temples

The Craziest, Coolest Northern Thailand Temple Most People Have Never Heard Of

At Wat Sang Kaew in Chiang Rai, you’ll feel like Alice in Wonderland. Add this to a day trip that includes the White Temple, Blue Temple and Black Museum.

The storybook viharn at Wat Sang Kaew in Chiang Rai, Thailand

The storybook viharn at Wat Sang Kaew in Chiang Rai, Thailand

Our driver, Tommy, knew us so well. After a colorful succession of touring through the White Temple, the Blue Temple and the Black House Museum, we had some extra time on our day trip to Chiang Rai, and he suggested we make one more stop: Wat Sang Kaew.

We felt like Alice tumbling down the proverbial rabbit hole, encountering unexpected marvel after marvel the farther in we explored.  
It had recently rained when we visited, providing a misty yet vibrant feel to the temple complex

It had recently rained when we visited, providing a misty yet vibrant feel to the temple complex

The name translates to Glass Light, Tommy told us — though a local tour company insists it means “A lotus that has sprouted and emerged from the water and emits light like a sparkling gem with brilliant light.” That’s a lot to pack into a couple of words.

The front area of Wat Sang Kaew is gorgeously landscaped

The front area of Wat Sang Kaew is gorgeously landscaped

It should actually be called Wonderland, cuz we felt like Alice tumbling down the proverbial rabbit hole, encountering unexpected marvel after marvel the farther in we explored.  

Who’s going to love a visit to Wat Sang Kaew? You are!

Who’s going to love a visit to Wat Sang Kaew? You are!

This wat, or temple, complex is about 30 miles south of Chiang Rai city — and we both think it should be included on any itinerary to this neck of the mountains. It’s a relatively new complex; construction began in 2010, and parts of it were still being built when we visited in the spring of 2017.

All the single ladies line the side of the viharn

All the single ladies line the side of the viharn

The entire complex is bat shit crazy, giving you existential sensory overload — but in the best way possible. Your first clue are the giant statues that line the parking lot, including Upakut, the son of Buddha and a mermaid,  and one of Pra Maha Kajjana, who according to legend was a handsome monk who transformed himself to a homely, obese man so that others would stop focusing on his physical appearance.  

Pra Maha Kajjana (on the right) was so tired of people fawning over his hotness that he turned himself into a fatty

Pra Maha Kajjana (on the right) was so tired of people fawning over his hotness that he turned himself into a fatty

As you walk up the stairs, you’ll pass through a super-sized white and gold arch, or, as we liked to imagine it, the metaphorical lookingglass.

Inside the viharn is a cool metallic mural that depicts the Buddhist version of Purgatory (which sure looks a lot like our Hell)

Inside the viharn is a cool metallic mural that depicts the Buddhist version of Purgatory (which sure looks a lot like our Hell)

Deep red and gold buildings stand amongst a who’s who of deities whose hands are clasped in the wai, a gesture demonstrating respect and reverence.

We loved the temple’s appropriation of contemporary culture, including two asuras, or demons, bearing a litter holding a large bronze bell with shackles around their feet. One is sporting a pair of Converse high-top sneakers, the other a pair of flip flops with a smartphone tucked into the back of his sarong. The dais they stand upon is surrounded by 20 brass bells. The aesthetics of the temple have been shaped by its primary benefactor, Kruba Ariyachat, who Tommy told us is only in his 30s.

The good guys on the left; bad guys on the right. We loved the modern touches like the red Converses, hand gesture and cell phone in the back pocket

The good guys on the left; bad guys on the right. We loved the modern touches like the red Converses, hand gesture and cell phone in the back pocket

We figured this would be all there is to see. But really we had just begun our adventure in Wonderland.

The beautiful interior of the viharn, or worship hall

The beautiful interior of the viharn, or worship hall

We continued upward, beyond the front complex, surprised that there was more — and it’s bonkers. An open-air sala pavilion contains an assortment of shrines, Buddhas of various sizes and a creature known as See Hoo Ha Dtaa, who consumes red hot coals and defecates gold. (He’d make a great pet!)

This strange creature eats coals — and, as you can see here, poops out gold!

This strange creature eats coals — and, as you can see here, poops out gold!

We passed giant deities and mythical creatures from Buddhist and Hindu traditions.

And then! Just when we thought things couldn’t get any more bizarre, we emerged onto a turquoise blue piazza and entered what Duke and I referred to as the Hindu theme park. Towering brightly colored statues of our favorite gods loomed over us. There’s Duke’s guy, good old Ganesh, with his elephant head and fan base of rats. On the other side is my dude, four-faced Brahma, astride a green goose. In the center, a fountain is ringed by animal-headed men representing the signs of the Chinese-influenced zodiac. Piped-in music further adds to the surreal ambiance.

Ganesh and other giant Hindu deities can be found out back, in a sort of theme park

Ganesh and other giant Hindu deities can be found out back, in a sort of theme park

We wandered around barefoot, and as it had recently rained, I only slipped and almost cracked my head open once.

At the very tippy top, there’s a pot of gold, so to speak, at the end of the rainbow. You’ll find three gold statues of famous monks. The ginormous one in the center is the popular Engineer Monk, Kruba Srivichai, who lived from 1878 to 1938. He’s responsible for many local construction projects, perhaps most notably the road that leads from Chiang Mai up to Wat Doi Suthep.

Three large golden monks sit atop the back of the complex. The guy in the middle is the Engineer Monk, who’s famous around these parts

Three large golden monks sit atop the back of the complex. The guy in the middle is the Engineer Monk, who’s famous around these parts

At the base of the golden monks, you can survey the entirety of the wat grounds — but most striking is the skyline. Bright green vegetation gives way to mountains that are an ombré of blues. It’s breathtaking.

A pale blue and white Buddha in the open-aired sala

A pale blue and white Buddha in the open-aired sala

The more I think about it, and the more I look at the gorgeous (and goofy) photos, the more I realize that this was probably my favorite wat of the entire trip.

To book Tommy as a driver (which we highly recommend), email him at t.tommy2556@gmail.com. –Wally

Monkeys line the sala roof

Monkeys line the sala roof


Wat Sang Kaew Bodhiyan Chiangrai
Mae Suai
Chiang Rai, Thailand


Wat Buppharam, the Donald Duck Temple

One of our favorite Chiang Mai temples, this complex feels a bit like a Disney theme park.

