally translates as Mountain of the Poets, taken from an ancient literary language used by poets and Brahmin high priests.

When we finally arrived at the the river valley below, after a long walk through the sweltering heat, we entered a lush, green oasis — the colors all the more vibrant against the contrast of the gray basalt cliffs.

“A mighty giant warrior named Kebo Iwa is said to have carved out the entire group of shrines in one night with his fingernails. ”

A typical split gate found at many Balinese temples

The 10 memorials were created for royal family members — and their concubines

The complex consists of 10 slender 23-foot-high memorials shaped like candi, ancient burial towers, which have been carved directly into the igneous rock face. Each temple façade is framed within an arched niche: Four stand on the west side and five on the east, separated by the sacred Pakerisan River.

An interesting Balinese folktale attributes the entire group to a mighty, mythical giant warrior named Kebo Iwa, who, according to legend, carved out the entire group in one night with his fingernails. He’s also credited with the creative of the monster mouth cave of Goa Gajah. In reality, these magnificent structures were sculpted from the top down by hand, most likely using only pickaxes, hammers and chisels.

The shrines were carved right into the cliffs

Candi Land

Although the monuments remain a mystery, it has been speculated that they were built to honor King Anak Wungsu, who ruled in Tampaksiring from 1049 to 1077. An inscription found above the central shrine on the east side mentions that the king, whose name isn’t given, made a temple here. The additional shrines were for his favorite wives, who would have ceremonially committed suicide after his death.

Another theory amongst historians is that the candi were commissioned by Anak Wungsu to honor his father, King Udayana, his mother, Queen Mahendradatta, and his brothers Airlangga and Marakata (along with himself), with the remaining four dedicated to his concubines.

The other side of the river can be seen through curtains of banyan roots

When so little is known for certain, anything is possible. In any event, the candi at Gunung Kawi resemble the free-standing shrines of East Java and were built as an abode for the souls of deceased royalty. Their residences have steps leading to false doors. To the right of the monuments are five cells carved into the rock, where the caretakers formerly stayed.

The caretakers didn’t get the best digs — they lived in these caves

Eye Candi

Wally and I followed the stone bridge across the Pakerisan River, which gurgles and flows through the center of the complex. The five main funerary monuments remained partly obscured by a copse of trees and gradually came into full view.

A river separates the two sides of Gunung Kawi

The Pakerisan River is considered sacred on Bali

The location felt like the setting for an Indiana Jones adventure. Whatever its origin, I found myself gazing up at the five rock-hewn memorial shrines before us, taken in by the mystical atmosphere of ancient legends and long-lost tales of forgotten Balinese kings.

Behind Duke is the waterfall that’s across the river at one end of the complex

Wally takes a break on all those damn stairs!

What was not so magnificent was the brutal climb back up to the parking lot. Suffice to say, that it would not be accessible to anyone who is mobility impaired.

Because this is a sacred site, be sure to bring a sarong. If you don’t have one, they’re available for rent at the ticket kiosk. –Duke

Candi Gunung Kawi
Banjar Penaka
Tampaksiring
Gianyar, Bali 80552
Indonesia

Cold Soup Recipe: Carrot and Healing Roots Bisque With Crostini

Beat the heat with this bright and refreshing vegan chilled soup that will transport you to the enchanting open-air pavilion of Herb Library in Ubud, Bali.

Can’t stand the heat? Whip up a batch of this refreshing cold soup we first had in Bali

This past week brought some hot and humid days, a little reminder that the dog days of summer have arrived in Chicago. Naturally, I found myself wanting to be cooler and craving the creamy, chilled carrot and healing roots bisque I enjoyed when Wally and I dined at Herb Library in Ubud, Bali this past spring. Their menu is an extension of the Alaya Jembawan Resort’s wellness concept and features healthy and delicious options.