The gorgeous Dhamma Hall exterior is a highlight of Wat Bupphram in Chiang Mai, Thailand. Can you spot Donald Duck eating a bowl of noodles out front?

Chances are that wherever you happen to be in Chiang Mai, you’ll find a temple nearby. It’s like Chicago and bars. The city is a melding of cultures, where the architectural influences of Thailand’s neighbors can be seen in its many religious buildings.

Dharma wheels decorate the exterior wall of the temple complex

An example of this integration can be seen in the Buddhist temple of Wat Buppharam, situated a short distance from the Old City. Once you cross the Narawat Bridge, there’s a quick succession of temples, and if you were to simply cast a fleeting glance at this simple whitewashed outer wall topped with dharmachakra wheels that face the busy street, you'd be missing out on a very special place. You’d also be missing out on a depiction of a Disney character wearing a familiar sailor shirt, cap, and a bowtie.

The temple has appropriated the Disney cartoon character Donald Duck, standing and eating a bowl of noodles in the garden.

Duke and Wally on the steps of the Dhamma Hall at Wat Bupphrama, resplendent in deep red with elaborate gold details

An Earth-Shaking History

Once you enter through the gate on southern side of Tha Phae Road, you’ll soon discover a temple that has developed a character all its own. A reminder of King Muangkaeo’s legacy, Wat Buppharam was constructed shortly after his ordination in 1495 on the site formerly occupied by the palace of his great grandfather King Tilokarat. Royal courts sponsored artists and erected temples as an act of religious merit making (a way to gain points toward enlightenment).

In 1497, Muangkaeo dedicated the monastery to the Lord Buddha, and according to historic documents, an intense earthquake occurred at the time of donation, but the temple withstood, undamaged. Seeing this as an auspicious sign — according to legend, an earthquake occurred prior to the Buddha’s death — the king had a silver Buddha image cast and placed within the temple chapel.

Duke says this Buddha is telling you, “Talk to the hand”

Talk to the Hand

The first building you’ll likely encounter is the large two-story Ho Phra Monthiantham, or Dhamma Hall, a communal center for Buddhist teaching and meditation. In front of the hall is a Buddha statue standing beneath a golden parasol with his right hand, palm out, raised to shoulder height. My first thought was of the dismissive ’90s phrase “talk to the hand,” which isn't completely off the mark. The posture is known as the pang ham yati, or pacifying the relatives position.

More surprising however is the appropriation of the Disney cartoon character Donald Duck, standing and eating a bowl full of noodles in the library hall garden. Like Ta Phrom in Angkor, Cambodia taking on the moniker of the Tomb Raider Temple after the Lara Croft film shot there, Wat Buppharam is referred to by some locals as the Donald Duck Temple. Wally and I found that many of the temple grounds in Chiang Mai have an element of whimsy to them, most notably in the form of statuary.

 

These sluglike creatures are called moms. You know how moms are: They’re never satisfied

Viharn 1

We decided to visit the small viharn, or prayer hall, located to the east of the Ho Monthiantham, first. It’s an elaborate affair of dark teak wood, stucco and ornate inlaid glass tiles with a low-slung, double-tiered roof. At its entrance you are welcomed by the curious mythological creatures hilariously called moms, one in silver and one in gold. A message beneath the gold one reads, “Please take off your shoes.” These aquatic creatures are from the Himavanta, a legendary forest that surrounds the base of Mount Meru, the home of the gods in Hindu mythology. Looking like a blunt-faced, late-stage-development tadpole-ferret hybrid, they serve as a reminder against clinging to impermanence and materiality. Moms are unable to satisfy their cravings — they endlessly gorge themselves, and because of this, they lack the necessary self-awareness to achieve enlightenment. 

The viharn was originally erected in 1819 by Prince Thamalangka, who restored and renovated many of Chiang Mai’s temples after the Burmese had abandoned the city during the long skirmish between the two kingdoms.  

Duke in the archway that leads to the chedi courtyard

The principal Buddha image was cast around 500 years ago and is seated in the Bhumisparsha mudra, or earth witness position, a gesture that represents the moment of enlightenment. Just before the Buddha reached nirvana, the demon king Mara tried to frighten him with armies of demons and monsters, including his daughters who tried to tempt Buddha to get out of meditation beneath the bodhi tree. When the Buddha’s hand touched the earth, it bellowed, “I bear you witness!” which in turn caused Mara and his minions to disappear.

Cats aren’t that common in Chiang Mai, but we found one resting in the second viharn, or prayer hall

Viharn 2

This prayer hall, found behind the other, has a large triangular pediment featuring a detailed carved wooden relief with a floral motif. The sacred structure is believed to be over 200 years old and contains a brass Buddha image cast around 500 years ago. It contains murals depicting scenes from one of the Jataka tales about the previous lives of the Buddha. This story, called the Vessantara Jataka tells of Prince Vessantara, who gives away everything he owns, demonstrating charity, one of the virtues of a bodhisattva.

A detail from the elaborately carved viharn doors

The richly carved front door panels of the Himavanta forest were replaced in 1983. We didn’t spot any moms, but a pair of hamsas, Buddhist geese, a symbol of purity and enlightenment, can be seen in the ornamental gable niche above the entrance.

A half-lion, half-dragon creature from Burmese mythology known as a chinthe helps protect the pagoda

Chedi

As Wally and I exited the second viharn and made our way to the chedi behind it, we passed a sign calling out a makeshift museum. Below the sign, a family of chickens happily strutted around, occasionally pecking at the dirt beneath.  

This Buddha in a red niche is one of four at the base of the tower that is said to hold a sacred relic

The original chedi, or reliquary tower, was believed to have contained a sacred remnant of the Buddha. Its present form is a bulbous Burmese bell shape decorated with a combination of gold leaf and glass mosaic. The chedi was restored in 1958 and has a tiered square base supporting three rings of diminishing volume. Each side features a bright red alcove containing a golden Buddha, while the spire at the top is crowned by a hti, a finial ornament symbolic of a sacred umbrella.  

A hen sits on her eggs in a pot by the chedi

We sat on a bench in the shade of one of the temple trees for a moment to take in the monument and while doing so, we heard a rustling in a nearby potted plant. Looking over, we saw a speckled black hen sitting atop the eggs she had laid in there.