The bisque was silky smooth, light and delicious, like the brightness of the Balinese sun in a bowl. Ginger, galangal, garlic and earthy turmeric give the soup its complex layers, while carrots serve as the foundation. Carrots are high in beta-Carotene, which works inside our bodies as an antioxidant, while ginger, galangal and turmeric purge toxins and reduce inflammation. Plus, with a bit of prep, these nutritious ingredients cook up quickly, and when blitzed in a blender, give the soup a velvety texture.

“The bisque is silky smooth, light and delicious, like the brightness of the Balinese sun in a bowl. ”

This recipe was kindly provided by Herb Library’s executive sous chef, Wayan Adhe Suwetha. The soup is substantial enough on its own, but can be served with crostini and a mixed greens salad. I like to finish mine with a good dollop of plain yogurt or swirl of coconut milk to round out the flavors.

Servings: 4

Turmeric, garlic, galangal, ginger, carrots and green onions form the base of this summertime bisque

Ingredients

• 2 tablespoons virgin coconut oil
• 3½ tablespoons green onion, white part only
• 4 cups carrots (about 1½ lbs), peeled and finely diced
• 1 tablespoon garlic
• 1 tablespoon fresh ginger, minced
• 1 tablespoon fresh galangal, minced
• pinch of grated kencur
• pinch or more of red pepper flakes
• ⅛ teaspoon salt
• ⅛ teaspoon ground pepper
• pinch of cinnamon
• 1 tablespoon turmeric
• 4 cups water
   

Preparation

Melt coconut oil in a large pot over medium-high heat.

Add the whites of green onions, ginger, galangal and garlic. Sauté 2 minutes, until glossy.

Add carrots and spice mixture. The kencur is optional but adds another layer to this soup. I purchased mine online through Épices de Cru. Sauté 1 minute, stirring to coat carrots.

Add 4 cups water and bring to a boil. Reduce heat, cover partially and simmer until carrots are very tender, about 20 minutes. Cool slightly.

Purée soup in batches until smooth. Season with salt and pepper.

I recommend making it a day ahead — that way you get more depth of flavor and it’ll be properly chilled.

If the soup is too thick, thin with more water.

Ladle into bowls. Serve with crostini and salad.

Crostini

Ingredients

• 12 day-old baguette slices, ¼ inch thick
• ¼ cup unsalted butter, melted
• chives, to taste
• garlic, to taste

Preparation

Preheat oven to 350ºF. Mix in chives and garlic to melted butter. Brush both sides of bread with butter. (Try olive oil instead to keep this recipe vegan.) Place in a single layer on a baking sheet.

Bake until golden brown, about 15 minutes, turning halfway through baking. –Duke

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GET COOKING: More recipes

Goa Gajah: An Easy Ubud Day Trip

The so-called Elephant Cave has an iconic and demonic gaping cave mouth.

When staying in Ubud, make a quick stop to see the monster mouth at Goa Gajah

Balinese words can be so fun to pronounce. You’ve got the water palaces of Klungkung and Tirta Gangga. And just outside of Ubud is a small temple complex called Goa Gajah that dates from the 9th to 11th centuries.

Turns out Goa Gajah has been mistranslated to Elephant Cave, but you won’t find even the remotest hint of a pachyderm anywhere on the small temple complex — aside from a stone statue of the elephant-headed Hindu god Ganesh inside the cave. And, perhaps, the tusk-like fangs that adorn the demonic mouth that forms the cave entrance.

“Those bulging eyes and elongated mouth are a familiar sight in Indonesian temple architecture.”

Flights of stairs lead down to the Goa Gajah complex

The first thing you’ll come across are these ruins

Goa Gajah’s a good stopover to pair with other sites. Excavated in 1954, there are a few buildings in the complex, but it’s really all about the giant mouth cave. Wait for the tourists to clear out, snap the money shot — and you’ll be good to go.

Those bulging eyes and elongated mouth stretching into an entrance are a familiar sight in Indonesian temple architecture. As scary as they look, they’re depictions of Bhoma, a nature god who symbolically cleanses visitors as they enter the most sacred part of holy sites.

What mysteries await Duke and Wally inside the Elephant Cave?