Wally has a special affinity for these snakelike creatures called nagas

Dhamma Hall

Wally and I then proceeded to the largest and most recent structure within the complex. The two-story Ho Phra Monthiantham was erected by Abbot Phra Udom Kitti Mongkun and replaced the original wooden building that occupied the site in time for the 50th anniversary of King Bhumibol Adulyadej’s reign. Its entrance is guarded and flanked by makaras, creatures from Hindu mythology that possess the body of a dolphin combined with a crocodile.

The mondop style structure was influenced by the mandapa temples of Northern India and is characterized by a cruciform-shaped building, multi-tiered roof with upturned flame-like naga finials and a wraparound porch on the upper floor, topped with a spire.  

Buddhist temples are filled with various statues in all sorts of mismatched styles

We took the staircase to the second floor, which contains the largest solid teak Buddha image in Chiang Mai. Painted in white and pale yellow, it was carved after a vision by King Sanphet II in the late 16th century, when he defeated the Burmese forces near Ban Muang Ngai, Thailand. This vision is depicted in the carved wood panels on the east wall. It’s believed to be 400 years old, and like the small viharn Buddha, is seated in the Bhumisparsha mudra, with additional smaller cast metal Buddha images in this position as well.

This playful mural by the artist Pornchai Jaima shows people worshipping a sacred tree

Expressive contemporary hand-painted murals by Thai artist Pornchai Jaima cover the walls of the lower level and possess a vivid, dreamlike depiction of traditional village life rendered in richly saturated hues.

Wally at Wat Bupphram, one of his favorite temples in Chiang Mai

Wat Buppharam features a combination of traditional elements and a dash of humor, which ended up making it onto Wally’s shortlist of favorites. Part of that had to do with Donald Duck I’m sure.


Wat Buppharam
Tha Phae Road
Tambon Chang Moi
Amphoe Mueang Chiang Mai
Chang Wat
Chiang Mai 50300, Thailand

The Appeal of Buddhism

What to expect and how to behave in a Thai temple — and why we prefer them to Christian churches.

Thai temples, like Wat Ket Karam in Chiang Mai, have worship halls (viharns), towers containing relics (chedis) and a mix of other buildings

The first time you step into a Thai Buddhist temple as a Westerner, you might get overwhelmed. Temples in Thailand are called wats — but they’re not a single building, as you might imagine.

They’re actually entire complexes with multiple buildings, each a mélange of various styles. Faded carved teak, lichen-covered stone, glittering gold and green and red, gaudy ceramics, serene Buddhas, Chinese zodiac iconography, Hindu deities and bizarre hybrid creatures from mythology — they’re all jumbled about. 

Women aren’t allowed to touch monks, and there are parts of certain wats where females are forbidden to enter.

And while I do love to visit a Zen garden or a sleek, austere sacred space, I’m truly a maximalist by nature. There’s something cozy and comforting about the mishmash found in wats. They’re fun to explore — you never know what lies around the next corner. You might even be startled by a wax figure of a famous monk that’s creepily lifelike.

No, this isn’t a real monk — it’s a wax replica at Wat Phra Sing that could fit right in at Madame Tussauds. Wax monks are all the rage in Northern Thailand, and they’re sure to startle the unwary traveler

We recommend adopting this open-minded attitude if you’re visiting Chiang Mai. It’s a city filled with quirky and often beautiful wats, and wandering through them should be a part of every tourist’s agenda.

Duke and I probably enjoy wats more than your average travelers — we visited at least 12 in our week in Northern Thailand. More than churches, they’re all unique in their own way.

 

Follow the Rules

If you’re worried about how to behave in a wat, don’t be. I remember the first time I went to Thailand I was scared I’d do something wrong. I closely watched native worshippers, hoping to mimic their actions.

The good news is that, aside from some universal rules, there is no wrong way to pay your respects to the Buddha.

 

Follow these three simple rules when you’re in a wat:

 

1. Take off your shoes.

It’s good to have shoes or sandals you can easily slip on and off — you’ll be doing it multiple times in a wat complex.

 

2. Cover your shoulders and knees.

Some temples are more strict than others, though most in Chiang Mai are quite lax. If they’re strict about dress code, it often only pertains to women and they’ll have wraps you can borrow. (There’s a strain of sexism that runs through the country, where every man goes off to become a monk for a period of time, and many women enter the sex industry. Women aren’t allowed to touch monks, and there are parts of certain wats where females are forbidden to enter. With the exception of the amazing Wat Sri Suphan, the Silver Temple, most of the time these spots aren’t too remarkable, so you’re not really missing out on too much, ladies.)

 

3. Don’t point your feet at the Buddha.

The easiest way to avoid this is to never sit with your feet in front of you. Instead, play it safe and kneel, or sit cross-legged.

Otherwise you’re free to wander around at will and worship as you see fit.

Sorry, ladies. Only men can feast their eyes on the interior of Wat Sri Suphan, the amazing Silver Temple in Chiang Mai

What Should Tourists Do in a Wat?

The main temple, known as a viharn, has an open hall that faces at least one — but usually many — often giant, depiction of the Buddha. They’re places for quiet prayers and contemplation. I could certainly benefit from more meditation. Or, heck, let’s face it: any mediation. These are the most like churches. You probably want to speak in quiet, reverent tones so as not to disturb worshippers.

As I mentioned, there’s no wrong way to pray in a wat. I like to kneel down, maybe extending my arms out in a bow. Then I do a wai, the Thai sign of respect, with your palms pressed together in front of your face. I bow three times and then sit there, still waiing, and have a little chat with the Buddha, like you might with God or Allah. If there’s something you’d like, ask for it. Give thanks for something. Or just sit still and try to clear your mind.

By the way, I don’t do this in every viharn I go in — only those that have a special feel that calls to me. Otherwise, I just walk around and take pictures.

Another appeal of Thai Buddhism is that outside of these solemn structures, wats are a thriving part of the community. Some have massage schools and offer rub-downs for an affordable price. Some have open-air food courts; with others, handicraft markets spill onto their grounds. The line between sacred and social blurs.  