Inside the cave, a narrow T-shaped passageway forks to the left and right, the walls blackened from incense smoke. You can make out small niches in the darkness, some with worn-away statues, including a trio of phallic linga wearing black, white and red skirts. The adorable palm-woven square offering baskets I love so much are placed at the base of the statues.

Inside the cave are three phallic linga in honor of the Hindu deity Shiva the Destroyer

The only elephant you’ll see at the Elephant Cave is this statue of Ganesha

Statues fill a niche. Compared to other holy sites on Bali, Goa Gajah is quite small

At the back of the complex are colorfully decorated shrines

It’s thought that Buddhist monks would meditate in the quiet confines of the cave.

The other notable site at Goa Gajah is the bathing pool, where water pours from the urns held by statues of busty Hindu divine spirits. The holy site was chosen because it’s the spot where two rivers converge.

Female Hindu spirits form the fountains

Wally bathes in the holy water

Get to Goa Gajah as early as possible to avoid the inevitable tourist buses that show up later in the day. It’s a fun place to visit, and you can be in and out in about half an hour. –Wally

Goa Gajah
Ubud, Bedulu
Blahbatuh
Kabupaten Gianyar
Bali, Indonesia

Gaya Ceramic: Italy Meets Bali

If you’re interested in handmade pottery, stop in this charming Ubud boutique.

An Italian couple took their native country’s dedication to quality and paired it with Balinese craftsmanship

It's true, Wally and I have a shared fascination with folklore, history and handicrafts which ultimately drives most of our travel destinations, and is why we decided to stay in Ubud, the cultural heart of Bali. The island has a special energy all its own, but if you want to enjoy it and have only a few days, you may find that seeing everything you would like to on your itinerary is logistically impossible. However, one of the places I refused to cut was the Gaya Ceramic showroom.

“Gaya Ceramic has formed a perfect marriage of Italian design and Balinese craftsmanship.”

Stop by Gaya Ceramic to pick up some gifts for family and friends — and treat yourself while you’re at it

The boutique is located on Jalan Raya, the main thoroughfare that passes through the center of Ubud, in the village of Sayan. If you’re hiring a taxi or driver, make sure to let them know that it’s not the smaller branch of the road, as our driver took us to the Ceramic Arts Center by mistake. While this educational division with classes, workshops and a residency program for artists from around the globe is certainly interesting, I wanted to see the goods for sale at the shop.

The duo behind the craft are husband and wife Marcello Massoni and Michela Foppiani. Both passionate creatives who caught the attention of Gaya Fusion's director, Stefano Grande. After meeting with Stefano, they made the decision to move from Italy to Bali and established Gaya Ceramic. It should come as no surprise then, that their aesthetic is the perfect union of Italian design and Balinese craftsmanship.

One of the first things we noticed when we arrived at the showroom were exotic, climbing vines with pale lavender blooms. The dense growth framed and partially concealed the façade, lending the exterior an air of curiosity, as if letting you know you’re about to enter somewhere enchanting.

Marcello Massoni, the CEO of Gaya Ceramic, still throws the original prototype for each new piece

The Gaya Ceramic shop is like walking through an art exhibit

Inside, a rich, jewel-tone malachite green tile covers the floors. The boutique contains an array of luxurious, refined hand-crafted objects. Gaya’s designs include sculptural porcelain and lava sand mortar and pestles, to more elaborate ceramic coral wall art, bowls, plates and one of my personal favorites, “tattoo” vases embellished with a deconstructed pattern of twining cobalt blue chinoiserie flowers, all handmade in Bali.

What’s most impressive, though, is the relationship Marcello and Michela have fostered within the village of Sayan, where the company is based. Villagers who have mastered the intensive hands-on apprenticeship program have gone on to become fully vested employees, ensuring that these skills live on for generations to come.

Gaya makes up to 9,000 pieces a month!

Intricately patterned Raku ware pottery pieces are grouped together

A couple of the delightful employees who work at Gaya

Every element, from the wireless radio — they even have a Spotify playlist — to the small circular clay tokens with their logo stamped into them that adorn their shopping bags, has been thoughtfully considered.

Visit their showroom and take your time to admire the beauty of each piece. And if your suitcase isn’t big enough, they ship.

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Q&A with Marcello Massoni, owner of Gaya Ceramic

How has your cultural background been incorporated into Gaya?
We always put a bit of Italian flavor into our ceramics. The innovation and attention to detail that Italians are well known for is embedded in all our creations.

How has the culture of Bali influenced you?
Balinese culture helped us to reach a high level of craftsmanship and inspires us every day with its architecture, nature and ceremonies.

Tell about us your process. How does a lump of clay become a beautiful object?

All of our pieces begin their life in the studio. I still throw the original piece from which a prototype is made. For our hospitality projects, we custom create ceramic collections based on a client’s functional and aesthetic needs. We use different clays, glazes and diverse firing techniques (gas, raku, wood firings). All of our processes are handmade.

On average, how many pieces are produced per month?

Between 7,000 to 9,000.

Now for a few fun non-business related questions. What are a couple of your and Michela’s favorite local restaurants?  

Locavore or the restaurant at Bambu Indah.

Where’s the best place to get a cup of coffee?  

My house.

Favorite place to visit on Bali?

Pura Gunung Kawi or Geger Beach in Nusa Dua.

Best place to get gelato (and we know you’re biased)?

Gaya Gelato :)

Gaya Ceramic
Jalan Raya Satan No. 105
Sayan, Ubud
Bali, Indonesia 80571

Cocaine and Crazy Clubs: Nightlife in Brazil

Tips for going out in Rio and São Paulo, from the drink card system to the abundance of coke.

Who’s high on coke? Probably this guy at Illumination in São Paulo

When our friends Ben and Derrick visited Brazil, they hit the sights during the day — and decided to hit a few night clubs in Rio and São Paulo at night. They were a bit surprised by what they experienced and offer the following advice about what to expect from the Brazilian party scene.

“Food vendors call out, “Do you want fried cheese, cocaine or meth?””

The massive, multi-floor mosh pit that’s the Week

Cocaine is huge there.

One evening they were at a small bar. “Of the 50 or so people there, 40 of them went to the bathroom to do coke every five minutes,” Derrick tells me.

And it’s all done pretty much out in the open. The drug use was taking place in an antechamber to the bathroom. “You could straight up see everyone doing cocaine,” he says.

“We thought it was just a weird byproduct of this bar,” Ben says. “But it was not.”

At the big clubs, guys stood in front of the restrooms dealing drugs. “They do it in the open,” he says. “No one’s making any effort to hide it.”

A lot of the food vendors near the beach were also drug dealers. They’d call out, “Do you want fried cheese, cocaine or meth?”

A gay bar in the Bela Vista neighborhood in São Paulo

It’s a late-night party culture — and the clubs are insane.

One of the things that surprised them is that most bars don’t even open until 11 p.m. and close at 5 a.m.

There aren’t many small bars where you can grab a drink in the afternoon or evening, aside from some cafés or the few establishments that cater to tourists.

Galeria Café in Rio

Ben and Derrick went to a party at a massive discotheque called the Week. “There must have been 10,000 people over five floors,” Derrick says. “You could hear it from blocks away.”

“Which was good,” Ben chimes in. Their Lyft driver pulled into a dead end on a mountain road and said they had arrived. They were able to follow the music, though, and headed down the hill to the club entrance.

The Week in Rio, where pretty much everyone’s high on coke

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17 Surprising Things About Brazil

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Tips for Going Out in Brazil

• Don’t bring your passport or driver’s license. A copy of one of these forms of ID is sufficient. Have this ready or they won't let you in. Playing the dumb American card won’t work.

• Once inside the club you'll be asked to pay a cover fee. This varies, but for the night they went to the Week it was $12. If you're also drinking, you’ll get a consumption card, which acts as your bar tab. You don’t settle your bill until you’re ready to head out. Once you’ve paid up, you'll receive a stamp — which you need to show to the bouncer before you can leave.