As religion in the U.S. fades, with atheism on the rise, it’s interesting to experience a culture where it seems almost everyone is religious. Perhaps it’s because Buddhist worship seems pretty chill. You go to the temple whenever, you spend as much or as little time as you want, maybe you make a small donation to light a candle or ring a bell. There might be times when monks chant, but it’s not like a church service that’s so regimented.  

Honestly, wouldn’t you rather pray to this peaceful man than to one who’s being tortured to death?

Honestly, wouldn’t you rather pray to this peaceful man than to one who’s being tortured to death?

If we lived in a place where Buddhist temples were as common as churches, I would pop into them every so often, spend 10 to 30 minutes praying, meditating or walking around the chedi.

I suppose it’s not that different than the people who go into a church to pray.

I guess I just prefer looking at a serenely smiling man to one nailed to a cross in agony.  

Can you tell? I’ve fallen for Buddhism. –Wally

Wat Lok Molee

Add this to a tour of Chiang Mai temples — and make a wish on the silver or gold trees.

It never makes the list of must-see temples in Chiang Mai, but we both fell under the spell of Wat Lok Molee

Chiang Mai is overflowing with temples and 7-Eleven convenience stores, although on occasion it might be easier to find the latter. I say this as Wally and I took a tuk-tuk to a lesser-known temple, Wat Kuan Kama, dedicated to a royal soldier’s beloved horse — only to arrive at the wrong one a couple of blocks away. The driver had dropped us off on Sriphoom Road on the eastern side of the Old City, near the Chang Puak Gate, when Wally pointed out the multi-tiered roof of a temple across the moat.

Guarding the temple are what look like evil demons — but they’re actually nice nature spirits known as yakshas

A kiosk sells heart-shaped wish leaves to hang on the trees. Wally and I couldn’t resist purchasing one.

The day was young, so we agreed to see what it was, crossing the two-lane thoroughfare and moat via a small footbridge. A pair of yaksha statues, benevolent nature spirits, stand vigilant at the temple gate. Wally and I glanced at each other and grinned as we both knew we had happened upon a special place.

 

Holy Molee

The temple was none other than Wat Lok Molee, sometimes spelled Moli. One of the city’s older temples, its founding date is unknown, but it was mentioned in a charter in 1367 CE, when King Kue Na, the sixth ruler of the Mengrai Dynasty, invited a group of 10 monks from Burma who were pupils of Phra Maha Thera, a revered monk, to reside at the temple and spread the intellectual disciplines of Theravada Buddhism.

Two stone elephants line the pathway to the viharn, the main temple building

The viharn, or ordination hall, although old in appearance, was rebuilt in 2003. Its dynamic low-slung triple-gable roof telescopes outwards and is typical of traditional Lanna architecture. What’s atypical is its north-south axis alignment, as most Buddhist temples are orientated on an east-west axis, symbolic of the cycle of birth, death and rebirth. The bargeboards of the roof are decorated with shapes that evoke the heads of snakelike nagas. Perched at the roof apex are cho fa, decorative finials resembling the beak of a bird, possibly the mythical eagle warrior Garuda. These two elements represent the eternal struggle between these powerful entities. Naga is known as the sworn enemy of Garuda, who feeds mainly on — you guessed it — snakes.

The Buddhas in Wat Lok Molee’s viharn

The temple was likely linked to the royal family as the cremated remains of members of the Mangrai Dynasty (1292-1558) are interred within the chedi. In 1527 King Muangketklao, the 11th king of the dynasty, also known as King Ket, commissioned the chedi and viharn.

Buy a leaf from the stall out front and write a wish on it. Then hang it on the trees that stand on either side of the main temple

Make a Wish

The courtyard in front of the viharn contains two sacred wishing trees: one in silver and one in gold. There’s a small kiosk selling amulets, refreshments and symbolic heart-shaped wish leaves to hang on the trees. Wally and I couldn’t resist purchasing one. Wally wrote, “Please bless Wally & Duke” and hung it on the tree. I should also mention that the refreshment stand had a random collection of big-eyed Blythe dolls. I’m convinced the one sitting on the end was totally giving me the side eye.

Silver and gold wishing trees were Wally’s favorite part of Lok Molee

Silver and gold wishing trees were Wally’s favorite part of Lok Molee

We entered the majestic wooden hall, walked down the center aisle and approached the large principal Buddha image. The figure is seated in the Dhyana mudra position, formed when the two hands are palm-up, overlapping, with their thumbs touching, the gesture promotes the energy of meditation.

The temple’s ornate ceilng

Looking up, the coffered ceiling is decorated with glittering glass mosaic lotus flowers and gold leaf images depicting the story of the Buddha’s life.

We exited the ordination hall to investigate the intriguing variety of devotional statues scattered throughout the temple complex. A wooden pavilion near the outer gate contains a statue of Queen Chiraprapha, whose brief reign lasted from 1545-1546.

Some of the shrines on the grounds of Lok Molee

One of the ornamented stucco pavilions is dedicated to the 18-armed Guanyin Bodhisattva, the goddess of mercy. An ornate crown with an image of the Buddha, whom she serves, rests atop her head. This figure reflects Mahayana Buddhism, showing elements of Chinese influence in Thailand.

Also amongst this menagerie is a raised brick platform with no less than five representations of the Hindu deity Ganesh.

A statue of the four-faced Hindu deity Brahma and a sacred tree

Ubosot

The ubosot, or chapel, has a rustic lodge feel, with wood floors and built-in cabinetry. The Buddha image is seated in the Dharmacakra Pravartana mudra position, which represents the wheel of dharma being set into motion. A smaller figure of my guy Upakut is seated beneath.

More wishing leaves are hung by the ancient brick chedi

Chedi

We passed through the open-sided shelter known as the sala baat with monks’ alms bowls for people to leave offerings, before arriving at the massive 16th-century chedi pagoda. Golden life-size statues, a who’s who of venerated monks, sit upon decorative stands.

The monks’ alms bowls and statues of their famous predecessors in an open-air pavillion

I was delighted to see a statue of Upakut in front of the chedi and began to make a game of finding him at the various temples Wally and I visited. I imagined he was part of symbolic plot development of a new Dan Brown novel set in Thailand.