• Even the smaller bars charge $5 to $10 as a cover. “Because people come in and do a ton of cocaine and don’t drink a thing,” Derrick explains.

With this in mind, should you find yourself out in a club late at night in Brazil, raise your glass and remember to say, “Tim-tim!” –Wally

Beyond Prambanan: The Love Temples of Plaosan

Explore the twin temples of Candi Plaosan, built by a Hindu prince for his Buddhist bride in Central Java.

Plaosan is an often-overlooked addition to a day trip to Prambanan

Our Borobudur guide, Wishnu, was showing us a few pictures that other tourists and guides had shared with him, when he paused to play us footage taken from a drone, soaring above a couple of stunning temples.

“What’s that?” I asked, and then, “Can we visit it?”

Wishnu replied that locals call these the Love Temples, and of course we could visit them — we just needed to let our driver for the Prambanan trip know that we’d like to add it to our itinerary.

“The great love story began with an interfaith union between a Buddhist princess and a Hindu prince.”

The northern complex is the one worth exploring

In the Name of Love

The site is officially called Candi Plaosan, a complex of Buddhist temples located in Klaten, Yogyakarta, a short distance north of the Hindu temples of Prambanan. What makes it truly unique is that both complexes were built by the same Javanese king.

Plaosan is a testament to the love that brought a Hindu prince and Buddhist princess together

Wally climbs over the stones at Plaosan

Duke on the temple complex

Looking toward the female viharn (monastery) from the one for males

There are piles of rubble all over Plaosan, testifying that there’s still a lot of restoration work to be done

There were once many more of these smaller shrines

The great love story behind Plaosan began with an interfaith union between the two ruling dynasties of Central Java during the 9th century. Pramodhawardhani, a Buddhist princess and daughter of Samaratungga, the last known king of the Sailendra Dynasty, married Prince Rakai Pikatan, from the Hindu Sanjaya family. When Pikatan ascended to the throne, Pramodhawardhani became his queen and was given the name Sri Kuhulunan. Religious differences didn’t separate the couple, and together they played a significant role in building some of the finest Hindu and Buddhist temples of Central Java.

Plaosan is a 9th century complex built at the height of the Mataram Kingdom. Once part of a single site, Plaosan Lor, the northern main temples and the smaller Plaosan Kidul to the south are now separated by a public road.

Because Plaosan isn’t too well known, you could have the temple grounds virtually to yourself

A Temple for Men, A Temple for Women

One of the first things Wally and I noticed as we entered the temple grounds of Plaosan Lor were four imposing stone ogres. Known as dwarapala, the stocky and squat semi-kneeling guardians grip a short thick club in their right hand, while the other rests upon a bent left knee.

Creatures known as dwarapala guard the entrance to the temple

This giant will fight to protect Plaosan

Like Prambanan, the sanctuary follows a square grid system with groups of smaller ancillary shrines laid out in orderly rows. The buildings were constructed without mortar, their stones quarried and precisely cut. A small number have been reconstructed, standing amongst piles of gray andesite blocks yet to undergo restoration.

The temples are quite similar —but we’re pretty sure this is the one for men

And this is the temple for women (actually living quarters for female monks)

At the center of Plaosan Lor, the two nearly identical structures were viharas, meaning they were designed as Buddhist monasteries.

Above the arched gate portal leading to the temple is a Kala head whose gaping mouth symbolically swallows our mortal impediments and permits passage into the sacred inner courtyard.

Some entryways in the inner temple are shaped as the mouth of the deity Kala

Legend has it that Kala’s mouth crushes those impure of heart. Poor Duke!

Towering stalagmite-like spires crown the multistory vihara, rising like the jagged peaks of Mount Meru, the holy mountain abode of the gods, and a pair of mythical serpentine makara form the railings of the staircase leading to the monastery — a small Kewpie-doll like dwarf figure stands within the creature’s gaping jaws.