Duke’s patron deity Upakut makes an appearance beneath the chedi at Wat Lok Molee

The exposed brickwork is a stark contrast to the gilded or stuccoed chedis of other Chiang Mai temples. The structure has three tiers and a large square base capped by a tubular ring-like detail called a torus. The sides of the reliquary chamber are double-redented, an architectural detail that looks like an accordion-folded piece of paper. It contains four niches facing the cardinal directions. The chedi’s main chamber houses the cremated remains of King Muang Ketklao, who was assassinated in 1545, and Queen Wisutthithewi, who reigned from 1564-1578. On top of this chamber are more torus, followed by a lotus bud crowned with a tall golden spire.

Perhaps it was the presence of Upakut, the wishing trees, or the fact that it was an unexpected discovery. Either way, this temple ended up being one of our favorites in Chiang Mai. –Duke

 

Wat Lok Molee
Si Phum
Mueang Chiang Mai District
Chiang Mai 50200, Thailand

The Bizarre Origins of Phra Upakut

Upakut wears a lotus leaf atop his head and was born from a mermaid swallowing the Buddha’s sperm. We visit his temple in Chiang Mai — and potentially save it from destruction.

Did you know that if a mermaid drinks sperm she can get pregnant? At least according to Buddhist folklore, that is! That’s how Upakut, seen in the middle here, was born

When I first read of Upakut’s bizarre origins, I was instantly drawn to him. So perhaps that’s why fate presented his temple as the first one we stumbled upon on our trip to Chiang Mai, Thailand.

Wally and I walked across the Ping River via the Nawarat Bridge on Tha Phae Road, one stretch of the main thoroughfare that bisects Chiang Mai and leads to the East Gate of the Old City. A large attention-grabbing digital billboard stands on the east corner, and it’s  a challenge to cross the busy street — it’s worth going a bit out of your way to use a crosswalk.

Upakut was conceived when a mermaid ate some of the Buddha’s semen that came off while he washed his robes in a river.

Tha Phae Road is lined with handicraft boutiques, antique shops, banks, restaurants and hotels. Not far from this intersection, we encountered our first temple, Wat Upakut. The temple was built in 1300 and predates the former ancient capital.

Upakut pops up in many of the temples in Chiang Mai. Here he is at the base of the chedi at Wat Lok Molee. Make a game of seeing if you can spot him at the Buddhist temples you visit

Phra Upakut is an important figure in Burma, Northern Thailand and Laos. He is a benevolent deity who protects against all evils and physical harm and is an auspicious attractor of wealth.

There are many different stories regarding his origin. According to Sanskrit legend, he was the son of a perfumer and one of the early adherents of the Buddha. Before the Buddha entered nirvana, he asked Pra Upakut to remain alive until becoming Maitreya, the second coming of the Buddha.

With his lotus cap, alms bowl and upturned smiling face, there’s just something Duke found so appealing about Phra Upakut, seen here at Wat Sang Kaew

Thai Buddhists believe that Upakut is still alive to this day, residing in the middle of the Great Ocean, with a lotus leaf on his head. On the ninth full moon of the year, he roams the streets of Chiang Mai as a monk seeking alms. The first devotee to make an offering will be blessed with good fortune.

 

Under the Sea — and also on Fire

The most colorful story, and my personal favorite, claims that Upakut was the son of Buddha and his mother was a mermaid. He is also known as Bua Khem, whose name means “Needle-Sharp Lotus,” referring to the stem that appears like a point atop the floppy lotus leaf upon his head. According to this version, he was conceived when a mermaid ate some of the Buddha’s semen that came off while he washed his robes in a river.

This unusual offering at Wat Upakut had caught fire — and Wally ran off to tell the monks and save the day

In the wat complex, we meandered to the whitewashed chedi located adjacent to the monks’ living quarters. An offering of a pig’s head and feet sat alongside a black plastic laundry basket with cling-wrapped fruit. Wally was mesmerized by the strange setup, as was I — until I focused and realized that a votive candle had caught the basket on fire and the plastic was half-melted.

“I don’t think that’s supposed to be burning,” I said, and Wally came out of his daze and yelled,“I’m going to see if I can find a monk to put it out!” and dashed off.

After trying to pantomime flames and a melting basket (the monks looked at him like he was crazy), eventually one followed Wally over to the chedi. Not long after, they had found a hose and put out the fire.

Here are some pictures of Wat Upakut, the temple dedicated to him:

My Patron Saint

I purchased a statuette of Upakut, which a monk carefully wrapped and packaged for us. He excitedly told us of the upcoming Phi Ta Khon, the Festival of Ghosts, where an invocation of Upakut takes place at the temple in the wee hours of the morning. Both our eyes lit up as we asked the monk to tell us when this was happening. He seemed bewildered by our question, smiled and placed the small box with Upakut into my hands. We later learned that the festival does not take place until the end of June.

I quickly adopted Upakut as my patron saint, pointing out his likeness at the different temples in Chiang Mai. There’s something comforting in the cross-legged figure with an upturned head, eating from his alms bowl with a serene smile on his face.

Wally couldn’t seem to remember his name and jokingly referred to him as Ipecac, a syrup used to make a child vomit after swallowing poison. Whenever he did so, I tried my best not to smile. –Duke


Wat Upakut

164-166 Tha Phae Rd.

Tambon Chang Moi

Amphoe Mueang Chiang Mai, Thailand


Beng Mealea, the Lotus Pond Temple

You’ll feel like Indiana Jones exploring this ancient Khmer temple outside of Siem Reap, Cambodia, where the Two Brothers movie was filmed.

Beng Mealea, the most fun temple to explore in the Angkor area

Located about 90 minutes from the city of Siem Reap, Cambodia, Beng Mealea is an otherworldly set of ruins far from the typical crowds of the Angkor Archaeological Park. The site was not opened to the general public until it was cleared of landmines in late 2003.

As we drove to the destination, our guide Kimsan explained that it was inaccessible prior to the completion of the paved royal highway. I was just happy not to revisit the unpaved “dancing” dirt roads of Phnom Kulen.

One of our party members was fiddling with his camera — and, much to our horror, almost tumbled into the stone-filled moat.

Duke and Wally had a blast playing Indiana Jones as they explored the remote Beng Mealea, or Lotus Pond Temple

While the “Tomb Raider Temple,” Ta Prohm, is striking, it is downright manicured compared to Beng Mealea.