The monument sits on a high rectangular stone podium with an apron that extends several feet outward, forming a porch where visitors can circumambulate the structure. Its exterior walls feature false windows, an architectural element meant to maintain symmetry on the façade. These are embellished with distinctive Kala-makara ornamentation, but unlike the ones above the gateways, these depictions of include a lower jaw with a wide mischievous grin similar to the Cheshire Cat in Lewis Carroll’s Alice’s Adventures in Wonderland.

Kala is a giant who was born from Shiva’s sperm

Enshrined within the central hall are a pair of headless seated Bodhisattva statues, one that is more or less a torso, presumably plundered and decapitated by relic thieves. An empty pedestal between the pair possibility held an enthroned bronze Buddha.

There’s not a whole lot to see inside the temples — mostly seated statues of Bodhisattva, those who have reached enlightenment but remain behind to instruct others

Some of the statues inside the temples are now decapitated

Intricately detailed reliefs of various demigods and deities adorn the exterior walls. According to a theory presented by Nicholas Johannes Krom, head of the early 20th century Dutch Archeological Society, the two vihara were sponsored by influential patrons and built for male and female monastics — not as a tribute to love, as locals prefer to believe.

Bas-reliefs line the exterior of Plaosan

The south-facing vihara depicts male figures, while the north depicts female figures. The south temple was probably a monastery for Bhikkhu monks, while the north housed Bhikkhuni nuns.

You can see the construction style in action: squares of interlocking stone

Deities and demigods adorn the outer walls, which you can circumambulate on a platform

In the distance, behind the vihara, a celebration complete with multicolored garlands made of balloons was taking place. We passed through a side gate in the low wall separating the two temples and explored the second vihara.

Whether or not Plaosan was constructed as a symbol of Pikatan’s devotion to Sri Kuhulunan or as a display of political reconciliation to placate the Buddhist Sailendra Dynasty, it certainly makes for an interesting story. –Duke

Candi Plaosan

Jalan Candi Plaosan
Plaosan Lor
Bugisan
Kecamatan Prambanan
Kabupaten Klaten
Jawa Tengah 57454
Indonesia

The Crocotta and Other Monsters

The villains of Supernatural, Season 3, Episodes 12-14 include the old standbys demons and ghosts, as well as Thomas Edison’s spirit phone.

The crocotta, seen in this illustration from the Aberdeen Bestiary, lures its victims by sounding like someone they know in need of help

“Rip out the crocotta’s crystal eyes, put them under your tongue — and you’ll be able to tell the future!”

A demon found at Ostia, as depicted in Demonology and Devil-Lore

S3E12: “Jus in Bello”

Monster: Demon

Where it’s from: All over the world

Description: There’s something demonic in even the most appealing of gods, argues Moncure Daniel Conway, in his 1879 work Demonology and Devil-Lore. “Man found that in the earth good things came with difficulty, while thorns and weeds sprang up everywhere,” he writes. “The evil powers seemed to be the strongest. The best deity had a touch of the demon in him. The sun is the most beneficent, yet he bears the sunstroke along with the sunbeam, and withers the blooms he calls forth.” In fact, “deity and demon are from words once interchangeable,” Conway points out.

What it does: We’ve covered demons before, and their propensity for possessing people.

In this episode, demons are beelining for the Winchester boys, surrounding the sheriff’s office they’re in. “It’s like we got a contract on us,” Dean says, adding, “I think it’s ’cause we’re so awesome.”

How to defeat it: You can get matching pentagram sun tattoos, like Dean and Sam. They’re cheesy as hell, but hey: They keep you from being possessed.

A snouted demon, also from Demonology and Devil-Lore

You can also use a rosary to make holy water in the toilet. And, of course, there’s good old salt. Which leads to this funny exchange with the FBI agent:

Henriksen: Fighting off monsters with condiments. So, turns out demons are real.

Dean: FYI, ghosts are real, too. So are werewolves, vampires, changelings, evil clowns that eat people.

Henriksen: Okay, then.

Dean: Makes you feel better, Bigfoot’s a hoax.

Henriksen: It doesn’t.

The boys learn about a “big new up-and-comer” named Lilith. “And she really, really wants Sam’s intestines on a stick.” Grilled sausage, anyone?

Dean and Sam contemplate a spell that will vaporize all demons in a square radius — but it requires the sacrifice of a “person of virtue,” which is just another way of saying “virgin.” Not up to cutting Nice Nancy’s heart out of her chest, the Winchester Brothers decide to fight their way out, with the help of an exorcism over the PA system.

Demon Ruby gives them black mojo bags to throw Lilith off their trail. For now…

Some ghosts are trapped in continuous loops that play out their deaths

S3E13: “Ghostfacers”

Monster: Ghost

Where it’s from: Morton House, a haunted house possibly in Benton Harbor, Michigan

Description: This ghost looks remarkably lifelike.

What it does: The phantom returns every four years. Some call it the Leap Year Ghost. A crew of ghost hunters is filming an episode of their show Ghostfacers, and of course the Winchester boys show up masquerading as police to take on the evil spirit as well.

An apparition of a gangster gets gunned down. It’s a death echo, Dean explains. They seem to be an invention of the show, though there are plenty of reports of ghosts caught in neverending loops.

The Ghostfacers crew has some competition, including Josh Burger and Stan Maczek, shown using an electromagnetic field (EMF) detector

There are multiple death echoes, including a man hit by a train. These people didn’t die in Morton House, though. So why are their spirits trapped there?

Turns out the home’s last owner, Daggett, was a janitor at the hospital. He brought the bodies home “to play with them.”

Sam disappears. He and Corbett the intern are in some creepy kitchen while “It’s my party, and I’ll cry if I want to” plays over and over. Poor Corbett, who was in love with Ed, one of the Ghostfacer crew, gets poked through the neck and dies.

Daggett is wearing a party hat. He gets lonely, you see. But Dean has no sympathy. “He’s never heard of a RealDoll?” he quips.

How to defeat it: “You gotta be gay for that poor dead intern,” the other Ghostfacer host tells Ed. He concedes and is able break Corbett out of the death echo and convince his spirit to take down Daggett. Remember, people, as Ed says, “Gay love can pierce through the veil of death and save the day.”

The crocotta looks like a big wolf-hyena hybrid, seen in the illuminated manuscript the Rochester Bestiary

S3E14: “Long-Distance Call”

Monster: Crocotta

Where it’s from: India and Ethiopia

Description: In folklore, the crocotta is a mishmash of animals, often described as a giant wolf-like hyena with cloven hooves. On the show, though, it’s a humanoid who lives in filth. In both versions, the monster has a unique means of luring its victims: It can mimic human speech and will call out someone’s name and other personal information, pretending to be someone in trouble. It then devours the poor suckers with the bone ridges it has instead of teeth.

Fun fact: Rip out its crystal eyes, put them under your tongue — and, by Merlin, you can tell the future!  

What it does: A man gets a call on the phone from a woman named Linda. She wants him to join her. They love each other. He pulls the phone out of the wall, but it still rings. “Okay, Linda, you win,” he says. And blows his brains out.

The man’s wife confesses that she picked up the phone during one of these calls — and she only heard static.

The caller ID on the phone reads, SHA33. It’s actually a phone number that’s over a century old. Ten different homes all got calls from that number in the past two weeks, including Dean, who spoke with what sounded like his dead dad.

Which leads us to a red herring — but a fascinating one nonetheless. The Winchester boys are in Milan, Ohio, the birthplace of Thomas Edison. The inventor told The American Magazine in 1920 that he had been working on a spirit phone, “building an apparatus to see if it is possible for personalities which have left this earth to communicate with us.” He thought that a scientific device could detect the “life units” that get scattered throughout the universe when we die.

Thomas Edison tried to invent the spirit phone, which would let us speak with the dead

The killings all turn out to be the work of a crocotta: in this case, a man at the phone company. He’s a bit of a Luddite, offering up this meditation on the modern condition: “You’re all so connected. But you’ve never been so alone.” Preach!

How to defeat it: Ramming its head into a metal hook will do the trick. –Wally