There are worse jobs than guarding Beng Mealea

Its Khmer name translates as “Lotus Pond,” and the structure was built in the 12th century by King Suryavarman II. Our group and a few guards were the only presence there.

The temple is comprised of a moat, a handful of libraries and galleried courtyards. Verdant and overgrown, we felt like explorers discovering a lost world as we clambered and crawled over piles of moss-covered rubble and sprawling roots, occasionally coming across an intricately carved sandstone fragment.

Piles of stone rubble that have tumbled down from Beng Mealea’s upper walls lie haphazardly throughout the site

Rubble Rubble

Devoid of restoration, colossal piles of fallen sandstone blocks overgrown with gnarled vines and tree roots give you a good idea of what French archeologists saw when these ruins were discovered. The result is a serene and atmospheric temple dappled by sunlight streaming through the jungle canopy above. If I wasn’t bitten by the travel bug before, I was now.

One of the temple libraries, which at one time held sacred manuscripts

There are some safety measures in place, thanks to Jean-Jacques Annaud’s 2004 movie Two Brothers, starring two tiger cubs, set in 1920s French Indochina, which was filmed here. Narrow wooden walkways that were used to operate a camera dolly intersect the temple ruins, making it easier to navigate some of the areas. However, once off this path, each step needs to be carefully negotiated to prevent a fall. One of our party members was fiddling with his camera — and, much to our horror, almost tumbled into the stone-filled moat.

Sandstone corbels mimicking wood now compete with the real thing

Verdant and overgrown, we felt like explorers discovering a lost world as we clambered and crawled over piles of moss-covered rubble and sprawling roots.

Keep a lookout for death’s head spiders — their venom is more poisonous than that of a scorpion

Lichen-covered carvings at Beng Mealea, where nature has reasserted itself 

Beng Mealea was our favorite temple on our Cambodian trip and brought out the inner adventurer in all of us. –Duke

Angkor Wat, a Little Bit of Heaven in Siem Reap

Discover why this is our favorite ancient Hindu and Buddhist temple complex and a must-experience part of Cambodia tourism.

The legendary Angkor Wat

I was well into adulthood before taking my first international trip abroad. When I was growing up, I often daydreamed about exotic destinations, visiting the library and collecting travel brochures from AM&A’s, one of the local department stores that had an in-store travel agency. I even remember draping wild grapevines from the rafters of our family’s basement and pretending I was somewhere in the Italian countryside.

Buddhist monks in saffron robes cross the bridge that leads to the giant temple

I’m not the most spiritual individual — I tried to smuggle a communion wafer out of church when I was growing up; I wanted to see what the body of Christ looked like, after all. But when the ancient and magnificent temple of Angkor Wat lay before us, I was awestruck by its jaw-dropping scale and grandeur. It’s believed to be the largest religious structure in the world. It’s no wonder UNESCO named Angkor Wat a World Heritage Site in 1992.

Some believe that Angkor Wat appeared overnight, constructed by divine forces.

Translated from Khmer, the name Angkor Wat literally means “City Temple.” Built by King Suryavarman II, it was the former capital of the Khmer empire and has remained in continuous use since its completion in the early 12th century. It was originally constructed as a Hindu temple dedicated to Vishnu but eventually shifted to Theravada Buddhism in the 14th century.

The complex is oriented to the west, which has led several historians to believe that Suryavarman intended it to be his tomb. Symbolically, west is the direction of the setting sun and death, but is also associated with Vishnu, who the temple was originally dedicated to. Suryavarman’s devotion is also shown in the posthumous name he was given, Paramavishnuloka, which means “He Who Is in the Supreme Abode of Vishnu.” Whether this anecdote is true or not, it does makes for an interesting theory.

Our group poses in front of Angkor Wat, the largest religious structure in the world. Take that, Saint Peter’s!

Wat an Adventure!

Angkor Wat is composed of a series of elevated towers, covered galleries, chambers, porches and courtyards on different levels linked by stairways. The most famous and best preserved of the temples located within the Angkor Archeological Park, it has been featured on Cambodia’s national flag since 1863.

Four of the five towers represent the peaks surrounding Mount Meru, the home of Hindu gods, with the larger central shrine tower acting as the mythic mount itself. According to local lore, the temple was ordered by the deity Indra, the King of the Gods, to act as an earthly palace for his son Precha Kat Mealea. Some even believe that it appeared overnight, constructed by divine forces.

Originally a Hindu temple, you now find shrines to the Buddha tucked into various nooks throughout Angkor Wat

The concentric galleries represent the outer lands, with the inner courtyard containing the central tower. This was the most sacred part of the complex and most likely held a statue of Vishnu.

The moat surrounding Angkor Wat, fed by a canal from the Siem Reap River,  simulates the ocean encircling Mount Meru. It provided water to the city’s inhabitants and was an integral part of their agrarian culture — it served to irrigate rice fields, and the crops were used as a form of currency.

Many of the bas-relief carvings at Angkor Wat depict warfare

The stone causeway leading to the temple is flanked by a naga balustrade whose ends culminate with its seven raised snake heads.

The outer gallery of Angkor Wat contains intricate bas-relief carvings depicting historical events and stories from Hindu mythology. It has more than 3,000 representations of heavenly nymphs known as apsaras carved into its walls. Each apsara is unique, from its elaborate headdress to its plaited hair and jewelry.

Three of the 3,000 depictions of buxom celestial spirits known as apsaras

A sandstone structure located within the heart of the temple complex is believed to have served as one of the libraries at Angkor Wat. The symmetrical cruciform structure would have held sacred manuscripts. Some of the columns have been replaced with cement copies for structural support.

An eight-armed statue of Vishnu stands to the south of the central tower, which may originally have been enshrined within. The statue is known as Ta Reach, and it is worshipped by Hindu visitors and Buddhist locals as well, as its head was replaced by that of a Buddha.

Sugiva, the Monkey King, and his army of warriors

The centuries-old Angkor Wat temple is an integral part of the Khmer legacy and worthy of spending several hours wandering through. Be sure to head there early to avoid the crowds. –Duke


Take a virtual tour of Angkor Wat!


Courtesy of www.AirPano.com

Bayon Temple: The Star of Angkor Thom

Angkor Wat’s rival features serenely smiling giant faces and a battle between gods and demons.

The smiling heads that are found throughout the Bayon Temple complex most likely depict the king — not the Buddha as many assume

Growing up, I was fascinated by ancient cultures. I remember a book series I had from National Geographic on lost civilizations. On the cover of one of them was the image of a mysterious smiling stone face, which I would later discover belonged to the Bayon Temple, located in the Angkor Archeological Park in Cambodia.

I spent a lot of time playing in the fields surrounding my childhood home, pretending one day that I was a calligrapher from the Ming Dynasty and the next that the concrete foundation of an old barn was actually an undiscovered Roman temple. That’s why our visit to the Angkor complex was a dream come true.

Over 200 large stone faces with almond-shaped eyes and enigmatic smiles are carved into the towers.

After a quick breakfast at our favorite spot in Siem Reap, Blue Pumpkin, a French patisserie, our group departed for Angkor Thom, the 12th century capital of the Khmer Empire. Indeed, its name means “Great City.”

We arrived shortly after 9 a.m. and were delighted to see that there were not yet many other tourists circulating amongst the ruins.

Duke and Wally were giddy kicking off their exploration of Angkor wandering Bayon, with its intricately carved bas reliefs and giant stone faces

The Battle for the Nectar of Immortality

The bridge approaching Bayon is flanked by a combined total of 108 guardian deities. To the left are 54 giant figures of devas (gods) and on the right asuras (demons) whose faces have an expressive range of emotions. Both rows are holding a naga (serpent) as if they were engaged in a tug of war. Some of the heads on these figures are copies; the original ones have been removed and are at the Angkor Conservancy in Siem Reap.

On one side of the bridge leading into Angkor Thom, demons called asuras use a giant snake to churn out the Nectar of Immortality. Gods do the same on the left. Which side do you think Wally and I liked most?

According to Hindu mythology, the sculptures are a narrative depicting the Churning of the Sea of Milk. At the suggestion of the god Vishnu, the devas and asuras, consummate enemies, worked together for a millennium to churn the ocean by pulling on the body of Vasuki, the king of the serpents, to release amrita. This is defined as “the Nectar of Immortal Life,” which, curiously, is also the Sanskrit term for female ejaculate. That must be the longest session of tantric sex in the history of the world!

When the amrita finally emerged, along with several other treasures, the devas and asuras fought over it. However, Vishnu, in the form of Mohini the Enchantress, managed to lure the asuras into handing over the amrita, which she then distributed to the devas.

Rahu, an asura, disguised himself as a deva and tried to drink some amrita himself, but Surya (the sun god) and Chandra (the moon god) alerted Vishnu to this deception. Vishnu then decapitated Rahu just as he started to swallow the nectar, leaving only his head immortal.

Prasat Bayon

Angkor Thom is encircled by a moat, now dry, that surrounds the fortified city and was said to have been filled with crocodiles to deter potential invaders.

A UNESCO World Heritage site since 1992, Prasat Bayon served as the state temple and stood at the geographical center of King Jayavarman VII’s new capital, Angkor Thom. Built primarily as a Mahayana Buddhist shrine dedicated to Avalokitesvara, the bodhisattva of compassion, some historians believe the faces to be of Jayavarman himself, thus allowing the king to take on the attributes of someone whose capable of reaching enlightenment but delays it to save others from suffering.

The massive gate pavilion topped with large carved faces watches approaching visitors

The Bayon Temple complex was built under the direction of the Mahayana Buddhist ruler Jayavarman VII, who ascended to the Khmer kingdom’s throne at Angkor in 1181 CE. He erected the site for Buddhist worship, although it later was renovated and used as a Hindu temple. Various forms of Hindu and Buddhist worship were practiced side-by-side and successively in the ancient royal courts of Southeast Asia.

Classical Khmer kings promoted the concept of divine kingship that was transferred to the Buddhist kings. Usually the Hindu god chosen for this personal identification was Shiva, but sometimes it was Vishnu, or, for some, a godly image of Buddhist origins. Khmer temples thus often portray the ruling king incarnated as the god, whose shrines are within a monument on Earth that models the design of the cosmos and heavens.

After the death of Jayavarman, some of the features of Bayon were altered according to the religious belief of his successors. The pineapple-shaped towers are an architectural representation of the peaks of Mount Meru, the abode of gods. The complex contains Hindu and Theravada Buddhist elements that were not part of the temple’s original plan.

An intricately detailed bas relief of dancing apsaras, celestial nymphs

The ground level gallery of the complex is full of intricately carved bas reliefs. The absence of a wooden roof above these pillars bathes the reliefs with sunlight. Some of the carvings depict scenes of epic battles between the Khmer and Cham warriors. Others are of everyday life: bookies taking bets at a cockfight, men fishing in Tonlé Sap or monks trying to remove the sarong of a young girl. Scandalous!

Prasat Bayon is the purrfect place for a catnap

 

Don’t Lose Your Head

Describing a visit to Bayon in 1912, the French novelist Pierre Loti wrote:

“I looked up at all those towers, rising above me, overgrown in the greenery and suddenly shivered with fear as I saw a giant frozen smile looming down at me … and then another smile, over there in another tower … and then three, and then five, and then ten.”

As you climb up to the top level, you reach the central tower and sanctuary, or prasat, which is believed to have once been covered in gold. Over 200 large stone faces of the Avalokitesvara with their almond-shaped eyes and enigmatic smiles are carved into the 54 towers, giving this temple its majestic character.

A couple of officers decided to join our group photo at Bayon in Cambodia

The iconic face towers of Prasat Bayon were distinct among the many Angkor temples and made me feel like being a kid again. It’s no wonder our guide kicked off our tour of Angkor with this stunning ruin. –Duke

Banteay Srei, Angkor’s Pretty in Pink Temple

Delicate carvings and animal-headed guardians make this intimate citadel one of the must-see Siem Reap attractions.

Banteay Srei, with its carvings from Hindu mythology on its pink walls, is like something out of a storybook

We all called it the Pink Temple because of the rose-hued sandstone used to build it. Somehow it’s fitting that this was the only temple not built for a king — and, in fact, only women could enter its inner sanctum, our guide Kimsan told us.

You can imagine the statues springing to life should anything threaten this gorgeous fairytale complex.

Banteay Srei was a citadel for women that housed libraries

Its real name is Banteay Srei, the Women’s Citadel, though some translate this as Citadel of Beauty. Located about half an hour from the tourist base of Siem Reap, Cambodia, it’s a definite inclusion on any itinerary of the area. Completed in 967 CE and expanded until the 14th century, it’s one of the best-preserved structures in the Angkor Wat region. It wasn’t rediscovered until 1914.

The Pink Temple’s rosy-hued sandstone allowed for elaborate carvings

Banteay Srei is a Hindu temple, primarily to worship Lord Shiva the Destroyer, though the northern buildings are dedicated to Vishnu the Preserver. It’s said to be the most Indian-influenced of all the temples, and the carvings were the most ornate we saw on our trip.

In this image, the demon king Ravana tries to lift Mount Kailash, where Lord Shiva is meditating, and bring it back to his own kingdom

Part of the fun of exploring Banteay Srei is crossing the wide moat on the narrow footpath.

The temple was built to honor the Hindu god of destruction, Shiva

Once you make that crossing, you’re transported to another world. The pinkish structures are now tinged with green lichen, calling to mind a forgotten palace from a Hindu epic.

Gods called devatas pose in niches, guarded by animal-headed warriors

The most impressive part of Banteay Srei is the exterior decoration. The walls are covered with curlicues and flourishes that evoke climbing vines. Nestled in niches throughout are gods and goddesses known as devatas. Both sexes are topless, the women with breasts as large and perfectly round as melons.

In 1923, an art thief named André Malraux stole four of the figures, but he was caught shortly thereafter, and the devatas were returned to Banteay Srei to pose for tourists and pilgrims once again.

Most of the walls of Banteay Srei are covered with complex carved ornamentation

Some of the buildings in this intimate complex once housed libraries. Guess those women were smart.

These statues keep watch over the interior of Banteay Srei citadel

My personal favorite part of Banteay Srei are its guardians. Humanlike creatures with the heads of animals are found throughout the inner part of the complex. They’re resting in a pose that's somehow between sitting and kneeling. Some have what I thought to be the head of an eagle, like the Hindu deity Garuda — though they also could have been monkeys. Others sport what might be the head of a lion, though it’s hard to say. And some just look like dudes with cheesy mustaches.

Some of the guardians have the heads of animals, and some just have mustaches

These are the citadel’s protectors, and you can imagine them springing to life should anything threaten this gorgeous fairytale complex. –Wally


Ta Phrom, the Tomb Raider Temple

A wild, overgrown must-see stop on a visit to Angkor Wat.

The jungle has reclaimed parts of Ta Prohm temple, which makes it a fun one to explore

The sacred temple of Ta Phrom caught the attention of location scouts and served as the setting for an epic scene in the cinematic adaptation of Lara Croft: Tomb Raider.

Since its debut on the big screen in the summer of 2001, Ta Phrom is now commonly referred to as the Tomb Raider Temple. The sprawling and atmospheric ruins are located about two miles northeast of the Angkor Wat Archeological Park in Cambodia.

The strangler figs’ sinuous, gnarled roots spread out and over the temple walls like the tentacles of a kraken.

Like an episode of the television series Life After People, the jungle didn’t waste time in reclaiming the structure after it was abandoned in the 15th century. The towering strangler fig trees that have become an iconic and integral part of the ruins share a symbiotic relationship with the structure — their sinuous, gnarled roots spread out and over its walls like the tentacles of a kraken.

An obligatory photo of our group taken underneath the roots of the towering strangler fig tree in the inner courtyard at Ta Phrom, where Angelina Jolie’s Lara Croft picked a jasmine flower before falling into the catacombs of the temple

It’s easy to see why this temple was featured as one of the settings in the action-adventure film Tomb Raider — in which actress Angelina Jolie portrayed the popular video game heroine Lara Croft, battling the secret society of the Illuminati to recover powerful ancient artifacts. Incidentally, we picked up a copy of the DVD at the Angkor Night Market and watched it when we returned from our trip. Not the best movie, in my humble opinion, but it was fun to see Ta Phrom get the Hollywood treatment, and Jolie appeared to enjoy herself.

As an interesting aside, our guide Kimsan told us that Jolie was one of the last Americans to legally adopt a child from Cambodia. Her son Maddox was born in the northwest province of Battambang and was 7 months old at the time. Kimsan explained that Cambodia was suffering from the illegal opportunistic trafficking and exploitation of children. As a result, the Cambodian government has put a ban on expatriate adoptions, grappling with the complicated issues of its overrun, unregistered and unregulated orphanages.

The western entrance pavilion contains a towering gate, with four large serene faces overlooking the cardinal directions

A Mother of a Memorial

Ta Phrom was built as a monastery by King Jayavarman VII in the Bayon style during a time when Mahayana Buddhism was the state religion. As Jayavarman saw himself as the devaraja, a mortal god-king, it’s only fitting that the temple’s primary deity, the Bodhisattva Prajnaparamita (the Perfection of Transcendent Wisdom), was fashioned in the likeness of his mother.

Walking onto the jungle path, Ta Phrom left me with a childlike sense of wonder. Unlike the majority of Angkor’s restored temples, it has been left largely as it was found. Partially cleared of jungle vegetation, it wasn’t difficult to imagine how French botanist Henri Mahout felt when he rediscovered these ruins in 1860. An excerpt from his posthumously published journal breathlessly noted:

“There are … ruins of such grandeur … that, at the first view, one is filled with profound admiration, and cannot but ask what has become of this powerful race, so civilized, so enlightened, the authors of these gigantic works?”

Half-hidden, intricately carved reliefs lie strewn about the site like jigsaw puzzle piece

Here before us lay the low expansive enclosures of Ta Phrom, with fig, banyan and kapok trees spreading their roots amongst the lichen-covered sandstone pillars that lined the passageways. An otherworldly mist hung about the ruins, even though it was quite humid — or perhaps that was just how I remember it.


Courtesy of www.AirPano.com

Laterite and sandstone were used in the construction of Ta Phrom. Quarried locally in the Kulen Mountains, sandstone worked well for the extensive carvings that adorned the walls. The temple includes a prasat, a square sanctuary tower with a chamber, over which a multitiered tower rises. Four doorways open into the chamber, which once housed the sacred idol.

Undeniably spectacular, the jungle setting of Ta Phrom is easy to explore and has all of its galleries at ground level. –Duke